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Death in Her Hands: A Novel
by Ottessa MoshfeghA triumphant blend of horror, suspense and pitch-black comedy, from the Booker-shortlisted authorWhile on her daily walk with her dog in the nearby woods, our protagonist comes across a note, handwritten and carefully pinned to the ground with stones. Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body. Shaky even on her best days, she is also alone, and new to this area, having moved here from her long-time home after the death of her husband, and now deeply alarmed. Her brooding about the note grows quickly into a full-blown obsession, as she explores multiple theories about who Magda was and how she met her fate. Her suppositions begin to find echoes in the real world, and the fog of mystery starts to form into a concrete and menacing shape. But is there either a more innocent explanation for all this, or a much more sinister one – one that strikes closer to home?In this razor-sharp, chilling, and darkly hilarious novel, we must decide whether the stories we tell ourselves guide us closer to the truth or keep us further from it.**AN EVENING STANDARD BEST BOOK TO LOOK FORWARD TO IN 2020**
Death in Her Hands: A Novel
by Ottessa MoshfeghA triumphant blend of horror, suspense and pitch-black comedy, from the Booker-shortlisted authorWhile on her daily walk with her dog in the nearby woods, our protagonist comes across a note, handwritten and carefully pinned to the ground with stones. Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body. Shaky even on her best days, she is also alone, and new to this area, having moved here from her long-time home after the death of her husband, and now deeply alarmed. Her brooding about the note grows quickly into a full-blown obsession, as she explores multiple theories about who Magda was and how she met her fate. Her suppositions begin to find echoes in the real world, and the fog of mystery starts to form into a concrete and menacing shape. But is there either a more innocent explanation for all this, or a much more sinister one – one that strikes closer to home?In this razor-sharp, chilling, and darkly hilarious novel, we must decide whether the stories we tell ourselves guide us closer to the truth or keep us further from it.**AN EVENING STANDARD BEST BOOK TO LOOK FORWARD TO IN 2020**
Death is a Lonely Business
by Ray BradburyOne of Ray Bradbury’s classic noir novels, available in ebook for the first time.
Death Mask: gripping horror from a true master
by Graham MastertonHow do you stop a murderer who can't be seen? He appeared as if from nowhere, brutally slashed a man and a young woman in an office elevator, then vanished again without a trace. The woman survived and gave the police a detailed description of the killer's bizarre face, yet the police can find no sign of him anywhere. It's as if he never existed. But now he's killed again. And again. One woman holds the key to his terrifying secret... but how do you stop a murderer who isn't there? 'One of the most original and frightening storytellers of our time' PETER JAMES. 'A true master of horror' JAMES HERBERT.
Death Masks: The Dresden Files, Book Five (Dresden Files #5)
by Jim ButcherMeet Harry Dresden, Chicago's first (and only) Wizard P.I. Turns out the 'everyday' world is full of strange and magical things - and most of them don't play well with humans. That's where Harry comes in.Harry Dresden should be happy that business is good - makes a change. But now he's getting more than he bargained for: a duel with the Red Court of Vampires' champion, who must kill Harry to end the war between vampires and wizards; professional hit men using Harry for target practice; the missing Shroud of Turin (less missing than expected) and a headless corpse the Chicago police need identifying . . . Not to mention the return of Harry's ex-girlfriend Susan, still struggling with her semi-vampiric nature. And who seems to have a new man. Some days, it just doesn't pay to get out of bed. No matter how much you're charging.Magic - it can get a guy killed.
Death of a Ghost: Birth Of A Nightmare
by Charles ButlerA sinister and chilling ghost story from the author of THE FETCH OF MARDY WATT and CALYPSO DREAMING.
Death of a Saint: A Mall Rats Novel (Deadlands Quartet Ser. #Bk. 2)
by Lily HerneSome secrets are so unthinkable you can't even admit them to yourself . . . Lele, Ginger, Ash and Saint - aka the Mall Rats - are hiding out in the Deadlands, a once-prosperous area of Cape Town, now swarming with the living dead. Exiled from the city enclave for crimes against the Resurrectionist State, the Rats face a stark choice: return and risk capture - or leave Cape Town and go in search of other survivors.But what if the rest of South Africa is nothing but a zombie-riddled wasteland? Now Lele has discovered the truth about why the lurching dead leave them alone, she can't bring herself to tell the rest of the gang. And she's not the only Mall Rat harbouring a dangerous secret . . . Can the friends' survive on the road if all they have is each other? Or will their secrets tear them apart?
Death Trance: disturbing horror from a true master
by Graham MastertonAnd the demons will come... As president of one of Tennessee's largest companies, Randolph Clare is outraged when arsonists destroy one of his Memphis plants. But then his wife and children are savagely murdered and all thoughts of vengeance are drowned in his grief. Desperate to see his loved ones again, he enlists the aid of an Indonesian priest who introduces Randolph to the death trance. By visiting the realm of the dead and the demons who lay in wait there, Randolph risks not only his own life, but the souls of his family. 'One of the most original and frightening storytellers of our time' PETER JAMES. 'A true master of horror' JAMES HERBERT.
The Deathless (The Deathless Trilogy #1)
by Peter NewmanFrom the Gemmell Award-winning author of THE VAGRANT, a thrilling new series of power, intrigue, and magic.
Deathmire (EDGE: A Rivets Short Story #14)
by Jon MayhewTom Striker is a mud lark, earning a crust foraging on the banks of The Thames for anything worth selling. When his friend Billy goes missing, and he saves a man claiming to be Old Father Thames, Tom and his friends are caught up in a battle between powerful spirits. This title is published by Franklin Watts EDGE, which produces a range of books to get children reading with confidence. EDGE - for books children can't put down.
Death’s Jest-Book (Dalziel & Pascoe #18)
by Reginald HillReginald Hill’s best-selling duo, Dalziel and Pascoe, return in this brilliant, complex and ultimately moving crime novel: ‘Reginald Hill is probably the best living crime writer in the English-speaking world’ – Independent
Death’s Shadow (The Demonata #7)
by Darren ShanFresh hell from the Demonata – you can’t cheat death…
December
by Phil RickmanA standalone supernatural thriller from the author of the chilling Merrily Watkins Mysteries.December has the shortest days, the darkest nights... In the ruins of a medieval abbey on the Welsh Border, four young musicians start work on an album influenced by the site's bloody history. It's December 1980 - the night John Lennon will be murdered in New York. And there'll be more horror before the sun rises and the session tapes are burned. Or are they? Years later, Moira, Dave, Tom and Simon are persuaded to return to the abbey to complete the recordings they thought had been destroyed. But the old tapes - and all the darkness they contain - have been restored. And it's December again.A PHIL RICKMAN STANDALONE NOVEL
Deception (Haunting Emma Ser.)
by Lee NicholsWhen Emma Vaile's parents leave on a mysterious business trip, it gives her the perfect excuse to be a rebellious teen. But then her best friend stops talking to her, the police crash her party and Emma finds herself in the hands of a new guardian, Bennett Stern, and on a plane to his museum-like mansion in New England. After enrolling at Thatcher Academy, Emma settles in by making friends with the popular crowd. She has memories of Thatcher she can't explain and strange visions are haunting her. Emma doesn't trust anyone any more - except maybe Bennett. But he's about to reveal a ghostly secret to her. One that will explain the visions . . . and make Emma fear for her life.
The Deception of Harriet Fleet: An atmospheric Victorian chiller to curl up with on Winter nights
by Helen ScarlettDark and brimming with suspense, an atmospheric Victorian chiller set in brooding County Durham for fans of Stacey Halls and Laura Purcell1871. An age of discovery and progress. But for the Wainwright family, residents of the gloomy Teesbank Hall in County Durham the secrets of the past continue to overshadow their lives. Harriet would not have taken the job of governess in such a remote place unless she wanted to hide from something or someone. Her charge is Eleanor, the daughter of the house, a fiercely bright eighteen-year-old, tortured by demons and feared by relations and staff alike. But it soon becomes apparent that Harriet is not there to teach Eleanor, but rather to monitor her erratic and dangerous behaviour - to spy on her. Worn down by Eleanor's unpredictable hostility, Harriet soon finds herself embroiled in Eleanor's obsession - the Wainwright's dark, tragic history. As family secrets are unearthed, Harriet's own begin to haunt her and she becomes convinced that ghosts from the past are determined to reveal her shameful story.For Harriet, like Eleanor, is plagued by deception and untruths.
A Declaration of the Rights of Magicians: A Novel (The\shadow Histories Ser. #1)
by H. G. Parry'A rich, sprawling epic full of history and magic.' Alix E. Harrow, Hugo award-winning authorA sweeping tale of revolution and wonder in a world not quite like our own, A Declaration of the Rights of Magicians is a genre-defying story of magic, war, and the struggle for freedom.It is the Age of Enlightenment -- of new and magical political movements, from the necromancer Robespierre calling for revolution in France to the weather mage Toussaint L'Ouverture leading the slaves of Haiti in their fight for freedom, to the bold new Prime Minister William Pitt weighing the legalization of magic amongst commoners in Britain and abolition throughout its colonies overseas. But amidst all of the upheaval of the enlightened world, there is an unknown force inciting all of human civilisation into violent conflict. And it will require the combined efforts of revolutionaries, magicians, and abolitionists to unmask this hidden enemy before the whole world falls to chaos.For more from H.G. Parry, check out The Unlikely Escape of Uriah Heep'Impressively intricate; fans of the magic-and-history of Jonathan Strange & Mr Norrell will be delighted.' Alexandra Rowland, author of A Conspiracy of Truths'A beautiful tapestry of words, a combination of carefully observed and researched history and a well-thought-out and fascinating system of magic. An absolute delight to read.' Genevieve Cogman, author of The Invisible Library'Puts a human face on the titans of the past, while weaving in supernatural elements that add a whole new dimension. I stayed up well past my bedtime to find out what happens next.' Marie Brennan, author of the Memoirs of Lady Trent series
Decolonizing the Undead: Rethinking Zombies in World-Literature, Film, and Media
by Giulia Champion, Roxanne Douglas, and Stephen ShapiroLooking beyond Euro-Anglo-US centric zombie narratives, Decolonizing the Undead reconsiders representations and allegories constructed around this figure of the undead, probing its cultural and historical weight across different nations and its significance to postcolonial, decolonial, and neoliberal discourses. Taking stock of zombies as they appear in literature, film, and television from the Caribbean, Latin America, sub-Saharan Africa, India, Japan, and Iraq, this book explores how the undead reflect a plethora of experiences previously obscured by western preoccupations and anxieties. These include embodiment and dismemberment in Haitian revolutionary contexts; resistance and subversion to social realities in the Caribbean and Latin America; symbiosis of cultural, historical traditions with Western popular culture; the undead as feminist figures; as an allegory for migrant workers; as a critique to reconfigure socio-ecological relations between humans and nature; and as a means of voicing the plurality of stories from destroyed cities and war-zones. Interspersed with contextual explorations of the zombie narrative in American culture (such as zombie walks and the television series The Santa Clarita Diet) contributors examine such writers as Lowell R. Torres, Diego Velázquez Betancourt, Hemendra Kumar Roy, and Manabendra Pal; works like China Mieville's Covehithe, Reza Negarestani's Cycolonopedia, Julio Ortega's novel Adiós, Ayacucho, Ahmed Saadawi's Frankenstein in Baghdad; and films by Alejandro Brugués, Michael James Rowland, Steve McQueen, and many others. Far from just another zombie project, this is a vital study that teases out the important conversations among numerous cultures and nations embodied in this universally recognized figure of the undead.
Decolonizing the Undead: Rethinking Zombies in World-Literature, Film, and Media
Looking beyond Euro-Anglo-US centric zombie narratives, Decolonizing the Undead reconsiders representations and allegories constructed around this figure of the undead, probing its cultural and historical weight across different nations and its significance to postcolonial, decolonial, and neoliberal discourses. Taking stock of zombies as they appear in literature, film, and television from the Caribbean, Latin America, sub-Saharan Africa, India, Japan, and Iraq, this book explores how the undead reflect a plethora of experiences previously obscured by western preoccupations and anxieties. These include embodiment and dismemberment in Haitian revolutionary contexts; resistance and subversion to social realities in the Caribbean and Latin America; symbiosis of cultural, historical traditions with Western popular culture; the undead as feminist figures; as an allegory for migrant workers; as a critique to reconfigure socio-ecological relations between humans and nature; and as a means of voicing the plurality of stories from destroyed cities and war-zones. Interspersed with contextual explorations of the zombie narrative in American culture (such as zombie walks and the television series The Santa Clarita Diet) contributors examine such writers as Lowell R. Torres, Diego Velázquez Betancourt, Hemendra Kumar Roy, and Manabendra Pal; works like China Mieville's Covehithe, Reza Negarestani's Cycolonopedia, Julio Ortega's novel Adiós, Ayacucho, Ahmed Saadawi's Frankenstein in Baghdad; and films by Alejandro Brugués, Michael James Rowland, Steve McQueen, and many others. Far from just another zombie project, this is a vital study that teases out the important conversations among numerous cultures and nations embodied in this universally recognized figure of the undead.
The Deep: We all know the story of the Titanic . . . don't we?
by Alma Katsu'Beautifully written, thoroughly absorbing and totally terrifying.' C.J. Tudor, bestselling author of The Chalk ManSomeone, or something, is haunting the Titanic. Deaths and disappearances have plagued the vast liner from the moment she began her maiden voyage on 10 April 1912. Four days later, caught in what feels like an eerie, unsettling twilight zone, some passengers - including millionaire Madeleine Astor and maid Annie Hebbley - are convinced that something sinister is afoot. And then disaster strikes. Four years later and the world is at war. Having survived that fateful night, Annie is now a nurse on board the Titanic's sister ship, the Britannic, now refitted as a hospital ship. And she is about to realise that those demons from her past and the terrors of that doomed voyage have not finished with her yet . . .Bringing together Faustian pacts, the occult, tales of sirens and selkies with themes of guilt and revenge, desire and destiny, The Deep offers a thrilling, tantalizing twist on one of the world's most famous tragedies.
Deeply Odd: An Odd Thomas Novel (Odd Thomas Ser. #6)
by Dean KoontzThe sixth Odd Thomas thriller from the master storyteller. Our reluctant hero is drawn once more into a strange encounter with the lingering dead.
Defiance: Book 4 (Strange Angels #Bk. 4)
by Lili St. CrowSixteen-year-old Dru's worst fears have come true - Sergej, the deadly nosferat, has kidnapped her best friend Graves and she must now go on a suicidal rescue mission to bring him back in one piece. That is, if she can put all of Christophe's training to good use, defeat her mother's traitor, Anna, once and for all, and manage to survive another day...
Defining Cult Movies: The Cultural Politics Of Oppositional Taste (PDF)
by Mark Jancovich Antonio Lázaro Reboli Julian Stringer Andrew WillisConcentrates on the analysis of cult movies, how they are defined, who defines them and the cultural politics of these definitions. Raises issues about the perception of it as an oppositional form of cinema, and of its strained relationships to mainstream cinema and the processes of institutionalisation and classification. Claims that the history of academic film studies and that of cult movie fandom are inextricably intertwined and raises fundamental questions about both cult movies themselves, and film studies as a discipline. Updates work on cult movies at a time when cultfilms and TV have become a central part of contemporary culture. Ranges over the full and entertaining gamut of cult films from Dario Argento, Spanish horror and Peter Jackson's New Zealand gorefests to sexploitation, kung fu and sci fi flicks, as well investigations of Sharon Stone, "underground" and trivia.
Deity (Six Stories #5)
by Matt WesolowskiOnline investigative journalist Scott King investigates the death of a pop megastar, the subject of multiple accusations of sexual abuse and murder before his untimely demise in a fire … another episode of the startlingly original, award-winning Six Stories series.‘First-class plotting’ S Magazine‘A dazzling fictional mystery’ Foreword Reviews‘Readers of Kathleen Barber’s Are You Sleeping and fans of Ruth Ware will enjoy this slim but compelling novel’ Booklist––––––––––––––––––––––––A shamed pop starA devastating fireSix witnessesSix storiesWhich one is true?When pop megastar Zach Crystal dies in a fire at his remote mansion, his mysterious demise rips open the bitter divide between those who adored his music and his endless charity work, and those who viewed him as a despicable predator, who manipulated and abused young and vulnerable girls.Online journalist, Scott King, whose Six Stories podcasts have become an internet sensation, investigates the accusations of sexual abuse and murder that were levelled at Crystal before he died. But as Scott begins to ask questions and rake over old graves, some startling inconsistencies emerge: Was the fire at Crystal’s remote home really an accident? Are reports of a haunting really true? Why was he never officially charged?Dark, chillingly topical and deeply thought-provoking, Deity is both an explosive thriller and a startling look at how heroes can fall from grace and why we turn a blind eye to even the most heinous of crimes…––––––––––––––––––––––––Praise for the Six Stories series‘Matt Wesolowski brilliantly depicts a desperate and disturbed corner of north-east England in which paranoia reigns and goodness is thwarted … an exceptional storyteller' Andrew Michael Hurley‘Beautifully written, smart, compassionate – and scary as hell. Matt Wesolowski is one of the most exciting and original voices in crime fiction’ Alex North‘Insidiously terrifying, with possibly the creepiest woods since The Blair Witch Project … a genuine chiller with a whammy of an ending’ C J Tudor‘Endlessly inventive and with literary thrills a-plenty, Matt Wesolowski is boldly carving his own uniquely dark niche in fiction’ Benjamin Myers‘Frighteningly wonderful … one of the best books I’ve read in years’ Khurrum Rahman‘Disturbing, compelling and atmospheric, it will terrify and enthral you in equal measure’ M W Craven‘Bold, clever and genuinely chilling with a terrific twist that provides an explosive final punch’ Deidre O’Brien, Sunday Mirror‘A genuine genre-bending debut’ Carla McKay, Daily Mail'Impeccably crafted and gripping from start to finish’ Doug Johnstone, The Big Issue‘The very epitome of a must-read’ Heat‘Wonderfully horrifying … the suspense crackles’ James Oswald‘Original, inventive and dazzlingly clever’ Fiona Cummins‘A complex and subtle mystery, unfolding like dark origami to reveal the black heart inside’ Michael Marshall Smith‘Haunting, horrifying, and heartrending. Fans of Arthur Machen, whose unsettling tale The White People provides an epigraph, will want to check this one out’ Publishers Weekly‘Matt Wesolowski has just the formula to meet your self-scaring needs… ‘ Strong Words magazine‘A masterly piece of storytelling, very sinister, deliciously entertaining’ New Books Magazine
Deleuze and the Gynesis of Horror: From Monstrous Births to the Birth of the Monster
by Sunny HawkinsApplying Deleuze's schizoanalytic techniques to film theory, Deleuze and the Gynesis of Horror demonstrates how an embodied approach to horror film analysis can help us understand how film affects its viewers and distinguish those films which reify static, hegemonic, “molar” beings from those which prompt fluid, nonbinary, “molecular” becomings. It does so by analyzing the politics of reproduction in contemporary films such as Ex Machina; Mary Shelley's Frankenstein; Mad Max: Fury Road; the Twilight saga; and the original Alien quadrilogy and its more recent prequels, Prometheus and Alien: Covenant. Author Sunny Hawkins argues that films which promote a “monstrous philosophy” of qualitative, affirmative difference as difference-in-itself, and which tend to be more molecular than molar in their expressions, can help us trace a “line of flight” from the gender binary in the real world. Deleuze and the Gynesis of Horror demonstrates how the techniques of horror film – editing, sound and visual effects, lighting and colour, camera movement – work in tandem with a film's content to affect the viewer's body in ways that disrupt the sense of self as a whole, unified subject with a stable, monolithic identity and, in some cases, can serve to breakdown the binary between self/Other, as we come to realize that we are none of us static, categorizable beings but are, as Henri Bergson said, “living things constantly becoming.”
Deleuze and the Gynesis of Horror: From Monstrous Births to the Birth of the Monster
by Sunny HawkinsApplying Deleuze's schizoanalytic techniques to film theory, Deleuze and the Gynesis of Horror demonstrates how an embodied approach to horror film analysis can help us understand how film affects its viewers and distinguish those films which reify static, hegemonic, “molar” beings from those which prompt fluid, nonbinary, “molecular” becomings. It does so by analyzing the politics of reproduction in contemporary films such as Ex Machina; Mary Shelley's Frankenstein; Mad Max: Fury Road; the Twilight saga; and the original Alien quadrilogy and its more recent prequels, Prometheus and Alien: Covenant. Author Sunny Hawkins argues that films which promote a “monstrous philosophy” of qualitative, affirmative difference as difference-in-itself, and which tend to be more molecular than molar in their expressions, can help us trace a “line of flight” from the gender binary in the real world. Deleuze and the Gynesis of Horror demonstrates how the techniques of horror film – editing, sound and visual effects, lighting and colour, camera movement – work in tandem with a film's content to affect the viewer's body in ways that disrupt the sense of self as a whole, unified subject with a stable, monolithic identity and, in some cases, can serve to breakdown the binary between self/Other, as we come to realize that we are none of us static, categorizable beings but are, as Henri Bergson said, “living things constantly becoming.”