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Industry and Politics in the Third Reich: Ruhr Coal, Hitler and Europe (Routledge Library Editions: Nazi Germany and the Holocaust)
by John GillinghamWhen originally published in 1985 this was the first detailed study of business in Nazi Germany. Drawing on a wealth of new evidence from government and private archives, the book throws light on the important role played by Germany heavy industry in preserving traditions valuable for the post-Nazi future. Contrary to widely held beliefs, the industrialists of the Ruhr did not master-mind the economic strategy of the third Reich, nor were they the helpless victims of Hitler’s tyranny. In this penetrating study, the author reveals that while the management of the coal industry in the Ruhr certainly cooperated with Hitler, they did so only to the extent that it served their own purposes, which were far less destructive than those of the regime.
Industry and the Creative Mind: The Eccentric Writer in American Literature and Entertainment, 1790-1860
by Sandra TomcIndustry and the Creative Mind takes a radically new look at the figure of the eccentric, alienated writer in American literature and entertainment from 1790 to 1860. Traditional scholarship takes for granted that the eccentric writer, modeled by such Romantic beings as Lord Byron and brought to life for American audiences by the gloomy person of Edgar Allan Poe, was a figure of rebellion against the excesses of modern commercial culture and industrial life. By contrast, Industry and the Creative Mind argues that in the United States myths of writerly moodiness, alienation, and irresponsibility predated the development of a commercial arts and entertainment industry and instead of forming a site of rebellion from this industry formed a bedrock for its development. Looking at the careers of a number of early American writers---Joseph Dennie, Nathaniel Parker Willis, Edgar Allan Poe, Fanny Fern, as well as a host of now forgotten souls who peopled the twilight worlds of hack fiction and industrial literature---this book traces the way in which early nineteenth-century American arts and entertainment systems incorporated writerly eccentricity in their "logical" economic workings, placing the mad, rebellious writer at the center of the industry's productivity and success.
The Inequalities: Beyond Caring; LOVE; Faith, Hope and Charity
by Alexander Zeldin'He is a Chekhov of our time: holding his characters with as much humanity, compassion, humor and love - but without holding back his scathing indictment of deeply entrenched, systemic injustices and inequities.' - David SchwimmerThe Inequalities combines three plays from British author and director Alexander Zeldin into a trilogy that tells new stories of love, compassion and resilience for our time of austerity.Contextualised with an essay before each play and an in-depth interview with the author, Zeldin's three pieces present intimate stories of work, home and community in a radical form of realism. Written after extensive research across the United Kingdom, and involving people affected by the central themes of the plays, The Inequalities goes beyond social chronicle, achieving a timeless portrait of humanity under duress. This is theatre that goes behind the mirror of our time to reveal the core of the collective human experience of being alive.Beyond Caring: “This desolate, quietly intense devised drama gets under your skin and into your bones... unforgettable.” (The Times)LOVE: "Gripping, amusing, uncomfortable, desperately moving. Zeldin shows us friction…but also kindness and dignity and lots of love without turning sugary." (The Times) Faith, Hope and Charity: "This is that rare thing: a necessary play that suggests Zeldin has taken on the role of the Victorian Henry Mayhew in compassionately documenting the lives of the urban poor." (The Guardian)
The Inequalities: Beyond Caring; LOVE; Faith, Hope and Charity
by Alexander Zeldin'He is a Chekhov of our time: holding his characters with as much humanity, compassion, humor and love - but without holding back his scathing indictment of deeply entrenched, systemic injustices and inequities.' - David SchwimmerThe Inequalities combines three plays from British author and director Alexander Zeldin into a trilogy that tells new stories of love, compassion and resilience for our time of austerity.Contextualised with an essay before each play and an in-depth interview with the author, Zeldin's three pieces present intimate stories of work, home and community in a radical form of realism. Written after extensive research across the United Kingdom, and involving people affected by the central themes of the plays, The Inequalities goes beyond social chronicle, achieving a timeless portrait of humanity under duress. This is theatre that goes behind the mirror of our time to reveal the core of the collective human experience of being alive.Beyond Caring: “This desolate, quietly intense devised drama gets under your skin and into your bones... unforgettable.” (The Times)LOVE: "Gripping, amusing, uncomfortable, desperately moving. Zeldin shows us friction…but also kindness and dignity and lots of love without turning sugary." (The Times) Faith, Hope and Charity: "This is that rare thing: a necessary play that suggests Zeldin has taken on the role of the Victorian Henry Mayhew in compassionately documenting the lives of the urban poor." (The Guardian)
Inescapable Romance: Studies in the Poetics of a Mode
by Patricia A. ParkerDefining "romance" as a form that simultaneously seeks and postpones a particular end, revelation, or object, Patricia Parker interprets its implications and transformations in the works of four major poets—Ariosto, Spenser, Milton, and Keats. In placing the texts within their literary and historical contexts, Professor Parker provides at once a literary history of romance as genre, a fresh reading of individual poems, and an exploration of the continuing romance of figurative language itself.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Infamous Commerce: Prostitution in Eighteenth-Century British Literature and Culture
by Laura J. RosenthalIn Infamous Commerce, Laura J. Rosenthal uses literature to explore the meaning of prostitution from the Restoration through the eighteenth century, showing how both reformers and libertines constructed the modern meaning of sex work during this period. From Grub Street's lurid "whore biographies" to the period's most acclaimed novels, the prostitute was depicted as facing a choice between abject poverty and some form of sex work. Prostitution, in Rosenthal's view, confronted the core controversies of eighteenth-century capitalism: luxury, desire, global trade, commodification, social mobility, gender identity, imperialism, self-ownership, alienation, and even the nature of work itself. In the context of extensive research into printed accounts of both male and female prostitution—among them sermons, popular prostitute biographies, satire, pornography, brothel guides, reformist writing, and travel narratives—Rosenthal offers in-depth readings of Samuel Richardson's Clarissa and Pamela and the responses to the latter novel (including Eliza Haywood's Anti-Pamela), Bernard Mandeville's defenses of prostitution, Daniel Defoe's Roxana, Henry Fielding's Tom Jones, and travel journals about the voyages of Captain Cook to the South Seas. Throughout, Rosenthal considers representations of the prostitute's own sexuality (desire, revulsion, etc.) to be key parts of the changing meaning of "the oldest profession."
Infectious Disease in India, 1892-1940: Policy-Making and the Perception of Risk (Cambridge Imperial and Post-Colonial Studies)
by S. PoluUsing case studies of cholera, plague, malaria, and yellow fever, this book analyzes how factors such as public health diplomacy, trade, imperial governance, medical technologies, and cultural norms operated within global and colonial conceptions of political and epidemiological risk to shape infectious disease policies in colonial India.
Inference in Argumentation: A Topics-based Approach To Argument Schemes (Argumentation Library #34)
by Eddo Rigotti Sara GrecoThis book investigates the role of inference in argumentation, considering how arguments support standpoints on the basis of different loci. The authors propose and illustrate a model for the analysis of the standpoint-argument connection, called Argumentum Model of Topics (AMT). A prominent feature of the AMT is that it distinguishes, within each and every single argumentation, between an inferential-procedural component, on which the reasoning process is based; and a material-contextual component, which anchors the argument in the interlocutors’ cultural and factual common ground. The AMT explains how these components differ and how they are intertwined within each single argument. This model is introduced in Part II of the book, following a careful reconstruction of the enormously rich tradition of studies on inference in argumentation, from the antiquity to contemporary authors, without neglecting medieval and post-medieval contributions. The AMT is a contemporary model grounded in a dialogue with such tradition, whose crucial aspects are illuminated in this book.
Inferences by Parallel Reasoning in Islamic Jurisprudence: Al-Shīrāzī’s Insights into the Dialectical Constitution of Meaning and Knowledge (Logic, Argumentation & Reasoning #19)
by Shahid Rahman Muhammad Iqbal Youcef SoufiThis monograph proposes a new (dialogical) way of studying the different forms of correlational inference, known in the Islamic jurisprudence as qiyās. According to the authors’ view, qiyās represents an innovative and sophisticated form of dialectical reasoning that not only provides new epistemological insights into legal argumentation in general (including legal reasoning in Common and Civil Law) but also furnishes a fine-grained pattern for parallel reasoning which can be deployed in a wide range of problem-solving contexts and does not seem to reduce to the standard forms of analogical reasoning studied in contemporary philosophy of science and argumentation theory. After an overview of the emergence of qiyās and of the work of al-Shīrāzī penned by Soufi Youcef, the authors discuss al-Shīrāzī’s classification of correlational inferences of the occasioning factor (qiyās al-'illa). The second part of the volume deliberates on the system of correlational inferences by indication and resemblance (qiyās al-dalāla, qiyās al-shabah). The third part develops the main theoretical background of the authors’ work, namely, the dialogical approach to Martin-Löf's Constructive Type Theory. The authors present this in a general form and independently of adaptations deployed in parts I and II. Part III also includes an appendix on the relevant notions of Constructive Type Theory, which has been extracted from an overview written by Ansten Klev. The book concludes with some brief remarks on contemporary approaches to analogy in Common and Civil Law and also to parallel reasoning in general.
Inferences in Text Processing (ISSN #Volume 29)
by H. Strohl-Goebel G. RickheitThis volume critically evaluates the present state of research in the domain of inferences in text processing and indicates new areas of research.The book is structured around the following theoretical aspects: - The representational aspect is concerned with the cognitive structure produced by the processed text, e.g. the social, spatial, and motor characteristics of world knowledge. - The procedural aspect investigates the time relationships on forming inferences, e.g. the point of time at which referential relations are constructed. - The contextual aspect reflects the dependence of inferences on the communicative embedding of text processing, e.g. on factors of modality and instruction.
Inferentialism: Why Rules Matter
by J. PeregrinIn this study two strands of inferentialism are brought together: the philosophical doctrine of Brandom, according to which meanings are generally inferential roles, and the logical doctrine prioritizing proof-theory over model theory and approaching meaning in logical, especially proof-theoretical terms.
The Infernal Desires of Angela Carter: Fiction, Femininity, Feminism
by Joseph Bristow Trev Lynn BroughtonDrawing on many aspects of contemporary feminist theory, this lively collection of essays assesses Angela Carter's polemical fictions of desire. Carter, renowned for her irreverent wit, was one of the most gifted, subversive, and stylish British writers to emerge in the 1960s.
The Infernal Desires of Angela Carter: Fiction, Femininity, Feminism
by Joseph Bristow Trev Lynn BroughtonDrawing on many aspects of contemporary feminist theory, this lively collection of essays assesses Angela Carter's polemical fictions of desire. Carter, renowned for her irreverent wit, was one of the most gifted, subversive, and stylish British writers to emerge in the 1960s.
Infernal Triad: The Flesh, the World, and the Devil in Spenser and Milton
by Patrick CullenOne of the few theological formulas of medieval times to survive the scrutiny of the Reformation was that of the infernal triad of the sins of the Flesh, the World, and the Devil. Through a close analysis of the structural and thematic role that this triad plays in Books I and II of the Faerie Queene and in Paradise Lost, Paradise Regained, and Samson Agonistes, Patrick Cullen explores the imaginative continuity between two of the greatest poets of the English Renaissance, Edmund Spenser and John Milton. By presenting the two poets in a single focus. Professor Cullen demonstrates the profound indebtedness of Milton to Spenser, a relationship which has not received due scholarly attention, despite Milton's praise of Spenser as "a better teacher than Aquinas" and his admission according to Dryden, that Spenser was his "original." Professor Cullen's new approach allows him to define a clear allegorical lineage between some of the major poems of the period, demonstrating the imaginative affinity of Spenser and Milton with great concreteness and specificity.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Inferno: Poema - Primary Source Edition (Divine Comedy Ser. #1)
by Dante Robin KirkpatrickDiscover Dante's original Inferno in this modern and acclaimed Penguin translation. Describing Dante's descent into Hell with Virgil as a guide, Inferno depicts a cruel underworld in which desperate figures are condemned to eternal damnation for committing one or more of seven deadly sins. As he descends through nine concentric circles of increasingly agonising torture, Dante encounters many doomed souls before he is finally ready to meet the ultimate evil in the heart of Hell: Satan himself.This new edition of Inferno includes explanatory notes and an illustration of Dante's plan of hell. Robin Kirkpatrick's masterful translation is also available in a bilingual Penguin edition, with the original Italian on facing pages, and in a complete edition of The Divine Comedy with an introduction and other editorial materials. Dante Alighieri was born in 1265. He studied at the university of Bologna, married at the age of twenty and had four children. His first major work was La Vita Nuova (1292), a tribute to Beatrice Portinari, the great love of his life who had died two years earlier. In 1302, Dante's political activism resulted in his being exiled from Florence. After years of wandering, he settled in Ravenna and in about 1307 began writing The Divine Comedy. Dante died in 1321.Robin Kirkpatrick is a poet and widely-published Dante scholar. He has taught courses on Dante's Divine Comedy in Hong Kong, Dublin and Cambridge, where is Fellow of Robinson College and Professor of Italian and English Literatures.'The perfect balance of tightness and colloquialism...likely to be the best modern version of Dante' - Bernard O'Donoghue
Inferno: An Anatomy of American Punishment
by Robert A. FergusonAn Open Letters Monthly Best Nonfiction Book of the Year America’s criminal justice system is broken. The United States punishes at a higher per capita rate than any other country in the world. In the last twenty years, incarceration rates have risen 500 percent. Sentences are harsh, prisons are overcrowded, life inside is dangerous, and rehabilitation programs are ineffective. Looking not only to court records but to works of philosophy, history, and literature for illumination, Robert Ferguson, a distinguished law professor, diagnoses all parts of a now massive, out-of-control punishment regime. “If I had won the $400 million Powerball lottery last week I swear I would have ordered a copy for every member of Congress, every judge in America, every prosecutor, and every state prison official and lawmaker who controls the life of even one of the millions of inmates who exist today, many in inhumane and deplorable conditions, in our nation’s prisons.” —Andrew Cohen, The Atlantic “Inferno is a passionate, wide-ranging effort to understand and challenge…our heavy reliance on imprisonment. It is an important book, especially for those (like me) who are inclined towards avoidance and tragic complacency…[Ferguson’s] book is too balanced and thoughtful to be disregarded.” —Robert F. Nagel, Weekly Standard
Inferno: An Anatomy of American Punishment
by Robert A. FergusonAn Open Letters Monthly Best Nonfiction Book of the Year America’s criminal justice system is broken. The United States punishes at a higher per capita rate than any other country in the world. In the last twenty years, incarceration rates have risen 500 percent. Sentences are harsh, prisons are overcrowded, life inside is dangerous, and rehabilitation programs are ineffective. Looking not only to court records but to works of philosophy, history, and literature for illumination, Robert Ferguson, a distinguished law professor, diagnoses all parts of a now massive, out-of-control punishment regime. “If I had won the $400 million Powerball lottery last week I swear I would have ordered a copy for every member of Congress, every judge in America, every prosecutor, and every state prison official and lawmaker who controls the life of even one of the millions of inmates who exist today, many in inhumane and deplorable conditions, in our nation’s prisons.” —Andrew Cohen, The Atlantic “Inferno is a passionate, wide-ranging effort to understand and challenge…our heavy reliance on imprisonment. It is an important book, especially for those (like me) who are inclined towards avoidance and tragic complacency…[Ferguson’s] book is too balanced and thoughtful to be disregarded.” —Robert F. Nagel, Weekly Standard
Inferno: An Anatomy of American Punishment
by Robert A. FergusonAn Open Letters Monthly Best Nonfiction Book of the YearAmerica’s criminal justice system is broken. The United States punishes at a higher per capita rate than any other country in the world. In the last twenty years, incarceration rates have risen 500 percent. Sentences are harsh, prisons are overcrowded, life inside is dangerous, and rehabilitation programs are ineffective. Looking not only to court records but to works of philosophy, history, and literature for illumination, Robert Ferguson, a distinguished law professor, diagnoses all parts of a now massive, out-of-control punishment regime.“If I had won the $400 million Powerball lottery last week I swear I would have ordered a copy for every member of Congress, every judge in America, every prosecutor, and every state prison official and lawmaker who controls the life of even one of the millions of inmates who exist today, many in inhumane and deplorable conditions, in our nation’s prisons.”—Andrew Cohen, The Atlantic“Inferno is a passionate, wide-ranging effort to understand and challenge…our heavy reliance on imprisonment. It is an important book, especially for those (like me) who are inclined towards avoidance and tragic complacency…[Ferguson’s] book is too balanced and thoughtful to be disregarded.”—Robert F. Nagel, Weekly Standard
The Inferno of Dante
by Maxine L. Margolis Lacy LockertTranslated into English terza rima verse with introduction and notes by Lacy Lockert.Originally published in 1931.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Infidel Poetics: Riddles, Nightlife, Substance
by Daniel TiffanyPoetry has long been regarded as the least accessible of literary genres. But how much does the obscurity that confounds readers of a poem differ from, say, the slang that seduces listeners of hip-hop? Infidel Poetics examines not only the shared incomprensibilities of poetry and slang, but poetry's genetic relation to the spectacle of underground culture. Charting connections between vernacular poetry, lyric obscurity, and types of social relations—networks of darkened streets in preindustrial cities, the historical underworld of taverns and clubs, the subcultures of the avant-garde—Daniel Tiffany shows that obscurity in poetry has functioned for hundreds of years as a medium of alternative societies. For example, he discovers in the submerged tradition of canting poetry and its eccentric genres—thieves’ carols, drinking songs, beggars’ chants—a genealogy of modern nightlife, but also a visible underworld of social and verbal substance, a demimonde for sale. Ranging from Anglo-Saxon riddles to Emily Dickinson, from the icy logos of Parmenides to the monadology of Leibniz, from Mother Goose to Mallarmé, Infidel Poetics offers an exhilarating account of the subversive power of obscurity in word, substance, and deed.
Infidel Poetics: Riddles, Nightlife, Substance
by Daniel TiffanyPoetry has long been regarded as the least accessible of literary genres. But how much does the obscurity that confounds readers of a poem differ from, say, the slang that seduces listeners of hip-hop? Infidel Poetics examines not only the shared incomprensibilities of poetry and slang, but poetry's genetic relation to the spectacle of underground culture. Charting connections between vernacular poetry, lyric obscurity, and types of social relations—networks of darkened streets in preindustrial cities, the historical underworld of taverns and clubs, the subcultures of the avant-garde—Daniel Tiffany shows that obscurity in poetry has functioned for hundreds of years as a medium of alternative societies. For example, he discovers in the submerged tradition of canting poetry and its eccentric genres—thieves’ carols, drinking songs, beggars’ chants—a genealogy of modern nightlife, but also a visible underworld of social and verbal substance, a demimonde for sale. Ranging from Anglo-Saxon riddles to Emily Dickinson, from the icy logos of Parmenides to the monadology of Leibniz, from Mother Goose to Mallarmé, Infidel Poetics offers an exhilarating account of the subversive power of obscurity in word, substance, and deed.
Infidel Poetics: Riddles, Nightlife, Substance
by Daniel TiffanyPoetry has long been regarded as the least accessible of literary genres. But how much does the obscurity that confounds readers of a poem differ from, say, the slang that seduces listeners of hip-hop? Infidel Poetics examines not only the shared incomprensibilities of poetry and slang, but poetry's genetic relation to the spectacle of underground culture. Charting connections between vernacular poetry, lyric obscurity, and types of social relations—networks of darkened streets in preindustrial cities, the historical underworld of taverns and clubs, the subcultures of the avant-garde—Daniel Tiffany shows that obscurity in poetry has functioned for hundreds of years as a medium of alternative societies. For example, he discovers in the submerged tradition of canting poetry and its eccentric genres—thieves’ carols, drinking songs, beggars’ chants—a genealogy of modern nightlife, but also a visible underworld of social and verbal substance, a demimonde for sale. Ranging from Anglo-Saxon riddles to Emily Dickinson, from the icy logos of Parmenides to the monadology of Leibniz, from Mother Goose to Mallarmé, Infidel Poetics offers an exhilarating account of the subversive power of obscurity in word, substance, and deed.
Infidel Poetics: Riddles, Nightlife, Substance
by Daniel TiffanyPoetry has long been regarded as the least accessible of literary genres. But how much does the obscurity that confounds readers of a poem differ from, say, the slang that seduces listeners of hip-hop? Infidel Poetics examines not only the shared incomprensibilities of poetry and slang, but poetry's genetic relation to the spectacle of underground culture. Charting connections between vernacular poetry, lyric obscurity, and types of social relations—networks of darkened streets in preindustrial cities, the historical underworld of taverns and clubs, the subcultures of the avant-garde—Daniel Tiffany shows that obscurity in poetry has functioned for hundreds of years as a medium of alternative societies. For example, he discovers in the submerged tradition of canting poetry and its eccentric genres—thieves’ carols, drinking songs, beggars’ chants—a genealogy of modern nightlife, but also a visible underworld of social and verbal substance, a demimonde for sale. Ranging from Anglo-Saxon riddles to Emily Dickinson, from the icy logos of Parmenides to the monadology of Leibniz, from Mother Goose to Mallarmé, Infidel Poetics offers an exhilarating account of the subversive power of obscurity in word, substance, and deed.
Infidel Poetics: Riddles, Nightlife, Substance
by Daniel TiffanyPoetry has long been regarded as the least accessible of literary genres. But how much does the obscurity that confounds readers of a poem differ from, say, the slang that seduces listeners of hip-hop? Infidel Poetics examines not only the shared incomprensibilities of poetry and slang, but poetry's genetic relation to the spectacle of underground culture. Charting connections between vernacular poetry, lyric obscurity, and types of social relations—networks of darkened streets in preindustrial cities, the historical underworld of taverns and clubs, the subcultures of the avant-garde—Daniel Tiffany shows that obscurity in poetry has functioned for hundreds of years as a medium of alternative societies. For example, he discovers in the submerged tradition of canting poetry and its eccentric genres—thieves’ carols, drinking songs, beggars’ chants—a genealogy of modern nightlife, but also a visible underworld of social and verbal substance, a demimonde for sale. Ranging from Anglo-Saxon riddles to Emily Dickinson, from the icy logos of Parmenides to the monadology of Leibniz, from Mother Goose to Mallarmé, Infidel Poetics offers an exhilarating account of the subversive power of obscurity in word, substance, and deed.
Infidel Poetics: Riddles, Nightlife, Substance
by Daniel TiffanyPoetry has long been regarded as the least accessible of literary genres. But how much does the obscurity that confounds readers of a poem differ from, say, the slang that seduces listeners of hip-hop? Infidel Poetics examines not only the shared incomprensibilities of poetry and slang, but poetry's genetic relation to the spectacle of underground culture. Charting connections between vernacular poetry, lyric obscurity, and types of social relations—networks of darkened streets in preindustrial cities, the historical underworld of taverns and clubs, the subcultures of the avant-garde—Daniel Tiffany shows that obscurity in poetry has functioned for hundreds of years as a medium of alternative societies. For example, he discovers in the submerged tradition of canting poetry and its eccentric genres—thieves’ carols, drinking songs, beggars’ chants—a genealogy of modern nightlife, but also a visible underworld of social and verbal substance, a demimonde for sale. Ranging from Anglo-Saxon riddles to Emily Dickinson, from the icy logos of Parmenides to the monadology of Leibniz, from Mother Goose to Mallarmé, Infidel Poetics offers an exhilarating account of the subversive power of obscurity in word, substance, and deed.