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John Keats' Medical Notebook: Text, Context, and Poems (English Association Monographs: English at the Interface #6)
by Hrileena GhoshJohn Keats was a trained surgeon who studied at Guy’s Hospital, London while simultaneously making his way as a poet. This book focuses attention on an important but hitherto neglected Keats manuscript: the notebook he maintained during this period. Reconstructing the lively medical world that played a formative role in Keats’ intellectual and imaginative development, it seeks to show the intriguing connections between Keats’ medical knowledge and his greatest poetry. It offers new research on Keats’ medical career – including a new edition of his medical Notebook compiled from the manuscript – and recovers the various ways in which Keats’ creativity found expression in his two careers of medicine and poetry, enriching both. Topics explored include the ‘hospital poems’ Keats wrote at Guy’s; the medical milieu of his daily life; his methods of working as revealed by his medical Notebook and other archival sources; and the medical contexts that informed his composition of Endymion and the collection Lamia, Isabella, The Eve of St Agnes, and Other Poems (1820).John Keats’ Medical Notebook: Text, Context and Poems reveals how Keats’ visceral knowledge of human life, gained during his medical training at Guy’s, transformed him into ‘a mighty poet of the human heart’.
John Kemble’s Gibraltar Journal: The Spanish Expedition of the Cambridge Apostles, 1830-1831
by E. NyeThe summer of 1830 stirred revolutionary desires in young hearts across Europe. More than a generation of war and political instability had failed to dampen the fervor still felt from the French Revolution. In England the Cambridge Apostles took up the cause of the Spanish émigrés so movingly visible in London where they had sought refuge from the tyranny of Ferdinand VII and his suppression of constitutional rights. The Spanish Expedition of the Cambridge Apostles has always captured our imaginations. Its blend of idealism and daring, of theory and practice, of thought and energy, seems perfectly to fulfill the principles the Apostles steadfastly espoused, a combination of faith and works. The episodes comprised in most accounts of the expedition are symbolic and filled with intrigue: secret meetings, assumed names, hidden messages, contraband, narrow escapes from the authorities, treachery, and finally a bloody execution on the beach at Málaga. A host of newly-discovered documents now enable us to re-examine one of the most intriguing events in British intellectual history.
John le Carré and the Cold War
by Toby ManningJohn le Carré and the Cold War explores the historical contexts and political implications of le Carré's major Cold-War novels. The first in-depth study of le Carré this century, this book analyses his work in light of key topics in 20th-century history, including containment of Communism, decolonization, the Berlin Wall, the Cuban missile crisis, the Cambridge spy-ring, the Vietnam War, the 70s oil crisis and Thatcherism. Examining The Spy Who Came in from the Cold (1963), Tinker Tailor Soldier Spy (1974), Smiley's People (1979) and other novels, this book offers an illuminating picture of Cold-War Britain, while situating le Carré's work alongside that of George Orwell, Graham Greene and Ian Fleming. Providing a valuable contribution to contemporary understandings of both British spy fiction and post-war fiction, Toby Manning challenges the critical consensus to reveal a considerably less radical writer than is conventionally presented.
John le Carré and the Cold War
by Toby ManningJohn le Carré and the Cold War explores the historical contexts and political implications of le Carré's major Cold-War novels. The first in-depth study of le Carré this century, this book analyses his work in light of key topics in 20th-century history, including containment of Communism, decolonization, the Berlin Wall, the Cuban missile crisis, the Cambridge spy-ring, the Vietnam War, the 70s oil crisis and Thatcherism. Examining The Spy Who Came in from the Cold (1963), Tinker Tailor Soldier Spy (1974), Smiley's People (1979) and other novels, this book offers an illuminating picture of Cold-War Britain, while situating le Carré's work alongside that of George Orwell, Graham Greene and Ian Fleming. Providing a valuable contribution to contemporary understandings of both British spy fiction and post-war fiction, Toby Manning challenges the critical consensus to reveal a considerably less radical writer than is conventionally presented.
John Lingard and the Pursuit of Historical Truth
by Edwin JonesJohn Lingard & the Pursuit of Historical Truth
John Lyly: The Humanist as Courtier (Routledge Revivals)
by G K HunterFirst published in 1962, John Lyly marks a shift from the traditional focus on John Lyly as the originator of the strange stylistic craze called Euphuism, and as the dramatist from whose plays Shakespeare deigned to borrow some of his earliest and least attractive comic devices to an author whose works are excellent in themselves. Critics have suggested that an independent reading of Euphues, and more especially of the plays, reveals an attractive delicacy of wit and a refined power of linguistic filigree quite independent of his influence on others or his capacity to illustrate the curious tastes of our forefathers. The eight plays – his most mature artistic achievements – are analysed in detail to bring out their relation to the tradition of court drama. A final chapter compares Lyly and Shakespeare in an attempt to show in operation the different traditions which the book has discussed. This book will appeal to students of English literature, drama and literary history.
John Lyly: The Humanist as Courtier (Routledge Revivals)
by G K HunterFirst published in 1962, John Lyly marks a shift from the traditional focus on John Lyly as the originator of the strange stylistic craze called Euphuism, and as the dramatist from whose plays Shakespeare deigned to borrow some of his earliest and least attractive comic devices to an author whose works are excellent in themselves. Critics have suggested that an independent reading of Euphues, and more especially of the plays, reveals an attractive delicacy of wit and a refined power of linguistic filigree quite independent of his influence on others or his capacity to illustrate the curious tastes of our forefathers. The eight plays – his most mature artistic achievements – are analysed in detail to bring out their relation to the tradition of court drama. A final chapter compares Lyly and Shakespeare in an attempt to show in operation the different traditions which the book has discussed. This book will appeal to students of English literature, drama and literary history.
John Lyly (The University Wits)
by Ruth LunneyJohn Lyly is the first collection of essays dedicated solely to the work of this University Wit, celebrity prose writer, and playwright to the court of Elizabeth. Lyly's energy and wit inspired his contemporaries to follow new directions in prose fiction and stage comedy, and his writings still illuminate sixteenth-century culture for the modern reader. The twenty-four essays in this selection include some older classics, but most date from 1990 onwards and reflect current critical concerns with politics and sexuality, class and audience. Both Euphues books and the eight plays receive some detailed attention. The essays are grouped into four sections: Lessons in Wit, Courting the Queen, Playing with Desire, and Performing Lyly. A biographical summary and critical survey are provided in the introduction; other voices and insights are alluded to in the notes and listed in the wide-ranging bibliography.
John Lyly (The University Wits)
by Ruth LunneyJohn Lyly is the first collection of essays dedicated solely to the work of this University Wit, celebrity prose writer, and playwright to the court of Elizabeth. Lyly's energy and wit inspired his contemporaries to follow new directions in prose fiction and stage comedy, and his writings still illuminate sixteenth-century culture for the modern reader. The twenty-four essays in this selection include some older classics, but most date from 1990 onwards and reflect current critical concerns with politics and sexuality, class and audience. Both Euphues books and the eight plays receive some detailed attention. The essays are grouped into four sections: Lessons in Wit, Courting the Queen, Playing with Desire, and Performing Lyly. A biographical summary and critical survey are provided in the introduction; other voices and insights are alluded to in the notes and listed in the wide-ranging bibliography.
John Lyly and early modern authorship (Revels Plays Companion Library)
by Andy KessonDuring Shakespeare's lifetime, John Lyly was repeatedly described as the central figure in contemporary English literature. This book takes that claim seriously, asking how and why Lyly was considered the most important writer of his time. Kesson traces Lyly's work in prose fiction and the theatre, demonstrating previously unrecognised connections between these two forms of entertainment. The final chapter examines how his importance to early modern authorship came to be forgotten in the late seventeenth century and thereafter. This book serves as an introduction to Lyly and early modern literature for students, but its argument for the central importance of Lyly himself and 1580s literary culture makes it a significant contribution to current scholarly debate. Its investigation of the relationship between performance and print means that it will be of interest to those who care about, watch or work in early modern performance.
John Lyly and early modern authorship (Revels Plays Companion Library)
by Andy KessonDuring Shakespeare's lifetime, John Lyly was repeatedly described as the central figure in contemporary English literature. This book takes that claim seriously, asking how and why Lyly was considered the most important writer of his time. Kesson traces Lyly's work in prose fiction and the theatre, demonstrating previously unrecognised connections between these two forms of entertainment. The final chapter examines how his importance to early modern authorship came to be forgotten in the late seventeenth century and thereafter. This book serves as an introduction to Lyly and early modern literature for students, but its argument for the central importance of Lyly himself and 1580s literary culture makes it a significant contribution to current scholarly debate. Its investigation of the relationship between performance and print means that it will be of interest to those who care about, watch or work in early modern performance.
John Marston's The Wonder of Women or The Tragedy of Sophonisba: A Critical Edition (Routledge Revivals)
by William KempOriginally published in 1979, this volume includes the full text of James Marston's The Wonder of Women, alongside critical and textual notes. Previously to this volume, Sophonisba had appeared in print five times, once independently and four times in collections of Marston's plays; the first edition is a quarto printed in 1606 by John Windet.
John Marston's The Wonder of Women or The Tragedy of Sophonisba: A Critical Edition (Routledge Revivals)
by William KempOriginally published in 1979, this volume includes the full text of James Marston's The Wonder of Women, alongside critical and textual notes. Previously to this volume, Sophonisba had appeared in print five times, once independently and four times in collections of Marston's plays; the first edition is a quarto printed in 1606 by John Windet.
John Maurice Clark: A Social Economics for the Twenty-First Century (Contemporary Economists)
by L. ShuteThe first comprehensive study of the life and works of John Maurice Clark (1884-1963), who continued the work of his father, John Bates Clark (1847-1938) by developing a new dynamic economic theory, often referred to as 'Social Economics'. Although J.M. Clark's contributions anticipated much of Keynes', he went much further: exploring ethics, overhead costs, business cycles, methodology, and social control. Clark argued that costs were not precise terms and new forms of social control were needed in addition to the market.
John McGahern: Authority and vision
by Željka Doljanin Máire DoyleThis volume brings together contributions from a variety of disciplines to address the writer’s legacy and literary achievements. Essays on previously unexplored topics and reflective pieces on McGahern as a writer illuminate his body of work in new and challenging ways, expanding the boundaries of the McGahern debate.
John McGahern: Authority and vision
by Željka Doljanin Máire DoyleThis unique collection brings together essays by experts from a variety of disciplines, including history, sociology, education, journalism, creative writing and literary criticism, to offer new insights into the writer, his work and his legacy. Featuring a range of distinguished contributors, including Roy Foster, Paula Meehan, Frank McGuinness and Melvyn Bragg, along with a previously unpublished McGahern interview, the collection enhances the existing body of criticism, extending the McGahern conversation into new areas and deepening appreciation of the considerable achievements of this great writer. The volume, which also features an original poem by Paula Meehan written in honour of McGahern, will stimulate the interest of students, researchers and general readers of Irish literature and culture.
John McGahern: Ways of Looking (Routledge Studies in Irish Literature)
by John SingletonJohn McGahern (1934–2006) believed that fiction could act as a window on the world. Such windows, however, frame our fields of vision, alter and shape our perspectives. Far from being static, the artist’s perspective must continually evolve. This book provides a literary analysis of John McGahern’s artistic and poetic vision – his ‘ways of looking’, examining the shifting focus of this vision: how and why it develops, what effects such developments have on the work’s forms and how these forms evolve, at what times and in response to what stimuli. This volume demonstrates that such developments mirror an analogous social expansion during the latter half of the twentieth century and argues that McGahern’s literary spaces relate to his efforts to realise a more accommodating form to envelop the structureless society. While the number of critical studies on McGahern has increased markedly in recent years, research still tends to fall into the well-established camps of social realism or literary aestheticism. This text aims to explore the common ground between the material context and social worlds of each work and the hermeneutics of a ‘traditional’ literary investigation. It traverses such divides through close readings of McGahern’s work, with attention to the topopoetical production of images of the house, the home and the family unit. The book ultimately shows how attention to McGahern’s literary spaces provides a greater understanding of the aesthetic, vision and form of each novel and allows us to understand those aspects relative to the social, cultural and political undercurrents of the works individually and collectively.
John McGahern: Ways of Looking (Routledge Studies in Irish Literature)
by John SingletonJohn McGahern (1934–2006) believed that fiction could act as a window on the world. Such windows, however, frame our fields of vision, alter and shape our perspectives. Far from being static, the artist’s perspective must continually evolve. This book provides a literary analysis of John McGahern’s artistic and poetic vision – his ‘ways of looking’, examining the shifting focus of this vision: how and why it develops, what effects such developments have on the work’s forms and how these forms evolve, at what times and in response to what stimuli. This volume demonstrates that such developments mirror an analogous social expansion during the latter half of the twentieth century and argues that McGahern’s literary spaces relate to his efforts to realise a more accommodating form to envelop the structureless society. While the number of critical studies on McGahern has increased markedly in recent years, research still tends to fall into the well-established camps of social realism or literary aestheticism. This text aims to explore the common ground between the material context and social worlds of each work and the hermeneutics of a ‘traditional’ literary investigation. It traverses such divides through close readings of McGahern’s work, with attention to the topopoetical production of images of the house, the home and the family unit. The book ultimately shows how attention to McGahern’s literary spaces provides a greater understanding of the aesthetic, vision and form of each novel and allows us to understand those aspects relative to the social, cultural and political undercurrents of the works individually and collectively.
John McGahern and Modernism
by Richard RobinsonJohn McGahern's work is not easily conceived of as belatedly modernist. His memorialising, faintly archaic style implies a concern with 'making it old' rather than new, suggesting the symptomatic diffidence of many who wrote in the wake of modernism. Nevertheless, McGahern's statements about the 'presence' of words and the hard-won impersonality of the artwork point to a covert engagement with modernist aesthetics. Offering intertextual interpretations of McGahern's six novels, and of thematically grouped short stories, Richard Robinson reads McGahern's fiction alongside writing by Joyce, Proust, Yeats, Beckett, Nietzsche, Lawrence and Chekhov, amongst others. Drawing out the ways in which McGahern's fiction conceals and reveals its modernist traces, this study considers subjects such as 'low' modernism, the complexity of McGahern's time-writing and his dialectical construction of the relationship between cultural tradition and modernity in Ireland. McGahern's narratives of melancholic return are often read psycho-biographically, but they also involve a return to the remnants of literature, including that of the modernist canon. This book will be of interest not only to McGahern scholars but also to those who contemplate the compromised legacies of literary modernism in late-twentieth century and contemporary writing.
John McGahern and Modernism
by Richard RobinsonJohn McGahern's work is not easily conceived of as belatedly modernist. His memorialising, faintly archaic style implies a concern with 'making it old' rather than new, suggesting the symptomatic diffidence of many who wrote in the wake of modernism. Nevertheless, McGahern's statements about the 'presence' of words and the hard-won impersonality of the artwork point to a covert engagement with modernist aesthetics. Offering intertextual interpretations of McGahern's six novels, and of thematically grouped short stories, Richard Robinson reads McGahern's fiction alongside writing by Joyce, Proust, Yeats, Beckett, Nietzsche, Lawrence and Chekhov, amongst others. Drawing out the ways in which McGahern's fiction conceals and reveals its modernist traces, this study considers subjects such as 'low' modernism, the complexity of McGahern's time-writing and his dialectical construction of the relationship between cultural tradition and modernity in Ireland. McGahern's narratives of melancholic return are often read psycho-biographically, but they also involve a return to the remnants of literature, including that of the modernist canon. This book will be of interest not only to McGahern scholars but also to those who contemplate the compromised legacies of literary modernism in late-twentieth century and contemporary writing.
John Milton (Routledge Guides to Literature)
by Richard BradfordThere is a crying need for an accessible, comprehensive guide to John Milton for the thousands of students who make their way through his poetry every year on literary survey and seventeenth century literature courses. Where many previous guides have dragged their way through Paradise Lost, Richard Bradford brings Milton to life with an overview of his life, contexts, work and the relationship between these, and of the main critical issues surrounding his work.
John Milton (Routledge Guides to Literature)
by Richard BradfordThere is a crying need for an accessible, comprehensive guide to John Milton for the thousands of students who make their way through his poetry every year on literary survey and seventeenth century literature courses. Where many previous guides have dragged their way through Paradise Lost, Richard Bradford brings Milton to life with an overview of his life, contexts, work and the relationship between these, and of the main critical issues surrounding his work.
John Milton: A Literary Life (Literary Lives)
by Cedric C. BrownFor the first time in an approachable, affordable volume this study treats the whole literary career of England's most distinguished protestant-republican poet and writer, considering the miscellaneous output in the light of contexts and political functions. It highlights self-presentational and persuasive characteristics, pays attention to the sense of vocation and also describes Milton's distinctive achievement in social genres. Milton's competitive humanist training is seen to accomodate uneasily to the specific demands of some public works. The book features unfamiliar texts, whilst canonical texts are set in the story of his long endeavours during a turbulent period in English history.
John Milton: A Short Introduction (Wiley Blackwell Introductions to Literature)
by Roy FlannaganIn this compelling first volume in the Blackwell Introductions to Literature series, Roy Flannagan, editor of The Milton Quarterly, provides a readable and uncluttered critical account of a complicated and sophisticated author, and his poetry and prose. Puts John Milton under the microscope, using the still-evolving critical perspectives of the last fifty years. Looks at Milton’s life, and the cultural background to his work, as well as examining his writing. Considers how and why Milton’s work has endured the centuries to educate, entertain and intrigue so many generations of readers. Ideal for the reader falling in love with Milton’s poetry and prose, who longs to know more about what people think about the poetry, the man or the historical context.