- Table View
- List View
John Zonaras' Epitome of Histories: A Compendium of Jewish-Roman History and Its Reception (Oxford Studies in Byzantium)
by Theofili KampianakiThe twelfth-century chronicle of John Zonaras, which begins with the biblical Creation and ends in 1118, is one of the longest historical accounts written in Greek that has come down to us. It was also one of the most popular historical works of the Greek-speaking world during the Middle Ages, with a remarkably large number of manuscripts preserving the entire text or parts of it. John Zonaras' Epitome of Histories: A Compendium of Jewish-Roman History and Its Reception analyses Zonaras' chronicle as both a literary composition and a historical account. It concentrates on its composition, sources, and political, ideological, and literary background. It also includes discussions that go beyond the text, such as on the intellectual networks surrounding Zonaras, and the anticipated audience and the reception of the chronicle. By examining such issues, Theofili Kampianaki aims to present Zonaras' chronicle as a product which emerged from a milieu characterized by the increased contacts with Western people and the Komnenian style of rulership in the imperial bureaucracy, and as a work which seamlessly merges the traditions of chronicle writing and classicizing historiography.
John Zonaras' Epitome of Histories: A Compendium of Jewish-Roman History and Its Reception (Oxford Studies in Byzantium)
by Theofili KampianakiThe twelfth-century chronicle of John Zonaras, which begins with the biblical Creation and ends in 1118, is one of the longest historical accounts written in Greek that has come down to us. It was also one of the most popular historical works of the Greek-speaking world during the Middle Ages, with a remarkably large number of manuscripts preserving the entire text or parts of it. John Zonaras' Epitome of Histories: A Compendium of Jewish-Roman History and Its Reception analyses Zonaras' chronicle as both a literary composition and a historical account. It concentrates on its composition, sources, and political, ideological, and literary background. It also includes discussions that go beyond the text, such as on the intellectual networks surrounding Zonaras, and the anticipated audience and the reception of the chronicle. By examining such issues, Theofili Kampianaki aims to present Zonaras' chronicle as a product which emerged from a milieu characterized by the increased contacts with Western people and the Komnenian style of rulership in the imperial bureaucracy, and as a work which seamlessly merges the traditions of chronicle writing and classicizing historiography.
The Johns Hopkins Guide to Digital Media
by Marie-Laure Ryan Lori Emerson Benjamin J. RobertsonThe study of what is collectively labeled "New Media"�the cultural and artistic practices made possible by digital technology�has become one of the most vibrant areas of scholarly activity and is rapidly turning into an established academic field, with many universities now offering it as a major. The Johns Hopkins Guide to Digital Media is the first comprehensive reference work to which teachers, students, and the curious can quickly turn for reliable information on the key terms and concepts of the field. The contributors present entries on nearly 150 ideas, genres, and theoretical concepts that have allowed digital media to produce some of the most innovative intellectual, artistic, and social practices of our time. The result is an easy-to-consult reference for digital media scholars or anyone wishing to become familiar with this fast-developing field.
The Johns Hopkins Guide to Digital Media
by Marie-Laure Ryan Lori Emerson Benjamin J. RobertsonThe study of what is collectively labeled "New Media"—the cultural and artistic practices made possible by digital technology—has become one of the most vibrant areas of scholarly activity and is rapidly turning into an established academic field, with many universities now offering it as a major. The Johns Hopkins Guide to Digital Media is the first comprehensive reference work to which teachers, students, and the curious can quickly turn for reliable information on the key terms and concepts of the field. The contributors present entries on nearly 150 ideas, genres, and theoretical concepts that have allowed digital media to produce some of the most innovative intellectual, artistic, and social practices of our time. The result is an easy-to-consult reference for digital media scholars or anyone wishing to become familiar with this fast-developing field.
Johnson on Language: An Introduction
by A. HorganIn a systematic presentation of Johnson's views on language, Johnson on Language: An Introduction addresses the problems inherent in the formation of style, as Johnson saw them, but also contains a detailed discussion of his opinions concerning the proper responsibilities of the lexicographer. The wide-ranging discussion takes in the linguistic controversies of classical antiquity, the resumption and elaboration of various classical ideas in the Renaissance period, and the way in which Johnson's own ideas have been shaped by his reading of important documents of these eras.
Johnson without Boswell: A Contemporary Portrait of Samuel Johnson (Routledge Revivals)
by Hugh KingsmillFirst published in 1940, Johnson without Boswell is about Samuel Johnson, the dictator of eighteenth-century English letters. It has become almost axiomatic never to mention that mammoth of wit and wisdom without linking him at least in thought with his great biographer, James Boswell. But there were others who knew him well, and who set down what they knew – among them Johnson himself in his letters and autobiographical fragments, his great friend Mrs. Thale in her Anecdotes, and Sir John Hawkins in his Life. From these and others, excerpted and skilfully pieced together in this volume by Hugh Kingsmill, there emerges a portrait of Johnson more domestic and less alarming than Boswell’s. But something of curmudgeon still, who could terrorise his table-companions by brandishing a knife and bellowing that by God he could eat a bit more. The result is a volume richly readable and informative, which can be read with pleasure either wholly or in part, especially by students of English literature.
Johnson without Boswell: A Contemporary Portrait of Samuel Johnson (Routledge Revivals)
by Hugh KingsmillFirst published in 1940, Johnson without Boswell is about Samuel Johnson, the dictator of eighteenth-century English letters. It has become almost axiomatic never to mention that mammoth of wit and wisdom without linking him at least in thought with his great biographer, James Boswell. But there were others who knew him well, and who set down what they knew – among them Johnson himself in his letters and autobiographical fragments, his great friend Mrs. Thale in her Anecdotes, and Sir John Hawkins in his Life. From these and others, excerpted and skilfully pieced together in this volume by Hugh Kingsmill, there emerges a portrait of Johnson more domestic and less alarming than Boswell’s. But something of curmudgeon still, who could terrorise his table-companions by brandishing a knife and bellowing that by God he could eat a bit more. The result is a volume richly readable and informative, which can be read with pleasure either wholly or in part, especially by students of English literature.
Joint Decision Making in Mental Health: An Interactional Approach (The Language of Mental Health)
by Camilla Lindholm Melisa Stevanovic Elina WeisteThis volume studies joint decision making in mental health care contexts through an in-depth examination of the negotiations of power and authority at the level of turn-by-turn sequential unfolding of interaction. Bringing together research at the intersection of mental health, discourse and conversation analysis it examines a wide range of settings including chronic psychiatric visits, rehabilitation meetings, occupational therapy encounters and cognitive behavioral therapy appointments. It presents a series of studies which reveal in close detail the joint decision-making processes in these critical encounters by using naturally occurring video-recorded interactions from a range of health service settings as data. In so doing, it sheds light on the interactional practices of health care workers that may facilitate or discourage client participation in joint decision-making processes. The book will provide important insights for academics and practitioners working in the fields of psychology, psychotherapy, applied linguistics, nursing, social work and rehabilitation; and in particular for those specializing in psychiatry and mental health.
Joke-Performance in Africa: Mode, Media and Meaning (Routledge Contemporary Africa)
by Ignatius ChukwumahJokes have always been part of African culture, but never have they been so blended with the strains and gains of the contemporary African world as today. Joke-Performance in Africa describes and analyses the diverse aesthetics, forms, and media of jokes and their performance and shows how African jokes embody the anxieties of the time and space in which they are enacted. The book considers the pervasive phenomenon of jokes and their performance across Africa in such forms as local jests, street jokes, cartoons, mchongoano, ewhe-eje, stand-up comedy, internet sex jokes, and ‘comicast’ transmitted via modern technology media such as the TV, CDs, DVDs, the internet platforms of YouTube, Facebook, and other social arenas, as well as live performances. Countries represented are Egypt, Kenya, Malawi, Morocco, Nigeria, and Zambia, covering the North, West, East and Southern Africa. The book explores the description of the joke form from various perspectives, ranging from critical discourse analysis, interviews, humour theories, psychoanalysis, the postcolony and technauriture, to the interactive dramaturgy of joke-performances, irrespective of media and modes of performance. Containing insightful contributions from leading African scholars, the book acquaints readers with detailed descriptions of the diverse aesthetics of contemporary African jokes, thereby contributing to the current understanding of joke-performance in Africa. It will appeal to students and scholars of African studies, popular culture, theatre, performance studies and literary studies.
Joke-Performance in Africa: Mode, Media and Meaning (Routledge Contemporary Africa)
by Ignatius ChukwumahJokes have always been part of African culture, but never have they been so blended with the strains and gains of the contemporary African world as today. Joke-Performance in Africa describes and analyses the diverse aesthetics, forms, and media of jokes and their performance and shows how African jokes embody the anxieties of the time and space in which they are enacted. The book considers the pervasive phenomenon of jokes and their performance across Africa in such forms as local jests, street jokes, cartoons, mchongoano, ewhe-eje, stand-up comedy, internet sex jokes, and ‘comicast’ transmitted via modern technology media such as the TV, CDs, DVDs, the internet platforms of YouTube, Facebook, and other social arenas, as well as live performances. Countries represented are Egypt, Kenya, Malawi, Morocco, Nigeria, and Zambia, covering the North, West, East and Southern Africa. The book explores the description of the joke form from various perspectives, ranging from critical discourse analysis, interviews, humour theories, psychoanalysis, the postcolony and technauriture, to the interactive dramaturgy of joke-performances, irrespective of media and modes of performance. Containing insightful contributions from leading African scholars, the book acquaints readers with detailed descriptions of the diverse aesthetics of contemporary African jokes, thereby contributing to the current understanding of joke-performance in Africa. It will appeal to students and scholars of African studies, popular culture, theatre, performance studies and literary studies.
Jokes: Have a Laugh and Improve Your English (Easy English!)
by Adrian WallworkJokes are a perfect format for learning vocabulary, idiomatic expressions, and grammar. Jokes are also designed to be retold. If you learn a joke by heart and tell it to other people, then by doing so you will also learn the grammar and vocabulary involved. The book also contains exercises designed to reveal whether you have understood the joke or not: A joke is presented to you but with the paragraphs mixed up. Your task is to put them in the correct order.The joke has a choice of three punch lines. If you select the correct one, this should be an indicator that you have understood the joke.Several two-line jokes are presented together. The task is to match the first line and the second line.A joke is presented with some key words missing. The task is to insert the right word in the right place. Easy English! is a series of books to help you learn and revise your English with minimal effort. You can improve your English by reading texts in English that you might well normally read in your own language e.g. jokes, personality tests, lateral thinking games, wordsearches.doing short exercises to improve specific areas grammar and vocabulary, i.e. the areas that tend to lead to the most mistakes - the aim is just to focus on what you really need rather than overwhelming yourself with a mass of rules, many of which may have no practical daily value Other books in the Easy English! series include: Wordsearches: Widen Your Vocabulary in English Test Your Personality: Have Fun and Learn Useful Phrases Word games, Riddles and Logic Tests: Tax Your Brain and Boost Your English Top 50 Grammar Mistakes: How to Avoid Them Top 50 Vocabulary Mistakes: How to Avoid Them
Jokes and the Linguistic Mind
by Debra AaronsThrough the lens of cognitive science, Jokes and the Linguistic Mind investigates jokes that play on some aspect of the structure and function of language. In so doing, Debra Aarons shows that these 'linguistic jokes' can evoke our tacit knowledge of the language we use. Analyzing hilarious examples from movies, plays and books, Jokes and the Linguistic Mind demonstrates that tacit linguistic knowledge must become conscious for linguistic jokes to be understood. The book examines jokes that exploit pragmatic, semantic, morphological, phonological and semantic features of language, as well as jokes that use more than one language and jokes that are about language itself. Additionally, the text explores the relationship between cryptic crossword clues and linguistic jokes in order to demonstrate the difference between tacit knowledge of language and rules of language use that are articulated for a particular purpose. With its use of jokes as data and its highly accessible explanations of complex linguistic concepts, this book is an engaging supplementary text for introductory courses in linguistics, psycholinguistics and cognitive science. It will also be of interest to scholars in translation studies, applied linguistics and philosophy of language.
Jokes and the Linguistic Mind
by Debra AaronsThrough the lens of cognitive science, Jokes and the Linguistic Mind investigates jokes that play on some aspect of the structure and function of language. In so doing, Debra Aarons shows that these 'linguistic jokes' can evoke our tacit knowledge of the language we use. Analyzing hilarious examples from movies, plays and books, Jokes and the Linguistic Mind demonstrates that tacit linguistic knowledge must become conscious for linguistic jokes to be understood. The book examines jokes that exploit pragmatic, semantic, morphological, phonological and semantic features of language, as well as jokes that use more than one language and jokes that are about language itself. Additionally, the text explores the relationship between cryptic crossword clues and linguistic jokes in order to demonstrate the difference between tacit knowledge of language and rules of language use that are articulated for a particular purpose. With its use of jokes as data and its highly accessible explanations of complex linguistic concepts, this book is an engaging supplementary text for introductory courses in linguistics, psycholinguistics and cognitive science. It will also be of interest to scholars in translation studies, applied linguistics and philosophy of language.
Jokes in Greek Comedy: From Puns to Poetics
by Dr Naomi ScottIn ancient Greek comedy, nothing is ever 'just a joke'. This book treats jokes with the seriousness they deserve, and shows that far from being mere surface-level phenomena, jokes in Greek comedy are in fact a site of poetic experimentation whose creative force expressly rivals that of serious literature.Focusing on the fragments of authors including Cratinus, Pherecrates, and Archippus alongside the extant plays of Aristophanes, Naomi Scott argues that jokes are critical to comedy's engagement with the language and convention of poetic representation. More than this, she suggests that jokes and poetry share a kind of kinship as two modes of utterance which specifically set out to flout the rules of ordinary speech. Starting with bad puns, and taking in crude slapstick, vulgar innuendo and frivolous absurdism, Jokes in Greek Comedy demonstrates that the apparently inconsequential jokes which pepper the surface of Greek comedy in fact amplify the impossible and defamiliarizing qualities of standard poetic practice, and reveal the fundamental ridiculousness of treating make-believe as a serious endeavour. In this way, jokes form a central part of Greek comedy's contestation of the role of language, and particularly poetic language, in the truthful representation of reality.
Jokes in Greek Comedy: From Puns to Poetics
by Dr Naomi ScottIn ancient Greek comedy, nothing is ever 'just a joke'. This book treats jokes with the seriousness they deserve, and shows that far from being mere surface-level phenomena, jokes in Greek comedy are in fact a site of poetic experimentation whose creative force expressly rivals that of serious literature.Focusing on the fragments of authors including Cratinus, Pherecrates, and Archippus alongside the extant plays of Aristophanes, Naomi Scott argues that jokes are critical to comedy's engagement with the language and convention of poetic representation. More than this, she suggests that jokes and poetry share a kind of kinship as two modes of utterance which specifically set out to flout the rules of ordinary speech. Starting with bad puns, and taking in crude slapstick, vulgar innuendo and frivolous absurdism, Jokes in Greek Comedy demonstrates that the apparently inconsequential jokes which pepper the surface of Greek comedy in fact amplify the impossible and defamiliarizing qualities of standard poetic practice, and reveal the fundamental ridiculousness of treating make-believe as a serious endeavour. In this way, jokes form a central part of Greek comedy's contestation of the role of language, and particularly poetic language, in the truthful representation of reality.
Jonathan Coe (New British Fiction)
by Vanessa GuigneryJonathan Coe is one of the most popular and critically acclaimed contemporary British writers. This comprehensive introduction places his work in clear historical and theoretical context, offering extensive readings of the author's ten novels from The Accidental Woman to Expo 58, including the remarkable What a Carve Up! The book explores Coe's biography and his experimentations with narrative, genre and comedy, as well as his thematic preoccupations with history, memory, loss and nostalgia. The first volume devoted entirely to Coe, this book includes:• A supporting timeline of key dates in literature and current events• An examination of the critical reception to Coe's works• An exclusive interview with Jonathan Coe himself
Jonathan Coe (New British Fiction)
by Vanessa GuigneryJonathan Coe is one of the most popular and critically acclaimed contemporary British writers. This comprehensive introduction places his work in clear historical and theoretical context, offering extensive readings of the author's ten novels from The Accidental Woman to Expo 58, including the remarkable What a Carve Up! The book explores Coe's biography and his experimentations with narrative, genre and comedy, as well as his thematic preoccupations with history, memory, loss and nostalgia. The first volume devoted entirely to Coe, this book includes:- A supporting timeline of key dates in literature and current events- An examination of the critical reception to Coe's works- An exclusive interview with Jonathan Coe himself
Jonathan Coe: Contemporary British Satire
by Philip TewIn novels such as What A Carve Up! and The Rotters' Club, Jonathan Coe has established himself as one of the great satirical writers of our time. Covering all of his major novels, including his most recent book Number 11, Jonathan Coe: Contemporary British Satire includes chapters by leading and emerging scholars of contemporary British writing. The book features a preface by Coe himself and covers the ways in which his work grapples with such themes as class politics, popular music, sex, gender and the media.
Jonathan Coe: Contemporary British Satire
by Philip TewIn novels such as What A Carve Up! and The Rotters' Club, Jonathan Coe has established himself as one of the great satirical writers of our time. Covering all of his major novels, including his most recent book Number 11, Jonathan Coe: Contemporary British Satire includes chapters by leading and emerging scholars of contemporary British writing. The book features a preface by Coe himself and covers the ways in which his work grapples with such themes as class politics, popular music, sex, gender and the media.
Jonathan Edwards, Samuel Taylor Coleridge, and the Supernatural Will in American Literature
by Brad BannonIn a work that will be of interest to students and scholars of American Literature, Romanticism, Transcendentalism, the History of Ideas,and Religious Studies, Brad Bannon examines Samuel Taylor Coleridge’s engagement with the philosophical theology of Jonathan Edwards. A closer look at Coleridge’s response to Edwards clarifies the important influence that both thinkers had on seminal works of the nineteenth century, ranging from the antebellum period to the aftermath of the American Civil War—from Poe’s fiction and Emerson’s essays to Melville’s Billy Budd and Crane’s The Red Badge of Courage. Similarly, Coleridge’s early espousal of an abolitionist theology that had evolved from Edwards and been shaped by John Woolman and Olaudah Equiano sheds light on the way that American Romantics later worked to affirm a philosophy of supernatural self-determination. Ultimately, what Coleridge offered the American Romantics was a supernatural modification of Edwards’ theological determinism, a compromise that provided Emerson and other nineteenth-century thinkers with an acceptable extension of an essentially Calvinist theology. Indeed, a thoroughgoing skepticism with respect to salvation, as well as a faith in the absolute inscrutability of Providence, led both the Transcendentalists and the Dark Romantics to speculate freely on the possibility of supernatural self-determination while doubting that anything other than God, or nature, could harness the power of causation.
Jonathan Edwards, Samuel Taylor Coleridge, and the Supernatural Will in American Literature
by Brad BannonIn a work that will be of interest to students and scholars of American Literature, Romanticism, Transcendentalism, the History of Ideas,and Religious Studies, Brad Bannon examines Samuel Taylor Coleridge’s engagement with the philosophical theology of Jonathan Edwards. A closer look at Coleridge’s response to Edwards clarifies the important influence that both thinkers had on seminal works of the nineteenth century, ranging from the antebellum period to the aftermath of the American Civil War—from Poe’s fiction and Emerson’s essays to Melville’s Billy Budd and Crane’s The Red Badge of Courage. Similarly, Coleridge’s early espousal of an abolitionist theology that had evolved from Edwards and been shaped by John Woolman and Olaudah Equiano sheds light on the way that American Romantics later worked to affirm a philosophy of supernatural self-determination. Ultimately, what Coleridge offered the American Romantics was a supernatural modification of Edwards’ theological determinism, a compromise that provided Emerson and other nineteenth-century thinkers with an acceptable extension of an essentially Calvinist theology. Indeed, a thoroughgoing skepticism with respect to salvation, as well as a faith in the absolute inscrutability of Providence, led both the Transcendentalists and the Dark Romantics to speculate freely on the possibility of supernatural self-determination while doubting that anything other than God, or nature, could harness the power of causation.
Jonathan Franzen: The Comedy of Rage
by Philip WeinsteinJonathan Franzen: The Comedy of Rage is the first critical biography of one of today's most important novelists. Drawing on unpublished emails and both published and private interviews, Philip Weinstein conveys the feel and heft of Franzen's voice as he ponders the purposes and problems of his life and art, from his earliest fiction to his most recent novel, Purity.Franzen's work raises major questions about the possibilities of contemporary fiction: how does one appeal to a wide audience of mainstream readers, on the one hand, while persuading connoisseurs, on the other, that one's fiction has staying power, is high art? More acutely, how did Franzen move from the rage that animates his first two novels to the more generous comic stance of the later novels on which his reputation rests?Wrestling with these questions, Jonathan Franzen: The Comedy of Rage unpacks the becoming of Franzen as a person and a writer-from his ultra-sensitive Midwestern childhood, through his heady years at Swarthmore College, his marriage, and the alienating decade of the 1990s, up to his spectacular ascent and assimilation into pop culture as one of the literary figures of his generation. Weinstein joins biography and criticism in ways that fully respect their differences, but that also grant that the work comes, however unpredictably, out of the life.
Jonathan Franzen: The Comedy of Rage
by Philip WeinsteinJonathan Franzen: The Comedy of Rage is the first critical biography of one of today's most important novelists. Drawing on unpublished emails and both published and private interviews, Philip Weinstein conveys the feel and heft of Franzen's voice as he ponders the purposes and problems of his life and art, from his earliest fiction to his most recent novel, Purity.Franzen's work raises major questions about the possibilities of contemporary fiction: how does one appeal to a wide audience of mainstream readers, on the one hand, while persuading connoisseurs, on the other, that one's fiction has staying power, is high art? More acutely, how did Franzen move from the rage that animates his first two novels to the more generous comic stance of the later novels on which his reputation rests?Wrestling with these questions, Jonathan Franzen: The Comedy of Rage unpacks the becoming of Franzen as a person and a writer-from his ultra-sensitive Midwestern childhood, through his heady years at Swarthmore College, his marriage, and the alienating decade of the 1990s, up to his spectacular ascent and assimilation into pop culture as one of the literary figures of his generation. Weinstein joins biography and criticism in ways that fully respect their differences, but that also grant that the work comes, however unpredictably, out of the life.
Jonathan Franzen and the Romance of Community: Narratives of Salvation
by Jesús Blanco HidalgaDespite the success and significance of Jonathan Franzen's fiction, his work has received relatively little scholarly attention. Aiming to fill this conspicuous gap, Jonathan Franzen and the Romance of Community analyzes each of Franzen's five novels in chronological order to reveal an interior logic animating his work. Integrating various formal and ideological perspectives to illuminate Franzen's work, Jesús Blanco Hidalga demonstrates that the concepts of salvation and redemption, typical of romance narratives, run throughout Franzen's fiction. Even as he re-assesses and expands the familiar interpretations of Franzen's work, Blanco Hidalga shows how these salvation narratives are used for self-legitimization not only by the characters, but by the writer himself. Combining critical rigor with interpretative boldness, Jonathan Franzen and the Romance of Community offers a new theoretical approach to a major contemporary author.
Jonathan Franzen and the Romance of Community: Narratives of Salvation
by Jesús Blanco HidalgaDespite the success and significance of Jonathan Franzen's fiction, his work has received relatively little scholarly attention. Aiming to fill this conspicuous gap, Jonathan Franzen and the Romance of Community analyzes each of Franzen's five novels in chronological order to reveal an interior logic animating his work. Integrating various formal and ideological perspectives to illuminate Franzen's work, Jesús Blanco Hidalga demonstrates that the concepts of salvation and redemption, typical of romance narratives, run throughout Franzen's fiction. Even as he re-assesses and expands the familiar interpretations of Franzen's work, Blanco Hidalga shows how these salvation narratives are used for self-legitimization not only by the characters, but by the writer himself. Combining critical rigor with interpretative boldness, Jonathan Franzen and the Romance of Community offers a new theoretical approach to a major contemporary author.