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John Saul: A Critical Companion (Critical Companions to Popular Contemporary Writers)
by Paul BailThis is the first book-length study of best-selling writer John Saul's psychological and supernatural thrillers. Author Paul Bail compares John Saul's novels to a cocktail: (mix) one part , one part The Exorcist, a dash of Turn of the Screw, blend well, and serve thoroughly chillingly. Bail traces John Saul's literary career from his 1977 debut novel Suffer the Children—the first paperback original ever to make the New York Times best seller list—to his most recent novel, Black Lightning (1995). It features detailed analyses of eleven of his novels. The study includes never-before-published biographical information, drawing an original interview with John Saul, and a chapter on the history of tales of horror and the supernatural and how these genres have influenced Saul's fiction.Each chapter in this study examines an individual novel. The novels are analyzed for plot structure, characterization, thematic elements, and their relationship to prior and later novels by Saul. In addition, Bail defines and applies a variety of theoretical approaches to the novels—feminist, deconstructionist, Freudian, Jungian, and sociopolitical—to widen the reader's perspective. Bail shows how John Saul enlarged his repertoire from stories of supernatural possession to science-fiction based horror. A complete bibliography of John Saul's fiction and a bibliography of reviews and criticism complete the work. Because of John Saul's great popularity among teenagers and adults, this unique study is a necessary purchase by secondary school and public libraries.
John Selden: Scholar, Statesman, Advocate for Milton's Muse
by Jason P. RosenblattThe life of John Selden (1584-1654) was both contemplative and active. Seventeenth-century England's most learned person, he was also one of the few survivors who continued in the Long Parliament of the 1640s his vigorous opposition, begun in the 1620s, to abuses of power, whether by Charles I or, later, by the Presbyterian-controlled Westminster Assembly. His gift for finding analogies among different cultures—Greco-Roman, Christian, Jewish, and Islamic—helped to transform both the poetry and prose of the century's greatest poet, John Milton. Regarding family law, the two might have influenced one another. Milton cites Selden, and Selden owned two of Milton's treatises on divorce, published in 1645, both of them presumably acquired while he was writing Uxor Ebraica (1646). Selden accepted the non-biblically rabbinic, externally imposed, coercive Adamic/Noachide precepts as universal laws of perpetual obligation, rejecting his predecessor Hugo Grotius' view of natural law as the innate result of right reason. He employed rhetorical strategies in De Jure Naturali et Gentium (The Law of Nature and of Nations) to prepare his readers for what might otherwise have shocked them. Although Selden was very active in the Long Parliament, his only surviving debates from that decade were as a lay member of the Westminster Assembly of Divines. The Assembly's scribe left so many gaps that the transcript is sometimes indecipherable. This book fills in the gaps and makes the speeches coherent by finding their contexts in Selden's printed works, both the scholarly, as in the massive De Synedriis, but also in the witty and informal Table Talk.
John Selden: Scholar, Statesman, Advocate for Milton's Muse
by Jason P. RosenblattThe life of John Selden (1584-1654) was both contemplative and active. Seventeenth-century England's most learned person, he was also one of the few survivors who continued in the Long Parliament of the 1640s his vigorous opposition, begun in the 1620s, to abuses of power, whether by Charles I or, later, by the Presbyterian-controlled Westminster Assembly. His gift for finding analogies among different cultures—Greco-Roman, Christian, Jewish, and Islamic—helped to transform both the poetry and prose of the century's greatest poet, John Milton. Regarding family law, the two might have influenced one another. Milton cites Selden, and Selden owned two of Milton's treatises on divorce, published in 1645, both of them presumably acquired while he was writing Uxor Ebraica (1646). Selden accepted the non-biblically rabbinic, externally imposed, coercive Adamic/Noachide precepts as universal laws of perpetual obligation, rejecting his predecessor Hugo Grotius' view of natural law as the innate result of right reason. He employed rhetorical strategies in De Jure Naturali et Gentium (The Law of Nature and of Nations) to prepare his readers for what might otherwise have shocked them. Although Selden was very active in the Long Parliament, his only surviving debates from that decade were as a lay member of the Westminster Assembly of Divines. The Assembly's scribe left so many gaps that the transcript is sometimes indecipherable. This book fills in the gaps and makes the speeches coherent by finding their contexts in Selden's printed works, both the scholarly, as in the massive De Synedriis, but also in the witty and informal Table Talk.
John Skelton: Selected Poems
by John SkeltonThis book presents a collection of works of John Skelton, the first great modern English poet, who wrote in a vigorous vernacular, taking literary English out of the medieval world and enriching it with new forms and tones. It provides notes and glossary illuminating Skelton's works for the reader.
John Skelton: Selected Poems (Fyfield Bks.)
by John SkeltonThis book presents a collection of works of John Skelton, the first great modern English poet, who wrote in a vigorous vernacular, taking literary English out of the medieval world and enriching it with new forms and tones. It provides notes and glossary illuminating Skelton's works for the reader.
John Steinbeck: A Literary Life (Literary Lives)
by Linda Wagner-MartinThis book aims to both describe and analyze the way Steinbeck learned the writing craft. It begins with his immersion in the short story, some years after he stopped attending Stanford University. Aside from a weak first novel, his professional writing career began with the publication in 1932 of The Pastures of Heaven, stories set in the Salinas Valley and dedicated to his parents. From that book he wrote truly commanding stories such as The Red Pony. Intermixed with Steinbeck’s journalism about California’s labor difficulties, his writing skill led to his 1930 masterpieces, Of Mice and Men, In Dubious Battle, and The Grapes of Wrath. The latter novel, winner of the Pulitzer Prize for Fiction in 1940, led eventually to his being awarded the Nobel Prize for Literature in 1962. He continued producing such wide-ranging works as The Pearl, East of Eden, The Winter of Our Discontent, and Travels with Charley up to just a few months before his death in 1968.
A John Steinbeck Encyclopedia
by Brian E. Railsback Michael J. MeyerOne of the greatest novelists of the 20th century, John Steinbeck continues to be read and studied at all levels. This encyclopedia extensively overviews his life and writings. Included are roughly 1200 alphabetically arranged entries by more than 40 expert contributors. Entries cover his works, major characters, family members and contemporaries, influences, and various special topics related to his literary career. Many of the entries cite works for further reading, and the encyclopedia closes with a selected, general bibliography.Known for his searing social criticism, John Steinbeck is one of the most popular and influential American writers of the 20th century. His works are read and studied at all levels and have been made into films. And though critics and scholars initially found fault with his enormously popular works, he is now widely recognizes as a master of his craft. This encyclopedia provides an extensive overview of his life and career and is accessible to high school students, undergraduates, and general readers.Presented are roughly 1200 alphabetically arranged entries by more than 40 expert contributors. These entries cover his works, major characters, family members and contemporaries, influences, and a range of special topics.
John Strachey: An Intellectual Biography
by N. ThompsonThis book studies John Strachey, one of the most important left intellectuals in twentieth century Britain. It provides a detailed exposition of his intellectual evolution set in its historical context, thus highlighting the options, pressures, dilemmas and pitfalls besetting British socialists in the turbulent times of the inter and post-war periods.
John Sullivan Dwight: The Life and Writings of Boston's Musical Transcendentalist
by Bill F. FaucettJohn Sullivan Dwight (1813-93) was, for much of the nineteenth century, America's leading music critic. Born into a musical family and educated at several premier Boston schools, he fell under the spell of New England Transcendentalism and befriended Ralph Waldo Emerson, Elizabeth Palmer Peabody, Margaret Fuller, George Ripley, and others of a similarly progressive mindset. Dwight resided at the socialist/utopian community of Brook Farm where he learned the art of journalism and wrote on many topics--Transcendentalism, of course, but especially on music and musical performance. After the demise of Brook Farm and several years as a journeyman writer, Dwight launched Dwight's Journal of Music: A Paper of Art and Literature in 1852. It was a newspaper that firmly established him as a serious music critic and in its time spoke to America's growing appetite for art music. By charting Dwight's relationships with other writers, musicians, and thinkers, as well as his evolution into a powerful and persuasive writer in his own right, this book situates his story in its nineteenth century and Transcendental contexts and provides the first thorough account of music and the arts at Brook Farm. Dwight's enormous body of essays, reviews, translations, correspondence, and other various writings are illuminated in this biography and reveal the indelible influence Dwight's Journal had on music criticism--the impacts of which resonate today.
John Sullivan Dwight: The Life and Writings of Boston's Musical Transcendentalist
by Bill F. FaucettJohn Sullivan Dwight (1813-93) was, for much of the nineteenth century, America's leading music critic. Born into a musical family and educated at several premier Boston schools, he fell under the spell of New England Transcendentalism and befriended Ralph Waldo Emerson, Elizabeth Palmer Peabody, Margaret Fuller, George Ripley, and others of a similarly progressive mindset. Dwight resided at the socialist/utopian community of Brook Farm where he learned the art of journalism and wrote on many topics--Transcendentalism, of course, but especially on music and musical performance. After the demise of Brook Farm and several years as a journeyman writer, Dwight launched Dwight's Journal of Music: A Paper of Art and Literature in 1852. It was a newspaper that firmly established him as a serious music critic and in its time spoke to America's growing appetite for art music. By charting Dwight's relationships with other writers, musicians, and thinkers, as well as his evolution into a powerful and persuasive writer in his own right, this book situates his story in its nineteenth century and Transcendental contexts and provides the first thorough account of music and the arts at Brook Farm. Dwight's enormous body of essays, reviews, translations, correspondence, and other various writings are illuminated in this biography and reveal the indelible influence Dwight's Journal had on music criticism--the impacts of which resonate today.
John Thelwall: Selected Poetry and Poetics (Nineteenth-Century Major Lives and Letters)
by Judith ThompsonDrawing on newly-discovered manuscripts, this collection is the first modern edition of poetry by John Thelwall, the famed radical Romantic and champion of the working class. Eight key essays and 125 fully-annotated poems introduce his work in correspondence with historical traditions and current critical paradigms.
John Thelwall and the Materialist Imagination (Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print)
by Yasmin SolomonescuJohn Thelwall and the Materialist Imagination reassesses Thelwall's eclectic body of work from the perspective of his heterodox materialist arguments about the imagination, political reform, and the principle of life itself, and his contributions to Romantic-era science.
John Thelwall in the Wordsworth Circle: The Silenced Partner (Nineteenth-Century Major Lives and Letters)
by J. ThompsonIn this book, Judith Thompson restores a powerful but long-suppressed voice to our understanding of British Romanticism. Drawing on newly discovered archives, this book offers the first full-length study of the poetry of John Thelwallas well as his partnership with Samuel Taylor Coleridge and William Wordsworth.
John Trevisa (Authors of the Middle Ages)
by David C. FowlerAuthors of the Middle Ages is a new series, designed for research and reference. Each volume, by an expert on the subject, gives an account of the facts known about the Author's life and immediate historical context, together with a review of subsequent scholarship. This is supported by citation of al known contemporary references; a dated and classified list of manuscripts and editions; and a bibliography of secondary sources. The aim is to combine, in one compact volume, a biography of a medieval author with all the information needed for further research. The series is divided into sections. A first, edited by M. C. Seymour, focuses on English Writers of the Late Middle Ages, a second, more general section, edited by Patrick J. Geary, deals with Historical and Religious Writers of the Latin West. John Trevisa (d. 1402) is renowned for his major literary translations of the Polychronicon, the encyclopedia of Bartholomaeus Anglicus, and other works. What is known of his life and context as a factious Oxford scholar, possibly associated with Wyclif and the English translation of the Bible, and as a turbulent canon of Gloucestershire is here set out. The work is based on fresh research in university and diocesan records, and supported by an appendix of transcriptions of unpublished archival material.
John Trevisa: John Trevisa's Middle English Translation Of The De Regimine Principum Of Aegidius Romanus (Authors of the Middle Ages #Vol. 2)
by David C. FowlerAuthors of the Middle Ages is a new series, designed for research and reference. Each volume, by an expert on the subject, gives an account of the facts known about the Author's life and immediate historical context, together with a review of subsequent scholarship. This is supported by citation of al known contemporary references; a dated and classified list of manuscripts and editions; and a bibliography of secondary sources. The aim is to combine, in one compact volume, a biography of a medieval author with all the information needed for further research. The series is divided into sections. A first, edited by M. C. Seymour, focuses on English Writers of the Late Middle Ages, a second, more general section, edited by Patrick J. Geary, deals with Historical and Religious Writers of the Latin West. John Trevisa (d. 1402) is renowned for his major literary translations of the Polychronicon, the encyclopedia of Bartholomaeus Anglicus, and other works. What is known of his life and context as a factious Oxford scholar, possibly associated with Wyclif and the English translation of the Bible, and as a turbulent canon of Gloucestershire is here set out. The work is based on fresh research in university and diocesan records, and supported by an appendix of transcriptions of unpublished archival material.
John Trevisa's Information Age: Knowledge and the Pursuit of Literature, c. 1400 (Oxford Studies in Medieval Literature and Culture)
by Emily SteinerWhat would medieval English literature look like if we viewed it through the lens of the compendium? In that case, John Trevisa might come into focus as the major author of the fourteenth century. Trevisa (d. 1402) made a career of translating big informational texts from Latin into English prose. These included Ranulph Higden's Polychronicon, an enormous universal history, Bartholomaeus Anglicus's well-known natural encyclopedia De proprietatibus rerum, and Giles of Rome's advice-for-princes manual, De regimine principum. These were shrewd choices, accessible and on trend: De proprietatibus rerum and De regimine principum had already been translated into French and copied in deluxe manuscripts for the French and English nobility, and the Polychronicon had been circulating England for several decades. This book argues that John Trevisa's translations of compendious informational texts disclose an alternative literary history by way of information culture. Bold and lively experiments, these translations were a gamble that the future of literature in England was informational prose. This book argues that Trevisa's oeuvre reveals an alternative literary history more culturally expansive and more generically diverse than that which we typically construct for his contemporaries, Geoffrey Chaucer and William Langland. Thirteenth- and early fourteenth-century European writers compiled massive reference books which would shape knowledge well into the Renaissance. This study maintains that they had a major impact on English poetry and prose. In fact, what we now recognize to be literary properties emerged in part from translations of medieval compendia with their inventive ways of handling vast quantities of information.
John Trevisa's Information Age: Knowledge and the Pursuit of Literature, c. 1400 (Oxford Studies in Medieval Literature and Culture)
by Emily SteinerWhat would medieval English literature look like if we viewed it through the lens of the compendium? In that case, John Trevisa might come into focus as the major author of the fourteenth century. Trevisa (d. 1402) made a career of translating big informational texts from Latin into English prose. These included Ranulph Higden's Polychronicon, an enormous universal history, Bartholomaeus Anglicus's well-known natural encyclopedia De proprietatibus rerum, and Giles of Rome's advice-for-princes manual, De regimine principum. These were shrewd choices, accessible and on trend: De proprietatibus rerum and De regimine principum had already been translated into French and copied in deluxe manuscripts for the French and English nobility, and the Polychronicon had been circulating England for several decades. This book argues that John Trevisa's translations of compendious informational texts disclose an alternative literary history by way of information culture. Bold and lively experiments, these translations were a gamble that the future of literature in England was informational prose. This book argues that Trevisa's oeuvre reveals an alternative literary history more culturally expansive and more generically diverse than that which we typically construct for his contemporaries, Geoffrey Chaucer and William Langland. Thirteenth- and early fourteenth-century European writers compiled massive reference books which would shape knowledge well into the Renaissance. This study maintains that they had a major impact on English poetry and prose. In fact, what we now recognize to be literary properties emerged in part from translations of medieval compendia with their inventive ways of handling vast quantities of information.
John Updike: A Critical Biography
by Bob BatchelorOne of the world's greatest writers, John Updike chronicled America for more than five decades. This book examines the essence of Updike's writing, propelling our understanding of his award-winning fiction, prose, and poetry.Widely considered "America's Man of Letters," John Updike is a prolific novelist and critic with an unprecedented range of work across more than 50 years. No author has ever written from the variety of vantages or spanned topics like Updike did. Despite being widely recognized as one of the nation's literary greats, scholars have largely ignored Updike's vast catalog of work outside the Rabbit tetralogy. This work provides the first detailed examination of Updike's body of criticism, poetry, and journalism, and shows how that work played a central role in transforming his novels. The book disputes the common misperception of Updike as merely a chronicler of suburban, middle-class America by focusing on his novels and stories that explore the wider world, from the groundbreaking The Coup (1978) to Terrorist (2006). Popular culture scholar Bob Batchelor asks readers to reassess Updike's career by tracing his transformation over half a century of writing.
John Updike: A Critical Biography
by Bob BatchelorOne of the world's greatest writers, John Updike chronicled America for more than five decades. This book examines the essence of Updike's writing, propelling our understanding of his award-winning fiction, prose, and poetry.Widely considered "America's Man of Letters," John Updike is a prolific novelist and critic with an unprecedented range of work across more than 50 years. No author has ever written from the variety of vantages or spanned topics like Updike did. Despite being widely recognized as one of the nation's literary greats, scholars have largely ignored Updike's vast catalog of work outside the Rabbit tetralogy. This work provides the first detailed examination of Updike's body of criticism, poetry, and journalism, and shows how that work played a central role in transforming his novels. The book disputes the common misperception of Updike as merely a chronicler of suburban, middle-class America by focusing on his novels and stories that explore the wider world, from the groundbreaking The Coup (1978) to Terrorist (2006). Popular culture scholar Bob Batchelor asks readers to reassess Updike's career by tracing his transformation over half a century of writing.
The John Updike Encyclopedia
by Jack De BellisJohn Updike is one of the most seminal American writers of the 20th century and one of the most prolific as well. In addition to his best-selling novels, he has written numerous poems, short stories, reviews, and essays. His writing consistently reveals stylistic brilliance, and through his engagement with America's moral and spiritual problems, his works chronicle America's hopes and dreams, failures and disappointments. Though he is an enormously popular writer, the complexity and elegance of his works have elicited growing scholarly attention. Through several hundred alphabetically arranged entries, this book provides both casual and serious readers an exceptional guide to his life and writings.Whether the reader is seeking a novel summary, an authoritative analysis of subjects, elucidation of an allusion, or a point about Updike's life or manner of composition, the encyclopedia is indispensable. A chronology summarizes the major events in Updike's career, while an introductory essay examines his progress as a writer, from his crafted light verse and informed reviews to his innovative novels and stories. The entries that follow summarize Updike's books, describe all major characters, explain allusions, identify major images and symbols, analyze principal subjects, discuss his life and career, and draw on the most significant scholarship. Entries include bibliographies, and the volume closes with a list of works for further reading.
John Webster, Renaissance Dramatist (Renaissance Dramatists)
by David ColemanThis introduction locates Webster's plays within the context of the culture from which they sprang. Examining the uncertain political, religious, and economic climate of Jacobean London, the book offers a guide to one of the most distinctive, yet most elusive, dramatists of Renaissance England.
John Wesley, Practical Divinity and the Defence of Literature (Routledge Methodist Studies Series)
by Emma Salgård CunhaJohn Wesley (1703–1791), leader of British Methodism, was one of the most prolific literary figures of the eighteenth century, responsible for creating and disseminating a massive corpus of religious literature and for instigating a sophisticated programme of reading, writing and publishing within his Methodist Societies. John Wesley, Practical Divinity and the Defence of Literature takes the influential genre of practical divinity as a framework for understanding Wesley’s role as an author, editor and critic of popular religious writing. It asks why he advocated the literary arts as a valid aspect of his evangelical theology, and how his Christian poetics impacted upon the religious experience of his followers.
John Wesley, Practical Divinity and the Defence of Literature (Routledge Methodist Studies Series)
by Emma Salgård CunhaJohn Wesley (1703–1791), leader of British Methodism, was one of the most prolific literary figures of the eighteenth century, responsible for creating and disseminating a massive corpus of religious literature and for instigating a sophisticated programme of reading, writing and publishing within his Methodist Societies. John Wesley, Practical Divinity and the Defence of Literature takes the influential genre of practical divinity as a framework for understanding Wesley’s role as an author, editor and critic of popular religious writing. It asks why he advocated the literary arts as a valid aspect of his evangelical theology, and how his Christian poetics impacted upon the religious experience of his followers.
John Wilmot, Earl of Rochester: The Poems and Lucina's Rape
by Keith Walker Nicholas FisherBuilding on the strength of Keith Walker’s acclaimed The Poems of John Wilmot, Earl of Rochester (1984), leading scholar Nicholas Fisher presents a thoroughly revised and updated edition of the work of one the greatest Restoration wits. Includes the text of Lucina’s Rape, Rochester’s adaptation of Fletcher’s revenge tragedy Valentinian, in a text that readily identifies Rochester’s revisions Presents the poems in versions that were current during Rochester’s lifetime, allowing the reader to experience the poems as Rochester’s contemporaries did Incorporates insights and discoveries made over the last twenty-five years and texts of manuscripts that previously were unavailable for study
John Wilmot, Earl of Rochester: The Poems and Lucina's Rape
by Keith Walker Nicholas FisherBuilding on the strength of Keith Walker’s acclaimed The Poems of John Wilmot, Earl of Rochester (1984), leading scholar Nicholas Fisher presents a thoroughly revised and updated edition of the work of one the greatest Restoration wits. Includes the text of Lucina’s Rape, Rochester’s adaptation of Fletcher’s revenge tragedy Valentinian, in a text that readily identifies Rochester’s revisions Presents the poems in versions that were current during Rochester’s lifetime, allowing the reader to experience the poems as Rochester’s contemporaries did Incorporates insights and discoveries made over the last twenty-five years and texts of manuscripts that previously were unavailable for study