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How Words Make Things Happen

Sooner or later, our words take on meanings other than we intended. How Words Make Things Happen suggests that the conventional idea of persuasive rhetoric (which assumes a speaker's control of calculated effects) and the modern idea of literary autonomy (which assumes that 'poetry makes nothing happen') together have produced a misleading account of the relations between words and human action. Words do make things happen. But they cannot be counted on to produce the result they intend. This volume studies examples from a range of speakers and writers and offers close readings of their words. Chapter 1 considers the theory of speech-acts propounded by J.L. Austin. 'Speakers Who Convince Themselves' is the subject of chapter 2, which interprets two soliloquies by Shakespeare's characters and two by Milton's Satan. The oratory of Burke and Lincoln come in for extended treatment in chapter 3, while chapter 4 looks at the rival tendencies of moral suasion and aestheticism in the poetry of Yeats and Auden. The final chapter, a cause of controversy when first published in the London Review of Books, supports a policy of unrestricted free speech against contemporary proposals of censorship. Since we cannot know what our own words are going to do, we have no standing to justify the banishment of one set of words in favour of another.

How Words Make Things Happen

Sooner or later, our words take on meanings other than we intended. How Words Make Things Happen suggests that the conventional idea of persuasive rhetoric (which assumes a speaker's control of calculated effects) and the modern idea of literary autonomy (which assumes that 'poetry makes nothing happen') together have produced a misleading account of the relations between words and human action. Words do make things happen. But they cannot be counted on to produce the result they intend. This volume studies examples from a range of speakers and writers and offers close readings of their words. Chapter 1 considers the theory of speech-acts propounded by J.L. Austin. 'Speakers Who Convince Themselves' is the subject of chapter 2, which interprets two soliloquies by Shakespeare's characters and two by Milton's Satan. The oratory of Burke and Lincoln come in for extended treatment in chapter 3, while chapter 4 looks at the rival tendencies of moral suasion and aestheticism in the poetry of Yeats and Auden. The final chapter, a cause of controversy when first published in the London Review of Books, supports a policy of unrestricted free speech against contemporary proposals of censorship. Since we cannot know what our own words are going to do, we have no standing to justify the banishment of one set of words in favour of another.

How Words Mean: Lexical Concepts, Cognitive Models, And Meaning Construction

How Words Mean introduces a new approach to the role of words and other linguistic units in the construction of meaning. It does so by addressing the interaction between non-linguistic concepts and the meanings encoded in language. It develops an account of how words are understood when we produce and hear language in situated contexts of use. It proposes two theoretical constructs, the lexical concept and the cognitive model. These are central to the accounts of lexical representation and meaning construction developed, giving rise to the Theory of Lexical Concepts and Cognitive Models (or LCCM Theory). Vyvyan Evans integrates and advances recent developments in cognitive science, particularly in cognitive linguistics and cognitive psychology. He builds a framework for the understanding and analysis of meaning that is at once descriptively adequate and psychologically plausible. In so doing he also addresses current issues in lexical semantics and semantic compositionality, polysemy, figurative language, and the semantics of time and space, and writes in a way that will be accessible to students of linguistics and cognitive science at advanced undergraduate level and above.

How Writing Faculty Write: Strategies for Process, Product, and Productivity

In How Writing Faculty Write, Christine Tulley examines the composing processes of fifteen faculty leaders in the field of rhetoric and writing, revealing through in-depth interviews how each scholar develops ideas, conducts research, drafts and revises a manuscript, and pursues publication. The book shows how productive writing faculty draw on their disciplinary knowledge to adopt attitudes and strategies that not only increase their chances of successful publication but also cultivate writing habits that sustain them over the course of their academic careers. The diverse interviews present opportunities for students and teachers to extrapolate from the personal experience of established scholars to their own writing and professional lives. Tulley illuminates a long-unstudied corner of the discipline: the writing habits of theorists, researchers, and teachers of writing. Her interviewees speak candidly about overcoming difficulties in their writing processes on a daily basis, using strategies for getting started and restarted, avoiding writer’s block, finding and using small moments of time, and connecting their writing processes to their teaching. How Writing Faculty Write will be of significant interest to students and scholars across the spectrum—graduate students entering the discipline, new faculty and novice scholars thinking about their writing lives, mid-level and senior faculty curious about how scholars research and write, historians of rhetoric and composition, and metadisciplinary scholars.

How Writing Works: A Guide to Composing Genres

College students are expected to master new genres in every course they take. Yet composition instructors can't possibly teach students every genre they will need for their college courses or careers. Instead of telling students how to write a genre, authors Jack and Pryal help students learn how a genre works using a genre toolkit that asks three questions: "What is it?" "Who reads it?" and "What's it for?" By taking this problem-solving approach to writing, How Writing Works prepares students for any writing situation that they may encounter at school, home, or work.

How Writing Works: A field guide to effective writing

This is Roslyn Petelin's promise: whether you already write reasonably well or not, this book will exponentially improve your writing.How Writing Works is a lively and practical introduction to the elements of grammar, sentence structure, and style that you need to write well. The book covers social media and writing for online publication, as well as the most common documents in the university and the writing-reliant workplace.How Writing Works should be on the desk of everyone who needs to write: students, professionals in all fields, and creative writers.'A superb guide to great writing in the modern media era.' Phil Harding, journalist and broadcaster, London'Whether you're a CEO or an intern, the ability to communicate clearly is your biggest asset. Petelin's expert advice in this book will accelerate your career'. Damian Kington, Global Head of Marketing, Liquidnet, New York

How Writing Works: A field guide to effective writing

This is Roslyn Petelin's promise: whether you already write reasonably well or not, this book will exponentially improve your writing.How Writing Works is a lively and practical introduction to the elements of grammar, sentence structure, and style that you need to write well. The book covers social media and writing for online publication, as well as the most common documents in the university and the writing-reliant workplace.How Writing Works should be on the desk of everyone who needs to write: students, professionals in all fields, and creative writers.'A superb guide to great writing in the modern media era.' Phil Harding, journalist and broadcaster, London'Whether you're a CEO or an intern, the ability to communicate clearly is your biggest asset. Petelin's expert advice in this book will accelerate your career'. Damian Kington, Global Head of Marketing, Liquidnet, New York

How Writing Works: A field guide to effective writing

This is an engaging and practical introduction to the elements of grammar, sentence structure, and style that you need to write well across a range of academic, creative, and professional contexts, deftly combining practical strategies with scholarly principles. The second edition includes updated material based on a longstanding commitment to writing and to best international practice. It includes advice on reading; language; grammar and style; structuring; designing; paragraphing; punctuation; workplace and academic documents; digital writing for social media; and revising, editing, and proofreading. How Writing Works should be on the desk of everyone who needs to write: students, professionals in all fields, and creative writers. It is an essential handbook for working writers and writing workers in the contemporary writing-reliant workplace. The accompanying companion website includes video interviews and presentations from leading grammarians including Professor David Crystal and Professor Geoff Pullum, in addition to online quizzes and activities to support readers’ learning.

How Writing Works: A field guide to effective writing

This is an engaging and practical introduction to the elements of grammar, sentence structure, and style that you need to write well across a range of academic, creative, and professional contexts, deftly combining practical strategies with scholarly principles. The second edition includes updated material based on a longstanding commitment to writing and to best international practice. It includes advice on reading; language; grammar and style; structuring; designing; paragraphing; punctuation; workplace and academic documents; digital writing for social media; and revising, editing, and proofreading. How Writing Works should be on the desk of everyone who needs to write: students, professionals in all fields, and creative writers. It is an essential handbook for working writers and writing workers in the contemporary writing-reliant workplace. The accompanying companion website includes video interviews and presentations from leading grammarians including Professor David Crystal and Professor Geoff Pullum, in addition to online quizzes and activities to support readers’ learning.

How Writing Works: From the Invention of the Alphabet to the Rise of Social Media (PDF)

From the invention of the alphabet to the explosion of the internet, Dominic Wyse takes us on a unique journey into the process of writing. Starting with seven extraordinary examples that serve as a backdrop to the themes explored, it pays particular attention to key developments in the history of language, including Aristotle's grammar through socio-cultural multimodality, to pragmatist philosophy of communication. Analogies with music are used as a comparator throughout the book, yielding radically new insights into composition processes. The book presents the first comprehensive analysis of the Paris Review Interviews with the world's greatest writers such as Louise Erdrich, Gabriel Garcia Mrquez, Ted Hughes, and Marilynne Robinson. It critically reviews the most influential guides to styles and standards of language, and presents new research on young people's creativity and writing. Drawing on over twenty years of findings, Wyse presents research-informed innovative practices to demonstrate powerfully how writing can be learned and taught.

How Young Adult Literature Gets Taught: Perspectives, Ideologies, and Pedagogical Approaches for Instruction and Assessment

A manual for teaching Young Adult Literature, this textbook presents perspectives and methods on how to organize and teach literature in engaging and inclusive ways that meet specific educational and programmatic goals. Each chapter is written by an expert and offers a rich and nuanced approach to teaching YA Literature through a distinct lens. The effective and creative ways to construct a course explored in this book include multimodal, historical, social justice, place-based approaches, and more. The broad spectrum of topics covered in the text gives pre-service teachers and students a toolbox to select and apply methods of their choosing that support effective reading and writing instruction in their own contexts, motivate students, and foster meaningful conversations in the classroom. Chapters feature consistent sections for theory and practice, course structure, suggestions for activities and assessments, and takeaways for further discussion to facilitate easy implementation in the classroom. This book is an essential text for pre-service teachers of English as well as professors and scholars of Young Adult Literature.

How Young Adult Literature Gets Taught: Perspectives, Ideologies, and Pedagogical Approaches for Instruction and Assessment

A manual for teaching Young Adult Literature, this textbook presents perspectives and methods on how to organize and teach literature in engaging and inclusive ways that meet specific educational and programmatic goals. Each chapter is written by an expert and offers a rich and nuanced approach to teaching YA Literature through a distinct lens. The effective and creative ways to construct a course explored in this book include multimodal, historical, social justice, place-based approaches, and more. The broad spectrum of topics covered in the text gives pre-service teachers and students a toolbox to select and apply methods of their choosing that support effective reading and writing instruction in their own contexts, motivate students, and foster meaningful conversations in the classroom. Chapters feature consistent sections for theory and practice, course structure, suggestions for activities and assessments, and takeaways for further discussion to facilitate easy implementation in the classroom. This book is an essential text for pre-service teachers of English as well as professors and scholars of Young Adult Literature.

Howard Barker: 1870; Dans le Palais Je; Deep Wives / Shallow Animals; Knowledge and a Girl (Oberon Modern Playwrights)

The latest collection of plays from one of the most celebrated, influential and studied playwrights in the English-speaking world. Howard Barker's plays continue to challenge, unsettle and expose.Barker's theatre has never sought to reproduce the real world on stage, but 1870 is the first of his plays to be set in Hell. An executed traitor, whose passion for betrayal is akin to a faith, meets other victims of that terrible year in a sordid room. Inevitably they are inspected by God, but in a shape none could have predicted and only he can delight in. In Dans Le Palais Je, Barker's nihilistic landowner at once establishes a different tone as she survives waves of social unrest and outbids the cruel with her own cruelty. In this chaos, she relies on the delivery of obscure but meaningful words which arrive in sealed envelopes to prepare her for a succession of ordeals. Deep Wives and Knowledge and a Girl are short pieces, firmly established in the European theatre repertoire. In the first, a revolutionary movement called the Alterations puts a rich woman in the hands of her servants. The body, and its political meanings, is at the heart of this uncanny work, written for two actresses and a mechanical dog. In Knowledge and a Girl, Barker reinterprets the Snow White fable from the perspective of the Stepmother.

Howard Barker: 1870; Dans le Palais Je; Deep Wives / Shallow Animals; Knowledge and a Girl (Oberon Modern Playwrights)

The latest collection of plays from one of the most celebrated, influential and studied playwrights in the English-speaking world. Howard Barker's plays continue to challenge, unsettle and expose.Barker's theatre has never sought to reproduce the real world on stage, but 1870 is the first of his plays to be set in Hell. An executed traitor, whose passion for betrayal is akin to a faith, meets other victims of that terrible year in a sordid room. Inevitably they are inspected by God, but in a shape none could have predicted and only he can delight in. In Dans Le Palais Je, Barker's nihilistic landowner at once establishes a different tone as she survives waves of social unrest and outbids the cruel with her own cruelty. In this chaos, she relies on the delivery of obscure but meaningful words which arrive in sealed envelopes to prepare her for a succession of ordeals. Deep Wives and Knowledge and a Girl are short pieces, firmly established in the European theatre repertoire. In the first, a revolutionary movement called the Alterations puts a rich woman in the hands of her servants. The body, and its political meanings, is at the heart of this uncanny work, written for two actresses and a mechanical dog. In Knowledge and a Girl, Barker reinterprets the Snow White fable from the perspective of the Stepmother.

Howard Barker: At Her Age and Hers; Landscape with Cries; Womanly; Four Dialogues; True Condition (Modern Plays)

The theatre of Howard Barker subverts myth and invents history in its pursuit of the meaning of individual integrity. Repudiating politics and asserting the primacy of the emotions, Barker's tragedy is written in a language by turns poetic and brutally mundane. The effects are disconcerting and destabilizing, as he insists tragedy must be. The twelfth and final collection of plays from this celebrated, influential and widely-studied playwright includes:At Her Age and Hers, which uses Velázquez's painting Las Meninas to meditate on the making of a work of art, removing the figures from the frame, animating them, and assembling them again.Landscape with Cries, which invokes the savagery of the Peasants' Revolt of fourteenth-century France to create an unlikely heroine. Womanly, a play which is alternatively dreamlike and nightmarish in its biography of Elbow, the aptly named protagonist who defies the conventional morals of her day. Four Dialogues which are small in size of cast, but ambitious in their confrontations with the ideas of faith, language, and longing. Struggling to define their needs, the characters come near to the final purpose of Barker's dramatic endeavour – the discovery of a reason to exist.True Condition – both the title of the play and the name of an unseaworthy vessel – which tells of the final voyage of a boat crewed by criminals.

Howard Barker: At Her Age and Hers; Landscape with Cries; Womanly; Four Dialogues; True Condition (Modern Plays)

The theatre of Howard Barker subverts myth and invents history in its pursuit of the meaning of individual integrity. Repudiating politics and asserting the primacy of the emotions, Barker's tragedy is written in a language by turns poetic and brutally mundane. The effects are disconcerting and destabilizing, as he insists tragedy must be. The twelfth and final collection of plays from this celebrated, influential and widely-studied playwright includes:At Her Age and Hers, which uses Velázquez's painting Las Meninas to meditate on the making of a work of art, removing the figures from the frame, animating them, and assembling them again.Landscape with Cries, which invokes the savagery of the Peasants' Revolt of fourteenth-century France to create an unlikely heroine. Womanly, a play which is alternatively dreamlike and nightmarish in its biography of Elbow, the aptly named protagonist who defies the conventional morals of her day. Four Dialogues which are small in size of cast, but ambitious in their confrontations with the ideas of faith, language, and longing. Struggling to define their needs, the characters come near to the final purpose of Barker's dramatic endeavour – the discovery of a reason to exist.True Condition – both the title of the play and the name of an unseaworthy vessel – which tells of the final voyage of a boat crewed by criminals.

Howard Barker: An Expository Study of His Plays and Production Work, 1988-2008

Barker has been acclaimed as 'England's greatest living dramatist' in The Times and as 'the Shakespeare of our age' by Sarah Kane. His uniquely stylish work brings together startlingly original forms of classical discipline, moral ruthlessness and catastrophic eroticism. This study considers the full range of his theatrical achievements.

Howard Barker: An Expository Study of his Drama and Poetry, 1969–87

Howard Fast: A Critical Companion (Critical Companions to Popular Contemporary Writers)

Howard Fast, one of the most prolific American writers of the 20th century, has enjoyed wide popularity for his writing and suffered from great notoriety for his politics, but has never been given full credit for his contribution to the essential tales of American culture, the American Revolution, and immigrant acculturation. Although his novels have sold close to eighty million copies, this is the first book-length critical study of his work. In addition to an overview of his fiction, it offers close, critical readings of his historical novels of the American Revolution, Citizen Tom Paine, April Morning, and his most recent, Seven Days in June, his novels about slavery, Freedom Road and Spartacus, and his popular series about the American experience, The Immigrants. A biographical chapter is partly based on an extensive interview granted by Fast exclusively for this book. A comprehensive bibliography completes the work.This critical study begins with a biographical chapter that links life and works, showing how Fast transmuted his experience into fiction. Macdonald asserts that for all Fast's notoriety as a Communist in the 1940s and 1950s, his works show him to be deeply committed to the principles that inspired the American Revolution. A chapter on literary background discusses all of Fast's major works and most of his minor ones, placing the historical novels into literary context and the other works into their genre traditions. The remaining six chapters focus on his most important individual novels. Each novel is analyzed for plot structure, characterization, and thematic elements. In addition, Macdonald defines and applies alternative critical perspectives from which to read each novel. A genealogy table for The Immigrants series, and a complete, up-to-date bibliography of all of Fast's nearly one hundred published works, as well as selected reviews and background reading, make this study invaluable for research and critical understanding. This study of Fast's classic works of historical fiction will aid the student and support the interdisciplinary American history/literature curriculum.

Howard Jacobson (Contemporary British Novelists)

This is a comprehensive and definitive study of the Man Booker Prize-winning novelist, Howard Jacobson. It offers lucid, detailed and nuanced readings of each of Jacobson’s novels, and makes a powerful case for the importance of his work in the landscape of contemporary fiction. Focusing on the themes of comedy, masculinity and Jewishness, the book emphasises the richness and diversity of Jacobson’s work. Often described by others as ‘the English Philip Roth’ and by himself as ‘the Jewish Jane Austen’, Jacobson emerges here as a complex and often contradictory figure: a fearless novelist; a combative public intellectual; a polemical journalist; an unapologetic elitist and an irreverent outsider; an exuberant iconoclast and a sombre satirist. Never afraid of controversy, Jacobson tends to polarise readers; but love him or hate him, he is difficult to ignore. This book gives him the thorough consideration and the balanced evaluation that he deserves.An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.

Howard Jacobson (Contemporary British Novelists)

This is a comprehensive and definitive study of the Man Booker Prize-winning novelist, Howard Jacobson. It offers lucid, detailed and nuanced readings of each of Jacobson’s novels, and makes a powerful case for the importance of his work in the landscape of contemporary fiction. Focusing on the themes of comedy, masculinity and Jewishness, the book emphasises the richness and diversity of Jacobson’s work. Often described by others as ‘the English Philip Roth’ and by himself as ‘the Jewish Jane Austen’, Jacobson emerges here as a complex and often contradictory figure: a fearless novelist; a combative public intellectual; a polemical journalist; an unapologetic elitist and an irreverent outsider; an exuberant iconoclast and a sombre satirist. Never afraid of controversy, Jacobson tends to polarise readers; but love him or hate him, he is difficult to ignore. This book gives him the thorough consideration and the balanced evaluation that he deserves.An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.

Howards End (The Critics Debate)

In the first part of the book Page surveys some of the major criticism of the novel. He looks at approaches such as feminist and Marxist ones, considers questions of tone, whether or not conclusion is satisfying, and discusses negative comments made about several major characters. His own interpretation is given in the second half, where he looks at such strengths as personal relations, Beethoven, old houses and the beauty of nature, and finally at such key ideas as 'only connect'.

Howdunit: A Masterclass In The Craft Of Crime Writing

Ninety crime writers from the world’s oldest and most famous crime writing network give tips and insights into successful crime and thriller fiction.

The Hoxton Street Monster Supplies Cookbook: Everyday recipes for the living, dead and undead

For hundreds of years, the Hoxton Street Monster Supplies shop has been supplying quality goods for the monster community from its premises in east London - and this, its classic recipe book, has been in use for just as long.Now, for the first time, it has been adapted for use by humans as well as monsters. So whether you're entertaining trolls, hosting a vampire soirée or expecting zombies round for tea, you can make delicious treats to suit every occasion.- Fallen out with a friend? Bake them some 1000-year Curse Cookies!- Want to woo a zombie? Try our After-Gorging Breath Mints!- Unexpected ogre guests? Make our Fresh Maggot Brownies or Spiced Earwax Pie!With recipes and handy hints for monster housekeeping, this classic tome is an essential addition to every home, lair, cave, swamp or fiery pit.

Hrafnkel or the Ambiguities: Hard Cases, Hard Choices

William Ian Miller presents a close reading of one of the best known of the Icelandic sagas, showing its moral, political, and psychological sophistication. Hrafnkel tells of a fairly simple feud in which a man rises, falls, and rises again with a vengeance, so to speak. The saga deals with complex issues with finely layered irony: who can one justifiably hit, when, and by what means? It does this with cool nuance, also taking on matters of torture and pain-infliction as a means of generating fellow-feeling. How does one measure pain and humiliation so as to get even, to get back to equal? People are forced to set prices on things we tell ourselves soporifically are priceless, such as esteem, dignity, life itself. Morality no less than legal remedy involves price-setting. This book flies in the face of all the previous critical literature which, with very few exceptions, imposes simplistic readings on the saga. A translation of the saga is provided as an appendix.