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Massacres of the South

Massada's Astaganaga (33 1/3 Europe)

This book explores an album of popular music with a remarkable significance to a violent wave of postcolonial tensions in the Netherlands in the 1970s. Several “actions” were claimed by a small number of first-generation descendants of ca. 12,500 reluctant migrants from the young independent state of Indonesia (former Dutch East Indies). Transferred in 1951, this culturally coherent group consisted of ex-Royal Dutch Colonial Army personnel and their families. Their ancient roots in the Moluccan archipelago and their protestant-christian faith defined their minority image. Their sojourn should have been temporary, but frustratingly turned out to be permanent. At the height of strained relations, Massada rose to the occasion. Astaganaga (1978) is a telling example of the will to negotiate a different diasporic Moluccan identity through uplifting contemporary sounds.

Massada's Astaganaga (33 1/3 Europe)

This book explores an album of popular music with a remarkable significance to a violent wave of postcolonial tensions in the Netherlands in the 1970s. Several “actions” were claimed by a small number of first-generation descendants of ca. 12,500 reluctant migrants from the young independent state of Indonesia (former Dutch East Indies). Transferred in 1951, this culturally coherent group consisted of ex-Royal Dutch Colonial Army personnel and their families. Their ancient roots in the Moluccan archipelago and their protestant-christian faith defined their minority image. Their sojourn should have been temporary, but frustratingly turned out to be permanent. At the height of strained relations, Massada rose to the occasion. Astaganaga (1978) is a telling example of the will to negotiate a different diasporic Moluccan identity through uplifting contemporary sounds.

The Masses Are Revolting: Victorian Culture and the Political Aesthetics of Disgust

The Masses Are Revolting reconstructs a pivotal era in the history of affect and emotion, delving into an archive of nineteenth-century disgust to show how this negative emotional response came to play an outsized, volatile part in the emergence of modern British society. Attending to the emotion's socially productive role, Zachary Samalin highlights concrete scenes of Victorian disgust, from sewer tunnels and courtrooms to operating tables and alleyways. Samalin focuses on a diverse set of nineteenth-century writers and thinkers—including Charles Darwin, Charles Dickens, Karl Marx, Friedrich Engels, Thomas Hardy, George Gissing, and Charlotte Brontë—whose works reflect on the shifting, unstable meaning of disgust across the period.Samalin elaborates this cultural history of Victorian disgust in specific domains of British society, ranging from the construction of London's sewer system, the birth of modern obscenity law, and the development of the conventions of literary realism to the emergence of urban sociology, the rise of new scientific theories of instinct, and the techniques of colonial administration developed during the Indian Rebellion of 1857. By bringing to light disgust's role as a public passion, The Masses Are Revolting reveals significant new connections among these apparently disconnected forms of social control, knowledge production, and infrastructural development.

Masses by Giovanni Rovetta, Ortensio Polidori, Giovanni Battista Chinelli, Orazio Tarditi (Seventeenth Century Italian Sacred Music in Twenty Five)

The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.

Masses by Giovanni Rovetta, Ortensio Polidori, Giovanni Battista Chinelli, Orazio Tarditi (Seventeenth Century Italian Sacred Music in Twenty Five)

The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.

Massinger’s Italy: Re-Imagining Italian Culture in the Plays of Philip Massinger (Anglo-Italian Renaissance Studies)

Massinger’s Italy: Re-Imagining Italian Culture in the Plays of Philip Massinger offers the first book-length account of the pervasive influence of Italian culture on the canon of Philip Massinger, one of the most successful playwrights of the post-Shakespearean period. This volume explores the relationships between Massinger and Italian literary, dramatic and intellectual culture in the larger context of Anglo-Italian cultural exchanges. The book investigates the influence of Italian culture, considering Massinger’s engagement and appropriation of Italian texts, dramatic and political theories and ideas related to the country and his use of Italy as a setting. Massinger’s Italy offers a fresh and unexpected perspective on the development of Anglo-Italian discourse on the early modern English stage, showing to what extent Massinger contributed to the myth of Italy and to the circulation of Italian culture and shedding light on the complex system of Anglo-Italian interconnections within the corpus of Massinger’s plays as well as with the works of Shakespeare and his contemporaries.

Massinger’s Italy: Re-Imagining Italian Culture in the Plays of Philip Massinger (Anglo-Italian Renaissance Studies)

Massinger’s Italy: Re-Imagining Italian Culture in the Plays of Philip Massinger offers the first book-length account of the pervasive influence of Italian culture on the canon of Philip Massinger, one of the most successful playwrights of the post-Shakespearean period. This volume explores the relationships between Massinger and Italian literary, dramatic and intellectual culture in the larger context of Anglo-Italian cultural exchanges. The book investigates the influence of Italian culture, considering Massinger’s engagement and appropriation of Italian texts, dramatic and political theories and ideas related to the country and his use of Italy as a setting. Massinger’s Italy offers a fresh and unexpected perspective on the development of Anglo-Italian discourse on the early modern English stage, showing to what extent Massinger contributed to the myth of Italy and to the circulation of Italian culture and shedding light on the complex system of Anglo-Italian interconnections within the corpus of Massinger’s plays as well as with the works of Shakespeare and his contemporaries.

Massive: The Higgs Boson and the Greatest Hunt in Science: Updated Edition

In the early 1960s, three groups of physicists, working independently in different countries, stumbled upon an idea that would change physics and fuel the imagination of scientists for decades. That idea was the Higgs boson – to find it would be to finally understand the origins of mass – the last building block of life itself. Now, almost 50 years later, that particle has finally been discovered.Award-winning science writer Ian Sample weaves together the personal stories and intense rivalries of the teams of scientists behind the Higgs boson. Massive is a tale of grand ambition, trans-Atlantic competition, clashing egos and occasionally spectacular failures. From the giant particle colliders built to further the scientists' quest to the political fallout of budget blowouts, debates over whether the search might even destroy the universe, to the incredible discovery of the particle itself, this is an epic story of imagination, personal ambition, sub-atomic exploration and global significance.Whichever way you look at it, this story is massive.

Massive Attack’s Blue Lines (33 1/3)

In 1991, a loose-knit collective released a record called Blue Lines under the name Massive Attack, splicing together American hip-hop and soul with the sounds of the British underground. With its marauding bass lines, angular guitars, and psychedelic effects, Blue Lines built on the Caribbean soundsystems and nascent rave scene of the 1980s while also looking ahead to the group's signature blend of epic cinematics and lush downtempo. In the process, Blue Lines invented an entirely new genre called trip hop and launched the career of a rapper named Tricky.Ultimately, Blue Lines created the sonic playbook for an emerging future: hybrid, digital, cosmopolitan, and rooted in the black and immigrant communities who animated the urban wreckage of the postindustrial city. Massive Attack envisioned an alternate future in sharp counterpoint to the glossy triumphalism of Brit Pop. And while the group would go on to bigger things, this record was both a warning shot and a definitive statement that sounds as otherworldy today as on the day of its release. As Blue Lines's iconic flame logo spun on turntables the world over, Massive Attack and their spaced-out urban blues reimagined music for the 1990s and beyond.

Massive Attack’s Blue Lines (33 1/3 #140)

In 1991, a loose-knit collective released a record called Blue Lines under the name Massive Attack, splicing together American hip-hop and soul with the sounds of the British underground. With its marauding bass lines, angular guitars, and psychedelic effects, Blue Lines built on the Caribbean soundsystems and nascent rave scene of the 1980s while also looking ahead to the group's signature blend of epic cinematics and lush downtempo. In the process, Blue Lines invented an entirely new genre called trip hop and launched the career of a rapper named Tricky.Ultimately, Blue Lines created the sonic playbook for an emerging future: hybrid, digital, cosmopolitan, and rooted in the black and immigrant communities who animated the urban wreckage of the postindustrial city. Massive Attack envisioned an alternate future in sharp counterpoint to the glossy triumphalism of Brit Pop. And while the group would go on to bigger things, this record was both a warning shot and a definitive statement that sounds as otherworldy today as on the day of its release. As Blue Lines's iconic flame logo spun on turntables the world over, Massive Attack and their spaced-out urban blues reimagined music for the 1990s and beyond.

Massive Resistance: Southern Opposition to the Second Reconstruction

On May 17, 1954, in Brown v. Board of Education, the United States Supreme Court ruled that racial segregation in public schools was unconstitutional. When the court failed to specify a clear deadline for implementation of the ruling, southern segregationists seized the opportunity to launch a campaign of massive resistance against the federal government. What were the tactics, the ideology, the strategies, of segregationists? This collection of original essays reveals how the political center in the South collapsed during the 1950s as opposition to the Supreme Court decision intensified. It tracks the ingenious, legal, and often extralegal, means by which white southerners rebelled against the ruling: how white men fell back on masculine pride by ostensibly protecting their wives and daughters from the black menace, how ideals of motherhood were enlisted in the struggle for white purity, and how the words of the Bible were invoked to legitimize white supremacy. Together these essays demonstrate that segregationist ideology, far from a simple assertion of supremacist doctrine, was advanced in ways far more imaginative and nuanced than has previously been assumed.

Massive Resistance: Southern Opposition to the Second Reconstruction

On May 17, 1954, in Brown v. Board of Education, the United States Supreme Court ruled that racial segregation in public schools was unconstitutional. When the court failed to specify a clear deadline for implementation of the ruling, southern segregationists seized the opportunity to launch a campaign of massive resistance against the federal government. What were the tactics, the ideology, the strategies, of segregationists? This collection of original essays reveals how the political center in the South collapsed during the 1950s as opposition to the Supreme Court decision intensified. It tracks the ingenious, legal, and often extralegal, means by which white southerners rebelled against the ruling: how white men fell back on masculine pride by ostensibly protecting their wives and daughters from the black menace, how ideals of motherhood were enlisted in the struggle for white purity, and how the words of the Bible were invoked to legitimize white supremacy. Together these essays demonstrate that segregationist ideology, far from a simple assertion of supremacist doctrine, was advanced in ways far more imaginative and nuanced than has previously been assumed.

The Master: The life and times of Dally Messenger Australia's first sporting superstar

Dally Messenger was an Australian sporting superstar in the early years of the 20th century - a rugby league icon, rugby union champion, and the most popular sporting personality of this day.He was courted by all codes in that heady period of the early 1900s, when rugby league and Australian rules were fighting to become the dominant winter sport. He represented Australia in rugby league and rugby union and also represented New Zealand in rugby league. Thousands flocked to the grounds when he was playing, and he his revered as an icon in rugby league to this very day.The Master is a popular and authoritative account of the life and times of a superlative sportsman, a tribute to a rugby league player without peer, and an inspiring story for all those who would marvel at this sporting excellence and outstanding achievements.

The Master: Shortlisted for the Man Booker Prize (Picador Classic #105)

Shortlisted for the Man Booker Prize'A triumph' – The Observer'A masterly achievement' – The IndependentIn January 1895 Henry James anticipates the opening of his first play, Guy Domville, in London. The production fails, and he returns, chastened and humiliated, to his writing desk. The result is a string of masterpieces, but they are produced at a high personal cost.In The Master Colm Tóibín captures the exquisite anguish of a man who circulated in the grand parlours and palazzos of Europe, who was astonishingly vibrant and alive in his art, and yet whose attempts at intimacy inevitably failed him and those he tried to love. It is a powerful account of the hazards of putting the life of the mind before affairs of the heart.

Master and Commander (Aubrey/Maturin Series #1)

Set sail for the read of your life …

Master and Disciple: The Cultural Foundations of Moroccan Authoritarianism

In the postcolonial era, Arab societies have been ruled by a variety of authoritarian regimes. Focusing on his native Morocco, Abdellah Hammoudi explores the ideological and cultural foundations of this persistent authoritarianism. Building on the work of Foucault, Hammoudi argues that at the heart of Moroccan culture lies a paradigm of authority that juxtaposes absolute authority against absolute submission. Rooted in Islamic mysticism, this paradigm can be observed in the drama of mystic initiation, with its fundamental dialectic between Master and Disciple; in conflict with other cultural forms, and reelaborated in colonial and postcolonial circumstances, it informs all major aspects of Moroccan personal, political, and gender relations. Its influence is so pervasive and so firmly embedded that it ultimately legitimizes the authoritarian structure of power. Hammoudi contends that as long as the Master-Disciple dialectic remains the dominant paradigm of power relations, male authoritarianism will prevail as the dominant political form. "Connecting political domination to gift exchange, ritual initiation, social loyalty, and gender reversals, Master and Disciple is nothing less than a thoroughgoing revision of our understanding of authoritarian rule in Morocco and in the Arab world in general."—Clifford Geertz, Institute for Advanced Study

Master and God: A Novel Of The Roman Empire

Afflicted by classic paranoia, the self-styled Master and God sees enemies everywhere. As he vents his suspicions, no one is safe. A reluctant hero, Gaius Vinius Clodianus is hand-picked for high rank in the Praetorian Guard a brave man striving for decency in a world of corruption and deceit. Flavia Lucilla, tending the privileged women at court, hears the intimate secrets of a ruler who plays with the lives of his subjects as if he were indeed a careless god. In the dark shadow of Domitian's reign, Clodianus and Lucilla play out their own complex tale of resilience, friendship and love. Unwilling witnesses to Domitian's descent into insanity, these ordinary people must choose between their sworn duty to protect the Emperor and an act of courage that will change the future of Rome.

The Master and His Emissary: The Divided Brain and the Making of the Western World

A new edition of the best-selling classic—published with a special introduction to mark its tenth anniversary “A veritable tour de force, gradually and skilfully revealed. I know of no better exposition of the current state of functional brain neuroscience.”—W. F. Bynum, TLS “A profound examination.”—Philip Pullman “Persuasively argues that our society is suffering from the consequences of an over-dominant left hemisphere losing touch with its natural regulative ‘master’ the right. Brilliant and disturbing.”—Salley Vickers, a Guardian Best Book of the Year “Clear, penetrating, lively, thorough and fascinating. . . . I couldn’t put it down.”—Mary Midgley, The Guardian

Master and Servant Law: Chartists, Trade Unions, Radical Lawyers and the Magistracy in England, 1840–1865

In recent years, social and legal historians have called into question the degree to which the labour that fuelled and sustained industrialization in England was actually ’free’. The corpus of statutes known as master and servant law has been a focal point of interest: throughout the eighteenth and nineteenth centuries, at the behest of employers, mine owners, and manufacturers, Parliament regularly supplemented and updated the provisions of these statutes with new legislation which contained increasingly harsh sanctions for workers who left work, performed it poorly, or committed acts of misbehaviour. The statutes were characterized by a double standard of sanctions, which treated workers’ breach of contract as a criminal offence, but offered only civil remedies for the broken promises of employers. Surprisingly little scholarship has looked into resistance to the Master and Servant laws. This book examines the tactics, rhetoric and consequences of a sustained legal and political campaign by English and Welsh trade unions, Chartists, and a few radical solicitors against the penal sanctions of employment law during the mid-nineteenth century. By bringing together historical narratives that are all too frequently examined in isolation, Christopher Frank is able to draw new conclusions about the development of the English legal system, trade unionism and popular politics of the period. The author demonstrates how the use of imprisonment for breach of a labour contract under master and servant law, and its enforcement by local magistrates, played a significant role in shaping labour markets, disciplining workers and combating industrial action in many regions of England and Wales, and further into the British Empire. By combining social and legal history the book reveals the complex relationship between parliamentary legislation, its interpretation by the high courts, and its enforcement by local officials. This work marks an important contribution to legal

Master and Servant Law: Chartists, Trade Unions, Radical Lawyers and the Magistracy in England, 1840–1865

In recent years, social and legal historians have called into question the degree to which the labour that fuelled and sustained industrialization in England was actually ’free’. The corpus of statutes known as master and servant law has been a focal point of interest: throughout the eighteenth and nineteenth centuries, at the behest of employers, mine owners, and manufacturers, Parliament regularly supplemented and updated the provisions of these statutes with new legislation which contained increasingly harsh sanctions for workers who left work, performed it poorly, or committed acts of misbehaviour. The statutes were characterized by a double standard of sanctions, which treated workers’ breach of contract as a criminal offence, but offered only civil remedies for the broken promises of employers. Surprisingly little scholarship has looked into resistance to the Master and Servant laws. This book examines the tactics, rhetoric and consequences of a sustained legal and political campaign by English and Welsh trade unions, Chartists, and a few radical solicitors against the penal sanctions of employment law during the mid-nineteenth century. By bringing together historical narratives that are all too frequently examined in isolation, Christopher Frank is able to draw new conclusions about the development of the English legal system, trade unionism and popular politics of the period. The author demonstrates how the use of imprisonment for breach of a labour contract under master and servant law, and its enforcement by local magistrates, played a significant role in shaping labour markets, disciplining workers and combating industrial action in many regions of England and Wales, and further into the British Empire. By combining social and legal history the book reveals the complex relationship between parliamentary legislation, its interpretation by the high courts, and its enforcement by local officials. This work marks an important contribution to legal

The Master-Christian

Master Georgie: Shortlisted for the Booker Prize, 1998

SHORTLISTED FOR THE BOOKER PRIZE 1998SHORTLISTED FOR THE GUARDIAN FICTION PRIZEWINNER OF THE JAMES TAIT MEMORIAL PRIZE FOR FICTIONWINNER OF THE WH SMITH BOOK OF THE YEAR AWARDWhen Master Georgie - George Hardy, surgeon and photographer - sets off from the cold squalor of Victorian Liverpool for the heat and glitter of the Bosphorus to offer his services in the Crimea, there straggles behind him a small caravan of devoted followers; Myrtle, his adoring adoptive sister; lapsed geologist Dr Potter; and photographer's assistant and sometime fire-eater Pompey Jones, all of them driven onwards through a rising tide of death and disease by a shared and mysterious guilt.Combining a breathtaking eye for beauty with a visceral understanding of mortality, Beryl Bainbridge exposes her enigmatic hero as tenderly and unsparingly as she reveals the filth and misery of war, and creates a novel of luminous depth and extraordinary intensity.

The Master in Bondage: Factory Workers in China, 1949-2019

Drawing on a rich set of original oral histories conducted with retired factory workers from industrial centers across the country, this book provides a bottom-up examination of working class participation in factory life during socialist and reform-era China. Huaiyin Li offers a series of new interpretations that challenge, revise, and enrich the existing scholarship on factory politics and worker performance during the Maoist years, including the nature of the Maoist state as seen in the operation of power relations on the shop floor, as well as the origins and dynamics of industrial enterprise reforms in the post-Mao era. In sharp contrast with the ideologically driven goal of promoting grassroots democracy or manifesting workers' status as the masters of the workplace, Li argues that Maoist era state-owned enterprises operated effectively to turn factory workers into a well-disciplined labor force through a complex set of formal and informal institutions that functioned to generate an equilibrium in power relations and work norms. The enterprise reforms of the 1980s and 1990s undermined this preexisting equilibrium, catalyzing the transformation of the industrial workforce from predominantly privileged workers in state-owned enterprises to precarious migrant workers of rural origins hired by private firms. Ultimately, this comprehensive and textured history provides an analytically astute new picture of everyday factory life in the world's largest manufacturing powerhouse.

The Master in Bondage: Factory Workers in China, 1949-2019

Drawing on a rich set of original oral histories conducted with retired factory workers from industrial centers across the country, this book provides a bottom-up examination of working class participation in factory life during socialist and reform-era China. Huaiyin Li offers a series of new interpretations that challenge, revise, and enrich the existing scholarship on factory politics and worker performance during the Maoist years, including the nature of the Maoist state as seen in the operation of power relations on the shop floor, as well as the origins and dynamics of industrial enterprise reforms in the post-Mao era. In sharp contrast with the ideologically driven goal of promoting grassroots democracy or manifesting workers' status as the masters of the workplace, Li argues that Maoist era state-owned enterprises operated effectively to turn factory workers into a well-disciplined labor force through a complex set of formal and informal institutions that functioned to generate an equilibrium in power relations and work norms. The enterprise reforms of the 1980s and 1990s undermined this preexisting equilibrium, catalyzing the transformation of the industrial workforce from predominantly privileged workers in state-owned enterprises to precarious migrant workers of rural origins hired by private firms. Ultimately, this comprehensive and textured history provides an analytically astute new picture of everyday factory life in the world's largest manufacturing powerhouse.