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De-mystifying Translation: Introducing Translation to Non-translators
by Lynne BowkerThis textbook provides an accessible introduction to the field of translation for students of other disciplines and readers who are not translators. It provides students outside the translation profession with a greater awareness of, and appreciation for, what goes into translation. Providing readers with tools for their own personal translation-related needs, this book encourages an ethical approach to translation and offers an insight into translation as a possible career. This textbook covers foundational concepts; key figures, groups, and events; tools and resources for non-professional translation tasks; and the types of translation that non-translators are liable to encounter. Each chapter includes practical activities, annotated further reading, and summaries of key points suitable for use in classrooms, online teaching, or self-study. There is also a glossary of key terms. De-mystifying Translation: Introducing Translation to Non-translators is the ideal text for any non-specialist taking a course on translation and for anyone interested in learning more about the field of translation and translation studies.
De-mystifying Translation: Introducing Translation to Non-translators
by Lynne BowkerThis textbook provides an accessible introduction to the field of translation for students of other disciplines and readers who are not translators. It provides students outside the translation profession with a greater awareness of, and appreciation for, what goes into translation. Providing readers with tools for their own personal translation-related needs, this book encourages an ethical approach to translation and offers an insight into translation as a possible career. This textbook covers foundational concepts; key figures, groups, and events; tools and resources for non-professional translation tasks; and the types of translation that non-translators are liable to encounter. Each chapter includes practical activities, annotated further reading, and summaries of key points suitable for use in classrooms, online teaching, or self-study. There is also a glossary of key terms. De-mystifying Translation: Introducing Translation to Non-translators is the ideal text for any non-specialist taking a course on translation and for anyone interested in learning more about the field of translation and translation studies.
De persecutione Anglicana by Robert Persons S.J.: A Critical Edition of the Latin Text with English Translation, Commentary and Introduction (Bloomsbury Neo-Latin Series: Early Modern Texts and Anthologies)
by Victor Houliston Marianne DircksenPresenting the text of a notorious Jesuit attack on Queen Elizabeth I's treatment of her Catholic subjects, this volume highlights the European context of the English Reformation and Robert Persons's role as propagandist. In De persecutione Anglicana, Robert Persons (1546–1610) graphically describes the conditions in prisons, the harassment of Catholics at home and the gruesome manner of execution for treason. The work culminates in the arrest of the famous Jesuit martyr Edmund Campion, with rapidly revised versions bringing the narrative up to date after Campion's execution on 1 December 1581. Written in Latin to appeal to readers throughout Europe, it was translated into French, Italian and German, making it arguably the most important Latin martyrological work by an English Catholic of the Elizabethan period. This critical edition comprises the Latin text, English translation and commentary, and a textual history, appending additional material from the revised versions.Persons was actively involved in the drive to restore Roman Catholicism in England, as missionary strategist, controversialist and founder of English colleges abroad. He worked closely with the superior general of the Society of Jesus, Claudio Acquaviva, negotiating with Philip II of Spain, the Duke of Guise, the Duke of Parma and successive popes. Thanks to the growth of early modern British Catholic studies, his prolific and provocative English writings attract increasing scholarly attention, but his Latin texts have often been glossed over.
De persecutione Anglicana by Robert Persons S.J.: A Critical Edition of the Latin Text with English Translation, Commentary and Introduction (Bloomsbury Neo-Latin Series: Early Modern Texts and Anthologies)
by Victor Houliston Marianne DircksenPresenting the text of a notorious Jesuit attack on Queen Elizabeth I's treatment of her Catholic subjects, this volume highlights the European context of the English Reformation and Robert Persons's role as propagandist. In De persecutione Anglicana, Robert Persons (1546–1610) graphically describes the conditions in prisons, the harassment of Catholics at home and the gruesome manner of execution for treason. The work culminates in the arrest of the famous Jesuit martyr Edmund Campion, with rapidly revised versions bringing the narrative up to date after Campion's execution on 1 December 1581. Written in Latin to appeal to readers throughout Europe, it was translated into French, Italian and German, making it arguably the most important Latin martyrological work by an English Catholic of the Elizabethan period. This critical edition comprises the Latin text, English translation and commentary, and a textual history, appending additional material from the revised versions.Persons was actively involved in the drive to restore Roman Catholicism in England, as missionary strategist, controversialist and founder of English colleges abroad. He worked closely with the superior general of the Society of Jesus, Claudio Acquaviva, negotiating with Philip II of Spain, the Duke of Guise, the Duke of Parma and successive popes. Thanks to the growth of early modern British Catholic studies, his prolific and provocative English writings attract increasing scholarly attention, but his Latin texts have often been glossed over.
De-Scribing Empire: Post-Colonialism and Textuality
by Alan Lawson Chris TiffinDe-Scribing Empire is a stunning collection of first-class essays. Collectively they examine the formative role of books, writing and textuality in imperial control and the fashioning of colonial world-views. The volume as a whole puts forward strategies for understanding and neutralising that control, and as such is a major contribution to the field. It will be invaluable for students in post-colonialist criticism.
De-Scribing Empire: Post-Colonialism and Textuality
by Alan Lawson Chris TiffinDe-Scribing Empire is a stunning collection of first-class essays. Collectively they examine the formative role of books, writing and textuality in imperial control and the fashioning of colonial world-views. The volume as a whole puts forward strategies for understanding and neutralising that control, and as such is a major contribution to the field. It will be invaluable for students in post-colonialist criticism.
De sphaera of Johannes de Sacrobosco in the Early Modern Period: The Authors of the Commentaries
by Matteo VallerianiThis open access book explores commentaries on an influential text of pre-Copernican astronomy in Europe. It features essays that take a close look at key intellectuals and how they engaged with the main ideas of this qualitative introduction to geocentric cosmology. Johannes de Sacrobosco compiled his Tractatus de sphaera during the thirteenth century in the frame of his teaching activities at the then recently founded University of Paris. It soon became a mandatory text all over Europe. As a result, a tradition of commentaries to the text was soon established and flourished until the second half of the 17th century. Here, readers will find an informative overview of these commentaries complete with a rich context. The essays explore the educational and social backgrounds of the writers. They also detail how their careers developed after the publication of their commentaries, the institutions and patrons they were affiliated with, what their agenda was, and whether and how they actually accomplished it. The editor of this collection considers these scientific commentaries as genuine scientific works. The contributors investigate them here not only in reference to the work on which it comments but also, and especially, as independent scientific contributions that are socially, institutionally, and intellectually contextualized around their authors.
Dead Cats (Modern Plays)
by Andrew WestersideIn rooms like this room people lie. Not little lies, the kinds of lies that kill people, or worse…In this room, or in rooms like this room, they use phrases like collateral damage, like extraordinary rendition, like perception management. They cover up their dirty words with clean ones, in rooms like this room. In rooms like this room, they redact the names.In rooms like this room, language is laundered. The name of the game is spin. Dead Cats is the third contemporary theatre work in Proto-type's critically acclaimed Truth to Power Project, following on from A Machine They're Secretly Building and The Audit – a socially-engaged exploration of power, democracy, truth-telling, protest, privacy, conspiracy, and control. It blends new writing, performance, film-making, and an obvious plant, to show – not tell – the truths behind the fictions.
Dead Cats (Modern Plays)
by Andrew WestersideIn rooms like this room people lie. Not little lies, the kinds of lies that kill people, or worse…In this room, or in rooms like this room, they use phrases like collateral damage, like extraordinary rendition, like perception management. They cover up their dirty words with clean ones, in rooms like this room. In rooms like this room, they redact the names.In rooms like this room, language is laundered. The name of the game is spin. Dead Cats is the third contemporary theatre work in Proto-type's critically acclaimed Truth to Power Project, following on from A Machine They're Secretly Building and The Audit – a socially-engaged exploration of power, democracy, truth-telling, protest, privacy, conspiracy, and control. It blends new writing, performance, film-making, and an obvious plant, to show – not tell – the truths behind the fictions.
Dead Funny (Modern Plays)
by Terry JohnsonIn spite of my desperation I have been patient, in spite of my bewilderment I have been understanding, in spite of my feeling of utter abandonment ... I've been hanging on in there. Trying to help you come through this terrible thing.While Eleanor wants a child, her willing partner, Richard, is too busy running the Dead Funny Society.But in a week when British comedy heroes Frankie Howard and Benny Hill both kick the bucket, the society gather for a celebration, which promises to be full of hilarity and laughter – well, for everybody except the disgruntled Eleanor anyhow.Terry Johnson's hilarious comedy of mortality and marriage was premiered at the Hampstead Theatre in January 1994. This edition was published for the West End revival in October 2016 at the Vaudeville Theatre, London.
Dead Funny: Imagine Drowning; Hysteria; Dead Funny (Modern Plays)
by Terry JohnsonIn spite of my desperation I have been patient, in spite of my bewilderment I have been understanding, in spite of my feeling of utter abandonment ... I've been hanging on in there. Trying to help you come through this terrible thing.While Eleanor wants a child, her willing partner, Richard, is too busy running the Dead Funny Society.But in a week when British comedy heroes Frankie Howard and Benny Hill both kick the bucket, the society gather for a celebration, which promises to be full of hilarity and laughter – well, for everybody except the disgruntled Eleanor anyhow.Terry Johnson's hilarious comedy of mortality and marriage was premiered at the Hampstead Theatre in January 1994. This edition was published for the West End revival in October 2016 at the Vaudeville Theatre, London.
The Dead Ladies Project: Exiles, Expats, and Ex-Countries
by Jessa CrispinWhen Jessa Crispin was thirty, she burned her settled Chicago life to the ground and took off for Berlin with a pair of suitcases and no plan beyond leaving. Half a decade later, she’s still on the road, in search not so much of a home as of understanding, a way of being in the world that demands neither constant struggle nor complete surrender. The Dead Ladies Project is an account of that journey—but it’s also much, much more. Fascinated by exile, Crispin travels an itinerary of key locations in its literary map, of places that have drawn writers who needed to break free from their origins and start afresh. As she reflects on William James struggling through despair in Berlin, Nora Barnacle dependant on and dependable for James Joyce in Trieste, Maud Gonne fomenting revolution and fostering myth in Dublin, or Igor Stravinsky starting over from nothing in Switzerland, Crispin interweaves biography, incisive literary analysis, and personal experience into a rich meditation on the complicated interactions of place, personality, and society that can make escape and reinvention such an attractive, even intoxicating proposition. Personal and profane, funny and fervent, The Dead Ladies Project ranges from the nineteenth century to the present, from historical figures to brand-new hangovers, in search, ultimately, of an answer to a bedrock question: How does a person decide how to live their life?
The Dead Ladies Project: Exiles, Expats, and Ex-Countries
by Jessa CrispinWhen Jessa Crispin was thirty, she burned her settled Chicago life to the ground and took off for Berlin with a pair of suitcases and no plan beyond leaving. Half a decade later, she’s still on the road, in search not so much of a home as of understanding, a way of being in the world that demands neither constant struggle nor complete surrender. The Dead Ladies Project is an account of that journey—but it’s also much, much more. Fascinated by exile, Crispin travels an itinerary of key locations in its literary map, of places that have drawn writers who needed to break free from their origins and start afresh. As she reflects on William James struggling through despair in Berlin, Nora Barnacle dependant on and dependable for James Joyce in Trieste, Maud Gonne fomenting revolution and fostering myth in Dublin, or Igor Stravinsky starting over from nothing in Switzerland, Crispin interweaves biography, incisive literary analysis, and personal experience into a rich meditation on the complicated interactions of place, personality, and society that can make escape and reinvention such an attractive, even intoxicating proposition. Personal and profane, funny and fervent, The Dead Ladies Project ranges from the nineteenth century to the present, from historical figures to brand-new hangovers, in search, ultimately, of an answer to a bedrock question: How does a person decide how to live their life?
The Dead Ladies Project: Exiles, Expats, and Ex-Countries
by Jessa CrispinWhen Jessa Crispin was thirty, she burned her settled Chicago life to the ground and took off for Berlin with a pair of suitcases and no plan beyond leaving. Half a decade later, she’s still on the road, in search not so much of a home as of understanding, a way of being in the world that demands neither constant struggle nor complete surrender. The Dead Ladies Project is an account of that journey—but it’s also much, much more. Fascinated by exile, Crispin travels an itinerary of key locations in its literary map, of places that have drawn writers who needed to break free from their origins and start afresh. As she reflects on William James struggling through despair in Berlin, Nora Barnacle dependant on and dependable for James Joyce in Trieste, Maud Gonne fomenting revolution and fostering myth in Dublin, or Igor Stravinsky starting over from nothing in Switzerland, Crispin interweaves biography, incisive literary analysis, and personal experience into a rich meditation on the complicated interactions of place, personality, and society that can make escape and reinvention such an attractive, even intoxicating proposition. Personal and profane, funny and fervent, The Dead Ladies Project ranges from the nineteenth century to the present, from historical figures to brand-new hangovers, in search, ultimately, of an answer to a bedrock question: How does a person decide how to live their life?
The Dead Ladies Project: Exiles, Expats, and Ex-Countries
by Jessa CrispinWhen Jessa Crispin was thirty, she burned her settled Chicago life to the ground and took off for Berlin with a pair of suitcases and no plan beyond leaving. Half a decade later, she’s still on the road, in search not so much of a home as of understanding, a way of being in the world that demands neither constant struggle nor complete surrender. The Dead Ladies Project is an account of that journey—but it’s also much, much more. Fascinated by exile, Crispin travels an itinerary of key locations in its literary map, of places that have drawn writers who needed to break free from their origins and start afresh. As she reflects on William James struggling through despair in Berlin, Nora Barnacle dependant on and dependable for James Joyce in Trieste, Maud Gonne fomenting revolution and fostering myth in Dublin, or Igor Stravinsky starting over from nothing in Switzerland, Crispin interweaves biography, incisive literary analysis, and personal experience into a rich meditation on the complicated interactions of place, personality, and society that can make escape and reinvention such an attractive, even intoxicating proposition. Personal and profane, funny and fervent, The Dead Ladies Project ranges from the nineteenth century to the present, from historical figures to brand-new hangovers, in search, ultimately, of an answer to a bedrock question: How does a person decide how to live their life?
Dead Pledges: Debt, Crisis, and Twenty-First-Century Culture (Post*45 #21)
by Annie McClanahanDead Pledges is the first book to explore the ways that U.S. culture—from novels and poems to photojournalism and horror movies—has responded to the collapse of the financialized consumer credit economy in 2008. Connecting debt theory to questions of cultural form, this book argues that artists, filmmakers, and writers have re-imagined what it means to owe and to own in a period when debt is what makes our economic lives possible. Encompassing both popular entertainment and avant-garde art, the post-crisis productions examined here help to map the landscape of contemporary debt: from foreclosure to credit scoring, student debt to securitized risk, microeconomic theory to anti-eviction activism. A searing critique of the ideology of debt, Dead Pledges dismantles the discourse of moral obligation so often invoked to make us repay. Debt is no longer a source of economic credibility, it contends, but a system of dispossession that threatens the basic fabric of social life.
Dead Theory: Derrida, Death, and the Afterlife of Theory
by Jeffrey R. Di LeoWhat is the legacy of Theory after the deaths of so many of its leading lights, from Jacques Derrida to Roland Barthes? Bringing together reflections by leading contemporary scholars, Dead Theory explores the afterlives of the work of the great theorists and the current state of Theory today. Considering the work of thinkers such as Derrida, Deleuze, and Levinas, the book explores the ways in which Theory has long been haunted by death and how it might endure for the future.
Dead Theory: Derrida, Death, and the Afterlife of Theory
by Jeffrey R. Di LeoWhat is the legacy of Theory after the deaths of so many of its leading lights, from Jacques Derrida to Roland Barthes? Bringing together reflections by leading contemporary scholars, Dead Theory explores the afterlives of the work of the great theorists and the current state of Theory today. Considering the work of thinkers such as Derrida, Deleuze, and Levinas, the book explores the ways in which Theory has long been haunted by death and how it might endure for the future.
Dead Wings (Dragonblood) (PDF)
by Michael DahlThis series is aimed at reluctant readers with simple, easy-to-read text, engaging illustrations and design. Fantastic settings and computer-game speed grip readers in these high-low novels. An Age of Dragons is about to begin. The powerful creatures will return to rule the world once more, but this time will be different. This time they will have allies. Around the world, some young humans are making a strange discovery. They are learning that they were born with dragon blood - blood that gives them amazing powers.
Dead Women Talking: Figures of Injustice in American Literature
by Brian NormanBrian Norman uncovers a curious phenomenon in American literature: dead women who nonetheless talk. These characters appear in works by such classic American writers as Poe, Dickinson, and Faulkner as well as in more recent works by Alice Walker, Toni Morrison, Tony Kushner, and others. These figures are also emerging in contemporary culture, from the film and best-selling novel The Lovely Bones to the hit television drama Desperate Housewives. Dead Women Talking demonstrates that the dead, especially women, have been speaking out in American literature since well before it was fashionable. Norman argues that they voice concerns that a community may wish to consign to the past, raising questions about gender, violence, sexuality, class, racial injustice, and national identity. When these women insert themselves into the story, they do not enter precisely as ghosts but rather as something potentially more disrupting: posthumous citizens. The community must ask itself whether it can or should recognize such a character as one of its own. The prospect of posthumous citizenship bears important implications for debates over the legal rights of the dead, social histories of burial customs and famous cadavers, and the political theory of citizenship and social death.
Dead Women Talking: Figures of Injustice in American Literature
by Brian NormanBrian Norman uncovers a curious phenomenon in American literature: dead women who nonetheless talk. These characters appear in works by such classic American writers as Poe, Dickinson, and Faulkner as well as in more recent works by Alice Walker, Toni Morrison, Tony Kushner, and others. These figures are also emerging in contemporary culture, from the film and best-selling novel The Lovely Bones to the hit television drama Desperate Housewives. Dead Women Talking demonstrates that the dead, especially women, have been speaking out in American literature since well before it was fashionable. Norman argues that they voice concerns that a community may wish to consign to the past, raising questions about gender, violence, sexuality, class, racial injustice, and national identity. When these women insert themselves into the story, they do not enter precisely as ghosts but rather as something potentially more disrupting: posthumous citizens. The community must ask itself whether it can or should recognize such a character as one of its own. The prospect of posthumous citizenship bears important implications for debates over the legal rights of the dead, social histories of burial customs and famous cadavers, and the political theory of citizenship and social death.
Deadly Musings: Violence and Verbal Form in American Fiction (PDF)
by Michael Kowalewski"Violent scenes in American fiction are not only brutal, bleak, and gratuitous," writes Michael Kowalewski. "They are also, by turns, comic, witty, poignant, and sometimes, strangely enough, even terrifyingly beautiful." In this fascinating tour of American fiction, Kowalewski examines incidents ranging from scalpings and torture in The Deerslayer to fish feeding off human viscera in To Have and Have Not, to show how highly charged descriptive passages bear on major issues concerning a writer's craft. Instead of focusing on violence as a socio-cultural phenomenon, he explores how writers including Cooper, Poe, Crane, Hemingway, Faulkner, Wright, Flannery O'Connor, and Pynchon draw on violence in the realistic imagining of their works and how their respective styles sustain or counteract this imagining. Kowalewski begins by offering a new definition of realism, or realistic imagining, and the rhetorical imagination that seems to oppose it. Then for each author he investigates how scenes of violence exemplify the stylistic imperatives more generally at work in that writer's fiction. Using violence as the critical occasion for exploring the distinctive qualities of authorial voice, Deadly Musings addresses the question of what literary criticism is and ought to be, and how it might apply more usefully to the dynamics of verbal performance.
Deadly Musings: Violence and Verbal Form in American Fiction
by Michael Kowalewski"Violent scenes in American fiction are not only brutal, bleak, and gratuitous," writes Michael Kowalewski. "They are also, by turns, comic, witty, poignant, and sometimes, strangely enough, even terrifyingly beautiful." In this fascinating tour of American fiction, Kowalewski examines incidents ranging from scalpings and torture in The Deerslayer to fish feeding off human viscera in To Have and Have Not, to show how highly charged descriptive passages bear on major issues concerning a writer's craft. Instead of focusing on violence as a socio-cultural phenomenon, he explores how writers including Cooper, Poe, Crane, Hemingway, Faulkner, Wright, Flannery O'Connor, and Pynchon draw on violence in the realistic imagining of their works and how their respective styles sustain or counteract this imagining. Kowalewski begins by offering a new definition of realism, or realistic imagining, and the rhetorical imagination that seems to oppose it. Then for each author he investigates how scenes of violence exemplify the stylistic imperatives more generally at work in that writer's fiction. Using violence as the critical occasion for exploring the distinctive qualities of authorial voice, Deadly Musings addresses the question of what literary criticism is and ought to be, and how it might apply more usefully to the dynamics of verbal performance.
Deaf and Hard of Hearing Multilingual Learners: Foundations, Strategies, and Resources
by Joanna E. Cannon Caroline Guardino Peter V. PaulThis critical resource provides foundational information and practical strategies for d/Deaf or hard of hearing (d/Dhh) multilingual learners. These learners come from backgrounds where their home languages differ from the dominant spoken or sign languages of the culture. This book is a one-stop resource for professionals, interventionists, and families, helping them to effectively support the diverse needs of d/Dhh multilingual learners by covering topics such as family engagement, assessment, literacy, multiple disabilities, transition planning, and more. The book provides vignettes of learners from 25 countries, discussion questions, and family-centered infographic briefs that synthesize each chapter. Deaf and Hard of Hearing Multilingual Learners is a groundbreaking step towards better supporting the many languages and cultures d/Dhh students experience in their lifetimes through strength-based and linguistically responsive approaches.