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Death in a Cold Climate: A Guide to Scandinavian Crime Fiction (Crime Files)
by B. ForshawBarry Forshaw, the UK's principal crime fiction expert, presents a celebration and analysis of the Scandinavian crime genre, from Sjöwall and Wahlöö's Martin Beck series through Henning Mankell's Wallander to Stieg Larsson's demolition of the Swedish Social Democratic ideal in the publishing phenomenon The Girl with the Dragon Tattoo .
Death in American Texts and Performances: Corpses, Ghosts, and the Reanimated Dead
by Mark PizzatoHow do twentieth and twenty-first century artists bring forth the powerful reality of death when it exists in memory and lived experience as something that happens only to others? Death in American Texts and Performances takes up this question to explore the modern and postmodern aesthetics of death. Working between and across genres, the contributors examine literary texts and performance media, including Robert Lowell's For the Union Dead, Luis Valdez' Dark Root of a Scream, Amiri Baraka's Dutchman, Thornton Wilder's Our Town, John Edgar Wideman's The Cattle Killing, Toni Morrison's Sula and Song of Solomon, Don DeLillo's White Noise and Falling Man, and HBO's Six Feet Under. As the contributors struggle to convey the artist's crisis of representation, they often locate the dilemma in the gap between artifice and nature, where loss is performed and where re-membering is sometimes literally reenacted through the bodily gesture. While artists confront the impossibility of total recovery or transformation, so must the contributors explore the gulf between real corpses and their literary or performative reconstructions. Ultimately, the volume shows both artist and critic grappling with the dilemma of showing how the aesthetics of death as absence is made meaningful in and by language.
Death in American Texts and Performances: Corpses, Ghosts, and the Reanimated Dead
by Mark PizzatoHow do twentieth and twenty-first century artists bring forth the powerful reality of death when it exists in memory and lived experience as something that happens only to others? Death in American Texts and Performances takes up this question to explore the modern and postmodern aesthetics of death. Working between and across genres, the contributors examine literary texts and performance media, including Robert Lowell's For the Union Dead, Luis Valdez' Dark Root of a Scream, Amiri Baraka's Dutchman, Thornton Wilder's Our Town, John Edgar Wideman's The Cattle Killing, Toni Morrison's Sula and Song of Solomon, Don DeLillo's White Noise and Falling Man, and HBO's Six Feet Under. As the contributors struggle to convey the artist's crisis of representation, they often locate the dilemma in the gap between artifice and nature, where loss is performed and where re-membering is sometimes literally reenacted through the bodily gesture. While artists confront the impossibility of total recovery or transformation, so must the contributors explore the gulf between real corpses and their literary or performative reconstructions. Ultimately, the volume shows both artist and critic grappling with the dilemma of showing how the aesthetics of death as absence is made meaningful in and by language.
Death in Babylon: Alexander the Great and Iberian Empire in the Muslim Orient
by Vincent BarlettaThough Alexander the Great lived more than seventeen centuries before the onset of Iberian expansion into Muslim Africa and Asia, he loomed large in the literature of late medieval and early modern Portugal and Spain. Exploring little-studied chronicles, chivalric romances, novels, travelogues, and crypto-Muslim texts, Vincent Barletta shows that the story of Alexander not only sowed the seeds of Iberian empire but foreshadowed the decline of Portuguese and Spanish influence in the centuries to come. Death in Babylon depicts Alexander as a complex symbol of Western domination, immortality, dissolution, heroism, villainy, and death. But Barletta also shows that texts ostensibly celebrating the conqueror were haunted by failure. Examining literary and historical works in Aljamiado, Castilian, Catalan, Greek, Latin, and Portuguese, Death in Babylon develops a view of empire and modernity informed by the ethical metaphysics of French phenomenologist Emmanuel Levinas. A novel contribution to the literature of empire building, Death in Babylon provides a frame for the deep mortal anxiety that has infused and given shape to the spread of imperial Europe from its very beginning.
Death in Babylon: Alexander the Great and Iberian Empire in the Muslim Orient
by Vincent BarlettaThough Alexander the Great lived more than seventeen centuries before the onset of Iberian expansion into Muslim Africa and Asia, he loomed large in the literature of late medieval and early modern Portugal and Spain. Exploring little-studied chronicles, chivalric romances, novels, travelogues, and crypto-Muslim texts, Vincent Barletta shows that the story of Alexander not only sowed the seeds of Iberian empire but foreshadowed the decline of Portuguese and Spanish influence in the centuries to come. Death in Babylon depicts Alexander as a complex symbol of Western domination, immortality, dissolution, heroism, villainy, and death. But Barletta also shows that texts ostensibly celebrating the conqueror were haunted by failure. Examining literary and historical works in Aljamiado, Castilian, Catalan, Greek, Latin, and Portuguese, Death in Babylon develops a view of empire and modernity informed by the ethical metaphysics of French phenomenologist Emmanuel Levinas. A novel contribution to the literature of empire building, Death in Babylon provides a frame for the deep mortal anxiety that has infused and given shape to the spread of imperial Europe from its very beginning.
Death in Henry James
by A. CuttingMoving beyond established ideas of haunted Henry James, this book argues that death is as important a concept for understanding James's fiction as gender, sexuality and modernity, which have come to dominate James studies. Combining formal analysis and close reading with theoretical and historical approaches and focusing on key novels and tales from across James's career, Andrew Cutting explores five instances of Jamesian death: sacrifice, the corpse, morbidity, afterlife and demography. This is the first full-length study of this subject.
The Death Knock
by Elodie Harper'Chilling, intelligent, and highly addictive. Superb.' Will Dean, author of Dark PinesThree women have been found dead in East Anglia. The police deny a connection. TV news reporter Frankie smells a story. Ava knows the threat is real. She's been kidnapped by a stranger who seems to know everything about her. Now she must fight both to stay alive and to stay sane. As Frankie follows the case, she enters a terrifying online world where men's rage against women has turned murderous - and where her persistence will make her a target. The Death Knock is a compelling story of the hunt for the truth - at all costs.See what everyone is saying about this brilliant read:'I was enjoying the reading of it so much, I slowed down the number of chapters I read at a time, in order to savour it for longer!' Amazon reviewer'A great read, both thought provoking and chilling.' Goodreads reviewer'A story that pulls you in immediately.' Amazon reviewer'Easy 5* here... a tense atmospheric mystery that is highly addictive.' Goodreads reviewer'A fast paced and intelligent thriller.' Amazon reviewer'Cleverly plotted. Highly recommended.' Goodreads reviewer
The Death of a Black Man (Modern Plays)
by Alfred FagonAt least I am my own boss. No regrets. I choose what I do. I am luckyIt's 1973 and the West Indies have spectacularly beaten England at their own game, in their own backyard.Shakie, an 18-year-old super-savvy wheeler-dealer, is in his element – and not just because of the cricket. Life is good: his furniture business is making serious money and he owns a flat on the King's Road, the epicentre of everything that's cool. Moreover, his best friend Stumpie has come up with a plan to crack the booming music industry together - the possibilities are endless so when Shakie's ex-lover Jackie arrives at the Chelsea flat, the trio toast the future.The champagne is flowing and ambition is running sky high - but how far will they go, and who will they sacrifice, in their quest to be rich beyond their wildest dreams?The Death of a Black Man received its world premiere at Hampstead Theatre in 1975. This new edition is published to coincide with its return to Hampstead Theatre, 46 years on, in May 2021.
The Death of a Black Man (Modern Plays)
by Alfred FagonAt least I am my own boss. No regrets. I choose what I do. I am luckyIt's 1973 and the West Indies have spectacularly beaten England at their own game, in their own backyard.Shakie, an 18-year-old super-savvy wheeler-dealer, is in his element – and not just because of the cricket. Life is good: his furniture business is making serious money and he owns a flat on the King's Road, the epicentre of everything that's cool. Moreover, his best friend Stumpie has come up with a plan to crack the booming music industry together - the possibilities are endless so when Shakie's ex-lover Jackie arrives at the Chelsea flat, the trio toast the future.The champagne is flowing and ambition is running sky high - but how far will they go, and who will they sacrifice, in their quest to be rich beyond their wildest dreams?The Death of a Black Man received its world premiere at Hampstead Theatre in 1975. This new edition is published to coincide with its return to Hampstead Theatre, 46 years on, in May 2021.
Death of a Comedian: Absence Of Women; Titanic; Quietly; Unfaithful; Death Of A Comedian; Beach
by Owen McCaffertywhat if i'm not funny though - what if i go out there and i'm not funnySteve Johnston, guided and inspired by his girlfriend, is a small-time comedian, raw, original and true. Until he's spotted by an agent, who suggests he could be so much more: his act just needs to change. It's a Faustian pact. As tension builds over the course of four gigs, so too do the audiences. But at what cost?Death of a Comedian by Owen McCafferty premiered at the Lyric Theatre, Belfast, in February 2015 in a co-production with the the Abbey Theatre, Dublin, and Soho Theatre, London.
Death of a Salesman (Text and Performance)
by Arthur MillerAn examination of two of America's best-known plays. Part 1 revolves around the key aspects of the plays' relationship to America, and in Part 2 special emphasis is placed on the Broadway productions of "Death of a Salesman" in 1949 and the 1953, 1965 and 1980 productions of "The Crucible".
Death of a Salesman (Student Editions)
by Arthur MillerWhy am I trying to become what I don't want to be … when all I want is out there, waiting for me the minute I say I know who I am.Willy Loman is an ageing travelling salesman haunted, driven and yet held back by empty dreams of prosperity and success. Justly celebrated as one of the most famous dramatisations of the failure of the American Dream, the play's moral and political purpose is perfectly counterbalanced by a powerful and moving human drama of a man trying to make his way in the world and of the human flaws that lead to the shattering of his family and of their figurehead.Death of a Salesman is Miller's tragic masterpiece and considered one of the greatest plays of the twentieth century. Awarded the Pulitzer Prize in 1949, the play remains a classic work of literature and drama that is studied and performed around the world.This new edition includes an introduction by Claire Conceison that explores the play's production history as well as the dramatic, thematic, and academic debates that surround it; a must-have resource for any student exploring Death of a Salesman.
Death of a Salesman (Student Editions)
by Arthur MillerWhy am I trying to become what I don't want to be … when all I want is out there, waiting for me the minute I say I know who I am.Willy Loman is an ageing travelling salesman haunted, driven and yet held back by empty dreams of prosperity and success. Justly celebrated as one of the most famous dramatisations of the failure of the American Dream, the play's moral and political purpose is perfectly counterbalanced by a powerful and moving human drama of a man trying to make his way in the world and of the human flaws that lead to the shattering of his family and of their figurehead.Death of a Salesman is Miller's tragic masterpiece and considered one of the greatest plays of the twentieth century. Awarded the Pulitzer Prize in 1949, the play remains a classic work of literature and drama that is studied and performed around the world.This new edition includes an introduction by Claire Conceison that explores the play's production history as well as the dramatic, thematic, and academic debates that surround it; a must-have resource for any student exploring Death of a Salesman.
The Death of A Thousand Cuts: Corporate Campaigns and the Attack on the Corporation
by Jarol B. ManheimA corporate campaign is an organized assault on the reputation of a company that has offended some interest group. Although corporate campaigns often involve political, economic, and legal tactics, they are centered around the media, where protagonists attempt to redefine the image--and undermine the reputation--of the target company. It is a strategy most frequently employed by unions but is also employed by special interests, such as environmental or human rights groups. Sometimes it is even employed by one corporation against another. It is a rapidly growing phenomenon that is still unknown to the general public, to most academics and journalists, and is rarely understood by the corporations that find themselves on the firing line. The Death of a Thousand Cuts argues and demonstrates that corporate campaigns are a distinctive phenomenon whose manifestations are today ubiquitous in both the marketplace and the media. This volume examines, in considerable detail, the history, strategy, tactics, effects, consequences, and likely future directions of the corporate campaign and of its nonlabor-based cousin, the anticorporate campaign. The book is based on ample sources and methods, among them an extensive review and analysis of media coverage, news releases, previous scholarship, union publications, campaign materials, interviews and conversations with individuals who have experienced corporate campaigns, public presentations by labor leaders and others, correspondence, Internet postings, case law summaries, documents, videotapes, and other materials. Through original data and interpretation, this book adds context and integration to these materials thus giving them new meaning. Key features of this outstanding new book include: * A thorough and clear explanation of what a corporate campaign is and how it differs from other more mundane "public relations" campaigns. * A detailed examination of strategies and tactics that includes their historical development. Some of the more high profile target companies in recent years include Coca-Cola, Microsoft, Caterpillar, Campbell's Soup, Federal Express, General Dynamics, Home Depot, International Paper, K-Mart, Nike, Texaco, Walmart, Starbucks, and UPS. * Hundreds of examples that help explain such contemporary events as the anti-sweatshop movement on college campuses, the living wage movement, and the protests against the World Trade Organization, International Monetary Fund, and World Bank. * A lengthy appendix contains abbreviated descriptions of nearly 200 corporate campaigns waged by labor unions and various advocacy groups since the idea of the corporate campaign was first developed in the 1960's.
The Death of A Thousand Cuts: Corporate Campaigns and the Attack on the Corporation
by Jarol B. ManheimA corporate campaign is an organized assault on the reputation of a company that has offended some interest group. Although corporate campaigns often involve political, economic, and legal tactics, they are centered around the media, where protagonists attempt to redefine the image--and undermine the reputation--of the target company. It is a strategy most frequently employed by unions but is also employed by special interests, such as environmental or human rights groups. Sometimes it is even employed by one corporation against another. It is a rapidly growing phenomenon that is still unknown to the general public, to most academics and journalists, and is rarely understood by the corporations that find themselves on the firing line. The Death of a Thousand Cuts argues and demonstrates that corporate campaigns are a distinctive phenomenon whose manifestations are today ubiquitous in both the marketplace and the media. This volume examines, in considerable detail, the history, strategy, tactics, effects, consequences, and likely future directions of the corporate campaign and of its nonlabor-based cousin, the anticorporate campaign. The book is based on ample sources and methods, among them an extensive review and analysis of media coverage, news releases, previous scholarship, union publications, campaign materials, interviews and conversations with individuals who have experienced corporate campaigns, public presentations by labor leaders and others, correspondence, Internet postings, case law summaries, documents, videotapes, and other materials. Through original data and interpretation, this book adds context and integration to these materials thus giving them new meaning. Key features of this outstanding new book include: * A thorough and clear explanation of what a corporate campaign is and how it differs from other more mundane "public relations" campaigns. * A detailed examination of strategies and tactics that includes their historical development. Some of the more high profile target companies in recent years include Coca-Cola, Microsoft, Caterpillar, Campbell's Soup, Federal Express, General Dynamics, Home Depot, International Paper, K-Mart, Nike, Texaco, Walmart, Starbucks, and UPS. * Hundreds of examples that help explain such contemporary events as the anti-sweatshop movement on college campuses, the living wage movement, and the protests against the World Trade Organization, International Monetary Fund, and World Bank. * A lengthy appendix contains abbreviated descriptions of nearly 200 corporate campaigns waged by labor unions and various advocacy groups since the idea of the corporate campaign was first developed in the 1960's.
The Death of Argument: Fallacies in Agent Based Reasoning (Applied Logic Series #32)
by J.H. WoodsThe present work is a fair record of work I've done on the fallacies and related matters in the fifteen years since 1986. The book may be seen as a sequel to Fallacies: Selected papers 1972-1982, which I wrote with Douglas Walton, and which appeared in 1989 with Foris. This time I am on my own. Douglas Walton has, long since, found his own voice, as the saying has it; and so have I. Both of us greatly value the time we spent performing duets, but we also recognize the attractions of solo work. If I had to characterize the difference that has manifested itself in our later work, I would venture that Walton has strayed more, and I less, from what has come to be called the Woods-Walton Approach to the study of fallacies. Perhaps, on reflection "stray" is not the word for it, inasmuch as Walton's deviation from and my fidelity to the WWA are serious matters of methodological principle. The WWA was always conceived of as a way of handling the analysis of various kinds of fallacious argument or reasoning. It was a response to a particular challenge [Hamblin, 1970]. The challenge was that since logicians had allowed the investigation of fallacious reasoning to fall into disgraceful disarray, it was up to them to put things right. Accordingly, the WWA sought these repairs amidst the rich pluralisms of logic in the 1970s and beyond.
The Death of Elizabeth I: Remembering and Reconstructing the Virgin Queen (Queenship and Power)
by C. LoomisThe death of Queen Elizabeth I in 1603 was greeted by an outpouring of official proclamations, gossip-filled letters, tense diary entries, diplomatic dispatches, and somber sermons. English poets wrote hundreds of elegies to Elizabeth, and playwrights began bringing her onto the stage. This book uses these historical and literary sources, including a maid of honor's eyewitness account of the explosion of the Queen's corpse, to provide a detailed history of Elizabeth's final illness and death, and to show Elizabeth's subjects - peers and poets, bishops and beggars, women and men - responding to their loss by remembering and reconstructing their Queen.
Death of England (Modern Plays)
by Roy Williams Clint DyerHe wanted you to be a better man. He wanted to be a better man himself. He was lied to. Just like you are being lied to. A family in mourning. A man in crisisAfter the death of his dad, Michael is powerless and angry.In a state of heartbreak, he confronts the difficult truths about his father's legacy and the country that shaped him. At the funeral, unannounced and unprepared, Michael decides it is time to speak.Death of England is a powerful new monologue play by Roy Williams and Clint Dyer that explores family feelings and a country on the brink. This edition was published to coincide with the world premiere at the National Theatre, London, in 2020.
Death of England (Modern Plays)
by Roy Williams Clint DyerHe wanted you to be a better man. He wanted to be a better man himself. He was lied to. Just like you are being lied to. A family in mourning. A man in crisisAfter the death of his dad, Michael is powerless and angry.In a state of heartbreak, he confronts the difficult truths about his father's legacy and the country that shaped him. At the funeral, unannounced and unprepared, Michael decides it is time to speak.Death of England is a powerful new monologue play by Roy Williams and Clint Dyer that explores family feelings and a country on the brink. This edition was published to coincide with the world premiere at the National Theatre, London, in 2020.
Death of England: Delroy (Modern Plays)
by Roy Williams Clint DyerMe jumping out of the van, was the beginning of a very bad day for me. I just didn't know it, but I was going to know it, in about four minutes, I was going to know, fer trut.2020. Delroy is arrested on his way to the hospital.Filled with anger and grief, he recalls the moments and relationships that gave him hope before his life was irrevocably changed.Written in response to their play Death of England, Death of England: Delroy is a new standalone work by Clint Dyer and Roy Williams, which follows a Black working-class man searching for truth and confronting his relationship withWhite Britain.This edition was published to coincide with the world premiere of Death of England: Delroy, at the National Theatre in 2020. The production was the first play to reopen the theatre following the Coronavirus pandemic.
Death of England: Delroy (Modern Plays)
by Roy Williams Clint DyerMe jumping out of the van, was the beginning of a very bad day for me. I just didn't know it, but I was going to know it, in about four minutes, I was going to know, fer trut.2020. Delroy is arrested on his way to the hospital.Filled with anger and grief, he recalls the moments and relationships that gave him hope before his life was irrevocably changed.Written in response to their play Death of England, Death of England: Delroy is a new standalone work by Clint Dyer and Roy Williams, which follows a Black working-class man searching for truth and confronting his relationship withWhite Britain.This edition was published to coincide with the world premiere of Death of England: Delroy, at the National Theatre in 2020. The production was the first play to reopen the theatre following the Coronavirus pandemic.
The Death of Holden: The bestselling account of the decline of Australian manufacturing
by Royce KurmelovsHolden is one of the few brands that has an emotional grip on Australia (Qantas being another). The closure of the Holden factory in Adelaide is not just the end of a business - it's the end of an era, of a story, and of a great Australian dream.When Holden signalled that it would close its Adelaide factory, it struck at the very heart of Australian identity. Holden is our car made on our shores. It's the choice of patriotic rev heads and suburban drivers alike. How could a car that was so beloved - and so popular - be so unprofitable to make?The story of the collapse of Holden is about the people who make and drive the cars; it's about sustaining industry in Australia; it's about communities of workers and what happens when the work dries up. And if it's not quite about the death of an icon - because Holdens will remain on Australian roads for a long time to come - then it's about what happens when an icon falls to knees in front of a whole nation.'Brilliant and powerful' Nick Xenophon
The Death of the Playwright?: Modern British Drama and Literary Theory (Insights)
by Adrian PageThe nine essays in this volume make significant contributions to the development of contemporary literary theory and demonstrate how a range of new approaches can be applied to modern British drama. In addressing the questions of power, subjectivity, sexuality, psychoanalysis, and the nature of the dramatic text, the contributors reveal how much modern drama can be re-read to discover its radically subversive characteristics. Their conclusions challenge accepted interpretations and suggest major revisions of the processes of understanding and staging drama.
The Death of Truth: Notes On Falsehood In The Age Of Trump
by Michiko KakutaniFrom a Pulitzer Prize-winning critic comes an impassioned critique of the West’s retreat from reason. ‘The Death of Truth is destined to become the defining treatise of our age’ David Grann ‘The first great book of the Trump administration … essential reading’ Rolling Stone