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James Joyce and the Politics of Desire (Routledge Library Editions: James Joyce)
by Suzette A. HenkeThis title, first published in 1990, offers a feminist and psychoanalytic reassessment of the Joycean canon in the wake of Freud, Lacan, and Kristeva. The author centres her discussion of Ulysses, Dubliners, A Portrait of the Artist, Finnegans Wake, and Exiles around questions of desire and language and the politics of sexual difference. Suzette Henke’s radical "re-vision" of Joyce’s work is a striking example of the crucial role feminist theory can play in contemporary evaluation of canonical texts. As such it will be welcomed by feminists and students of literature alike.
James Joyce and the Politics of Desire (Routledge Library Editions: James Joyce #4)
by Suzette A. HenkeThis title, first published in 1990, offers a feminist and psychoanalytic reassessment of the Joycean canon in the wake of Freud, Lacan, and Kristeva. The author centres her discussion of Ulysses, Dubliners, A Portrait of the Artist, Finnegans Wake, and Exiles around questions of desire and language and the politics of sexual difference. Suzette Henke’s radical "re-vision" of Joyce’s work is a striking example of the crucial role feminist theory can play in contemporary evaluation of canonical texts. As such it will be welcomed by feminists and students of literature alike.
James Joyce and the Revolt of Love: Marriage, Adultery, Desire (New Directions in Irish and Irish American Literature)
by J. UtellThis study examines the representation of marital and extramarital relations in James Joyce's texts, with reference to context and to Joyce's biography. Utell claims that Joyce uses these relations to imagine a different kind of love, one based in a radical acceptance and a rejection of a utilitarian and sexually repressive stance towards marriage.
James Joyce and the Revolution of the Word (Language, Discourse, Society)
by Colin MacCabe'... (MacCabe is) the most lucid, least blinkered expounder of the post-structuralist mysteries I have ever come across. This is an important, challenging book, which no Joycean can afford to ignore.'' David Lodge '... (this is) the most exciting and original book on Joyce to have appeared for many years ...' Terry Eagleton, New Statesman
James Joyce and the Russians
by Neil CornwellThis original three-part study examines Russia, Russians and their culture in Joyce's life and establishes a Russian theme running through his work as a whole, from the earliest writings to Finnegans Wake. It discusses contacts and parallels between Joyce and three Russian figures: Bely, Nabokov and Eisenstein (and, more briefly, Pasternak). Thirdly, it details the Soviet reception of Joyce from 1922 until publication of the first Russian Ulysses in 1989, as well as surveying Marxist approaches to Joyce. A full bibliography of Russian and western sources is included.
A James Joyce Chronology (Author Chronologies Series)
by R. NorburnThe Author Chronologies Series aims to provide a means whereby the precise chronological facts of an author's life and career can be seen at a glance. This chronology provides a synopsis of Joyce's first years in Dublin and, from 1900, a more detailed account of his life there and attempts to become established as a writer when living mainly in Trieste and Zurich; and finally (when he became world-famous) Paris, concluding with his death in 1941.
James Joyce in Zurich: A Guide
by Andreas FischerThis book offers a comprehensive account of James Joyce and Zurich, one of the four cities (including Dublin, Trieste and Paris) in which he spent significant parts of his life. As a refugee during World War I, Joyce wrote a substantial part of Ulysses in Zurich and subsequently visited the city regularly during the 1930s. Finally, a refugee for the second time, he died there on 13 January 1941 and is buried in Fluntern Cemetery. This guide is conceived both as a book that may be read in its entirety or consulted selectively for specific information. An introduction and three chapters, Joyce in Zurich, Zurich in Joyce and Zurich after Joyce, are followed by sixty alphabetically ordered articles on people, places, institutions and events relevant to Joyce during his time in Zurich. Linked by cross-references and an index, they provide a rich, kaleidoscopic view of Joyce’s Zurich.
James Joyce, Science, and Modernist Print Culture: “The Einstein of English Fiction” (Routledge Studies in Twentieth-Century Literature)
by Jeffrey S. DrouinThis book makes an important intervention in the ongoing debates about modernism, science, and the divisions of early Twentieth-Century print culture. In order to establish Joyce's place in the nexus of modernism and scientific thought, Drouin uses the methods of periodical studies and textual criticism to examine the impact of Einstein's relativity theories on the development of Ulysses (1922) and Finnegans Wake (1939). Looking at experiments with space, time, motion, and perspective, it rigorously surveys discourse of science and the novel in the print culture networks connected to Joyce, with concrete analysis of avant-garde magazines, newspapers, popular science books, BBC pamphlets, and radio broadcasts between 1914 and 1939. These sources elucidate changes that Joyce made to the manuscripts, typescripts, and page proofs of certain episodes of his final two novels. The new evidence establishes for the first time the nature of the material link between Joyce and non-technical science, and the manner in which Ulysses and Finnegans Wake owe their structure and meaning to the humanistic issues associated with science during the wartime and inter-war years. In examining the relationships between Joyce's later work and the popular science industry, the book elucidates the often conflicting attitudes toward science in inter-war British print culture, filling in a piece of the puzzle that is modernism's relationship to the new physics and, simultaneously, the history of the novel.
James Joyce, Science, and Modernist Print Culture: “The Einstein of English Fiction” (Routledge Studies in Twentieth-Century Literature)
by Jeffrey S. DrouinThis book makes an important intervention in the ongoing debates about modernism, science, and the divisions of early Twentieth-Century print culture. In order to establish Joyce's place in the nexus of modernism and scientific thought, Drouin uses the methods of periodical studies and textual criticism to examine the impact of Einstein's relativity theories on the development of Ulysses (1922) and Finnegans Wake (1939). Looking at experiments with space, time, motion, and perspective, it rigorously surveys discourse of science and the novel in the print culture networks connected to Joyce, with concrete analysis of avant-garde magazines, newspapers, popular science books, BBC pamphlets, and radio broadcasts between 1914 and 1939. These sources elucidate changes that Joyce made to the manuscripts, typescripts, and page proofs of certain episodes of his final two novels. The new evidence establishes for the first time the nature of the material link between Joyce and non-technical science, and the manner in which Ulysses and Finnegans Wake owe their structure and meaning to the humanistic issues associated with science during the wartime and inter-war years. In examining the relationships between Joyce's later work and the popular science industry, the book elucidates the often conflicting attitudes toward science in inter-war British print culture, filling in a piece of the puzzle that is modernism's relationship to the new physics and, simultaneously, the history of the novel.
James Joyce, Sexuality and Social Purity (PDF)
by Katherine MullinIn James Joyce, Sexuality and Social Purity, Katherine Mullin offers a richly detailed account of Joyce's lifelong battle against censorship. Through prodigious archival research, Mullin shows Joyce responding to Edwardian ideologies of social purity by accentuating the 'contentious' or 'offensive' elements in his work. The censorious ambitions of the social purity movement, Mullin claims, feed directly into Joyce's writing. Paradoxically, his art becomes dependent on the very forces that seek to constrain and neutralize its revolutionary force. Acutely conscious of the dangers censorship presented to publication, Mullin shows Joyce revenging himself by energetically ridiculing purity campaigns throughout his fiction. Ulysses, A Portrait of the Artist as a Young Man and Dubliners all meticulously subvert purity discourse, as Joyce pastiches both the vice crusaders themselves and the imperilled 'Young Persons' they sought to protect. This important book will change the way Joyce is read and offers crucial insights into the sexual politics of Modernism.
James Joyce und sein Ulysses (Arbeitsgemeinschaft für Forschung des Landes Nordrhein-Westfalen #164)
by Arno Esch
James Joyce, Urban Planning and Irish Modernism: Dublins of the Future
by L. LaniganIrish writing in the modernist era is often regarded as a largely rural affair, engaging with the city in fleeting, often disparaging ways, with Joyce cast as a defiant exception. This book shows how an urban modernist tradition, responsive to the particular political, social, and cultural conditions of Dublin, emerged in Ireland at this time.
James Joyce: A Very Short Introduction (Very Short Introductions)
by Colin MacCabeJames Joyce is one of the greatest writers in English. His first book, A Portrait of the Artist as A Young Man laid down the template for the Coming of Age novel, while his collection of short stories, Dubliners, is of perennial interest. His great modern epic, Ulysses, took the city of Dublin for its setting and all human life for its subject, and its publication in 1922 marked the beginning of the modern novel. Joyce's final work, Finnegans Wake is an endless experiment in narrative and language. But if Joyce is a great writer he is also the most difficult writer in English. Finnegans Wake is written in a freshly invented language, and Ulysses exhausts all the forms and styles of English. Even the apparently simple Dubliners has plots of endless complexity, while the structure of A Portrait of the Artist as A Young Man is exceptionally intricate. This Very Short Introduction explores the work of this most influential yet complex writer, and analyses how Joyce's difficulty grew out of his situation as an Irish writer unwilling to accept the traditions of his imperialist oppressor, and contemptuous of the cultural banality of the Gaelic revival. Joyce wanted to investigate and celebrate his own life, but this meant investigating and celebrating the drunks of Dublin's pubs and the prostitutes of Dublin's brothels. No subject was alien to him and he developed the naturalist project of recording all aspects of life with the symbolist project of finding significant correspondences in the most unlikely material. Throughout, Colin MacCabe interweaves Joyce's life and history with his books, and draws out their themes and connections. Very Short Introductions: Brilliant, Sharp, Inspiring ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
James Joyce: A Very Short Introduction (Very Short Introductions)
by Colin MacCabeJames Joyce is one of the greatest writers in English. His first book, A Portrait of the Artist as A Young Man laid down the template for the Coming of Age novel, while his collection of short stories, Dubliners, is of perennial interest. His great modern epic, Ulysses, took the city of Dublin for its setting and all human life for its subject, and its publication in 1922 marked the beginning of the modern novel. Joyce's final work, Finnegans Wake is an endless experiment in narrative and language. But if Joyce is a great writer he is also the most difficult writer in English. Finnegans Wake is written in a freshly invented language, and Ulysses exhausts all the forms and styles of English. Even the apparently simple Dubliners has plots of endless complexity, while the structure of A Portrait of the Artist as A Young Man is exceptionally intricate. This Very Short Introduction explores the work of this most influential yet complex writer, and analyses how Joyce's difficulty grew out of his situation as an Irish writer unwilling to accept the traditions of his imperialist oppressor, and contemptuous of the cultural banality of the Gaelic revival. Joyce wanted to investigate and celebrate his own life, but this meant investigating and celebrating the drunks of Dublin's pubs and the prostitutes of Dublin's brothels. No subject was alien to him and he developed the naturalist project of recording all aspects of life with the symbolist project of finding significant correspondences in the most unlikely material. Throughout, Colin MacCabe interweaves Joyce's life and history with his books, and draws out their themes and connections. Very Short Introductions: Brilliant, Sharp, Inspiring ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
James Joyce's America
by Brian FoxJames Joyce's America is the first study to address the nature of Joyce's relation to the United States. It challenges the prevalent views of Joyce as merely indifferent or hostile towards America, and argues that his works show an increasing level of engagement with American history, culture, and politics that culminates in the abundance of allusions to the US in Finnegans Wake, the very title of which comes from an Irish-American song and signals the importance of America to that work. The volume focuses on Joyce's concept of America within the framework of an Irish history that his works obsessively return to. It concentrates on Joyce's thematic preoccupation with Ireland and its history and America's relation to Irish post-Famine history. Within that context, it explores first Joyce's relation to Irish America and how post-Famine Irish history, as Joyce saw it, transformed the country from a nation of invasions and settlements to one spreading out across the globe, ultimately connecting Joyce's response to this historical phenomenon to the diffusive styles of Finnegans Wake. It then discusses American popular and literary cultures in terms of how they appear in relation to, or as a function of, the British-Irish colonial context in the post-Famine era, and concludes with a consideration of how Joyce represented his American reception in the Wake.
James Joyce's America
by Brian FoxJames Joyce's America is the first study to address the nature of Joyce's relation to the United States. It challenges the prevalent views of Joyce as merely indifferent or hostile towards America, and argues that his works show an increasing level of engagement with American history, culture, and politics that culminates in the abundance of allusions to the US in Finnegans Wake, the very title of which comes from an Irish-American song and signals the importance of America to that work. The volume focuses on Joyce's concept of America within the framework of an Irish history that his works obsessively return to. It concentrates on Joyce's thematic preoccupation with Ireland and its history and America's relation to Irish post-Famine history. Within that context, it explores first Joyce's relation to Irish America and how post-Famine Irish history, as Joyce saw it, transformed the country from a nation of invasions and settlements to one spreading out across the globe, ultimately connecting Joyce's response to this historical phenomenon to the diffusive styles of Finnegans Wake. It then discusses American popular and literary cultures in terms of how they appear in relation to, or as a function of, the British-Irish colonial context in the post-Famine era, and concludes with a consideration of how Joyce represented his American reception in the Wake.
James Joyce's Finnegans Wake: A Casebook (Routledge Library Editions: James Joyce #3)
by John Harty IIIFirst published in 1991. James Joyce’s Finnegans Wake: A Case Book was published in order to celebrate the 50th anniversary of Joyce's final work with 14 critical essays and a page-by-page outline of the novel. The book includes critical approaches and interpretations in film, drama, and music. This title will be of interest to students of literature.
James Joyce's Finnegans Wake: A Casebook (Routledge Library Editions: James Joyce)
by John HartyFirst published in 1991. James Joyce’s Finnegans Wake: A Case Book was published in order to celebrate the 50th anniversary of Joyce's final work with 14 critical essays and a page-by-page outline of the novel. The book includes critical approaches and interpretations in film, drama, and music. This title will be of interest to students of literature.
James Joyce’s Mandala (Routledge Studies in Irish Literature)
by Colm O’SheaThe Sanskrit word mandala can be translated as "sacred circle." Within the circle sits a microcosm of the universe and/or consciousness, repre-sented by icons. Eastern civilizations developed the spiritual-artistic practice of creating mandalas—with sand, paint, and architecture—to high technical sophistication, making manifest a geometry with layers of esoteric meaning for both the mandala artist and the initiated spectator. James Joyce’s Mandala outlines and explains this iconic sacred geometry, and assesses to what extent Joyce’s works of literature, in particular Finnegans Wake, can be understood as mandalic constructs. Using exam-ples from Dubliners to the Wake, we see how fundamental to Joyce’s fiction is the issue of spiritual paralysis (a problem the mandala attempts to dissolve) and also how fascinated he was by geometric imagery and symmetry, the technical devices employed in mandala construction. This is the first book-length comparison of Joyce’s work with the mythic structure of the mandala. Never discounting the richness of Joyce’s genius, it uses his "collideorscape" to explore the secrets of the mandala principle as much as it uses mandala theory to illuminate his famed book of the night.
James Joyce’s Mandala (Routledge Studies in Irish Literature)
by Colm O’SheaThe Sanskrit word mandala can be translated as "sacred circle." Within the circle sits a microcosm of the universe and/or consciousness, repre-sented by icons. Eastern civilizations developed the spiritual-artistic practice of creating mandalas—with sand, paint, and architecture—to high technical sophistication, making manifest a geometry with layers of esoteric meaning for both the mandala artist and the initiated spectator. James Joyce’s Mandala outlines and explains this iconic sacred geometry, and assesses to what extent Joyce’s works of literature, in particular Finnegans Wake, can be understood as mandalic constructs. Using exam-ples from Dubliners to the Wake, we see how fundamental to Joyce’s fiction is the issue of spiritual paralysis (a problem the mandala attempts to dissolve) and also how fascinated he was by geometric imagery and symmetry, the technical devices employed in mandala construction. This is the first book-length comparison of Joyce’s work with the mythic structure of the mandala. Never discounting the richness of Joyce’s genius, it uses his "collideorscape" to explore the secrets of the mandala principle as much as it uses mandala theory to illuminate his famed book of the night.
James Joyce's Silences
by Jolanta Wawrzycka Serenella ZanottiIn this landmark book, leading international scholars from North America, Europe and the UK offer a sustained critical attention to the concept of silence in Joyce's writing. Examining Joyce's major works, including Ulysses, Portrait of the Artist as a Young Man and Finnegans Wake, the critics present intertextual and comparative interpretations of Joyce's deployment of silence as a complex overarching narratological strategy.Exploring the many dimensions of what is revealed in the absences that fill his writing, and the different roles – aesthetic, rhetorical, textual and linguistic – that silence plays in Joyce's texts, James Joyce's Silences opens up important new avenues of scholarship on the great modernist writer.This volume is of particular interests to all academics and students involved in Joyce and Irish studies, modernism, comparative literature, poetics, cultural studies and translation studies.
James Joyce's Silences
by Jolanta Wawrzycka Serenella ZanottiIn this landmark book, leading international scholars from North America, Europe and the UK offer a sustained critical attention to the concept of silence in Joyce's writing. Examining Joyce's major works, including Ulysses, Portrait of the Artist as a Young Man and Finnegans Wake, the critics present intertextual and comparative interpretations of Joyce's deployment of silence as a complex overarching narratological strategy.Exploring the many dimensions of what is revealed in the absences that fill his writing, and the different roles – aesthetic, rhetorical, textual and linguistic – that silence plays in Joyce's texts, James Joyce's Silences opens up important new avenues of scholarship on the great modernist writer.This volume is of particular interests to all academics and students involved in Joyce and Irish studies, modernism, comparative literature, poetics, cultural studies and translation studies.
James Joyce's Teaching Life and Methods: Language and Pedagogy in A Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake
by Elizabeth SwitajBefore Joyce became famous as writer, he supported himself through his other language work: English-language teaching in Pola, Trieste, and Rome. The importance of James Joyce's teaching, however, has been underestimated until now. The very playfulness and unconventionality that made him a popular and successful teacher has led his pedagogy to be underrated, and the connections between his teaching and his writing have been largely neglected. James Joyce's Teaching Life and Methods reveals the importance in A Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake of pedagogy and the understanding of language Joyce gained teaching English as a Foreign Language in Berlitz schools and elsewhere.
James Joyce's 'Work in Progress': Pre-Book Publications of Finnegans Wake Fragments (Studies in Publishing History: Manuscript, Print, Digital)
by Dirk Van HulleThe text of Finnegans Wake is not as monolithic as it might seem. It grew out of a set of short vignettes, sections and fragments. Several of these sections, which James Joyce confidently claimed would "fuse of themselves", are still recognizable in the text of Finnegans Wake. And while they are undeniably integrated very skillfully, they also function separately. In this publication history, Dirk Van Hulle examines the interaction between the private composition process and the public life of Joyce's 'Work in Progress', from the creation of the separate sections through their publication in periodicals and as separately published sections. Van Hulle highlights the beautifully crafted editions published by fine arts presses and Joyce's encouragement of his daughter's creative talents, even as his own creative process was slowing down in the 1930s. All of these pre-book publications were "alive" in both bibliographic and textual terms, as Joyce continually changed the texts in order to prepare the book publication of Finnegans Wake. Van Hulle's book offers a fresh perspective on these texts, showing that they are not just preparatory versions of Finnegans Wake but a 'Work in Progress' in their own right.