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Horace and Me: Life Lessons from an Ancient Poet
by Harry EyresHorace lived at a pivotal moment. Rome was facing a profound crisis: though it ruled the world, the values which had made it great were disintegrating. As efficiency and pragmatism became watchwords, Horace championed the 'supremely useless' endeavour of poetry, and glorified friendship and wine. Horace and Me charts Harry Eyres' evolving relationship with the Latin poet to show how, in an era of affluence and excess which seems to be hurtling out of control, Horace can help us navigate our way in uncertain times.
Horace Odes: A Selection
by John GodwinThis is the endorsed publication from OCR and Bloomsbury for the Latin A-Level (Group 4) prescription of Horace's Odes, giving full Latin text, commentary and vocabulary for Odes 3.2, 3.3, 3.4, 3.6. A detailed introduction covers the prescribed text to be read in English, placing the poems in their Roman literary context.Horace was the finest lyric poet in Latin and these four of the six 'Roman Odes', written in the early years of the rule of the first Roman emperor Augustus, show his poetic power at full stretch. They discuss issues of political and moral concern for the regime and its citizens with the clarity of a deeply personal and unique voice, making clever use of mythology and literary allusion and coining some of the most resonant phrases in the Latin language.Resources are available on the Companion Website www.bloomsbury.com/ocr-editions-2019-2021
Horace Odes: A Selection
by John GodwinThis is the endorsed publication from OCR and Bloomsbury for the Latin A-Level (Group 4) prescription of Horace's Odes, giving full Latin text, commentary and vocabulary for Odes 3.2, 3.3, 3.4, 3.6. A detailed introduction covers the prescribed text to be read in English, placing the poems in their Roman literary context.Horace was the finest lyric poet in Latin and these four of the six 'Roman Odes', written in the early years of the rule of the first Roman emperor Augustus, show his poetic power at full stretch. They discuss issues of political and moral concern for the regime and its citizens with the clarity of a deeply personal and unique voice, making clever use of mythology and literary allusion and coining some of the most resonant phrases in the Latin language.Resources are available on the Companion Website www.bloomsbury.com/ocr-editions-2019-2021
Horace Satires: A Selection
by John GodwinThis is the endorsed publication from OCR and Bloomsbury for the Latin AS and A-Level (Group 3) prescription of Horace's Satires, giving full Latin text, commentary and vocabulary for Satires 1.1 lines 1–12, 28–100; 1.3 lines 25–75; and 2.2 lines 1–30, 70–111. A detailed introduction places the poems in their Roman literary context.'Telling the truth with a smile' is the way Horace describes his approach to satire in this, his first published poetry. The poems in this collection discuss universal ideas of how we should live our lives simply with regard to money, ambition, food and friendship and how to live contented with what nature provides rather than always yearning for more. The poet does this in a manner which is light but not flippant, always entertaining and powerfully moving at the same time.Resources are available on the Companion Website www.bloomsbury.com/ocr-editions-2019-2021
Horace Satires: A Selection
by John GodwinThis is the endorsed publication from OCR and Bloomsbury for the Latin AS and A-Level (Group 3) prescription of Horace's Satires, giving full Latin text, commentary and vocabulary for Satires 1.1 lines 1–12, 28–100; 1.3 lines 25–75; and 2.2 lines 1–30, 70–111. A detailed introduction places the poems in their Roman literary context.'Telling the truth with a smile' is the way Horace describes his approach to satire in this, his first published poetry. The poems in this collection discuss universal ideas of how we should live our lives simply with regard to money, ambition, food and friendship and how to live contented with what nature provides rather than always yearning for more. The poet does this in a manner which is light but not flippant, always entertaining and powerfully moving at the same time.Resources are available on the Companion Website www.bloomsbury.com/ocr-editions-2019-2021
Horace: Satires Book II (Aris & Phillips Classical Texts)
by Frances MueckeThe poems of Horace’s second book of Satires, for the most part written in the newly-adopted dialogue form, display great literary and intellectual sophistication, artistic skill and charm. The intention of this edition is to supply sufficient background information to enable the text to be read with understanding. The emphasis is on the social context, the history of satire in Rome, and the ethical-philosophical content. Latin text with facing-page English translation, introduction and commentary.
Horace: A Very Short Introduction (Very Short Introductions)
by Llewelyn MorganVery Short Introductions: Brilliant, Sharp, Inspiring Horace was one of the greatest poets during the reign of Augustus and is seen as a mark of cultural sophistication since this time. This Very Short Introduction examines how Horace's poetry has exerted enormous influence but argues that it is best understood within the traditions of ancient literature. Llewellyn Morgan guides the reader through the dizzying vagaries of Horace's biography, which reflects the political and social instability of the period. His poetry, and the life he artfully constructs and presents to us in it, engages both with the greatest crisis that Rome had ever faced, and its resolution by the first Emperor. Horace is Rome's laureate, and through him we experience the anxieties and triumphs of his age. For posterity, Horace has served for a model of the good life, a promoter of enlightened retirement, but has also exemplified poetic artistry, and is the most creative manipulator of the Latin language, even among his remarkable contemporaries. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Horace: A Very Short Introduction (Very Short Introductions)
by Llewelyn MorganVery Short Introductions: Brilliant, Sharp, Inspiring Horace was one of the greatest poets during the reign of Augustus and is seen as a mark of cultural sophistication since this time. This Very Short Introduction examines how Horace's poetry has exerted enormous influence but argues that it is best understood within the traditions of ancient literature. Llewellyn Morgan guides the reader through the dizzying vagaries of Horace's biography, which reflects the political and social instability of the period. His poetry, and the life he artfully constructs and presents to us in it, engages both with the greatest crisis that Rome had ever faced, and its resolution by the first Emperor. Horace is Rome's laureate, and through him we experience the anxieties and triumphs of his age. For posterity, Horace has served for a model of the good life, a promoter of enlightened retirement, but has also exemplified poetic artistry, and is the most creative manipulator of the Latin language, even among his remarkable contemporaries. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Horace Walpole (The A. W. Mellon Lectures in the Fine Arts #9)
by Wilmarth Sheldon LewisAn illuminating biographical study of the eighteenth-century English man of letters and patron of the artsHorace Walpole (1717–1797) was a collector, printer, novelist, arbiter of taste, and renowned writer of letters. In this book, eminent scholar Wilmarth Sheldon Lewis provides an unprecedented look at the life and work of one of England’s greatest men of letters. Lewis sheds light on Walpole’s relationships with his family and friends, his politics, his writings and printmaking activities, and his correspondence. Featuring portraits of Walpole, his relatives, and friends; images of Walpole's sketches and manuscripts; pages from books printed at Walpole’s Strawberry Hill Press; and views and plans of Strawberry Hill, the house, its rooms and furnishings, and its grounds, and accompanied by Lewis’s extensive annotations, this book provides an invaluable history of an extraordinary man.
Horace's Ars Poetica: Family, Friendship, and the Art of Living
by Jennifer Ferriss-HillA major reinterpretation of Horace's famous literary manualFor two millennia, the Ars Poetica (Art of Poetry), the 476-line literary treatise in verse with which Horace closed his career, has served as a paradigmatic manual for writers. Rarely has it been considered as a poem in its own right, or else it has been disparaged as a great poet's baffling outlier. Here, Jennifer Ferriss-Hill for the first time fully reintegrates the Ars Poetica into Horace's oeuvre, reading the poem as a coherent, complete, and exceptional literary artifact intimately linked with the larger themes pervading his work.Arguing that the poem can be interpreted as a manual on how to live masquerading as a handbook on poetry, Ferriss-Hill traces its key themes to show that they extend beyond poetry to encompass friendship, laughter, intergenerational relationships, and human endeavor. If the poem is read for how it expresses itself, moreover, it emerges as an exemplum of art in which judicious repetitions of words and ideas join disparate parts into a seamless whole that nevertheless lends itself to being remade upon every reading.Establishing the Ars Poetica as a logical evolution of Horace's work, this book promises to inspire a long overdue reconsideration of a hugely influential yet misunderstood poem.
Horace's Ars Poetica: Family, Friendship, and the Art of Living
by Jennifer Ferriss-HillA major reinterpretation of Horace's famous literary manualFor two millennia, the Ars Poetica (Art of Poetry), the 476-line literary treatise in verse with which Horace closed his career, has served as a paradigmatic manual for writers. Rarely has it been considered as a poem in its own right, or else it has been disparaged as a great poet's baffling outlier. Here, Jennifer Ferriss-Hill for the first time fully reintegrates the Ars Poetica into Horace's oeuvre, reading the poem as a coherent, complete, and exceptional literary artifact intimately linked with the larger themes pervading his work.Arguing that the poem can be interpreted as a manual on how to live masquerading as a handbook on poetry, Ferriss-Hill traces its key themes to show that they extend beyond poetry to encompass friendship, laughter, intergenerational relationships, and human endeavor. If the poem is read for how it expresses itself, moreover, it emerges as an exemplum of art in which judicious repetitions of words and ideas join disparate parts into a seamless whole that nevertheless lends itself to being remade upon every reading.Establishing the Ars Poetica as a logical evolution of Horace's work, this book promises to inspire a long overdue reconsideration of a hugely influential yet misunderstood poem.
Horace's Odes (Oxford Approaches to Classical Literature)
by Richard TarrantOxford Approaches to Classical Literature introduces individual works of Greek and Latin literature to readers who are approaching them for the first time. Each volume sets the work in its literary and historical context and aims to offer a balanced and engaging assessment of its content, artistry, and purpose. A brief survey of the influence of the work upon subsequent generations is included to demonstrate its enduring relevance and power. All quotations from the original are translated into English. Horace's body of lyric poetry, the Odes, is one of the greatest achievements of Latin literature and a foundational text for the Western poetic tradition. These 103 exquisitely crafted poems speak in a distinctive voice -- usually detached, often ironic, always humane -- reflecting on the changing Roman world that Horace lived in and also on more universal themes of friendship, love, and mortality. In this book, Richard Tarrant introduces readers to the Odes by situating them in the context of Horace's career as a poet and by defining their relationship to earlier literature, Greek and Roman. Several poems have been freshly translated by the author; others appear in versions by Horace's best modern translators. A number of poems are analyzed in detail, illustrating Horace's range of subject matter and his characteristic techniques of form and structure. A substantial final chapter traces the reception of the Odes from Horace's own time to the present. Readers of this book will gain an appreciation for the artistry of one of the finest lyric poets of all time.
Horace's Poetic Journey: A Reading of Odes 1-3
by David H. PorterDavid Porter's approach to Horace's most important lyric collection is through a close sequential reading of the eighty-eight poems in Odes 1-3. Taking into account the way an ancient book was read or recited, this view of the work as a continuously unfolding creation reveals a strong sense of forward movement and of thematic development, at times almost a narrative flow.Originally published in 1987.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Horizons Blossom, Borders Vanish: Anarchism and Yiddish Literature
by Anna Elena TorresA bold recovery of Yiddish anarchist history and literature Spanning the last two centuries, this fascinating work combines archival research on the radical press and close readings of Yiddish poetry to offer an original literary study of the Jewish anarchist movement. The narrative unfolds through a cast of historical characters, from the well known—such as Emma Goldman—to the more obscure, including an anarchist rabbi who translated the Talmud and a feminist doctor who organized for women’s suffrage and against national borders. Its literary scope includes the Soviet epic poemas of Peretz Markish, the journalism and modernist poetry of Anna Margolin, and the early radical prose of Malka Heifetz Tussman. Anna Elena Torres examines Yiddish anarchist aesthetics from the nineteenth-century Russian proletarian immigrant poets through the modernist avant-gardes of Warsaw, Chicago, and London to contemporary antifascist composers. The book also traces Jewish anarchist strategies for negotiating surveillance, censorship, detention, and deportation, revealing the connection between Yiddish modernism and struggles for free speech, women’s bodily autonomy, and the transnational circulation of avant-garde literature. Rather than focusing on narratives of assimilation, Torres intervenes in earlier models of Jewish literature by centering refugee critique of the border. Jewish deportees, immigrants, and refugees opposed citizenship as the primary guarantor of human rights. Instead, they cultivated stateless imaginations, elaborated through literature.
The Horizons of Continental Philosophy: Essays on Husserl, Heidegger, and Merleau-Ponty (Martinus Nijhoff Philosophy Library #30)
by Hugh J. Silverman, Algis Mickunas, Theodore Kisiel and Alphonso Lingislacan. Barthes. Jakobson. Horkheimer. Adorno. Gadamer. Ricoeur. Foucault. Deleuze. Derrida. lyotard. Vattimo. Kofman. and Irigaray are also part of that outer horizon of continental philosophy. The purpose of this volume however is to establish that space within the core of continental philosophy - specifically in relation to the work of Husserl. Heidegger. and Merleau-Ponty -- and to move out to some of its various horizons. In some cases. these horizons are set by the history of philosophy. in others by newer directions in contemporary philosophy. and in others by alternative modes of philosophizing. The horizons also appear in areas as diverse as epistemology and the philosophy of science. metaphysics. philosophical psychology. and aesthetics. Furthermore. these limits are set by the relationships between philosophy and other disciplines such as psychology. communication theory. and the arts. Nevertheless the volume is organized around each of the three major figures in the phenomenological core of continental philosophy. The twelve essays provide important investigations into current research -- they represent the range and skills of contemporary work in relation to Husserl. Heidegger. and Merleau-Ponty. In themselves however they indicate advances in philosophical research and are hardly simple commentaries on these three figures. Husserl. Heidegger. and Merleau-Ponty constitute texts on the basis of which phenomenology is taken to its limits -- and even beyond.
Horizonte der Kommunikation
by Alois HahnÜber Kommunikation ist viel kommuniziert worden. Watzlawick schreibt sogar, man könne nicht nicht kommunizieren. Die hier vorgelegte Aufsatzsammlung vereint eine Reihe von Beiträgen, die im Laufe der Jahre in höchst unterschiedlichen Kontexten entstanden sind. Das Thema Kommunikation war oft nicht das Zentrum. Viele Texte entstanden ursprünglich auch in interdisziplinären Kolloquien. Die Arbeiten hier zusammenzufügen entspringt der Absicht, eine vorher teilweise latente Sinnlinie freizulegen. Man könnte von einer Transformation von Publikationen in Spolien sprechen. Das Hauptanliegen ist, einige bislang eher wenig behandelte Horizonte des Themas ins Auge zu fassen, Ränder sozusagen oder Sonderaspekte. Dieser Horizont erscheint bisweilen als Kaleidoskop.
The Horn of Africa Diasporas in Italy: An Oral History
by Gabriele ProglioThis book delves into the history of the Horn of Africa diaspora in Italy and Europe through the stories of those who fled to Italy from East African states. It draws on oral history research carried out by the BABE project (Bodies Across Borders: Oral and Visual Memories in Europe and Beyond) in a host of cities across Italy that explored topics including migration journeys, the memory of colonialism in the Horn of Africa, cultural identity in Italy and Europe, and Mediterranean crossings. This book shows how the cultural memory of interviewees is deeply linked to an intersubjective context that is changing Italian and European identities. The collected narratives reveal the existence of another Italy – and another Europe – through stories that cross national and European borders and unfold in transnational and global networks. They tell of the multiple identities of the diaspora and reconsider the geography of the continent, in terms of experiences, emotions, and close relationships, and help reinterpret the history and legacy of Italian colonialism.
The Horologicon: A Day's Jaunt Through The Lost Words Of The English Language
by Mark ForsythFROM THE AUTHOR OF THE SUNDAY TIMES NUMBER ONE BESTSELLER THE ETYMOLOGICON. ‘Reading The Horologicon in one sitting is very tempting’ Roland White, Sunday Times. Mark Forsyth presents a delightfully eccentric day in the life of unusual, beautiful and forgotten English words. From uhtceare in the hours before dawn through to dream drumbles at bedtime, The Horologicon gives you the extraordinary lost words you never knew you needed. Wake up feeling rough? Then you’re philogrobolized. Pretending to work? That’s fudgelling (which may lead to rizzling if you feel sleepy after lunch). A Radio 4 Book of the Week, The Horologicon is an eye-opening, page-turning celebration of the English language at its most endearingly arcane.
Horos: Ancient Boundaries and the Ecology of Stone
by Thea PotterIn Horos, Thea Potter explores the complex relationship between classical philosophy and the ‘horos’, a stone that Athenians erected to mark the boundaries of their marketplace, their gravestones, their roads and their private property.Potter weaves this history into a meditation on the ancient philosophical concept of horos, the foundational project of determination and definition, arguing that it is central to the development of classical philosophy and the marketplace. Horos challenges many significant interpretations of ancient thought. With nuance and insight, Potter combines the works of Aristotle, Plato, Homer and archaic Greek inscriptions with the twentieth-century continental philosophy of Heidegger, Derrida and Walter Benjamin. The result is a powerful study of the theme of boundaries in classical Athenian society as evidenced by boundary stones, law and exchange, ontology, insurgency and occupation. The innovative book will be of interest to scholars in the fields of ancient Greek social history, philosophy, and literature, as well as to the general reader who is curious to know more about classical life and philosophy.
Horrible Words: A Guide to the Misuse of English
by Rebecca GowersNothing inflames the language gripers like a misplaced disinterested, an illogical irregardless, a hideous operationalisation. To purists these are 'howlers' and 'non-words', fit only for scorn. But in their rush to condemn such terms, are the naysayers missing something? In this provocative and hugely entertaining book, Rebecca Gowers throws light on a great array of horrible words, and shows how the diktats of the pedants are repeatedly based on misinformation, false reasoning and straight-up snobbery. The result is a brilliant work of history, a surreptitious introduction to linguistics, and a mischievous salute to the misusers of the language. It is also a bold manifesto asserting our common rights over English, even as it questions the true nature of style.
Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales
by Dr. or Prof. John L. SteadmanProviding a new perspective on Lovecraft's life and work, Horror as Racism in H.P. Lovecraft focuses on the overlap between the writer's personal beliefs and the racist images and narratives in his speculative fiction. Building on recent debates about Lovecraft and drawing on the concept of "white fragility," John Steadman argues that the writer's fiction reflects his feelings of resentment and anger towards non-white persons and was used to advocate for his racist, xenophobic political beliefs – that western civilization was in decline and slavery was justifiable among "superior" civilizations. In making these claims, Lovecraft's tales pit humans against extra-terrestrial aliens, developing a terrifying, futuristic vision of the Earth as a plantation planet. The familiar image of Lovecraft as a reclusive, creative genius and mentor to young writer-friends is dismantled through close readings of his fiction and nonfiction – including correspondence, essays, and poetry – and examination of his early biography. This image is replaced by that of a cruel, callous, and, at times, psychotic man, a violently vitriolic racist and white supremacist who hated most of the non-white races. While some will dismiss the author outright and others will read his fiction but ignore the racism, Horror as Racism in H.P. Lovecraft takes a middle ground: acknowledging Lovecraft's personal history and heinous intentions, it helps readers navigate the author's disturbing biography while also getting a better sense of the stories, which remain significant within American science fiction.
Horror as Racism in H. P. Lovecraft: White Fragility in the Weird Tales
by Dr. or Prof. John L. SteadmanProviding a new perspective on Lovecraft's life and work, Horror as Racism in H.P. Lovecraft focuses on the overlap between the writer's personal beliefs and the racist images and narratives in his speculative fiction. Building on recent debates about Lovecraft and drawing on the concept of "white fragility," John Steadman argues that the writer's fiction reflects his feelings of resentment and anger towards non-white persons and was used to advocate for his racist, xenophobic political beliefs – that western civilization was in decline and slavery was justifiable among "superior" civilizations. In making these claims, Lovecraft's tales pit humans against extra-terrestrial aliens, developing a terrifying, futuristic vision of the Earth as a plantation planet. The familiar image of Lovecraft as a reclusive, creative genius and mentor to young writer-friends is dismantled through close readings of his fiction and nonfiction – including correspondence, essays, and poetry – and examination of his early biography. This image is replaced by that of a cruel, callous, and, at times, psychotic man, a violently vitriolic racist and white supremacist who hated most of the non-white races. While some will dismiss the author outright and others will read his fiction but ignore the racism, Horror as Racism in H.P. Lovecraft takes a middle ground: acknowledging Lovecraft's personal history and heinous intentions, it helps readers navigate the author's disturbing biography while also getting a better sense of the stories, which remain significant within American science fiction.
Horror Fiction in the 20th Century: Exploring Literature's Most Chilling Genre
by Jess NevinsProviding an indispensable resource for academics as well as readers interested in the evolution of horror fiction in the 20th century, this book provides a readable yet critical guide to global horror fiction and authors.Horror Fiction in the 20th Century encompasses the world of 20th-century horror literature and explores it in a critical but balanced fashion. Readers will be exposed to the world of horror literature, a truly global phenomenon during the 20th century. Beginning with the modern genre's roots in the 19th century, the book proceeds to cover 20th-century horror literature in all of its manifestations, whether in comics, pulps, paperbacks, hardcover novels, or mainstream magazines, and from every country that produced it. The major horror authors of the century receive their due, but the works of many authors who are less well-known or who have been forgotten are also described and analyzed. In addition to providing critical assessments and judgments of individual authors and works, the book describes the evolution of the genre and the major movements within it. Horror Fiction in the 20th Century stands out from its competitors and will be of interest to its readers because of its informed critical analysis, its unprecedented coverage of female authors and writers of color, and its concise historical overview.
Horror Fiction in the 20th Century: Exploring Literature's Most Chilling Genre
by Jess NevinsProviding an indispensable resource for academics as well as readers interested in the evolution of horror fiction in the 20th century, this book provides a readable yet critical guide to global horror fiction and authors.Horror Fiction in the 20th Century encompasses the world of 20th-century horror literature and explores it in a critical but balanced fashion. Readers will be exposed to the world of horror literature, a truly global phenomenon during the 20th century. Beginning with the modern genre's roots in the 19th century, the book proceeds to cover 20th-century horror literature in all of its manifestations, whether in comics, pulps, paperbacks, hardcover novels, or mainstream magazines, and from every country that produced it. The major horror authors of the century receive their due, but the works of many authors who are less well-known or who have been forgotten are also described and analyzed. In addition to providing critical assessments and judgments of individual authors and works, the book describes the evolution of the genre and the major movements within it. Horror Fiction in the 20th Century stands out from its competitors and will be of interest to its readers because of its informed critical analysis, its unprecedented coverage of female authors and writers of color, and its concise historical overview.
Horror Fiction in the Global South: Cultures, Narratives and Representations
by NoneHorror Fiction in the Global South: Cultures, Narratives, and Representations believes that the experiences of horror are not just individual but also/simultaneously cultural. Within this understanding, literary productions become rather potent sites for the relation of such experiences both on the individual and the cultural front. It's not coincidental, then, that either William Blatty's The Exorcist or Gabriel Garcia Marquez's One Hundred Years of Solitude become archetypes of the re-presentations of the way horror affects individuals placed inside different cultures. Such an affectation, though, is but a beginning of the ways in which the supernatural interacts with the human and gives rise to horror. Considering that almost all aspects of what we now designate as the Global North, and its concomitant, the Global South – political, historical, social, economic, cultural, and so on – function as different paradigms, the experiences of horror and their telling in stories become functionally different as well. Added to this are the variations that one nation or culture of the east has from another. The present anthology of essays, in such a scheme of things, seeks to examine and demonstrate these cultural differences embedded in the impact that figures of horror and specters of the night have on the narrative imagination of storytellers from the Global South. If horror has an everyday presence in the phenomenal reality that Southern cultures subscribe to, it demands alternative phenomenology. The anthology allows scholars and connoisseurs of Horror to explore theoretical possibilities that may help address precisely such a need.