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Hölderlin in chinesischer Übersetzung und Forschung seit hundert Jahren / 顾正祥：荷尔德林的汉译与研究——百年回眸: Analysen und Bibliographien (Abhandlungen zur Literaturwissenschaft)
by Zhengxiang GuDiese erste chinesisch-deutsche Bibliographie erfasst die gesamte chinesische Hölderlin-Literatur seit Beginn der dortigen Rezeption vor mehr als 100 Jahren bis heute. Neben einer ausführlichen Einführung in die chinesische Kulturtradition und in die Geschichte der chinesischen Hölderlin-Rezeption bilden Analysen und Bibliographien die beiden Hauptteile des Werkes. Somit bietet diese Hölderlin-Bibliographie als Grundlagenwerk erstmals deutschen wie chinesischen Studenten, Germanisten wie Sinologen, Übersetzungswissenschaftlern, insbesondere aber Hölderlin-Forschern und -Liebhabern ein detailliertes und unverzichtbares Nachschlagewerk.
Hölderlin-Rousseau: Inventive Rückkehr (Historische Diskursanalyse der Literatur)
by Jürgen LinkMit dieser Studie legt der Dortmunder Literatur- und Diskurstheoretiker die erste umfassende Monographie zur gar nicht zu überschätzenden Bedeutung Rousseaus für Hölderlin vor. Dabei dient die sorgfältige Analyse der Rezeption als Ausgangspunkt für die Entwicklung eines "höher aufgeklärten" Hölderlinbilds: das Konzept einer "inventiven" (d.h. gerade nicht "regressiven") "Rückkehr zur Natur" erlaubt die Übersetzung der "religiösen" Termini ("Götter" usw.) in mit dem zeitgenössischen Wissen kompatible Vorstellungen. Hölderlin - kein verirrter Noch-Grieche oder Schon-Heidegger in der Goethezeit, sondern ein absolut zeitgenössischer Moderner, ein "höher Aufgeklärter".
Hölderlin und die Folgen
by Rüdiger GörnerEin Zeichen sind wir, deutungslos. Schmerzlos sind wir und haben fast / Die Sprache in der Fremde verloren. So beginnt Friedrich Hölderlins Hymne, die dem Gedächtnis gilt, der Göttin der Erinnerung, Mnemosyne. Dieses Buch will den Dichter der Dichter erinnern und das, was seine Dichtungen, die ihresgleichen in der deutschen Sprache nicht kennen, an Fragwürdigem angeregt, ja, ausgelöst haben. Die hier unternommenen Zugänge gelten einem zu seiner Zeit Ausgegrenzten, einem Sprachkünstler, den seine Zeitgenossen zum Fremden erklärten, bis er sich selbst fremd wurde. Diese mehrfache Fremdheitserfahrung Hölderlins wurde später durch ideologisch motivierte Heimholungsversuche und Vereinnahmungen konterkariert. Rüdiger Görner stellt diesen komplexen Zusammenhang als einen in der jüngeren Literaturgeschichte besonderen Fall dar.
Hölderlin’s Dionysiac Poetry: The Terrifying-Exciting Mysteries
by Lucas MurreyThis book casts new light on the work of the German poet Friedrich Hölderlin (1770 – 1843), and his translations of Greek tragedy. It shows Hölderlin’s poetry is unique within Western literature (and art) as it retrieves the socio-politics of a Dionysiac space-time and language to challenge the estrangement of humans from nature and one other.In this book, author Lucas Murrey presents a new picture of ancient Greece, noting that money emerged and rapidly developed there in the sixth century B.C. This act of monetization brought with it a concept of tragedy: money-tyrants struggling against the forces of earth and community who succumb to individual isolation, blindness and death. As Murrey points out, Hölderlin (unconsciously) retrieves the battle between money, nature and community and creatively applies its lessons to our time.But Hölderlin’s poetry not only adapts tragedy to question the unlimited “machine process” of “a clever race” of money-tyrants. It also draws attention to Greece’s warnings about the mortal danger of the eyes in myth, cult and theatre. This monograph thus introduces an urgently needed vision not only of Hölderlin hymns, but also the relevance of disciplines as diverse as Literary Studies, Philosophy, Psychology (Psychoanalysis) as well as Religious and Visual (Media) Studies to our present predicament, where a dangerous visual culture, through its support of the unlimitedness of money, is harming our relation to nature and one another.“Here triumphs a temperament guided by ancient religion and that excavates, in Hölderlin’s translations, the central god Dionysus of Greek tragedy.”“Lucas Murrey shares with his subject, Hölderlin, a vision of the Greeks as bringing something vitally important into our poor world, a vision of which few classical scholars are now capable.”—Richard Seaford, author of Money and the Early Greek Mind and Dionysus.“Here triumphs a temperament guided by ancient religion and that excavates, in Hölderlin’s translations, the central god Dionysus of Greek tragedy.”—Bernhard Böschenstein, author of “Frucht des Gewitters”. Zu Hölderlins Dionysos als Gott der Revolution and Paul Celan: Der Meridian.“Lucas Murrey takes the god of tragedy, Dionysus, finally serious as a manifestation of the ecstatic scream of liberation and visual strategies of dissolution: he pleasantly portrays Hölderlin’s idiosyncratic poetic sympathy.”—Anton Bierl, author of Der Chor in der Alten Komödie. Ritual and Performativität“Hölderlin most surely deserved such a book.”—Jean-François Kervégan, author of Que faire de Carl Schmitt?“…fascinating material…”—Noam Chomsky, author of Media Control and Nuclear War and Environmental Catastrophe.
Hölderlins Weg zu Deutschland: Fragmente und Thesen. Mit einer Replik auf Pierre Bertaux "Friedrich Hölderlin"
by Adolf Beck
Holinshed's Nation: Ideals, Memory, and Practical Policy in the Chronicles
by Igor DjordjevicRaphael Holinshed's account of English history from 1377-1485 in the Chronicles of England, Scotland, and Ireland is most well-known as the source of Shakespeare's English history plays. Although the Chronicles are widely read and studied, published scholarly opinion, with a few exceptions, has been limited to the discipline of history. This book explores the historiographic materials of the Chronicles through a literary lens, focusing on how Renaissance men and women read historical texts, framed by these questions: How did Holinshed understand and view history? What were his motives in composing the Chronicles? What did sixteenth- and seventeenth-century English readers learn from the work? Igor Djordjevic explores both the lexical and semantic dimensions as well as lessons in both foreign and domestic policy in the 1577 and 1587 texts and in writers who used or appropriated the Chronicles, including Shakespeare, Daniel, Heywood, and Milton. This study revaluates our understanding of Renaissance chronicle history and the impact of Holinshed on Tudor, Jacobean, and Caroline political discourse; the Chronicles emerge not as a series of rambling, digressive episodes characteristic to a dying medieval genre, but as the preserver of national memory, the teacher of prudent policy, and a builder of the commonwealth ideal.
Holinshed's Nation: Ideals, Memory, and Practical Policy in the Chronicles
by Igor DjordjevicRaphael Holinshed's account of English history from 1377-1485 in the Chronicles of England, Scotland, and Ireland is most well-known as the source of Shakespeare's English history plays. Although the Chronicles are widely read and studied, published scholarly opinion, with a few exceptions, has been limited to the discipline of history. This book explores the historiographic materials of the Chronicles through a literary lens, focusing on how Renaissance men and women read historical texts, framed by these questions: How did Holinshed understand and view history? What were his motives in composing the Chronicles? What did sixteenth- and seventeenth-century English readers learn from the work? Igor Djordjevic explores both the lexical and semantic dimensions as well as lessons in both foreign and domestic policy in the 1577 and 1587 texts and in writers who used or appropriated the Chronicles, including Shakespeare, Daniel, Heywood, and Milton. This study revaluates our understanding of Renaissance chronicle history and the impact of Holinshed on Tudor, Jacobean, and Caroline political discourse; the Chronicles emerge not as a series of rambling, digressive episodes characteristic to a dying medieval genre, but as the preserver of national memory, the teacher of prudent policy, and a builder of the commonwealth ideal.
Holland's Guide to Psychoanalytic Psychology and Literature-and-Psychology
by Norman N. HollandAs psychoanalysis becomes more and more important to literary studies and the accompanying literature bulks larger and larger, students often feel overwhelmed, not knowing where to turn for readings that will open up the subject. Holland's Guide to Psychoanalytic Psychology and Literature-and-Psychology offers an ingenious solution to this problem. It provides concise outlines of all types of psychoanalytic theory and shows how they apply to literary criticism. The outlines point in turn to further, more specific readings--articles, essays, and books--which can then be located by two extensive bibliographies that follow the discussion. These offer materials that range from the earliest Freud to the latest cognitive science and include dozens of bibliographic aids. Holland integrates these suggested readings with lively, detailed comments on various psychologies as they relate to literature. He is thus able to guide students easily to the precise subject they wish to study, be it Jungian criticism, ego psychology, feminist psychoanalysis, psychoanalytic film theory, or interpretation of some specific text. Holland also offers a bracing discussion of reader-response criticism and a lucid guide to the work of Jacques Lacan. A trenchant epilogue defends the psychological approach, suggesting which points in psychoanalytic theory will work for literary critics, and which will not. The only such guidebook for students of psychoanalytic literary theory and literary criticism, Holland's Guide will also prove an invaluable aid for those studying psychoanalysis and psychology.
The Hollow Crown: Shakespeare on How Leaders Rise, Rule, and Fall
by Eliot A. CohenWhat Shakespeare&’s plays can teach us about modern-day politics William Shakespeare understood power: what it is, how it works, how it is gained, and how it is lost. In The Hollow Crown, Eliot A. Cohen reveals how the battling princes of Henry IV and scheming senators of Julius Caesar can teach us to better understand power and politics today. The White House, after all, is a court—with intrigue and conflict rivaling those on the Globe&’s stage—as is an army, a business, or a university. And each court is full of driven characters, in all their ambition, cruelty, and humanity. Henry V&’s inspiring speeches reframe John F. Kennedy&’s appeal, Richard III&’s wantonness illuminates Vladimir Putin&’s brutality, and The Tempest&’s grace offers a window into the presidency of George Washington. An original and incisive perspective, The Hollow Crown shows how Shakespeare&’s works transform our understanding of the leaders who, for good or ill, make and rule our world.
Hollow Places: An Unusual History Of Land And Legend
by Christopher HadleyIn the Middle Ages a remarkable tomb was carved to cover the bones of an English hero. For centuries the grave spawned tales about dragons and devils, giants and winged hounds. To understand why this happened, Christopher Hadley takes us on a journey through 1,000 years of history.
Hollywood and the American Historical Film
by J.E. SmythThis definitive interdisciplinary collection by leading scholars probes the theoretical and historical contexts of films made about the American past, from silent film to the present. The book offers a fresh assessment of studio era historical filmmaking and its legacy across a range of genres.
Hollywood and the Box Office
by John IzodChanging business circumstances have put pressure on film studios and changed the nature of films they produce. This book examines the reaction of the corporations who have found themselves in danger or have perceived new ways of adding to their profitability, influencing the films they produce.
Hollywood Animal: A Memoir
by Joe EszterhasHe spent his earliest years in post-World War Two refugee camps. He came to America and grew up in Cleveland - stealing cars, rolling drinks, battling priests, nearly going to jail. He became the screenwriter of the world-wide hits Basic Instinct, Jagged Edge and Flashdance. He also wrote the legendary disasters Showgirls and Jade. The rebellion never ended, even as his films went on to gross more than a billion dollars at the box office and he became the most famous - or infamous - screenwriter in Hollywood.
Hollywood im journalistischen Alltag: Storytelling für erfolgreiche Geschichten. Ein Praxisbuch
by Christian FriedlDer Band beantwortet die Frage: Was ist eine Geschichte und wie erzähle ich sie am besten? Er greift dabei das zentrale Motiv der "Heldenreise" auf. Sie ist eine Art Baukasten, aus dem sich Geschichtenerzähler kinderleicht bedienen können. Im Prinzip handelt es sich um eine angereicherte Form der 3-Akt-Struktur nach Aristoteles. Alle berühmten Hollywood-Regisseure benutzen sie, kaum ein Blockbuster kommt ohne sie aus. Was für Hollywood gilt, sollte auch für den Journalismus möglich sein, denn das Übernehmen von Erzählformen ist keine Frage des Geldes. Dieses Buch enthält Drehbuch-Ausschnitte aus Hollywood-Filmen, um die dramaturgischen Strukturen zu erläutern und veranschaulicht anhand von zahlreichen Beispielen aus Fernsehen, Hörfunk und Zeitung, wie man sie im Alltag anwenden kann. Für die zweite Auflage wurden die Filmbeispiele aktualisiert, der theoretische Teil um die Sequenzierung erweitert sowie weitere Beispiele aus dem journalistischen Alltag ergänzt.
Hollywood im journalistischen Alltag: Storytelling für erfolgreiche Geschichten. Ein Praxisbuch
by Christian FriedlAlle berühmten Hollywood-Regisseure wie Spielberg, Cameron oder Lucas benutzen sie: Ob E.T, Titanic oder Starwars, kaum ein Blockbuster kommt ohne wichtige Elemente des Monomythos aus. Diese Erzählstruktur ist eine Ansammlung dramaturgischer Strukturen, die in Mythen und Märchen vorkommen. Entwickelt und benannt wurde sie von Joseph Campbell in den 1940ern. Der Monomythos, also die eine Geschichte, ist auch als Heldenreise bekannt. Sie ist eine Art Baukasten, aus dem sich Geschichtenerzähler kinderleicht bedienen können. Im Prinzip handelt es sich um eine angereicherte Form der 3-Akt-Struktur nach Aristoteles. Was für Hollywood gilt, sollte auch für den Journalismus möglich sein, denn das Übernehmen von Erzählformen ist keine Frage des Geldes. Dieses Buch enthält Drehbuch-Ausschnitte aus Hollywood-Filmen, um die dramaturgischen Strukturen zu erläutern und veranschaulicht anhand von zahlreichen Magazinbeispielen, wie man sie im Alltag anwenden kann. Die zentrale Frage ist: Was ist eine Geschichte und wie erzähle ich sie am besten?
Hollywood Knights: Arthurian Cinema and the Politics of Nostalgia (Arthurian and Courtly Cultures)
by S. AronsteinHollywood Knights examines Hollywood Arthuriana as political nostalgia offered to American viewers during times of cultural crisis: the red scare of the 1950s, the breakdown of traditional authority in the 1960s and 1970s, the turn to the right in the 1980s and the redemption of masculine and national authority in the 1990s. Its analysis of these films explores their proposal of an ideal past - an Americanized Camelot and a democratized chivalry - as the solution to the problems of a troubled present, a solution that will ensure prosperity in the homeland and a globally beneficial American authority abroad.
Hollywood Said No!: Orphaned Film Scripts, Bastard Scenes, and Abandoned Darlings from the Creators of Mr. Show
by David Cross Bob OdenkirkBob Odenkirk and David Cross, creators of HBO's classic sketch comedy show Mr. Show, present to you this collection of never-before-seen scripts and ideas that Hollywood couldn't find the gumption to green-light. Simply put...HOLLYWOOD SAID NO!Since Mr. Show closed up shop, Bob and David have kept busy with many projects--acting in fun, successful, movies and TV shows, directing things, and complaining about stuff that didn't turn out well to anyone who would listen, and even alone, in silence, inside their own heads.HOLLYWOOD SAID NO! reveals the full-length, never-before-seen scripts for Bob and David Make a Movie (fleshed out with brand-new storyboards by acclaimed artist Mike Mitchell) and Hooray For America!: a satirical power-house indictment of all that you hold dear. This tome also includes a bonus section of orphaned sketch ideas from the Mr. Show days and beyond, suitable for performance by church groups that aren't all koo-koo about religion. What you are looking at online, and are about to buy, is chock-full of comic twists, turns, and maybe a few hard truths. We said "maybe," but what we mean was "probably not."Now, for the first time, take a peek at the scripts that didn't get the go-ahead and ponder a world we can only dream about...and beyond!
Hollywood's Detectives: Crime Series in the 1930s and 1940s from the Whodunnit to Hard-boiled Noir (Crime Files)
by F. MasonThe study of Hollywood detectives has often overlooked the B-Movie mystery series in favour of hard-boiled film. Hollywood's Detectives redresses this oversight by examining key detective series of the 1930s and 1940s to explore their contributions to the detective genre.
Hollywood's Stephen King
by T. MagistraleFor the past three decades, Hollywood has faithfully adapted much of Stephen King's fiction into film. Of the many major films that have been made, not one has lost money. Part of this may be explained in terms of King's own popularity in American culture; he has been, after all, a best-selling writer since the late 1970s. But more interesting is what this cinematic fascination reveals about postmodern American culture. In the first overview of Hollywood's major cinematic interpretations of Stephen King, Tony Magistrale examines the various thematic, narrative, and character interconnections that highlight the relationships among his films. Opening with a revealing interview with Stephen King, the book takes us through chapters that explore such popular films as Stand By Me, Misery, The Shining, The Green Mile, and The Shawshank Redemption among others.
The Holocaust and Australian Journalism: Reporting and Reckoning
by Fay AndersonThis book explores the Australian press reporting of the persecution and genocide of European Jews, and the extent to which the news of the Holocaust was known and believed, revealed and hidden, and acknowledged and minimised. Spanning the coverage of Hitler’s political ascent in the 1920s through to the Nazis’ extermination campaign, it culminates in the accounts of the trials of Nazi war criminals and the post-war transnational migration to Australia of Holocaust survivors, to a country far from universally welcoming in its reception of them. The book also tells the story of the journalists who reported on these tragic events and the editors who published them, along with the political, social and cultural context in which they worked, in an environment influenced by exclusionary ideas about race and nationality that did not necessarily inspire sympathy for Jews and their trauma. This book sheds light on the ethics of reporting human suffering, violence and genocide and – centrally – on the role of the press in shaping Australia’s collective memory of the Holocaust. It encourages readers to think critically about media power, public apathy, advocacy, and the importance of truth. Disturbing evidence of increasing anti-Semitism in Australia as elsewhere, along with continuing Holocaust denial, provide an additional urgency to this study.
The Holocaust and Historical Methodology (Making Sense of History #16)
by Dan StoneIn the last two decades our empirical knowledge of the Holocaust has been vastly expanded. Yet this empirical blossoming has not been accompanied by much theoretical reflection on the historiography. This volume argues that reflection on the historical process of (re)constructing the past is as important for understanding the Holocaust—and, by extension, any past event—as is archival research. It aims to go beyond the dominant paradigm of political history and describe the emergence of methods now being used to reconstruct the past in the context of Holocaust historiography.
Holocaust as Fiction: Bernhard Schlink’s “Nazi” Novels and Their Films
by W. DonahueHolocaust as Fiction seeks to explain and critically evaluate the extraordinary success of Schlink's internationally acclaimed novel, The Reader , the widely read "Selb" detective trilogy, and two popular films based closely on his work.