- Table View
- List View
Joseph Conrad: A Commemoration
by Norman SherryThe Collected Critical Heritage II comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxes sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995. The Critical Heritage series gathers together a large body of critical figures in literature. These selected sources include contemporary reviews from both popular and literary media.
Joseph Conrad (Critical Issues)
by Allan SimmonsJoseph Conrad is one of the great figures in the tradition of the novel. This clear and well-written study provides a critically-informed introduction to Conrad and his work, placing him in his political, social and literary context, and examining his relationship to Modernism, England and Empire. Organised thematically - broaching the leading themes of race, the sea and nationalism - Allan H. Simmons covers the range of Conrad's fiction, from the early Malay novels, through such key works as Heart of Darkness, Lord Jim, Nostromo, The Secret Agent and Under Western Eyes, to his later novels.First-time readers of Conrad are provided with in-depth contexts for appreciating a writer whose work is often challenging, while readers already familiar with Conrad's fiction will find new perspectives with which to view it. Approachable and authoritative, this introductory guide is essential for anyone with an interest in a master of twentieth-century fiction whose work variously altered the English and European literary landscape.
Joseph Conrad: Contemporary Reviews (Critical Issues #28:2)
by Allan H. SimmonsJoseph Conrad is one of the great figures in the tradition of the novel. This clear and well-written study provides a critically-informed introduction to Conrad and his work, placing him in his political, social and literary context, and examining his relationship to Modernism, England and Empire. Organised thematically - broaching the leading themes of race, the sea and nationalism - Allan H. Simmons covers the range of Conrad's fiction, from the early Malay novels, through such key works as Heart of Darkness, Lord Jim, Nostromo, The Secret Agent and Under Western Eyes, to his later novels.First-time readers of Conrad are provided with in-depth contexts for appreciating a writer whose work is often challenging, while readers already familiar with Conrad's fiction will find new perspectives with which to view it. Approachable and authoritative, this introductory guide is essential for anyone with an interest in a master of twentieth-century fiction whose work variously altered the English and European literary landscape.
Joseph Conrad: A Bibliographical Catalogue of Editions to 1930
by David J. SupinoDavid J. Supino traces in unprecedented detail the lineaments of Joseph Conrad’s authorial career and the fortunes (and misfortunes) of his publishers on both sides of the Atlantic. This work is a model of the integrative scholarly method, combining close bibliographical scrutiny of particular textual artifacts with archival recovery of book-historical information in as much detail as the surviving documents allow. The book is essential reading not only for students of Conrad but also for all those who wish to understand the publishing history of this era.
Joseph Conrad Among the Anarchists: Nineteenth Century Terrorism and The Secret Agent
by David MulryThis book looks at the inception, composition, and 1907 publication of The Secret Agent, one of Joseph Conrad’s most highly regarded political novels and a core text of literary modernism. David Mulry examines the development and revisions of the novel through the stages of the holograph manuscript, first as a short story, then as a serialized sensation fiction in Ridgway’s Militant Weekly for the American market, before it was extensively revised and published in novel form. Presciently anticipating the climate of modern terror, Conrad’s text responds to the failed Greenwich Bombing, the first anarchist atrocity to occur on English soil. This book charts its historical and cultural milieu via press and anarchist accounts of the bombing, to place Conrad foremost among the dynamite fiction of revolutionary anarchism and terrorism in the late nineteenth and early twentieth centuries.
Joseph Conrad and H. G. Wells: The Fin-de-Siècle Literary Scene
by L. DrydenThis book traces the literary friendship between Joseph Conrad and H. G. Wells from their early correspondence through to the differences that caused their estrangement, including their respective responses to the First World War. It thus gives an overview of the literary scene in the late Victorian and early Edwardian period.
Joseph Conrad and Popular Culture
by S. DonovanThis highly original study opens up a new dimension to Joseph Conrad by revealing his lifelong fascination with the popular culture of his day. Drawing on original archival materials and treating subjects as diverse as Bovril advertising, spirit photography, sea shanties, global tourism, and the new sport of speed-walking, it shows how Conrad's fiction makes a sustained response to early-twentieth-century popular culture and will be of interest to all students, scholars and enthusiasts of Conrad.
Joseph Conrad and Postcritique: Politics of Hope, Politics of Fear
by Joyce Wexler Jay ParkerThis book takes a postcritical perspective on Joseph Conrad’s central texts, including Heart of Darkness, The Secret Agent, Under Western Eyes, and Lord Jim. Whereas critique is a form of reading that prioritizes suspicion, unmasking, and demystifying, postcritique ascribes positive value to the knowledge, affect, ethics, and politics that emerge from literature. The essays in this collection recognize the dark elements in Conrad’s fiction—deceit, vanity, avarice, lust, cynicism, and cruelty—yet they perceive hopefulness as well. Conrad’s skepticism unveils the dark heart of politics, and his critical heritage can feed our fear that humanity is incapable of improving. This Conrad is a well-known figure, but there is another, neglected Conrad that this book aims to bring to light, one who delves into the politics of hope as well as the politics of fear.
Joseph Conrad and Terrorism Today
by Joyce WexlerThis book explores how the anarchist fiction of Joseph Conrad can help us understand terrorism today. Conrad undermines the popular view that terrorists are fanatics. He portrays anarchists and police as counterparts driven by the human desires for autonomy and affiliation, the need to control their own lives and to be part of a group. Postcritique encourages readers to consider the accuracy of such information, and research in Terrorism Studies confirms Conrad’s insights: his characters are more realistic and his political stance is more hopeful than critics have recognized.
Joseph Conrad and the Imperial Romance
by L. DrydenLinda Dryden places Almayer's Folly, An Outcast of the Islands , 'Karain', and Lord Jim in the context of the nineteenth-century imperial romance. Through the thwarted dreams and aspirations of his central characters she argues that Conrad exposes the empty promises of such fiction and challenges assumptions about the superiority of European imperialists and the imperial venture itself. Using illustrations from and references to many well-known novels of Empire, Dryden demonstrates how Conrad's Malay fiction alludes to the conventions and stereotypes of popular imperial fiction.
Joseph Conrad and the Performing Arts
by Katherine Isobel BaxterConrad's fiction is characterized by an enduring recourse to the performing arts for metaphor, allegory, symbol, and subject matter; however, this aspect of Conrad's non-dramatic works has only recently begun to come into its own among literary critics. In response to this seminal moment, Joseph Conrad and the Performing Arts offers an exciting, interdisciplinary forum for one of the most interesting and nascent areas of Conrad studies. Adopting a variety of theoretical approaches, the contributors examine major and neglected works within the context of the performing arts: cultural performance in Conrad's Malay fiction; Conrad's use and parody of popular traditions such as melodrama, Grand-Guignol, and commedia dell'arte; Conrad's engagement with the visual culture of early cinema; Conrad's interest in the motifs of shadowgraphy (shadow plays); Conrad's relationship to Shakespeare; and the enduring influence of opera on his work. Taken together, the essays provide, through solid scholarship and richly provocative speculation, new insight into Conrad's oeuvre, and invite future dialogue in the burgeoning field of Conrad and the performing arts.
Joseph Conrad and the Performing Arts
by Katherine Isobel BaxterConrad's fiction is characterized by an enduring recourse to the performing arts for metaphor, allegory, symbol, and subject matter; however, this aspect of Conrad's non-dramatic works has only recently begun to come into its own among literary critics. In response to this seminal moment, Joseph Conrad and the Performing Arts offers an exciting, interdisciplinary forum for one of the most interesting and nascent areas of Conrad studies. Adopting a variety of theoretical approaches, the contributors examine major and neglected works within the context of the performing arts: cultural performance in Conrad's Malay fiction; Conrad's use and parody of popular traditions such as melodrama, Grand-Guignol, and commedia dell'arte; Conrad's engagement with the visual culture of early cinema; Conrad's interest in the motifs of shadowgraphy (shadow plays); Conrad's relationship to Shakespeare; and the enduring influence of opera on his work. Taken together, the essays provide, through solid scholarship and richly provocative speculation, new insight into Conrad's oeuvre, and invite future dialogue in the burgeoning field of Conrad and the performing arts.
Joseph Conrad and the Reader: Questioning Modern Theories of Narrative and Readership
by A. AcheraïouJoseph Conrad and the Reader is the first book fully devoted to Conrad's relation to the reader, visual theory and authorship. This challenging study proposes new approaches to modern literary criticism and deftly examines the limits of deconstructionist theories, introducing groundbreaking new theoretical concepts of reading and reception.
Joseph Conrad and the Swan Song of Romance
by Katherine Isobel BaxterIn the first critical study wholly devoted to Joseph Conrad's use of techniques associated with the literary tradition of romance, the author argues that Conrad's engagement with the genre invigorated his work throughout his career. Exploring the ways in which Conrad borrows from, alludes to, and subverts the tropes of romance, the author suggests that Conrad's ambivalent relationship with popular forms like the adventure novel is revealed in the way he uses romance conventions to disrupt narrative expectations and make visible ethical problems with Europe's colonial project. The author examines not only familiar novels like Lord Jim but also less-studied works such as Romance and The Rover, using Robert Miles's model of the 'philosophical romance' to show that for Conrad, romance is also philosophically engaged with issues of ideology. Her study enables a new appreciation of the ways in which Conrad continued to experiment, even in his later fiction, and of the ethical import of that aesthetic experimentation.
Joseph Conrad and the Swan Song of Romance
by Katherine Isobel BaxterIn the first critical study wholly devoted to Joseph Conrad's use of techniques associated with the literary tradition of romance, the author argues that Conrad's engagement with the genre invigorated his work throughout his career. Exploring the ways in which Conrad borrows from, alludes to, and subverts the tropes of romance, the author suggests that Conrad's ambivalent relationship with popular forms like the adventure novel is revealed in the way he uses romance conventions to disrupt narrative expectations and make visible ethical problems with Europe's colonial project. The author examines not only familiar novels like Lord Jim but also less-studied works such as Romance and The Rover, using Robert Miles's model of the 'philosophical romance' to show that for Conrad, romance is also philosophically engaged with issues of ideology. Her study enables a new appreciation of the ways in which Conrad continued to experiment, even in his later fiction, and of the ethical import of that aesthetic experimentation.
Joseph Conrad: Betrayal and Identity
by Robert HampsonThrough attention to incidents of betrayal and self-betrayal in his fiction, this book traces the development of Conrad's conception of identity through the three phases of his career: the self in isolation, the self in society and the sexualised self. It shows how the early fiction negotiates the opposed dangers of the self-ideal and the surrender to passion; how the middle fiction tests the ideal code psychologically and ideologically; and how the late fiction probes sexuality and morbid psychology.
Joseph Conrad, Cosmopolitanism and Transnationalism
by Robert HampsonIn 1908, Joseph Conrad was criticised by a reviewer for being a man ‘without either country or language’: even his shipboard communities were the product of a ‘cosmopolitan’ vision. This book takes off from that criticism and begins by exploring the history and meanings of the term ‘cosmopolitan’. It then considers the multinational world of Conrad’s ships – and of the Merchant Marine more generally – to differentiate multinationalism from cosmopolitanism. Subsequent chapters then address nationalism, nation-formation and the concept of the nation through a reading of Nostromo; cosmopolitanism and internationalism in The Secret Agent; nationalism, internationalism and transnational activism in relation to Under Westen Eyes; and Conrad’s own transnational activism in his later essays. While drawing distinctions between cosmopolitanism, internationalism and transnationalism as the appropriate conceptual framings for Conrad’s works, this book traces Conrad’s own engagement with nationalism, cosmopolitanism, and transnational activism in relation to the political events of his time.
Joseph Conrad’s Cultural Legacy: Centennial Essays
by Linda Dryden and Robert HampsonIn 2024 the literary community commemorates the 100th anniversary of the death of Joseph Conrad. This volume of collected essays takes the opportunity to reflect on Conrad's enduring influence on literature and culture in the 21st century. Offering reflections on Conrad's legacy by leading critics and scholars in the field of Conrad studies as well as by significant figures in the arts and cultural sector, it represents a unique contribution to Conrad studies and provides an overview of how the author continues to inspire and shape contemporary literature and culture in the 21st century. Covering a broad range of topics, from discussions of how Conrad has inspired contemporary films and operas through to the pertinence of his works to current conflicts and key contemporary issues, Joseph Conrad's Cultural Legacy offers unique, original insights into the enduring relevance of one of the leading literary figures of the 20th century.
Joseph Conrad’s Cultural Legacy: Centennial Essays
In 2024 the literary community commemorates the 100th anniversary of the death of Joseph Conrad. This volume of collected essays takes the opportunity to reflect on Conrad's enduring influence on literature and culture in the 21st century. Offering reflections on Conrad's legacy by leading critics and scholars in the field of Conrad studies as well as by significant figures in the arts and cultural sector, it represents a unique contribution to Conrad studies and provides an overview of how the author continues to inspire and shape contemporary literature and culture in the 21st century. Covering a broad range of topics, from discussions of how Conrad has inspired contemporary films and operas through to the pertinence of his works to current conflicts and key contemporary issues, Joseph Conrad's Cultural Legacy offers unique, original insights into the enduring relevance of one of the leading literary figures of the 20th century.
Joseph Conrad's Heart of Darkness: A Routledge Study Guide (Routledge Guides to Literature)
by D.C.R.A. GoonetillekeJoseph Conrad’s novella, Heart of Darkness, has fascinated critics and readers alike, engaging them in highly controversial debate as it deals with fundamental issues of good and evil, civilisation, race, love and heroism. This classic tale transcends the boundaries of time and place and has inspired famous film and television adaptations emphasising the cultural significance and continued relevance of the book. This guide to Conrad’s captivating novel offers: an accessible introduction to the text and contexts of Heart of Darkness a critical history, surveying the many interpretations of the text from publication to the present a selection of new essays and reprinted critical essays on Heart of Darkness, by Ian Watt, Linda Dryden, Ruth Nadelhaft, J. Hillis Miller and Peter Brooks, providing a range of perspectives on the novel and extending the coverage of key critical approaches identified in the survey section cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Heart of Darkness and seeking not only a guide to the novel, but a way through the wealth of contextual and critical material that surrounds Conrad's text.
Joseph Conrad's Heart of Darkness: A Routledge Study Guide (Routledge Guides to Literature)
by D.C.R.A. GoonetillekeJoseph Conrad’s novella, Heart of Darkness, has fascinated critics and readers alike, engaging them in highly controversial debate as it deals with fundamental issues of good and evil, civilisation, race, love and heroism. This classic tale transcends the boundaries of time and place and has inspired famous film and television adaptations emphasising the cultural significance and continued relevance of the book. This guide to Conrad’s captivating novel offers: an accessible introduction to the text and contexts of Heart of Darkness a critical history, surveying the many interpretations of the text from publication to the present a selection of new essays and reprinted critical essays on Heart of Darkness, by Ian Watt, Linda Dryden, Ruth Nadelhaft, J. Hillis Miller and Peter Brooks, providing a range of perspectives on the novel and extending the coverage of key critical approaches identified in the survey section cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Heart of Darkness and seeking not only a guide to the novel, but a way through the wealth of contextual and critical material that surrounds Conrad's text.
Joseph Conrad's Heart of Darkness: A Casebook (Casebooks in Criticism)
by Gene M. MooreHeart of Darkness, Joseph Conrad's fictional account of a journey up the Congo river in 1890, raises important questions about colonialism and narrative theory. This casebook contains materials relevant to a deeper understanding of the origins and reception of this controversial text, including Conrad's own story "An Outpost of Progress," together with a little-known memoir by one of Conrad's oldest English friends, a brief history of the Congo Free State by Sir Arthur Conan Doyle, and a parody of Conrad by Max Beerbohm. A wide range of theoretical approaches are also represented, examining Conrad's text in terms of cultural, historical, textual, stylistic, narratological, post-colonial, feminist, and reader-response criticism. The volume concludes with an interview in which Conrad compares his adventures on the Congo with Mark Twain's experiences as a Mississippi pilot.
Joseph Goebbels: Life and Death
by T. ThackerAn insightful new biography of Joseph Goebbels, Propaganda Minister of the 'Third Reich' and one of the most important and troubling figures of the twentieth century. The first account to use all of Goebbels' surviving diaries, it sheds new light on his personality, private life and political convictions, as well as his relationship with Hitler.
Joseph Opatoshu: A Yiddish Writer Between Europe and America
by Sabine Koller"At the turn of the twentieth century East European Jews underwent a radical cultural transformation, which turned a traditional religious community into a modern nation, struggling to find its place in the world. An important figure in this 'Jewish Renaissance' was the American-Yiddish writer and activist Joseph Opatoshu (1886-1954). Born into a Hassidic family, he spent his early childhood in a forest in Central Poland, was educated in Russia and studied engineering in France and America. In New York, where he emigrated in 1907, he joined the revitalizing modernist group Di yunge - The Young. His early novels painted a vivid picture of social turmoil and inner psychological conflict, using modernist devices of multiple voices and mixed linguistic idioms. He acquired international fame by his historical novels about the Polish uprising of 1863 and the expulsion of Jews from Regensburg in 1519. Though he was translated into several languages, Yiddish writing always fostered his ideas and ideals of Jewish identity. Although he occupied a key position in the transnational Jewish culture during his lifetime, Opatoshu has until recently been neglected by scholars. This volume brings together literary specialists and historians working in Jewish and Slavic Studies, who analyse Opatoshu's quest for modern Jewish identity from different perspectives. The contributors are Shlomo Berger (Amsterdam), Marc Caplan (Baltimore, MD), Gennady Estraikh (New York), Roland Gruschka (Heidelberg), Ellie Kellman (Boston), Sabine Koller (Regensburg), Mikhail Krutikov (Ann Arbor, MI), Joshua Lambert (Amherst, MA), Harriet Murav (Urbana-Champaign, IL), Avrom Novershtern (Jerusalem), Dan Opatoshu (Los Angeles), Eugenia Prokop-Janiec (Krakow), Jan Schwarz (Lund), Astrid Starck (Basel/Mulhouse), Karolina Szymaniak (Krakow) and Evita Wiecki (Munich)."