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Honoured Enemy: Legends Of The Riftwar, Book 1 (Legends of the Riftwar #1)
by Raymond E. Feist William ForstchenThe whole of the magnificent Riftwar Cycle by bestselling author Raymond E. Feist, master of magic and adventure, now available in ebook
Horizon (The Soul Seekers #4)
by Alyson NoelNow that she's gained mastery over her powers as a Soul Seeker, Daire Santos faces her ultimate enemy, the Richter family. But on the horizon is a new and even deadlier foe, a powerful prophet determined to help the Richters bring about the end of the world. And even worse, the prophet's daughter is someone painfully close to Daire . . . Dace's ex-girlfriend Phyre. With the odds stacked against her and foes at every turn, will Daire survive long enough to create the future she desires with Dace, and will love truly be enough to conquer all? Find out in this stunning conclusion to New York Times bestselling author Alyson Noël’s The Soul Seekers series.
Horns: A Novel (Gollancz S. F. Ser.)
by Joe HillNow a major Hollywood film starring Daniel Radcliffe: read it first, if you dare ...Ignatius Perrish spent the night drunk and doing terrible things. He woke up the next morning with one hell of a hangover, a raging headache ... and a pair of horns growing from his temples.Once, Ig lived the life of the blessed: born into privilege, the second son of a renowned American musician, and the younger brother of a rising late-night TV star, Ig had security and wealth and a place in his community. Ig had it all, and more - he had the love of Merrin Williams, a love founded on shared daydreams, mutual daring, and unlikely midsummer magic.Then beautiful, vivacious Merrin was gone - raped and murdered, under inexplicable circumstances - with Ig the only suspect. He was never tried for the crime, but in the court of public opinion, Ig was and always would be guilty.Now Ig is possessed with a terrible new power - with just a touch he can see people's darkest desires - to go with his terrible new look, and he means to use it to find the man who killed Merrin and destroyed his life. Being good and praying for the best got him nowhere. It's time for a little revenge; it's time the devil had his due.
Horowitz Horror (Horowitz Horror #7)
by Anthony HorowitzWelcome to a strange and twisted world where the spooky, the shocking, and the positively petrifying are lurking just out of sight. A bus ride home ... turns into your worst nightmare. A quaint country cottage ... has a grisly secret.A man returns from holiday ... with bubbling skin and bloodshot eyes.Horowitz Horror. It's all around you. Alive. Waiting. Enter if you dare.
Horrid
by Katrina LenoFrom the author of You Must Not Miss comes a haunting contemporary horror novel that explores themes of mental illness, rage, and grief, twisted with spine-chilling elements of Stephen King and Agatha Christie.Following her father's death, Jane North-Robinson and her mom move from sunny California to the dreary, dilapidated old house in Maine where her mother grew up. All they want is a fresh start, but behind North Manor's doors lurks a history that leaves them feeling more alone . . . and more tormented.As the cold New England autumn arrives, and Jane settles in to her new home, she finds solace in old books and memories of her dad. She steadily begins making new friends, but also faces bullying from the resident "bad seed," struggling to tamp down her own worst nature in response. Jane's mom also seems to be spiraling with the return of her childhood home, but she won't reveal why. Then Jane discovers that the "storage room" her mom has kept locked isn't for storage at all -- it's a little girl's bedroom, left untouched for years and not quite as empty of inhabitants as it appears . . .Is it grief? Mental illness? Or something more . . . horrid?
Horrid Henry and the Zombie Vampire: Book 20 (Horrid Henry #0)
by Francesca SimonFour new stories in which Horrid Henry terrorizes his classmates at a school sleepover in the museum; plays with Perfect Peter and tricks him into handing over all his money; gets out of writing his own story for Miss Battle-Axe by adapting one of Peter's; and meets the Nudie Foodie, a celebrity chef, who comes to the school to improve school dinners. No more burgers! No more chips!
Horror and Science Fiction Cinema and Society: American Culture and Politics in the Cold War and After Through the Projector Lens
by Martin HarrisExamining how horror and science fiction films from the 1950s to the present invent and explore fictional “us-versus-them” scenarios, this book analyzes the different ways such films employ allegory and/or satire to interrogate the causes and consequences of increasing polarization in American politics and society.Starting with the killer ants film with an anti-communist subtext Them! (1954) and concluding with Jordan Peele’s social horror film with revenge-seeking homicidal doppelgängers Us (2019), Martin Harris highlights social and political contexts, contemporary reviews and responses, and retrospective evaluations to show how American horror and science fiction films reflect and respond to contemporary conflicts marking various periods in U.S. history from post-WWII to the present, including those concerning race, gender, class, faith, political ideology, national identity, and other elements of American society.Horror and Science Fiction Cinema and Society draws upon cinematic sociology to provide a resourceful approach to American horror and science fiction films that integrates discussion of plot construction and character development with analyses of the thematic uses of conflict, guiding readers’ understanding of how filmmakers create otherworldly confrontations to deliver real-world social and political commentary.
Horror and Science Fiction Cinema and Society: American Culture and Politics in the Cold War and After Through the Projector Lens
by Martin HarrisExamining how horror and science fiction films from the 1950s to the present invent and explore fictional “us-versus-them” scenarios, this book analyzes the different ways such films employ allegory and/or satire to interrogate the causes and consequences of increasing polarization in American politics and society.Starting with the killer ants film with an anti-communist subtext Them! (1954) and concluding with Jordan Peele’s social horror film with revenge-seeking homicidal doppelgängers Us (2019), Martin Harris highlights social and political contexts, contemporary reviews and responses, and retrospective evaluations to show how American horror and science fiction films reflect and respond to contemporary conflicts marking various periods in U.S. history from post-WWII to the present, including those concerning race, gender, class, faith, political ideology, national identity, and other elements of American society.Horror and Science Fiction Cinema and Society draws upon cinematic sociology to provide a resourceful approach to American horror and science fiction films that integrates discussion of plot construction and character development with analyses of the thematic uses of conflict, guiding readers’ understanding of how filmmakers create otherworldly confrontations to deliver real-world social and political commentary.
Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales
by Dr. or Prof. John L. SteadmanProviding a new perspective on Lovecraft's life and work, Horror as Racism in H.P. Lovecraft focuses on the overlap between the writer's personal beliefs and the racist images and narratives in his speculative fiction. Building on recent debates about Lovecraft and drawing on the concept of "white fragility," John Steadman argues that the writer's fiction reflects his feelings of resentment and anger towards non-white persons and was used to advocate for his racist, xenophobic political beliefs – that western civilization was in decline and slavery was justifiable among "superior" civilizations. In making these claims, Lovecraft's tales pit humans against extra-terrestrial aliens, developing a terrifying, futuristic vision of the Earth as a plantation planet. The familiar image of Lovecraft as a reclusive, creative genius and mentor to young writer-friends is dismantled through close readings of his fiction and nonfiction – including correspondence, essays, and poetry – and examination of his early biography. This image is replaced by that of a cruel, callous, and, at times, psychotic man, a violently vitriolic racist and white supremacist who hated most of the non-white races. While some will dismiss the author outright and others will read his fiction but ignore the racism, Horror as Racism in H.P. Lovecraft takes a middle ground: acknowledging Lovecraft's personal history and heinous intentions, it helps readers navigate the author's disturbing biography while also getting a better sense of the stories, which remain significant within American science fiction.
Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales
by Dr. or Prof. John L. SteadmanProviding a new perspective on Lovecraft's life and work, Horror as Racism in H.P. Lovecraft focuses on the overlap between the writer's personal beliefs and the racist images and narratives in his speculative fiction. Building on recent debates about Lovecraft and drawing on the concept of "white fragility," John Steadman argues that the writer's fiction reflects his feelings of resentment and anger towards non-white persons and was used to advocate for his racist, xenophobic political beliefs – that western civilization was in decline and slavery was justifiable among "superior" civilizations. In making these claims, Lovecraft's tales pit humans against extra-terrestrial aliens, developing a terrifying, futuristic vision of the Earth as a plantation planet. The familiar image of Lovecraft as a reclusive, creative genius and mentor to young writer-friends is dismantled through close readings of his fiction and nonfiction – including correspondence, essays, and poetry – and examination of his early biography. This image is replaced by that of a cruel, callous, and, at times, psychotic man, a violently vitriolic racist and white supremacist who hated most of the non-white races. While some will dismiss the author outright and others will read his fiction but ignore the racism, Horror as Racism in H.P. Lovecraft takes a middle ground: acknowledging Lovecraft's personal history and heinous intentions, it helps readers navigate the author's disturbing biography while also getting a better sense of the stories, which remain significant within American science fiction.
Horror at Halloween, Part Two, Eleanor (Horror at Halloween #2)
by Stephen JonesOXRUN STATION HAS ALWAYS BEEN DIFFERENT. Nobody can really explain it. You just have to understand that bizarre things happen there. They just do. Weird things. The kind of things you don't even want to dream about in your worst nightmares.Maybe it really is the rare conjunction of Mars and Saturn with Venus, lowering the barriers between our world and another, shadowy realm . . . or maybe it is just that the full moon always brings out the strangeness in that place.Eleanor Trent's research into Halloween uncovers a secret history of ancient rituals and sacrificial rites that allow the creatures of the night to cross into our world and steal the souls of the living . . . The fabric of the cosmos is unravelling and dark and dangerous things are leaking across the borders . . . For five unsuspecting teenagers, their lives will never be the same again as they discover the hidden terrors lurking beneath the surface of their quiet town and experience the most horrifying Halloween of them all . . .This year in Oxrun Station, THE TRICK IS TO STAY ALIVE!
Horror at Halloween, Prologue and Part Five, Cody (Horror at Halloween #5)
by Stephen JonesOXRUN STATION HAS ALWAYS BEEN DIFFERENT. Nobody can really explain it. You just have to understand that bizarre things happen there. They just do. Weird things. The kind of things you don't even want to dream about in your worst nightmares.Trick-or-treat is crazy enough, with ghosts and goblins and witches and warlocks and all manner of other horrors roaming the streets. But in Oxrun Station, the masks aren't always made of rubber.It's Halloween in Oxrun Station, and Cody Banning and his friends must find a way to stop a mysterious old man from slowly killing the kids in town so that he can live forever . . .The fabric of the cosmos is unravelling and dark and dangerous things are leaking across the borders . . . For five unsuspecting teenagers, their lives will never be the same again as they discover the hidden terrors lurking beneath the surface of their quiet town and experience the most horrifying Halloween of them all . . .This year in Oxrun Station, THE TRICK IS TO STAY ALIVE!
Horror at Halloween, Prologue and Part Four, Chuck (Horror at Halloween #4)
by Stephen JonesOXRUN STATION HAS ALWAYS BEEN DIFFERENT. Nobody can really explain it. You just have to understand that bizarre things happen there. They just do. Weird things. The kind of things you don't even want to dream about in your worst nightmares.Maybe it really is the rare conjunction of Mars and Saturn with Venus, lowering the barriers between our world and another, shadowy realm . . . or maybe it is just that the full moon always brings out the strangeness in that place.When Chuck Antrim and his fellow members of the Halloween Club first come upon the standing stones, they have no idea of the insidious evil that lurks within those ancient monoliths . . .The fabric of the cosmos is unravelling and dark and dangerous things are leaking across the borders . . . For five unsuspecting teenagers, their lives will never be the same again as they discover the hidden terrors lurking beneath the surface of their quiet town and experience the most horrifying Halloween of them all . . .This year in Oxrun Station, THE TRICK IS TO STAY ALIVE!
Horror at Halloween, Prologue and Part Three, Tina (Horror at Halloween #3)
by Stephen JonesOXRUN STATION HAS ALWAYS BEEN DIFFERENT.Nobody can really explain it. You just have to understand that bizarre things happen there. They just do. Weird things. The kind of things you don't even want to dream about in your worst nightmares.Trick-or-treat is crazy enough, with ghosts and goblins and witches and warlocks and all manner of other horrors roaming the streets. But in Oxrun Station, the masks aren't always made of rubber.With the doors between worlds thrown open, the Old Gods have returned, and only Tina Broadbent and her friend Cerise Fallon have the knowledge and power to prevent the great Devouring . . .The fabric of the cosmos is unravelling and dark and dangerous things are leaking across the borders . . . For five unsuspecting teenagers, their lives will never be the same again as they discover the hidden terrors lurking beneath the surface of their quiet town and experience the most horrifying Halloween of them all . . .This year in Oxrun Station, THE TRICK IS TO STAY ALIVE!
Horror at Halloween [The Whole Book] (Frightmares Ser.)
by Stephen JonesOXRUN STATION HAS ALWAYS BEEN DIFFERENT.Nobody can really explain it. You just have to understand that bizarre things happen there. They just do. Weird things. The kind of things you don't even want to dream about in your worst nightmares.Like the tings that happen this Halloween to Sam Jones, Eleanor Trent, Tina Broadbent, Chuck Antrim and Cody Banning . . .Maybe it really is the rare conjunction of Mars and Saturn with Venus, lowering the barriers between our world and another, shadowy realm . . . or maybe it is just that the full moon always brings out the strangeness in that place. Trick or Treat is crazy enough, with ghosts and goblins and witches and warlocks and all manner of other horrors roaming the streets. But in Oxrun Station, the masks aren't always made of rubber.The fabric of the cosmos is unravelling and dark and dangerous things are leaking across the borders . . . For five unsuspecting teenagers, their lives will never be the same again as they discover the hidden terrors lurking beneath the surface of their quiet town and experience the most horrifying Halloween of them all . . .This year in Oxrun Station, THE TRICK IS TO STAY ALIVE!
The Horror Collection: Dracula, Tales Of Mystery And Imagination, The Strange Case Of Dr Jekyll And Mr Hyde And Frankenstein (Collins Classics)
by Bram Stoker Poe Robert Louis Stevenson Mary ShelleyCollins Classics brings you a haunting selection of the finest horror stories from classic literature - featuring works by Bram Stoker, Edgar Allan Poe, Robert Louis Stevenson and Mary Shelley - with additional content.
Horror Fiction in the 20th Century: Exploring Literature's Most Chilling Genre
by Jess NevinsProviding an indispensable resource for academics as well as readers interested in the evolution of horror fiction in the 20th century, this book provides a readable yet critical guide to global horror fiction and authors.Horror Fiction in the 20th Century encompasses the world of 20th-century horror literature and explores it in a critical but balanced fashion. Readers will be exposed to the world of horror literature, a truly global phenomenon during the 20th century. Beginning with the modern genre's roots in the 19th century, the book proceeds to cover 20th-century horror literature in all of its manifestations, whether in comics, pulps, paperbacks, hardcover novels, or mainstream magazines, and from every country that produced it. The major horror authors of the century receive their due, but the works of many authors who are less well-known or who have been forgotten are also described and analyzed. In addition to providing critical assessments and judgments of individual authors and works, the book describes the evolution of the genre and the major movements within it. Horror Fiction in the 20th Century stands out from its competitors and will be of interest to its readers because of its informed critical analysis, its unprecedented coverage of female authors and writers of color, and its concise historical overview.
Horror Fiction in the 20th Century: Exploring Literature's Most Chilling Genre
by Jess NevinsProviding an indispensable resource for academics as well as readers interested in the evolution of horror fiction in the 20th century, this book provides a readable yet critical guide to global horror fiction and authors.Horror Fiction in the 20th Century encompasses the world of 20th-century horror literature and explores it in a critical but balanced fashion. Readers will be exposed to the world of horror literature, a truly global phenomenon during the 20th century. Beginning with the modern genre's roots in the 19th century, the book proceeds to cover 20th-century horror literature in all of its manifestations, whether in comics, pulps, paperbacks, hardcover novels, or mainstream magazines, and from every country that produced it. The major horror authors of the century receive their due, but the works of many authors who are less well-known or who have been forgotten are also described and analyzed. In addition to providing critical assessments and judgments of individual authors and works, the book describes the evolution of the genre and the major movements within it. Horror Fiction in the 20th Century stands out from its competitors and will be of interest to its readers because of its informed critical analysis, its unprecedented coverage of female authors and writers of color, and its concise historical overview.
Horror Fiction in the Global South: Cultures, Narratives and Representations
by NoneHorror Fiction in the Global South: Cultures, Narratives, and Representations believes that the experiences of horror are not just individual but also/simultaneously cultural. Within this understanding, literary productions become rather potent sites for the relation of such experiences both on the individual and the cultural front. It's not coincidental, then, that either William Blatty's The Exorcist or Gabriel Garcia Marquez's One Hundred Years of Solitude become archetypes of the re-presentations of the way horror affects individuals placed inside different cultures. Such an affectation, though, is but a beginning of the ways in which the supernatural interacts with the human and gives rise to horror. Considering that almost all aspects of what we now designate as the Global North, and its concomitant, the Global South – political, historical, social, economic, cultural, and so on – function as different paradigms, the experiences of horror and their telling in stories become functionally different as well. Added to this are the variations that one nation or culture of the east has from another. The present anthology of essays, in such a scheme of things, seeks to examine and demonstrate these cultural differences embedded in the impact that figures of horror and specters of the night have on the narrative imagination of storytellers from the Global South. If horror has an everyday presence in the phenomenal reality that Southern cultures subscribe to, it demands alternative phenomenology. The anthology allows scholars and connoisseurs of Horror to explore theoretical possibilities that may help address precisely such a need.
Horror Films for Children: Fear and Pleasure in American Cinema
by Catherine LesterChildren and horror are often thought to be an incompatible meeting of audience and genre, beset by concerns that children will be corrupted or harmed through exposure to horror media. Nowhere is this tension more clear than in horror films for adults, where the demonic child villain is one of the genre's most enduring tropes. However, horror for children is a unique category of contemporary Hollywood cinema in which children are addressed as an audience with specific needs, fears and desires, and where child characters are represented as sympathetic protagonists whose encounters with the horrific lead to cathartic, subversive and productive outcomes. Horror Films for Children examines the history, aesthetics and generic characteristics of children's horror films, and identifies the 'horrific child' as one of the defining features of the genre, where it is as much a staple as it is in adult horror but with vastly different representational, interpretative and affective possibilities. Through analysis of case studies including blockbuster hits (Gremlins), cult favourites (The Monster Squad) and indie darlings (Coraline), Catherine Lester asks, what happens to the horror genre, and the horrific children it represents, when children are the target audience?
Horror Films for Children: Fear and Pleasure in American Cinema
by Catherine LesterChildren and horror are often thought to be an incompatible meeting of audience and genre, beset by concerns that children will be corrupted or harmed through exposure to horror media. Nowhere is this tension more clear than in horror films for adults, where the demonic child villain is one of the genre's most enduring tropes. However, horror for children is a unique category of contemporary Hollywood cinema in which children are addressed as an audience with specific needs, fears and desires, and where child characters are represented as sympathetic protagonists whose encounters with the horrific lead to cathartic, subversive and productive outcomes. Horror Films for Children examines the history, aesthetics and generic characteristics of children's horror films, and identifies the 'horrific child' as one of the defining features of the genre, where it is as much a staple as it is in adult horror but with vastly different representational, interpretative and affective possibilities. Through analysis of case studies including blockbuster hits (Gremlins), cult favourites (The Monster Squad) and indie darlings (Coraline), Catherine Lester asks, what happens to the horror genre, and the horrific children it represents, when children are the target audience?
Horror Heights: Book 1 (Horror Heights #1)
by Bec Hill'A great read. Slimey delicious fun from start to finish!' - Jonathan RossWelcome to Horror Heights: can the children who live here conceal the strange goings on behind closed doors? GOOSEBUMPS for a new generation, by award-winning comedian and CITV presenter, Bec Hill.Connie hasn't found her talent yet, but at least she has her slime collection - if it's gooey, she's got it! She hopes that by adding a few extra ingredients to a simple recipe she will uncover a talent for slime-making, but alas, all she uncovers is a hot, stinky mess which ends up in the bin. It's shaping up to be another uneventful weekend ... until her failed slime experiment wakes her up the next morning. It's alive! And can talk! And is named... Big.Big adores Connie and wants to protect her from everything at all times, which is very sweet. At first. But when it gets bigger, grows teeth and threatens to eat her friends and father, can Connie uncover her TRUE talents in order to protect everything from THE SLIME?The first in a creeptastic new series for readers aged 8 and up - are you brave enough to discover the scares behind every door at Horror Heights?
Horror Heights: Book 2 (Horror Heights #2)
by Bec HillWelcome to Horror Heights: can the children who live here conceal the strange goings on behind closed doors? Book two in the creeptastic series.Ryan's favourite hobby is watching influencer's videos online. One day Ryan posts a comment underneath a video of his favourite influencer, Grimmf, and is delighted when Grimmf video calls him. Grimmf asks Ryan wants to swap lives with him - all Ryan has to do is repeat "yes" three times. It's a no brainer! On the third yes, Ryan is pulled into the laptop.Ryan is thrilled. He watches his Grimmf doing his chores in his bedroom, while he gets to have fun being an influencer! When lots of followers stream his channel Ryan asks for anything he likes and it appears. Time flies when you're having fun.But by night time, Ryan is exhausted by having to be "on" all the time. When he asks Grimmf if they can swap back, Grimmf laughs and cuts off the connection. As Ryan loses followers, his food supply runs low. There appears to be no way out. Unless he can get someone to swap with him ...Can Ryan find a way back home, or will he be stuck on screen forever?GOOSEBUMPS for a new generation, by CITV presenter, Bec Hill. Perfect for readers aged 8 and up - are you brave enough to discover the scares behind every door at Horror Heights?
Horror Heights: Book 3 (Horror Heights #3)
by Bec HillWelcome to Horror Heights: can the children who live here conceal the strange goings on behind closed doors? Book three in the creeptastic series.When Yas takes a selfie in the local park with her brand new phone, she doesn't expect to see an old lady photobombing her picture. In fact, each time Yas opens the camera app, the ghostly old lady figure re-appears silently screaming. Yas decides to investigate with best friend Oscar. If the pair are being haunted, then maybe the ghost has something important to tell them... What does she want? Can Yas and Oscar find a way to banish her for good?A creeptastic new series for readers aged 8 and up - are you brave enough to discover the scares behind every door at Horror Heights?
Horror in the Age of Steam: Tales of Terror in the Victorian Age of Transitions
by Carroll Clayton SavantChange is terrifying, and rapid change, within a small amount of time, is destabilizing to any culture. England, under the tutelage of Queen Victoria, witnessed precipitous change the likes of which it had not encountered in generations. Wholesale swaths of the economy and the social structure underwent complete recalibration, through the hands of economic progress, industrial innovation, scientific discovery, and social cohesiveness. Faced with such change, Britons had to redefine the concept of work, belief, and even what it meant to be English. Victorians relied on many methods to attempt to release the steam from the anxieties incurred through change, and one of those methods was the horror story of everyday existence during an age of transition. This book is a study of how authors Elizabeth Gaskell, Emily Brontë, and Anne Brontë turned to horrifying representations of everyday reality to illustrate the psychological-traumatic terrors of an age of transition