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Judy Garland's Judy at Carnegie Hall (33 1/3)

On the night of Sunday, April 23, 1961 Judy Garland made history. That's no hyperbole. Surrounded by a throng of ecstatic fans (3,165 to be exact), the legendary performer delivered a concert in Carnegie Hall the live recording of which became, upon release, an unlikely pop cultural phenomenon. Judy at Carnegie Hall, the two-disc set that captured all 25 numbers she performed that night, went on to spend more than 70 weeks on the Billboard charts, win four Grammy Awards--including Album of the Year (making it the first live music album and the first album by a female performer to win the category)--and become, in the process, the fastest-selling two-disc set in history. What the recording highlights, and what's made it an enduring classic in a class of its own, is the palpable connection between the songstress and her fans. "Indeed," The New York Times reported in its review of the evening's proceedings, "what actually was to have been a concert--and was--also turned into something not too remote from a revival meeting." By looking at her song choices, her stage banter, the album's cultural impact, and her place in the gay pantheon, this book argues that Judy's palpable connection with her fans is precisely what her Capitol Records' two-disc album captured.

Judy Garland's Judy at Carnegie Hall (33 1/3 #145)

On the night of Sunday, April 23, 1961 Judy Garland made history. That's no hyperbole. Surrounded by a throng of ecstatic fans (3,165 to be exact), the legendary performer delivered a concert in Carnegie Hall the live recording of which became, upon release, an unlikely pop cultural phenomenon. Judy at Carnegie Hall, the two-disc set that captured all 25 numbers she performed that night, went on to spend more than 70 weeks on the Billboard charts, win four Grammy Awards--including Album of the Year (making it the first live music album and the first album by a female performer to win the category)--and become, in the process, the fastest-selling two-disc set in history. What the recording highlights, and what's made it an enduring classic in a class of its own, is the palpable connection between the songstress and her fans. "Indeed," The New York Times reported in its review of the evening's proceedings, "what actually was to have been a concert--and was--also turned into something not too remote from a revival meeting." By looking at her song choices, her stage banter, the album's cultural impact, and her place in the gay pantheon, this book argues that Judy's palpable connection with her fans is precisely what her Capitol Records' two-disc album captured.

Jugend als Objekt der Wissenschaften: Geschichte der Jugendforschung in Deutschland und Österreich 1890–1933

Das Buch untersucht auf breiter Materialbasis die Entstehung und Entwicklung der Jugendforschung innerhalb und außerhalb der Universitäten seit der Jahrhundertwende. Analysiert werden die wichtigsten Theorien und Theoretiker, die Etablierung des Jugenddiskurses in Fachzeitschriften, Vereinen, an den Universitäten in Forschung und Lehre. Der Band leistet einen Beitrag zur Jugendforschung wie zur Wissenschaftsgeschichte von Psychologie, Pädagogik, Soziologie und Psychoanalyse.

Jugend und Freizeit in der DDR (Beiträge zur soziologischen Forschung #8)

Jugendstil Women and the Making of Modern Design (Cultural Histories of Design)

Jugendstil, that is Germany's distinct engagement with the international Art Nouveau movement, is now firmly engrained in histories of modern art, architecture and design. Recent exhibitions and publications across the world explored Jugendstil's key protagonists and artistic centres to firmly anchor their activities within the trajectories of German modernism. Women, however, continue to be largely absent from these revisionist accounts.Jugendstil Women and the Making of Modern Design argues that women in fact actively participated in the cultural and socio-economic exchanges that generated German design responses to European modernity. By drawing on previously unpublished archival material and a series of original case studies including Elsa Bruckmann's Munich salon, the Photo Studio Elvira and the Debschitz School, the book explores women's important contributions to modern German culture as collectors, consumers, critics, designers, educators, and patrons.This book offers a new interpretation of this vibrant period by considering diverse manifestations of historical female agency that pushed against historically entrenched conventions and gender roles. The book's rigorous approach reshapes Jugendstil historiography by positing women's lived experiences against dominant ideologies that emerged at this precise moment. In short, the book advocates women as an integral part of the emergence, dissemination and reception of Jugendstil and questions the deeply gendered histories of this key period in modern art, architecture and design.

Jugendstil Women and the Making of Modern Design (Cultural Histories of Design)

Jugendstil, that is Germany's distinct engagement with the international Art Nouveau movement, is now firmly engrained in histories of modern art, architecture and design. Recent exhibitions and publications across the world explored Jugendstil's key protagonists and artistic centres to firmly anchor their activities within the trajectories of German modernism. Women, however, continue to be largely absent from these revisionist accounts.Jugendstil Women and the Making of Modern Design argues that women in fact actively participated in the cultural and socio-economic exchanges that generated German design responses to European modernity. By drawing on previously unpublished archival material and a series of original case studies including Elsa Bruckmann's Munich salon, the Photo Studio Elvira and the Debschitz School, the book explores women's important contributions to modern German culture as collectors, consumers, critics, designers, educators, and patrons.This book offers a new interpretation of this vibrant period by considering diverse manifestations of historical female agency that pushed against historically entrenched conventions and gender roles. The book's rigorous approach reshapes Jugendstil historiography by positing women's lived experiences against dominant ideologies that emerged at this precise moment. In short, the book advocates women as an integral part of the emergence, dissemination and reception of Jugendstil and questions the deeply gendered histories of this key period in modern art, architecture and design.

The Juggler of Notre Dame and the Medievalizing of Modernity: Volume 4: Picture That: Making a Show of the Jongleur

This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. Volume 4 examines the famous Le jongleur de Notre Dame by the French composer Jules Massenet, which took Europe by storm after premiering in 1902 and then crossed the Atlantic to the impresario Oscar Hammerstein and the diva Mary Garden, who gave the opera new legs as a female juggler. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.

The Juggler of Notre Dame and the Medievalizing of Modernity: Volume 6: War and Peace, Sex and Violence

This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. In this concluding volume, Ziolkowski explores the popularity of The Juggler of Notre Dame from the 1930s through the Second World War, especially in the Allied Resistance. Its popularity in the United States was subsequently maintained by figures as diverse as Tony Curtis and W. H. Auden, and although recently the story and medievalism have lost ground, the future of both holds promise. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.

The Juggler of Notre Dame and the Medievalizing of Modernity: Volume 5: Tumbling into the Twentieth Century

This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. In this volume Jan Ziolkowski follows the juggler of Notre Dame as he cavorts through new media, including radio, television, and film, becoming closely associated with Christmas and embedded in children’s literature. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.

The Juggler of Notre Dame and the Medievalizing of Modernity: Vol. 4: Picture That: Making a Show of the Jongleur (PDF)

This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. Volume 4 examines the famous Le jongleur de Notre Dame by the French composer Jules Massenet, which took Europe by storm after premiering in 1902 and then crossed the Atlantic to the impresario Oscar Hammerstein and the diva Mary Garden, who gave the opera new legs as a female juggler. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.

Juke Box Britain: Americanisation and Youth Culture, 1945–60 (PDF) (Studies In Popular Culture Ser.)

British teenagers witnessed immense cultural change in the period following the second world war. There were less than 100 juke boxes in Britain in 1945 and over 15,000 by 1958. Over the same period there was a similar unprecedented expansion of casual youth venues in the form of cafés, snack, milk and coffee bars where young people could hear the sounds of hot American jazz and rock ‘n’ roll. It has been a common assumption among academics and cultural historians alike that British youth between 1945 and 1960 underwent a period of massive ‘Americanisation’. Juke Box Britain contests this view maintaining that American popular-cultural influences were not examples of cultural domination but simply influences that combined with existing styles to create distinctly British style fusions. Juke Box Britain is suitable for students of cultural, social and design histories as well as cultural studies and provides fascinating reading for youth culture and juke box enthusiasts.

Jules Guesde: The Birth of Socialism and Marxism in France (Marx, Engels, and Marxisms)

What explains France’s unique Left? Many works have reflected upon the importance of Marxism in France, yet few studies have been devoted to the man who did most to introduce Marxism into its political culture: the today near-forgotten figure of Jules Guesde. It was with Guesde that Karl Marx drafted the world’s first Marxist program, and Guesde who aroused the enthusiasm of countless worker-militants who saw him as their most important leader. Jules Guesde represents the first book-length study of the French socialist leader translated into the English language. For the radical Left today, Guesde is often considered a dogmatist who supported the Union sacrée during World War I and rejected the Bolshevik revolution; for the governmental Left, he embodies an intransigent ideologue who held back the modernization of the French Left. Throughout Jules Guesde, Jean-Numa Ducange argues that it is impossible to study the history of the French socialist movement without a close look at this singular figure and offers a fuller picture of the deep transformations of the Left and Marxism in France from the late 19th century up to the present. This scholarly biography of Jules Guesde seeks to put Guesde’s record on a properly historical footing, closely analysing both archival sources and accounts by his contemporaries. Chapter One begins with his early life and the mark left on him by the Paris Commune and exile. Chapter Two emphasises Guesde’s importance as leader of a distinct current of French socialism, recognised by figures like Karl Marx and Friedrich Engels. Chapter Three sees Guesde become an MP for working-class Roubaix, exploring the contradictions between his revolutionary rhetoric and concrete political practice. Chapter Four turns to the years following his electoral defeat in 1898 and his renewed intransigence in the period of the Dreyfus affair and rivalry with Jaurès. Chapter Five explores his key role in the formation of a united Socialist Party. Chapter Six examines the test of World War I and Guesde’s anguish at the divisions of French socialism. The book then concludes with an examination of Guesde’s contested legacy, as both a “founding father” and figure subject to often pejorative framings.

Julia

One summer's afternoon in 1981, a factory owner, Christiaan Dudok, is found dead in his study having taken his own life. He has left no suicide note, but on his desk is a newspaper from 2 April 1942, reporting on the bombing of the north German town of Lübeck. The list of the dead includes the highlighted name of Julia Bender. As a young man finishing his studies in Lübeck in 1938, Christiaan is irresistibly drawn to Julia, a courageous German who has emphatically rejected the Nazi regime. But that same year he is forced to leave both Germany and the woman he loves, even though he suspects that he is making the greatest mistake of his life .Julia is the story of a life lived wrongly, of a love so great that it endures for decades, and yet still fails. Fear of life and loss of courage, and terrifying inhuman fanaticism are the compelling themes explored in Otto de Kat's elegantly accomplished, elegiac novel.

Julia Augusta: Images of Rome's First Empress on Coins of the Roman Empire

Julia Augusta examines the socio-political impact of coin images of Augustus’s wife, Livia, within the broader context of her image in other visual media and reveals the detailed visual language that was developed for the promotion of Livia as the predominant female in the Roman imperial family. The book provides the most comprehensive examination of all extant coins of Livia to date, and provides one of the first studies on the images on Roman coins as gender-infused designs, which created a visual dialogue regarding Livia’s power and gender-roles in relation to those of male members of the imperial family. While the appearance of Roman women on coins was not entirely revolutionary, having roughly coincided with the introduction of images of powerful Roman statesmen to coins in the late 40s BCE, the degree to which Livia came to be commemorated on coins in the provinces and in Rome was unprecedented. This volume provides unique insights into the impact of these representations of Livia, both on coins and in other visual media. Julia Augusta: Images of Rome’s First Empress on the Coins of the Roman Empire will be of great interest to students of women and imperial imagery in the Roman Empire, as well as the importance of visual representation and Roman imperial ideology.

Julia Augusta: Images of Rome's First Empress on Coins of the Roman Empire

Julia Augusta examines the socio-political impact of coin images of Augustus’s wife, Livia, within the broader context of her image in other visual media and reveals the detailed visual language that was developed for the promotion of Livia as the predominant female in the Roman imperial family. The book provides the most comprehensive examination of all extant coins of Livia to date, and provides one of the first studies on the images on Roman coins as gender-infused designs, which created a visual dialogue regarding Livia’s power and gender-roles in relation to those of male members of the imperial family. While the appearance of Roman women on coins was not entirely revolutionary, having roughly coincided with the introduction of images of powerful Roman statesmen to coins in the late 40s BCE, the degree to which Livia came to be commemorated on coins in the provinces and in Rome was unprecedented. This volume provides unique insights into the impact of these representations of Livia, both on coins and in other visual media. Julia Augusta: Images of Rome’s First Empress on the Coins of the Roman Empire will be of great interest to students of women and imperial imagery in the Roman Empire, as well as the importance of visual representation and Roman imperial ideology.

Julia Augusti (Women of the Ancient World)

This scholarly biography details the life of an extraordinary woman in an extraordinary society. Julia Augusti studies the life of the only daughter of Augustus, the first Roman emperor, and the father who sacrificed his daughter and her children in order to establish a dynasty. Studying the abundant historical evidence available, this biography studies each stage of Julia’s life in remarkable detail: her childhood - taken from her divorced mother to become part of a complex and unstable family structure her youth - set against the brilliant social and cultural life of the new Augustan Rome her marriages - as tools for Augustus’ plans for succession Julia’s violation of her father’s moral regime, and the betrayal of her absent husband. Reflecting new attitudes, and casting fresh light on their social reality, this outstanding biography will delight, entertain and inform anyone interested in this engaging Classical figure.

Julia Augusti (Women of the Ancient World)

This scholarly biography details the life of an extraordinary woman in an extraordinary society. Julia Augusti studies the life of the only daughter of Augustus, the first Roman emperor, and the father who sacrificed his daughter and her children in order to establish a dynasty. Studying the abundant historical evidence available, this biography studies each stage of Julia’s life in remarkable detail: her childhood - taken from her divorced mother to become part of a complex and unstable family structure her youth - set against the brilliant social and cultural life of the new Augustan Rome her marriages - as tools for Augustus’ plans for succession Julia’s violation of her father’s moral regime, and the betrayal of her absent husband. Reflecting new attitudes, and casting fresh light on their social reality, this outstanding biography will delight, entertain and inform anyone interested in this engaging Classical figure.

Julia Domna: Syrian Empress (Women of the Ancient World)

This book covers Julia’s life, and charts her travels throughout the Empire from Aswan to York during a period of profound upheaval, and seeks the truth about this woman who inspired such extreme and contrasting views, exposing the instability of our sources about her, and characterizing a sympathetic, courageous, intelligent, and important woman. This book contains a fresh re-assessment of the one of the most significant figures of her time and questions: • Was Julia more powerful than earlier empresses? • Did she really promote despotism? • How seriously is her literary circle to be taken? As part of a dynasty which used force and violence to preserve its rule, she was distrusted by its subjects; as a Syrian, she was the object of prejudice; as a woman with power, she was resented. On the other hand, Domna was the centre of a literary circle considered highly significant by nineteenth-century admirers.

Julia Domna: Syrian Empress (Women of the Ancient World)

This book covers Julia’s life, and charts her travels throughout the Empire from Aswan to York during a period of profound upheaval, and seeks the truth about this woman who inspired such extreme and contrasting views, exposing the instability of our sources about her, and characterizing a sympathetic, courageous, intelligent, and important woman. This book contains a fresh re-assessment of the one of the most significant figures of her time and questions: • Was Julia more powerful than earlier empresses? • Did she really promote despotism? • How seriously is her literary circle to be taken? As part of a dynasty which used force and violence to preserve its rule, she was distrusted by its subjects; as a Syrian, she was the object of prejudice; as a woman with power, she was resented. On the other hand, Domna was the centre of a literary circle considered highly significant by nineteenth-century admirers.

Julia in Ireland: A Julia Probyn Mystery, Book 8 (The Julia Probyn Mysteries)

While on an assignment with British Intelligence in Morocco, the widowed Julia Probyn Jamieson, journalist, amateur sleuth and occasional spy, loses her heart to Gerald O'Brien, a kind and unassuming lawyer. Together with her five-year-old son, Julia travels to Gerald's family home in Ireland to see if the country life could be for her.Julia's quiet vacation is interrupted when she stumbles upon a plot by a cunning landowner. It is down to Julia to investigate the devious scheme, which would destroy the wild beauty of the coast and disrupt the peace of the community. Julia in Ireland, is book eight and last in The Julia Probyn Mysteries.

Julia Lathrop: Social Service and Progressive Government

Julia Lathrop was a social servant, government activist, and social scientist who expanded notions of women's proper roles in public life during the early 1900s. Appointed as chief of the U.S. Children's Bureau, created in 1912 to promote child welfare, she was the first woman to head a United States federal agency. Throughout her life, Lathrop challenged the social norms of the time and became instrumental in shaping Progressive reform. She began her career at Hull House in Chicago, the nation's most famous social settlement, where she worked to improve public and private welfare for poor people, helped establish America's first juvenile court, and pushed for immigrant rights. Lathrop was also co-founder of one of America's first schools of social work. Later in life she became a leader in the League of Women Voters and an advisor on child welfare to the League of Nations. Following Lathrop's life from her childhood and college education through her social service and government work, this book gives an overview of her enduring contribution to progressive politics, women's employment, and women's education. It also offers a look at how one influential woman worked within the bounds of traditional conventions about gender, race, and class, and also pushed against them.About the Lives of American Women series:Selected and edited by renowned women's historian Carol Berkin, these brief biographies are designed for use in undergraduate courses. Rather than a comprehensive approach, each biography focuses instead on a particular aspect of a woman's life that is emblematic of her time, or which made her a pivotal figure in the era. The emphasis is on a ?good read,? featuring accessible writing and compelling narratives, without sacrificing sound scholarship and academic integrity. Primary sources at the end of each biography reveal the subject's perspective in her own words. Study questions and an annotated bibliography support the student reader.

Julia Lathrop: Social Service and Progressive Government (Lives Of American Women Ser.)

Julia Lathrop was a social servant, government activist, and social scientist who expanded notions of women's proper roles in public life during the early 1900s. Appointed as chief of the U.S. Children's Bureau, created in 1912 to promote child welfare, she was the first woman to head a United States federal agency. Throughout her life, Lathrop challenged the social norms of the time and became instrumental in shaping Progressive reform. She began her career at Hull House in Chicago, the nation's most famous social settlement, where she worked to improve public and private welfare for poor people, helped establish America's first juvenile court, and pushed for immigrant rights. Lathrop was also co-founder of one of America's first schools of social work. Later in life she became a leader in the League of Women Voters and an advisor on child welfare to the League of Nations. Following Lathrop's life from her childhood and college education through her social service and government work, this book gives an overview of her enduring contribution to progressive politics, women's employment, and women's education. It also offers a look at how one influential woman worked within the bounds of traditional conventions about gender, race, and class, and also pushed against them.

The Julia Legacy (Maze Investigations - The Genealogy Detectives #3)

After receiving an unexpected inheritance of jewellery, including a rare 'spoon ring', Zelah has agreed to go to Cornwall to find out more about its history. Yet knows she may have to face discovering her own unknown history. So in the middle of a glorious summer, Maze takes a month off and heads to south Cornwall. Staying in a beautiful, unique house on the edge of a cliff above the sea, Maggie, Nick and Zelah begin an investigation. They soon find that the story of the ring is shrouded in tales of theft, betrayal and murder; which isn’t all in the past.

Julia Margaret Cameron’s ‘fancy subjects’: Photographic allegories of Victorian identity and empire

Ignored or derided until now, this book looks at Cameron's allegorical work in relation to the political and artistic zeitgeist of the Victorian period.

Julia Margaret Cameron’s ‘fancy subjects’: Photographic allegories of Victorian identity and empire

Ignored or derided until now, this book looks at Cameron's allegorical work in relation to the political and artistic zeitgeist of the Victorian period.