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In Her Own Voice: Nineteenth-Century American Women Essayists (Gender and Genre in Literature)

First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company. In Her Own Voice examines the literary history of women’s nonfiction writing through studies of individual writers, their works, and their careers. The essays in this collection consider the development of women’s public voices, relationships between women essayists and their editors and readers, and the fuzzy line that divides—or seems to divide—fiction from nonfiction. The book includes studies of some of the best known American women essayists, including Margaret Fuller, Lydia Maria Child, and Fanny Fern, and articles on women writers whose work has received very little attention, such as Gail Hamilton, Anna Julia Cooper, Ann Sophia Stephens, and Zitkala-Sa.

In Her Own Voice: Nineteenth-Century American Women Essayists (Gender and Genre in Literature)

First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company. In Her Own Voice examines the literary history of women’s nonfiction writing through studies of individual writers, their works, and their careers. The essays in this collection consider the development of women’s public voices, relationships between women essayists and their editors and readers, and the fuzzy line that divides—or seems to divide—fiction from nonfiction. The book includes studies of some of the best known American women essayists, including Margaret Fuller, Lydia Maria Child, and Fanny Fern, and articles on women writers whose work has received very little attention, such as Gail Hamilton, Anna Julia Cooper, Ann Sophia Stephens, and Zitkala-Sa.

In History's Grip: Philip Roth's Newark Trilogy (Stanford Studies in Jewish History and Culture)

In History's Grip concentrates on the literature of Philip Roth, one of America's greatest writers, and in particular on American Pastoral, I Married a Communist, and The Human Stain. Each of these novels from the 1990s uses Newark, New Jersey, to explore American history and character. Each features a protagonist who grows up in and then leaves Newark, after which he is undone by a historically generated crisis. The city's twentieth-century decline from immigrant metropolis to postindustrial disaster completes the motif of history and its terrifying power over individual destiny. In History's Grip is the first critical study to foreground the city of Newark as the source of Roth's inspiration, and to scrutinize a subject Roth was accused of avoiding as a younger writer—history. In so doing, the book brings together the two halves of Roth's decades-long career: the first featuring characters who live outside of history's grip; the second, characters entrapped in historical patterns beyond their ken and control.

In Lady Audley's Shadow: Mary Elizabeth Braddon and Victorian Literary Genres (Edinburgh Critical Studies in Victorian Culture (PDF))

This book is devoted to Mary Elizabeth Braddon's complex relationship with the three main Victorian literary genres (the Gothic, the Detective and the Realist novel) using Braddon's bestselling sensation fiction, Lady Audley's Secret, as a starting point from which to assess her work.

In Line or Out of Control?: Kommunikative Anschlussnahme in Online-Diskursen

In Love with Hell: Drink in the Lives and Work of Eleven Writers

'Sympathetic and wonderfully perceptive . . . a heartbreaking read'NICK COHEN, Critic'Wise, witty and empathetic . . . outstanding'JIM CRACE'A fascinating treatment of the age-old problem of writers and drink which displays the same subtle qualities as William Palmer's own undervalued novels'D. J. TAYLOR'A vastly absorbing and entertaining study of this ever-interesting subject'ANDREW DAVIES, screenwriter and novelist'In Love with Hell is a fascinating and beautifully written account of the lives of eleven British and American authors whose addiction to alcohol may have been a necessary adjunct to their writing but ruined their lives. Palmer's succinct biographies contain fine descriptions of the writers, their work and the times they lived in; and there are convincing insights into what led so many authors to take to drink.'PIERS PAUL READWhy do some writers destroy themselves by drinking alcohol? Before our health-conscious age it would be true to say that many writers drank what we now regard as excessive amounts. Graham Greene, for instance, drank on a daily basis quantities of spirits and wine and beer most doctors would consider as being dangerous to his health. But he was rarely out of control and lived with his considerable wits intact to the age of eighty-six. W. H. Auden drank the most of a bottle of spirits a day, but also worked hard and steadily every day until his death. Even T. S. Eliot, for all his pontifical demeanour, was extremely fond of gin and was once observed completely drunk on a London Tube station by a startled friend. These were not writers who are generally regarded as alcoholics. 'Alcoholic' is, in any case, a slippery word, as exemplified by Dylan Thomas's definition of an alcoholic as 'someone you dislike who drinks as much as you.' The word is still controversial and often misunderstood and misapplied. What acclaimed novelist and poet William Palmer's book is interested in is the effect that heavy drinking had on writers, how they lived with it and were sometimes destroyed by it, and how they described the whole private and social world of the drinker in their work.He looks at Patrick Hamilton ('the feverish magic that alcohol can work'); Jean Rhys ('As soon as I sober up I start again'); Charles Jackson ('Delirium is a disease of the night'); Malcolm Lowry ('I love hell. I can't wait to go back there'); Dylan Thomas ('A womb with a view'); John Cheever ('The singing of the bottles in the pantry'); Flann O'Brien ('A pint of plain is your only man'); Anthony Burgess ('Writing is an agony mitigated by drink'); Kingsley Amis ('Beer makes you drunk'); Richard Yates ('The road to Revolutionary Road'); and Elizabeth Bishop ('The writer's writer's writer').

In Memoriam

"In Memoriam" by Alfred, Lord Tennyson (Macmillan Master Guides)

In Memory of Jacques Derrida

This book offer a series of lucid and incisive readings of Derrida’s work, as well as an elegiac tribute in more personal terms.

In Mind of Johnson: A Study of Johnson the Rambler

This original and imaginative portrait of Dr. Johnson - the man and the writer - gets behind his public face and uncovers the human struggle out of which Johnson's moral view of life emerged. The author presents a challenging reading of the Rambler essays and Rasselas, unveiling the presence in these works of Johnson's inner life. Convincing and persuasive, it is an approach which flies in the face of established critical fashions and preconceptions and which reveals Johnson in a completely new light.

In Mixed Company 11e: Communicating in Small Groups and Teams

In Mixed Company combines theory, applications, and current research on small group communication in a conversational and engaging style. It is a comprehensive text and has been the market leading small group communication text for the last several editions. The 11th edition will continue to use abundant humor, engaging case studies, novel illustrations, dramatic and poignant examples, personal narratives and vivid stories, and colorful language to encourage students to keep reading. The 11th edition offers an emphasis on meetings with the new Chapter 3, current treatments of COVID and its profound effects on small group dynamics, and comprehensive treatment of virtual groups, in addition to vastly enhanced visual packaging.

In My Father's House: Africa in the Philosophy of Culture

The beating of Rodney King and the resulting riots in South Central Los Angeles. The violent clash between Hasidim and African-Americans in Crown Heights. The boats of Haitian refugees being turned away from the Land of Opportunity. These are among the many racially-charged images that have burst across our television screens in the last year alone, images that show that for all our complacent beliefs in a melting-pot society, race is as much of a problem as ever in America. In this vastly important, widely-acclaimed volume, Kwame Anthony Appiah, a Ghanaian philosopher who now teaches at Harvard, explores, in his words, "the possibilities and pitfalls of an African identity in the late twentieth century." In the process he sheds new light on what it means to be an African-American, on the many preconceptions that have muddled discussions of race, Africa, and Afrocentrism since the end of the nineteenth century, and, in the end, to move beyond the idea of race. In My Father's House is especially wide-ranging, covering everything from Pan Africanism, to the works of early African-American intellectuals such as Alexander Crummell and W.E.B. Du Bois, to the ways in which African identity influences African literature. In his discussion of the latter subject, Appiah demonstrates how attempts to construct a uniquely African literature have ignored not only the inescapable influences that centuries of contact with the West have imposed, but also the multicultural nature of Africa itself. Emphasizing this last point is Appiah's eloquent title essay which offers a fitting finale to the volume. In a moving first-person account of his father's death and funeral in Ghana, Appiah offers a brilliant metaphor for the tension between Africa's aspirations to modernity and its desire to draw on its ancient cultural roots. During the Los Angeles riots, Rodney King appeared on television to make his now famous plea: "People, can we all get along?" In this beautiful, elegantly written volume, Appiah steers us along a path toward answering a question of the utmost importance to us all.

In My Father's House: Africa in the Philosophy of Culture

The beating of Rodney King and the resulting riots in South Central Los Angeles. The violent clash between Hasidim and African-Americans in Crown Heights. The boats of Haitian refugees being turned away from the Land of Opportunity. These are among the many racially-charged images that have burst across our television screens in the last year alone, images that show that for all our complacent beliefs in a melting-pot society, race is as much of a problem as ever in America. In this vastly important, widely-acclaimed volume, Kwame Anthony Appiah, a Ghanaian philosopher who now teaches at Harvard, explores, in his words, "the possibilities and pitfalls of an African identity in the late twentieth century." In the process he sheds new light on what it means to be an African-American, on the many preconceptions that have muddled discussions of race, Africa, and Afrocentrism since the end of the nineteenth century, and, in the end, to move beyond the idea of race. In My Father's House is especially wide-ranging, covering everything from Pan Africanism, to the works of early African-American intellectuals such as Alexander Crummell and W.E.B. Du Bois, to the ways in which African identity influences African literature. In his discussion of the latter subject, Appiah demonstrates how attempts to construct a uniquely African literature have ignored not only the inescapable influences that centuries of contact with the West have imposed, but also the multicultural nature of Africa itself. Emphasizing this last point is Appiah's eloquent title essay which offers a fitting finale to the volume. In a moving first-person account of his father's death and funeral in Ghana, Appiah offers a brilliant metaphor for the tension between Africa's aspirations to modernity and its desire to draw on its ancient cultural roots. During the Los Angeles riots, Rodney King appeared on television to make his now famous plea: "People, can we all get along?" In this beautiful, elegantly written volume, Appiah steers us along a path toward answering a question of the utmost importance to us all.

In My Own Shire: Region and Belonging in British Writing, 1840-1970 (Contributions to the Study of World Literature)

An overview of 19th- and 20th-century writing from the British Isles shows a constant interplay between metropolitan centers and regional peripheries—an interplay that points to the basic importance of place and belonging in literary creation and evaluation. This volume examines the relationship between British literature—including poetry, fiction, biography, and drama—and regional consciousness in the Victorian and modern periods, introducing the reader to a range of responses to the profound feelings of belonging engendered by the sense of place. The works covered are a mixture of familiar classics and less well-known writings from working-class writers or forgotten writers who were successful in their era. After accounting for the emergence of regional writing in the early 19th century, the author analyzes the development of regional writing in England, Scotland, Ireland, and Wales, focusing on issues such as the sociopolitical context of the regional novel, the print and literary cultures around regional presses, and the place of documentary in regional consciousness.

In My Time

In My Time is a vivid account of the fascinating life of Robert Strausz-Hupe, who served American presidents for twenty years in a variety of diplomatic posts. It is a life filled with both excitement and tragedy. In this autobiography, Strausz-Hupe covers a wide range of topics, including his youth in Vienna, his familial background, and his schooling. The author also discusses his emigration to the United States, describing his initial impressions of the country as well as how he viewed the changes that were occurring in American society and culture.Strausz-Hupe has written a poignant introduction for the republication of this volume. He explains how he reaches out to history for an explanation of who he is as an individual. Just as entire nations should learn from history, so should individuals, as Strausz-Hupe has attempted to do in his autobiography.Robert Strausz-Hupe is one of those increasingly rare, universally educated men whose minds conform only to their own beliefs and findings. His views of events such as the rise of German Nazism, or Chinese Communism, or the world of the theater in Europe between the two world wars are always fresh, exciting, and informed. In My Time will be enjoyed by all who read it, especially historians, political theorists, and policymakers.

In My Time

In My Time is a vivid account of the fascinating life of Robert Strausz-Hupe, who served American presidents for twenty years in a variety of diplomatic posts. It is a life filled with both excitement and tragedy. In this autobiography, Strausz-Hupe covers a wide range of topics, including his youth in Vienna, his familial background, and his schooling. The author also discusses his emigration to the United States, describing his initial impressions of the country as well as how he viewed the changes that were occurring in American society and culture.Strausz-Hupe has written a poignant introduction for the republication of this volume. He explains how he reaches out to history for an explanation of who he is as an individual. Just as entire nations should learn from history, so should individuals, as Strausz-Hupe has attempted to do in his autobiography.Robert Strausz-Hupe is one of those increasingly rare, universally educated men whose minds conform only to their own beliefs and findings. His views of events such as the rise of German Nazism, or Chinese Communism, or the world of the theater in Europe between the two world wars are always fresh, exciting, and informed. In My Time will be enjoyed by all who read it, especially historians, political theorists, and policymakers.

In My Wildest Dreams

From Barnardo boy to original virgin soldier; from apprentice journalist in London's Fleet Street to famous novelist...At times funny, at times sad, but always honest and utterly compulsive, Leslie Thomas's story is straight out of fiction. As an orphan, he picked his way through the rubble of post-war Britain and was sent on national service to the Far East. Later he became a Fleet Street reporter, with hilarious experiences to relate, and then became the bestselling author of The Virgin Soldiers - the novel that, although scandalous in its day, is now recognised as a classic of its kind. He is also the creator of Dangerous Davies: The Last Detective, which has been adapted into a popular television series. In 2005, Leslie Thomas was awarded an OBE for services to literature.With a new introduction for this edition, this is an amazing story, and Leslie Thomas's magic touch brings it crackling to life with warmth, wit and humour.

In Other Words: A Coursebook On Translation (PDF)

In Other Words is the definitive coursebook for anyone studying translation. Assuming no knowledge of foreign languages, it offers both a practical and theoretical guide to translation studies, and provides an important foundation for training professional translators. Drawing on modern linguistic theory, this best-selling text provides a solid base to inform and guide the many key decisions trainee translators have to make. Each chapter offers an explanation of key concepts, identifies potential sources of translation difficulties related to those concepts, and illustrates various strategies for resolving these difficulties. Authentic examples of translated texts from a wide variety of languages are examined, and practical exercises and further reading are included at the end of each chapter. The second edition has been fully revised to reflect recent developments in the field and new features include: A new chapter that addresses issues of ethics and ideology, in response to increased pressures on translators and interpreters to demonstrate accountability and awareness of the social impact of their decisions. Examples and exercises from new genres such as audiovisual translation, scientific translation, oral interpreting, website translation, and news/media translation. New project-driven exercises designed to support MA dissertation work Updated references and further reading. A companion website featuring further examples and tasks Written by Mona Baker, a leading international figure in the field, this key text is the essential coursebook for any student of translation studies.

In Other Words: A Coursebook on Translation

In Other Words has been the definitive coursebook for students studying translation for nearly three decades. Assuming no knowledge of foreign languages, it offers a practical guide based on extensive research in areas as varied as lexis, grammar, pragmatics, semiotics and ethics. It thus provides a solid basis for training a new generation of well-informed, critical students of translation. Drawing on linguistic theory and social semiotics, the third edition of this best-selling text guides trainee translators through the variety of decisions they will have to make throughout their career. Each chapter offers an explanation of key concepts, identifies potential sources of translation difficulties related to those concepts and illustrates various strategies for resolving these difficulties. Authentic examples of translated texts from a wide variety of languages and genres are examined, and practical exercises and further reading are included at the end of each chapter. The third edition has been fully revised to reflect recent developments in the field and includes a new chapter that engages with the interplay between verbal and visual elements in genres as varied as children’s literature, comics, film, poetry and advertisements. This key text remains the essential coursebook for any student of translation studies.

In Other Words: A Coursebook on Translation

In Other Words has been the definitive coursebook for students studying translation for nearly three decades. Assuming no knowledge of foreign languages, it offers a practical guide based on extensive research in areas as varied as lexis, grammar, pragmatics, semiotics and ethics. It thus provides a solid basis for training a new generation of well-informed, critical students of translation. Drawing on linguistic theory and social semiotics, the third edition of this best-selling text guides trainee translators through the variety of decisions they will have to make throughout their career. Each chapter offers an explanation of key concepts, identifies potential sources of translation difficulties related to those concepts and illustrates various strategies for resolving these difficulties. Authentic examples of translated texts from a wide variety of languages and genres are examined, and practical exercises and further reading are included at the end of each chapter. The third edition has been fully revised to reflect recent developments in the field and includes a new chapter that engages with the interplay between verbal and visual elements in genres as varied as children’s literature, comics, film, poetry and advertisements. This key text remains the essential coursebook for any student of translation studies.

In Other Words: In Other Words

In Other Words is a revelation. It is at heart a love story of a long and sometimes difficult courtship, and a passion that verges on obsession: that of a writer for another language. For Jhumpa Lahiri, that love was for Italian, which first captivated and capsized her during a trip to Florence after college. Although Lahiri studied Italian for many years afterwards, true mastery had always eluded her.Seeking full immersion, she decided to move to Rome with her family, for 'a trial by fire, a sort of baptism' into a new language and world. There, she began to read and to write – initially in her journal – solely in Italian. In Other Words, an autobiographical work written in Italian, investigates the process of learning to express oneself in another language, and describes the journey of a writer seeking a new voice.Presented in a dual-language format, this is a wholly original book about exile, linguistic and otherwise, written with an intensity and clarity not seen since Vladimir Nabokov: a startling act of self-reflection and a provocative exploration of belonging and reinvention.

In Other Worlds: Essays In Cultural Politics

In this classic work, Gayatri Chakravorty Spivak, one of the leading and most influential cultural theorists working today, analyzes the relationship between language, women and culture in both Western and non-Western contexts. Developing an original integration of powerful contemporary methodologies – deconstruction, Marxism and feminism – Spivak turns this new model on major debates in the study of literature and culture, thus ensuring that In Other Worlds has become a valuable tool for studying our own and other worlds of culture.

In Other Worlds: Essays In Cultural Politics

In this classic work, Gayatri Chakravorty Spivak, one of the leading and most influential cultural theorists working today, analyzes the relationship between language, women and culture in both Western and non-Western contexts. Developing an original integration of powerful contemporary methodologies – deconstruction, Marxism and feminism – Spivak turns this new model on major debates in the study of literature and culture, thus ensuring that In Other Worlds has become a valuable tool for studying our own and other worlds of culture.

In Our Day: An Oral History of Dublin's Bygone Days

For over fifty years, historian Kevin C. Kearns trekked the rough-and-tumble streets of the heart of Dublin, hoping to record and preserve the city’s vanishing oral history. Armed only with a Sony tape recorder, the ordinary people he encountered – street traders, dockers, factory workers, tram drivers, midwives, mothers, grandparents, publicans, jarveys – shared private stories of hardship, joy, sorrow, survival and triumph – with humour and whimsy.In Our Day is the culmination of a life’s work – a treasure trove bursting with whispers from the past – 450 vignettes, memories and recollections gathered to present an evocative, poignant portrait of a forgotten Dublin.‘Those of us who know and love Dublin owe Kearns a huge debt.’ Roddy Doyle‘Without Kevin, the lives of ordinary decent Dubliners would be forgotten. This book is a celebration of them.’ Joe Duffy

In Person: Reenactment in Postwar and Contemporary Cinema

In Person: Reenactment in Postwar and Contemporary Cinema delineates a new performative genre based on replay and self-awareness. The book argues that in-person reenactment, an actual person reenacting her past on camera, departs radically from other modes of mimetic reconstruction. In Person theorizes this figure's protean temporality and revisionist capabilities and it considers its import in terms of social representativity and exemplarity. Close readings of select, historicized examples define an alternate, confessional-performative vein to understand the self-reflexive nature of postwar and post-holocaust testimonial cinemas. The book contextualizes Zavattini's proposal that in neorealism everyone should act his own story in a sort of anti-individualist, public display (Love in the City and We the Women). It checks the convergence between verit? experiments, a heightened self-critique in France and the reception of psychodrama in France (Chronicle of a summer and The Human Pyramid) in the late fifties. And, through Bazin, it reflects on the quandaries of celebrity biopics: how the circularity of the star's iconography is checked by her corporeal limits (Sophia her Own Story and the docudrama Torero!). In Person traces a shift from the exemplary and transformative ethos of fifties reenactment towards the un-redemptive stance of contemporary reenactment films such as Lanzmann's Shoah, Zhang Yuan's Sons, Andrea Tonacci's Hills of Chaos. It defines continuities between verite testimony (Chronicle, and Moi un Noir) and later para-juridical films such as the Karski Report and Rithy Panh's S21, the Khmer Rouge Killing Machine suggesting the power of co-presence and in person actualization for an ethics of viewership.