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i will still be whole (Oberon Modern Plays)

by Ava Wong Davies

"A tender little green shoot of a piece" Lyn Gardner 1996. A young mother walks out of a small house in Shepherd’s Bush and doesn’t look back. 2019. A daughter lies in a bath and stares at a crack in the ceiling. Joy and EJ prepare for their first meeting in twenty-two years. They run, they bathe, they inhale, they wait. i will still be whole (when you rip me in half) is the debut play by acclaimed theatre critic Ava Wong Davies: a lyrical interlinking of monologues devoted to blood ties, the cycle of trauma, and what we inherit from our parents.

I Wish I Hadn't Said That: Over 3,000 Famous Foot-in-Mouth Moments

by Geoff Tibballs

Ever since Mrs Malaprop first took to the stage in 1775 and described a gentleman as 'the very pineapple of politeness', some famous figures have become better known for their slips of the tongue than for anything they said intentionally. In particular, the careers of a number of broadcasters, sporting figures and politicians have become defined by their verbal blunders. Former US Vice-President Dan Quayle is remembered solely for making unfortunate remarks such as 'Republicans understand the importance of bondage between a mother and child.' Welsh naturalist Iolo Williams sent Twitter into meltdown when, discussing diving sea birds on Springwatch 2016, he asked a female conservationist: 'Is that the deepest shag you've ever had?' Even respected sports broadcaster Harry Carpenter was probably haunted forever by his seemingly innocent comment at the end of the 1977 Boat Race: 'Ah, isn't that nice? The wife of the Cambridge President is kissing the cox of the Oxford crew.'I Wish I Hadn't Said That is a collection of over 3,000 spoken and written blunders - including unintentional double entendres, spoonerisms, mixed metaphors, malapropisms, jaw-dropping remarks, misguided quiz show answers, embarrassing newspaper misprints, and foreign signs and notices that have sadly become lost in translation.

Iain Sinclair (Contemporary British Novelists)

by Brian Baker

A clearly written, comprehensive critical introduction to one of the most original contemporary British writers, providing an overview of all of Sinclair’s major works and an analysis of his vision of modern London. This book places Sinclair in a range of contexts, including: the late 1960s counter-culture and the ‘British Poetry Revival’; London’s underground histories; the rise and fall of Thatcherism, and Sinclair’s writing about Britain under New Labour; Sinclair’s connection to other writers and artists, such as J.G. Ballard, Michael Moorcock and Marc Atkins.This book makes a significant contribution to the growing scholarship surrounding Sinclair’s work, offering the first critical text that covers in detail all of Sinclair’s work: his poetry, fiction, non-fiction (including his book on John Clare, Edge of the Orison), and his film work.

Iain Sinclair (Contemporary British Novelists)

by Brian Baker

A clearly written, comprehensive critical introduction to one of the most original contemporary British writers, providing an overview of all of Sinclair’s major works and an analysis of his vision of modern London. This book places Sinclair in a range of contexts, including: the late 1960s counter-culture and the ‘British Poetry Revival’; London’s underground histories; the rise and fall of Thatcherism, and Sinclair’s writing about Britain under New Labour; Sinclair’s connection to other writers and artists, such as J.G. Ballard, Michael Moorcock and Marc Atkins.This book makes a significant contribution to the growing scholarship surrounding Sinclair’s work, offering the first critical text that covers in detail all of Sinclair’s work: his poetry, fiction, non-fiction (including his book on John Clare, Edge of the Orison), and his film work.

Iain Sinclair: Noise, Neoliberalism and the Matter of London (Bloomsbury Studies in the City)

by Niall Martin

For much of the 20th century the modernist city was articulated in terms of narratives of progress and development. Today the neoliberal city confronts us with all the cultural 'noise' of disorder and excess meaning. As this book demonstrates, for more than 40 years London-based writer, film-maker and 'psychogeographer' Iain Sinclair has proved to be one of the most incisive commentators on the contemporary city: tracing the emerging contours of a metropolis where the meeting of global and local is never without incident. Iain Sinclair: Noise, Neoliberalism and the Matter of London explores Sinclair's investigations into the nature of conflicting urban realities through an examination of the ways in which the noise of neoliberal excess intersects with the noise of literary experiment. In this way, the book casts new light on theorisations of the city in the contemporary era.

Iain Sinclair: Noise, Neoliberalism and the Matter of London (Bloomsbury Studies in the City)

by Niall Martin

For much of the 20th century the modernist city was articulated in terms of narratives of progress and development. Today the neoliberal city confronts us with all the cultural 'noise' of disorder and excess meaning. As this book demonstrates, for more than 40 years London-based writer, film-maker and 'psychogeographer' Iain Sinclair has proved to be one of the most incisive commentators on the contemporary city: tracing the emerging contours of a metropolis where the meeting of global and local is never without incident. Iain Sinclair: Noise, Neoliberalism and the Matter of London explores Sinclair's investigations into the nature of conflicting urban realities through an examination of the ways in which the noise of neoliberal excess intersects with the noise of literary experiment. In this way, the book casts new light on theorisations of the city in the contemporary era.

Ian Fleming and the Politics of Ambivalence

by Ian Kinane

Previously considered an avowed nationalist, this book explores how Ian Fleming's writings and his representational politics contain an implicit resistance to imperial rhetoric. Through an examination of Fleming's Jamaica-set novels Live and Let Die, Dr. No, and The Man with the Golden Gun, as well as the later film adaptations of these novels, Ian Kinane reveals Fleming's deep ambivalence to British decolonisation and to wider Anglo-Caribbean relations. Offered here is a crucial insight into the public imagination during the birth of modern British multiculturalism that encompasses broader links between Fleming's writings on race and the representation of early British-Jamaican cultural relations. By exploring the effects of racial representation in these popular works, Kinane connects the novels to more contemporary concerns regarding migration and the ways in which the misrepresentation of cultures, races, and peoples has led to fraught and contentious global geo-political relations as figured in the fictional icon, James Bond.

Ian Fleming and the Politics of Ambivalence

by Ian Kinane

Previously considered an avowed nationalist, this book explores how Ian Fleming's writings and his representational politics contain an implicit resistance to imperial rhetoric. Through an examination of Fleming's Jamaica-set novels Live and Let Die, Dr. No, and The Man with the Golden Gun, as well as the later film adaptations of these novels, Ian Kinane reveals Fleming's deep ambivalence to British decolonisation and to wider Anglo-Caribbean relations. Offered here is a crucial insight into the public imagination during the birth of modern British multiculturalism that encompasses broader links between Fleming's writings on race and the representation of early British-Jamaican cultural relations. By exploring the effects of racial representation in these popular works, Kinane connects the novels to more contemporary concerns regarding migration and the ways in which the misrepresentation of cultures, races, and peoples has led to fraught and contentious global geo-political relations as figured in the fictional icon, James Bond.

Ian McEwan: Contemporary Critical Perspectives (Contemporary Critical Perspectives)

by Sebastian Groes

Ian McEwan is one of the most significant, and controversial, British novelists working in the contemporary period. Although primarily a novelist, he has also written short stories, television plays, a libretto, a children's book and a film adaptation. This guide brings together a collection of fresh perspectives on McEwan's oeuvre, not only covering the early works and his writing for the screen but also incorporating detailed and original analyses of the later work, including his most recent novella, On Chesil Beach. It also includes a preface by Matt Ridley, the controversial writer on genetics and human behavior, about McEwan's obsession with science, as well as a unique discussion with McEwan himself.

Ian McEwan: Contemporary Critical Perspectives, 2nd edition (Contemporary Critical Perspectives)

by Sebastian Groes

Ian McEwan is one of the most significant, and controversial, British novelists working today. His books are both critically - and academically - acclaimed and embraced by readers across the world. Although primarily a novelist, he has also written short stories, television plays, a libretto, a children's book and a film adaptation. Across these many forms his work retains a distinctive character that explores questions of morality, place and history, nationhood, sexuality and gender.Now fully updated for its second edition, this guide brings together a collection of new critical perspectives on McEwan's oeuvre, not only covering the early works and his writing for the screen but also incorporating detailed and original analyses of the later work, including new readings of his latest books, Solar and Sweet Tooth. With an updated and extended guide to further critical reading on McEwan, the book also includes an interview with the author himself, a chronology of his life, work and times and the full text of a lost early McEwan short story.

Ian McEwan: Contemporary Critical Perspectives, 2nd edition (Contemporary Critical Perspectives)

by Sebastian Groes

Ian McEwan is one of the most significant, and controversial, British novelists working today. His books are both critically - and academically - acclaimed and embraced by readers across the world. Although primarily a novelist, he has also written short stories, television plays, a libretto, a children's book and a film adaptation. Across these many forms his work retains a distinctive character that explores questions of morality, place and history, nationhood, sexuality and gender.Now fully updated for its second edition, this guide brings together a collection of new critical perspectives on McEwan's oeuvre, not only covering the early works and his writing for the screen but also incorporating detailed and original analyses of the later work, including new readings of his latest books, Solar and Sweet Tooth. With an updated and extended guide to further critical reading on McEwan, the book also includes an interview with the author himself, a chronology of his life, work and times and the full text of a lost early McEwan short story.

Ian McEwan (Contemporary British Novelists)

by Dominic Head

In this survey Ian McEwan emerges as one of those rare writers whose works have received both popular and critical acclaim. His novels grace the bestseller lists, and he is well regarded by critics, both as a stylist and as a serious thinker about the function and capacities of narrative fiction.McEwan’s novels treat issues that are central to our times: politics, and the promotion of vested interests; male violence and the problem of gender relations; science and the limits of rationality; nature and ecology; love and innocence; and the quest for an ethical worldview. Yet he is also an economical stylist: McEwan’s readers are called upon to attend, not just to the grand themes, but also to the precision of his spare writing.Although McEwan’s later works are more overtly political, more humane, and more ostentatiously literary than the early work, Dominic Head uncovers the continuity as well as the sense of evolution through the oeuvre. Head makes the case for McEwan’s prominence - pre-eminence, even - in the canon of contemporary British novelists.

Ian McEwan (Contemporary British Novelists)

by Dominic Head

In this survey Ian McEwan emerges as one of those rare writers whose works have received both popular and critical acclaim. His novels grace the bestseller lists, and he is well regarded by critics, both as a stylist and as a serious thinker about the function and capacities of narrative fiction.McEwan’s novels treat issues that are central to our times: politics, and the promotion of vested interests; male violence and the problem of gender relations; science and the limits of rationality; nature and ecology; love and innocence; and the quest for an ethical worldview. Yet he is also an economical stylist: McEwan’s readers are called upon to attend, not just to the grand themes, but also to the precision of his spare writing.Although McEwan’s later works are more overtly political, more humane, and more ostentatiously literary than the early work, Dominic Head uncovers the continuity as well as the sense of evolution through the oeuvre. Head makes the case for McEwan’s prominence - pre-eminence, even - in the canon of contemporary British novelists.

Ian McEwan: Subversive Readings, Informed Misreadings (21st Century Perspectives on British Literature and Society)

by Irena Księżopolska

This book offers a discussion of seven “canonical” novels by Ian McEwan (The Cement Garden, The Comfort of Strangers, The Child in Time, The Innocent, Black Dogs, Atonement, On Chesil Beach), introducing radical new readings, which are offered not as ultimate and conclusive “solutions” of the textual puzzles, but as possibilities to engage with the text creatively, to enrich the critical consensus and restore interpretative freedom to the readers. This project formulates a strategy of “inclusive reading” – an approach to the text that does not seek to reduce it to a single interpretation, and yet is comprehensively informed through the analysis of the primary text, critical discussion, authorial comments and the context of the composition. Each reading demonstrates the metafictional structure of the texts, indicating that McEwan’s works may be treated as invitations to roam within their worlds, examining the multiple frames of their structure and the meanings generated thereby. All the chapters attend to submerged, repressed, or deliberately masked voices. The Cement Garden is seen as a multi-layered dream, with a shifting hierarchy of dreamers; The Comfort of Strangers is viewed as an inverted metafiction, with insubstantial characters corrupting more complex heroes; The Child in Time is read as Stephen’s book written for his dead daughter; The Innocent as a memory narrative of Leonard who refuses to notice Maria’s role as a spy. In Black Dogs the over-exposure of unreliability is studied as a screen for personal trauma; in the analysis of Atonement Briony’s claim to authorship is questioned and Cecilia is suggested as an alternative narrative agent. Finally, examining On Chesil Beach, both characters’ voices are reconstructed in search of the superior narrative power, which in the end is seen to be elusive, as the text seeks to undermine the hierarchy of voices.

Ian McEwan: Subversive Readings, Informed Misreadings (21st Century Perspectives on British Literature and Society)

by Irena Księżopolska

This book offers a discussion of seven “canonical” novels by Ian McEwan (The Cement Garden, The Comfort of Strangers, The Child in Time, The Innocent, Black Dogs, Atonement, On Chesil Beach), introducing radical new readings, which are offered not as ultimate and conclusive “solutions” of the textual puzzles, but as possibilities to engage with the text creatively, to enrich the critical consensus and restore interpretative freedom to the readers. This project formulates a strategy of “inclusive reading” – an approach to the text that does not seek to reduce it to a single interpretation, and yet is comprehensively informed through the analysis of the primary text, critical discussion, authorial comments and the context of the composition. Each reading demonstrates the metafictional structure of the texts, indicating that McEwan’s works may be treated as invitations to roam within their worlds, examining the multiple frames of their structure and the meanings generated thereby. All the chapters attend to submerged, repressed, or deliberately masked voices. The Cement Garden is seen as a multi-layered dream, with a shifting hierarchy of dreamers; The Comfort of Strangers is viewed as an inverted metafiction, with insubstantial characters corrupting more complex heroes; The Child in Time is read as Stephen’s book written for his dead daughter; The Innocent as a memory narrative of Leonard who refuses to notice Maria’s role as a spy. In Black Dogs the over-exposure of unreliability is studied as a screen for personal trauma; in the analysis of Atonement Briony’s claim to authorship is questioned and Cecilia is suggested as an alternative narrative agent. Finally, examining On Chesil Beach, both characters’ voices are reconstructed in search of the superior narrative power, which in the end is seen to be elusive, as the text seeks to undermine the hierarchy of voices.

Ian McEwan: The Essential Guide (Vintage Living Texts #16)

by Jonathan Noakes Margaret Reynolds

In Vintage Living Texts teachers and students will find the essential guide to the works of Ian McEwan. This guide will deal with his themes, genre and narrative technique, and a close reading of the texts will be accompanied with likely exam questions, and contexts and comparisons - as well as providing a rich source of ideas for intelligent and inventive ways of approaching the novels.

Ian McEwan (New British Fiction)

by Lynn Wells

This introduction to the work of Ian McEwan places his fiction in historical and theoretical context. It explores his biography, literary techniques and the issues of ethics and representation. Including a timeline of key dates and an interview with the author it also offers an overview of the critical reception McEwan's work has provoked.

Ian McEwan (New British Fiction)

by Lynn Wells

This introduction to the work of Ian McEwan places his fiction in historical and theoretical context. It explores his biography, literary techniques and the issues of ethics and representation. Including a timeline of key dates and an interview with the author it also offers an overview of the critical reception McEwan's work has provoked.

Ian McEwan's Atonement (Continuum Contemporaries)

by Julie Ellam

The Continuum Contemporaries series gives readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years. This guide to Atonement features a biography of the author, a full-length analysis of the novel, a summary of the novel's popular and critical reception, a discussion of the recent film adaptation and a great deal more. If you are studying this novel, reading it for your book club, or if you simply want to know more about it, you'll find this guide informative, intelligent, and helpful.

Ian McEwan's Atonement (Continuum Contemporaries)

by Julie Ellam

The Continuum Contemporaries series gives readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years. This guide to Atonement features a biography of the author, a full-length analysis of the novel, a summary of the novel's popular and critical reception, a discussion of the recent film adaptation and a great deal more. If you are studying this novel, reading it for your book club, or if you simply want to know more about it, you'll find this guide informative, intelligent, and helpful.

Ian McEwan's Enduring Love: A Routledge Study Guide (Routledge Guides to Literature)

by Peter Childs

Ian McEwan is one of Britain's most inventive and important contemporary writers. Also adapted as a film, his novel Enduring Love (1997) is a tale of obsession that has both troubled and enthralled readers around the world. Renowned author Peter Childs explores the intricacies of this haunting novel to offer: an accessible introduction to the text and contexts of Enduring Love a critical history, surveying the many interpretations of the text from publication to the present a selection of new and reprinted critical essays on Enduring Love, by Kiernan Ryan, Sean Matthews, Martin Randall, Paul Edwards, Rhiannon Davies and Peter Childs, providing a range of perspectives on the novel and extending the coverage of key critical approaches identified in the survey section cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Enduring Love and seeking not only a guide to the novel, but a way through the wealth of contextual and critical material that surrounds it.

Ian McEwan's Enduring Love: A Routledge Study Guide (Routledge Guides to Literature)

by Peter Childs

Ian McEwan is one of Britain's most inventive and important contemporary writers. Also adapted as a film, his novel Enduring Love (1997) is a tale of obsession that has both troubled and enthralled readers around the world. Renowned author Peter Childs explores the intricacies of this haunting novel to offer: an accessible introduction to the text and contexts of Enduring Love a critical history, surveying the many interpretations of the text from publication to the present a selection of new and reprinted critical essays on Enduring Love, by Kiernan Ryan, Sean Matthews, Martin Randall, Paul Edwards, Rhiannon Davies and Peter Childs, providing a range of perspectives on the novel and extending the coverage of key critical approaches identified in the survey section cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Enduring Love and seeking not only a guide to the novel, but a way through the wealth of contextual and critical material that surrounds it.

Ian Watt: The Novel and the Wartime Critic (Oxford Mid-Century Studies Series)

by Marina MacKay

Before his masterpiece The Rise of the Novel made him one of the most influential post-war British literary critics, Ian Watt was a soldier, a prisoner of war of the Japanese, and a forced labourer on the notorious Burma-Thailand Railway. Both an intellectual biography and an intellectual history of the mid-century, this book reconstructs Watt's wartime world: these were harrowing years of mass death, deprivation, and terror, but also ones in which communities and institutions were improvised under the starkest of emergency conditions. Ian Watt: The Novel and the Wartime Critic argues that many of our foundational stories about the novel—about the novel's origins and development, and about the social, moral, and psychological work that the novel accomplishes—can be traced to the crises of the Second World War and its aftermath.

Ian Watt: The Novel and the Wartime Critic (Oxford Mid-Century Studies Series)

by Marina MacKay

Before his masterpiece The Rise of the Novel made him one of the most influential post-war British literary critics, Ian Watt was a soldier, a prisoner of war of the Japanese, and a forced labourer on the notorious Burma-Thailand Railway. Both an intellectual biography and an intellectual history of the mid-century, this book reconstructs Watt's wartime world: these were harrowing years of mass death, deprivation, and terror, but also ones in which communities and institutions were improvised under the starkest of emergency conditions. Ian Watt: The Novel and the Wartime Critic argues that many of our foundational stories about the novel—about the novel's origins and development, and about the social, moral, and psychological work that the novel accomplishes—can be traced to the crises of the Second World War and its aftermath.

Iberian and Translation Studies: Literary Contact Zones (Contemporary Hispanic and Lusophone Cultures #23)


Iberian and Translation Studies: Literary Contact Zones offers fertile reflection on the dynamics of linguistic diversity and multifaceted literary translation flows taking place across the Iberian Peninsula. Drawing on cutting-edge theoretical perspectives and on a historically diverse body of case studies, the volume’s sixteen chapters explore the key role of translation in shaping interliterary relations and cultural identities within Iberia. Mary Louise Pratt’s contact zone metaphor is used as an overarching concept to approach Iberia as a translation(al) space where languages and cultural systems (Basque, Catalan, Galician, Portuguese, and Spanish) set up relationships either of conflict, coercion, and resistance or of collaboration, hospitality, and solidarity.In bringing together a variety of essays by multilingual scholars whose conceptual and empirical research places itself at the intersection of translation and literary Iberian studies, the book opens up a new interdisciplinary field of enquiry: Iberian translation studies. This allows for a renewed study of canonical authors such as Joan Maragall, Fernando Pessoa, Camilo José Cela, and Bernardo Atxaga, and calls attention to emerging bilingual contemporary voices. In addition to addressing understudied genres (the entremez and the picaresque novel) and the phenomena of self-translation, indirect translation, and collaborative translation, the book provides fresh insights into Iberian cultural agents, mediators, and institutions.

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