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Illusions: translated by Cazimir Liske
by Ivan ViripaevI guess that's how it was meant to be. Love can only be mutual, I agree with you Albert, and forgive me for this cruel sincerity.Love and death, loyalty and betrayal, truth and fiction, this darkly beguiling new comedy takes us through a hall of mirrors.That's it, a little story.Russia's foremost contemporary playwright, Ivan Viripaev, has won major awards for his work including the prestigious Golden Mask and the Presidential Council Prize for Literature in Russia and awards at the Venice, Warsaw and Sochi Film Festivals. Translated by Cazimir Liske, Viripaev's English language debut Illusions premiered at the Wickham Theatre, Bristol, in April 2012 as part of an ATC tour.
The Illusions of Postmodernism
by Terry EagletonIn this brilliant critique, Terry Eagleton explores the origins and emergence of postmodernism, revealing its ambivalences and contradictions. Above all he speaks to a particular kind of student, or consumer, of popular "brands" of postmodern thought.
The Illustrated "A Week on the Concord and Merrimack Rivers"
by Henry David Thoreau Carl F. HovdeThis book offers a selection of superb photographs by the famous turn-of-the-century photographer Herbert Gleason. Retracing one of Thoreau's early journeys, Gleason produced moving and dramatic pictures of life along the rivers of New England.Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Illustrated Christmas Cracker
by John Julius NorwichFor over forty years, John Julius Norwich has been sending out his Christmas Crackers - a personal collection of quirky quotes and literary odds and ends - to his friends instead of a Christmas card. In The Illustrated Christmas Cracker Quentin Blake has made his own selection of favourite pieces and has illustrated them in his own trademark style. From curious dictionary definitions ('Carphology. Delirious fumbling with the bedclothes,' Concise Oxford Dictionary) and tortuous palindromes ('Live dirt up a side-track carted is a putrid evil') to eighteenth-century accounts of drunken pigs and Benjamin Franklin's account of inventing bifocals, this cracker is stuffed with surprising, offbeat, often hilarious gems. Enlivened by Quentin Blake's witty illustrations, this book is the perfect stocking-filler for the discerning customer.
Illustrated Engineering Dictionary: Bildwörterbuch Maschinenbau und Elektrotechnik (VDI-Buch)
by Heinz K. Flack Georg MöllerkeDas umfangreich illustrierte deutsch-englische Taschenwörterbuch umfaßt nahezu vollständig das Grundvokabular des Maschinenbauers und bietet speziell dem Ingenieur auf Reisen eine praktische und schnelle Hilfe. Der ausführliche Anhang enthält viele technische Redewendungen und Satzphrasen für Fach- und Alltagsgespräche.
The Illustrated Etymologicon: A Circular Stroll Through the Hidden Connections of the English Language
by Mr Mark ForsythA NEW, BEAUTIFULLY ILLUSTRATED HARDBACK EDITION OF THE SUNDAY TIMES NUMBER ONE BESTSELLER, PUBLISHED ON ITS TENTH ANNIVERSARY.'Witty and erudite ... stuffed with the kind of arcane information that nobody strictly needs to know, but which is a pleasure to learn nonetheless.' Nick Duerden, Independent.'Particularly good ... Forsyth takes words and draws us into their, and our, murky history.' William Leith, Evening Standard.The Etymologicon is an occasionally ribald, frequently witty and unerringly erudite guided tour of the secret labyrinth that lurks beneath the English language.What is the actual connection between disgruntled and gruntled? What links church organs to organised crime, California to the Caliphate, or brackets to codpieces?Mark Forsyth's riotous celebration of the idiosyncratic and sometimes absurd connections between words is a classic of its kind: a mine of fascinating information and a must-read for word-lovers everywhere.'Highly recommended' Spectator
The Illustrated First Aid in English (PDF)
by Angus MaciverUsed wherever the English Language is spoken or taught and now re-designed and beautifully illustrated to make it bright, appealing, attractive and motivating. This illustrated edition retains the structure and approach of the original bestseller but has been produced to ensure that all the terms and information are up to date and reflect the international readership of the book. It is invaluable in class and as a reference book, both to native English speakers and to students of English as an additional language.
The Illustrated Guide to the Content Analysis Research Project
by Patricia SwannThe Illustrated Guide to the Content Analysis Research Project makes mass media research more accessible through an informal and humorous student-centered approach. Author Patricia Swann provides a colorful, step-by-step guide to developing a typical mass media research project using the content analysis method. The fundamental elements of this research method are presented in plainspoken language perfect for undergraduates and new researchers, complete with engaging illustrations and an informal narrative that tackle students’ most common sticking-points when learning and applying research methods. Supplemented by online worksheets for further reflection, this book is an excellent companion to research-centered courses in mass media, communication studies, marketing, and public relations at the introductory level.
The Illustrated Guide to the Content Analysis Research Project
by Patricia SwannThe Illustrated Guide to the Content Analysis Research Project makes mass media research more accessible through an informal and humorous student-centered approach. Author Patricia Swann provides a colorful, step-by-step guide to developing a typical mass media research project using the content analysis method. The fundamental elements of this research method are presented in plainspoken language perfect for undergraduates and new researchers, complete with engaging illustrations and an informal narrative that tackle students’ most common sticking-points when learning and applying research methods. Supplemented by online worksheets for further reflection, this book is an excellent companion to research-centered courses in mass media, communication studies, marketing, and public relations at the introductory level.
Illustrated Religious Texts in the North of Europe, 1500-1800
by Feike Dietz Adam Morton Lien RoggenIn recent years many historians have argued that the Reformation did not - as previously thought - hamper the development of Northern European visual culture, but rather gave new impetus to the production, diffusion and reception of visual materials in both Catholic and Protestant milieus. This book investigates the crosscurrents of exchange in the realm of illustrated religious literature within and beyond confessional and national borders, and against the background of recent insights into the importance of, on the one hand material, as well as on the other hand, sensual and emotional aspects of early modern culture. Each chapter in the volume helps illuminate early modern religious culture from the perspective of the production of illustrated religious texts - to see the book as object, a point at which various vectors of early modern society met. Case studies, together with theoretical contributions, shed light on the ways in which illustrated religious books functioned in evolving societies, by analysing the use, re-use and sharing of illustrated religious texts in England, France, the Low Countries, the German States, and Switzerland. Interpretations based on points of material interaction show us how the most basic binaries of the early modern world - Catholic and Protestant, word and image, public and private - were disrupted and negotiated in the realm of the illustrated religious book. Through this approach, the volume expands the historical appreciation of the place of imagery in post-Reformation Europe.
Illustrated Religious Texts in the North of Europe, 1500-1800
by Feike Dietz Adam Morton Lien RoggenIn recent years many historians have argued that the Reformation did not - as previously thought - hamper the development of Northern European visual culture, but rather gave new impetus to the production, diffusion and reception of visual materials in both Catholic and Protestant milieus. This book investigates the crosscurrents of exchange in the realm of illustrated religious literature within and beyond confessional and national borders, and against the background of recent insights into the importance of, on the one hand material, as well as on the other hand, sensual and emotional aspects of early modern culture. Each chapter in the volume helps illuminate early modern religious culture from the perspective of the production of illustrated religious texts - to see the book as object, a point at which various vectors of early modern society met. Case studies, together with theoretical contributions, shed light on the ways in which illustrated religious books functioned in evolving societies, by analysing the use, re-use and sharing of illustrated religious texts in England, France, the Low Countries, the German States, and Switzerland. Interpretations based on points of material interaction show us how the most basic binaries of the early modern world - Catholic and Protestant, word and image, public and private - were disrupted and negotiated in the realm of the illustrated religious book. Through this approach, the volume expands the historical appreciation of the place of imagery in post-Reformation Europe.
The Illustrated WALDEN with Photographs from the Gleason Collection
by Henry David Thoreau J. Lyndon ShanleyThis illustrated edition of Walden features 66 photographs by Herbert W. Gleason, one of the great American landscape photographers of the nineteenth and early twentieth century. Gleason, who had a special love for what he called "the simple beauty of New England," became interested in Thoreau's work when commissioned in 1906 by the Houghton Mifflin Company to illustrate their edition of The Writings of Henry David Thoreau. With the help of the few surviving people who had known Thoreau, Gleason searched out the exact places Thoreau had described—all of them still looking much as they had when Thoreau knew them—and photographed them. Gleason became so interested in the project that he continued to photograph Thoreau country for more than forty years. Most of the photographs reproduced here were chosen by Gleason himself for an edition of Walden he planned but never published.Originally published in 1973.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Illustrated World of Tolkien
by David DayTolkien's works have inspired artists for generations and have given rise to myriad interpretations of the rich and magical worlds he created.The Illustrated World of Tolkien gathers together artworks and essays from expert illustrators, painters and etchers, and fascinating and scholarly writing from renowned Tolkien expert David Day, and is an exquisite reference guide for any fan of Tolkien's work, Tolkien's world and the imaginative brilliance his vision inspired.
The Illustrated World of Tolkien The Second Age (Tolkien)
by David DayThis volume is an in-depth and exquisitely illustrated guide to the Second Age of Middle-earth, one of the least-explored periods of Arda's history.The Illustrated World of Tolkien: The Second Age, is the follow up companion to the best-selling The Illustrated World of Tolkien, and gathers together artwork, charts, and fascinating and scholarly writing from renowned Tolkien expert David Day. Exploring the languages, poetry and elements of the heroic ages of Norse, Greek and Roman mythologies that may have influenced Tolkien's writing, it is a reference guide for any fan of Tolkien's work, Tolkien's world and the imaginative brilliance his vision inspired.The Second Age is made up of two great narrative channels: on the one hand the rise and cataclysmic downfall of the island-kingdom of Númenor and its aftermath, and on the other the forging of the Rings of Power and the rise to power of the new dark lord.Tolkien's sources for his Second Age are, of course, as rich and varied as ever and this book delves into some of these influences and shows how the power of Tolkien's imagination is manifest even in the lesser-known parts of his legendarium.This work is unofficial and is not authorised by the Tolkien Estate or HarperCollins Publishers.
Illustrating the Past in Early Modern England: The Representation of History in Printed Books
by James A. KnappIllustrating the Past is a study of the status of visual and verbal media in early modern English representations of the past. It focuses on general attitudes towards visual and verbal representations of history as well as specific illustrated books produced during the period. Through a close examination of the relationship of image to text in light of contemporary discussions of poetic and aesthetic practice, the book demonstrates that the struggle between the image and the word played a profoundly important role in England's emergent historical self-awareness. The opposition between history and story, fact and fiction, often tenuous, provided a sounding board for deeper conflicts over the form in which representations might best yield truth from history. The ensuing schism between poets and historians over the proper venue for the lessons of the past manifested itself on the pages of early modern printed books. The discussion focuses on the word and image relationships in several important illustrated books printed during the second half of the sixteenth century-including Holinshed's Chronicles (1577) and Foxe's Book of Martyrs (1563, 1570)-in the context of contemporary works on history and poetics, such as Sir Philip Sidney's Apology for Poetry and Thomas Blundeville's The true order and Method of wryting and reading Hystories. Illustrating the Past specifically answers two important questions concerning the resultant production of literary and historical texts in the period: Why did the use of images in printed histories suddenly become unpopular at the end of the sixteenth century? and What impact did this publishing trend have on writers of literary and historical texts?
Illustrating the Past in Early Modern England: The Representation of History in Printed Books
by James A. KnappIllustrating the Past is a study of the status of visual and verbal media in early modern English representations of the past. It focuses on general attitudes towards visual and verbal representations of history as well as specific illustrated books produced during the period. Through a close examination of the relationship of image to text in light of contemporary discussions of poetic and aesthetic practice, the book demonstrates that the struggle between the image and the word played a profoundly important role in England's emergent historical self-awareness. The opposition between history and story, fact and fiction, often tenuous, provided a sounding board for deeper conflicts over the form in which representations might best yield truth from history. The ensuing schism between poets and historians over the proper venue for the lessons of the past manifested itself on the pages of early modern printed books. The discussion focuses on the word and image relationships in several important illustrated books printed during the second half of the sixteenth century-including Holinshed's Chronicles (1577) and Foxe's Book of Martyrs (1563, 1570)-in the context of contemporary works on history and poetics, such as Sir Philip Sidney's Apology for Poetry and Thomas Blundeville's The true order and Method of wryting and reading Hystories. Illustrating the Past specifically answers two important questions concerning the resultant production of literary and historical texts in the period: Why did the use of images in printed histories suddenly become unpopular at the end of the sixteenth century? and What impact did this publishing trend have on writers of literary and historical texts?
Illustration and Heritage (Bloomsbury Research in Illustration Series)
by Rachel Emily TaylorIllustration and Heritage explores the re-materialisation of absent, lost, and invisible stories through illustrative practice and examines the potential role of contemporary illustration in cultural heritage. Heritage is a 'process' that is active and takes place in the present. In the heritage industry, there are opposing discourses and positions, and illustrators are a critical voice within the field. Grounding discussions in concepts fundamental to the illustrator, the book examines how the historical voice might be 'found' or reconstructed. Rachel Emily Taylor uses her own work and other illustrators' projects as case studies to explore how the making of creative work – through the exploration of archival material and experimental fieldwork – is an important investigative process and engagement strategy when working with heritage. What are the similar functions of heritage and illustration? How can an illustrator 'give voice' to a historical person? How can an illustrator disrupt an archive or museum? How can an illustrator represent a historical landscape or site? This book is a contribution to the expanding field of illustration research that focusses on its position in heritage practice. Taylor examines the illustrator's role within the field, while positioning it alongside the disciplines of museology, anthropology, archaeology, performance, and fine art.
Illustration and Heritage (Bloomsbury Research in Illustration Series)
by Rachel Emily TaylorIllustration and Heritage explores the re-materialisation of absent, lost, and invisible stories through illustrative practice and examines the potential role of contemporary illustration in cultural heritage. Heritage is a 'process' that is active and takes place in the present. In the heritage industry, there are opposing discourses and positions, and illustrators are a critical voice within the field. Grounding discussions in concepts fundamental to the illustrator, the book examines how the historical voice might be 'found' or reconstructed. Rachel Emily Taylor uses her own work and other illustrators' projects as case studies to explore how the making of creative work – through the exploration of archival material and experimental fieldwork – is an important investigative process and engagement strategy when working with heritage. What are the similar functions of heritage and illustration? How can an illustrator 'give voice' to a historical person? How can an illustrator disrupt an archive or museum? How can an illustrator represent a historical landscape or site? This book is a contribution to the expanding field of illustration research that focusses on its position in heritage practice. Taylor examines the illustrator's role within the field, while positioning it alongside the disciplines of museology, anthropology, archaeology, performance, and fine art.
The Illustration of the Master: Henry James and the Magazine Revolution
by Amy TuckerThe Illustration of the Master examines the crucial role of the illustrated press in the formation of the reading public and the writing profession during Henry James's lifetime. The book re-examines James's stories, criticism, and travel essays in light of the explosive growth of the magazine industry in the United States and abroad at the turn of the century. Using previously unpublished archival sources, Amy Tucker delves into James's negotiations with publishers, editors, and literary agents, as well as his interactions with some of the celebrated artists who were assigned to illustrate his work. Reproducing more than 120 illustrations, advertisements, and other images that accompanied James's work, this book reveals the vital interplay of word and image that helped define literary culture at a moment when "popular entertainment" and "high art" had not yet gone their separate ways.
Illustrations, Optics and Objects in Nineteenth-Century Literary and Visual Cultures (Palgrave Studies in Nineteenth-Century Writing and Culture)
by L. Calè P. Di Bello Patrizia Di BelloPaying attention to the historically specific dimensions of objects such as the photograph, the illustrated magazine and the collection, the contributors to this volume offer new ways of thinking about nineteenth-century practices of reading, viewing, and collecting, revealing new readings of Wordsworth, Shelley, James and Wilde, among others.
I'm a Joke and So Are You: Reflections on Humour and Humanity
by Robin InceEvening Standard's the Best Comedy Books of the YearSkinny's Book of the YearWhat better way to understand ourselves than through the eyes of comedians - those who professionally examine our quirks on stage daily? Reviews for I'm a Joke and So Are You:'Joyfully entertaining.' - Observer'Funny, honest and heart-warming.' -Matt Haig'a smart, laugh-out-loud book.' - Evening Standard'Deceptively deep. Invaluable and inspiring.' - Stewart LeeIn this touching and witty book, award-winning presenter and comic Robin Ince uses the life of the stand-up as a way of exploring some of the biggest questions we all face:Where does anxiety come from? How do we overcome imposter syndrome? What is the key to creativity? How can we deal with grief? Informed by personal insights from Robin as well as interviews with some of the world's top comedians, neuroscientists and psychologists, this is a hilarious and often moving primer to the mind. But it is also a powerful call to embrace the full breadth of our inner experience - no matter how strange we worry it may be!
