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Kinesic Intelligence in the Humanities (Routledge Research in Cognitive Humanities)
This research collection showcases how kinesic intelligence is fundamental to human communication and our ability to produce complex meaning, exploring its manifestations across a range of humanities disciplines, and connecting our past with our social and cultural future. The book defines kinesic intelligence as a higher-order intellectual competence that allows human beings to interact and grow cognitively and intersubjectively through sensorimotricity and interpersonal movement. Understood in this way, kinesic intelligence can offer insights into the development of humans’ meaning-making abilities and in turn, society and culture more broadly. Recognizing the power of the humanities in furthering sociocultural development, the collection features perspectives from scholars across a range of topics, including the multimodality of language acquisition in children; young adults in clinical psychology and medical humanities; nonverbal communication in history; legal language and reasoning; literature and cognitive studies; the internet and multispecies anthropology; and sensoriality in history and art. Foregrounding the impact of the humanities in promoting new understandings of human intelligence, this volume will be of interest to scholars in cognitive literary studies, multimodality, anthropology, history, medical humanities, and those with an interest in the real-world impact of the humanities.
The King and Commoner Tradition: Carnivalesque Politics in Medieval and Early Modern Literature (Outlaws in Literature, History, and Culture #4)
by Mark TruesdaleKing and Commoner tales were hugely popular across the late medieval and early modern periods, their cultural influence extending from Robin Hood ballads to Shakespearean national histories. This study represents the first detailed exploration of this rich and fascinating literary tradition, tracing its development across deeply politicized fifteenth-century comic tales and early modern ballads. The medieval King and Commoner tales depict an incognito king becoming lost in the forest and encountering a disgruntled commoner who complains of class oppression and poaches the king’s deer. This is an upside-down world of tricksters, violence, and politicized feasting that critiques and deconstructs medieval hierarchy. The commoners of these tales utilize the inversion of the medieval carnival, crowning themselves as liminal mock kings in the forest while threatening to rend and devour a body politic that would oppress them. These tales are complex and ambiguous, reimagining the socio-political upheaval of the late medieval period in sophisticated ruminations on class relations. By contrast, the early modern ballads and chapbooks see the tradition undergo a conservative metamorphosis. Suppressing its more radical elements amid a celebration of proto-panoptical kings, the tradition remerges as royalist propaganda in which the king watches his thankful subjects through the keyhole.
The King and Commoner Tradition: Carnivalesque Politics in Medieval and Early Modern Literature (Outlaws in Literature, History, and Culture)
by Mark TruesdaleKing and Commoner tales were hugely popular across the late medieval and early modern periods, their cultural influence extending from Robin Hood ballads to Shakespearean national histories. This study represents the first detailed exploration of this rich and fascinating literary tradition, tracing its development across deeply politicized fifteenth-century comic tales and early modern ballads. The medieval King and Commoner tales depict an incognito king becoming lost in the forest and encountering a disgruntled commoner who complains of class oppression and poaches the king’s deer. This is an upside-down world of tricksters, violence, and politicized feasting that critiques and deconstructs medieval hierarchy. The commoners of these tales utilize the inversion of the medieval carnival, crowning themselves as liminal mock kings in the forest while threatening to rend and devour a body politic that would oppress them. These tales are complex and ambiguous, reimagining the socio-political upheaval of the late medieval period in sophisticated ruminations on class relations. By contrast, the early modern ballads and chapbooks see the tradition undergo a conservative metamorphosis. Suppressing its more radical elements amid a celebration of proto-panoptical kings, the tradition remerges as royalist propaganda in which the king watches his thankful subjects through the keyhole.
The King and I (Shakespeare Now!)
by Philippa KellyA unique exploration of Shakespeare's King Lear, with its themes of banishment, alienation and hope, via a personal memoir that embraces the history of Australia.
The King and I (Shakespeare Now!)
by Philippa KellyA unique exploration of Shakespeare's King Lear, with its themes of banishment, alienation and hope, via a personal memoir that embraces the history of Australia.
The King and the Whore: King Roderick and La Cava (The New Middle Ages)
by E. DraysonThis study explores the extraordinary afterlife of the Spanish legend of King Roderick and La Cava in plays, poems, novels and operas from the Eighth century to the present day.
King Arthur: A Casebook (Arthurian Characters and Themes)
by Edward Donald KennedyFirst published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
King Arthur: A Casebook (Arthurian Characters and Themes #Vol. 1)
by Edward Donald KennedyFirst published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
King Arthur's Enchantresses: Morgan and Her Sisters in Arthurian Tradition
by Carolyne LarringtonInterest in the Arthurian myths is running at perhaps unprecedented levels, and has become a thoroughly mainstream preoccupation. This is evidenced by the stream of novels, non-fiction works and films - such as Antoine Fuqua's movie King Arthur, released in 2004 - about the perennially powerful legend of the charismatic King who dies and who will one day return again. Carolyne Larrington is an expert on myth and is an authority on all aspects of the Arthurian story. In this fascinating book she offers a novel and thoroughly contemporary take on the myth by focussing on the various powerful, magical women who play a central part in Arthur's life and exploits. These women are mysterious, often sexually alluring figures, capable of harnessing magic for good as well as for subversive ends. The author focuses in turn on Morgan-le-Fay, Arthur's half-sister, a complex enchantress of great cunning and power; the benevolent Lady of the Lake, protector of Lancelot and the polity of Camelot; Viviane, the ambivalent and dangerous nemesis of Merlin; and Morgause, Queen of Orkney and Arthur's other sister, whose lack of magical power renders her vulnerable to honour-driven male violence. She places the medieval tales about these women within their social and political contexts, and goes on to uncover the new roles these women play in both Victorian and modern culture, ranging from Viviane's machinations in poetry to Morgan's powerful presence on the Internet. Encompassing film, art, history, opera and literature, Arthur's Enchantresses shows how important and culturally resonant the enchantresses have been - and continue to be - in the collective European cultural imagination. Whether they be wise healers, beguiling seductresses, tempters of good knights, or enemies of Arthur and all he stands for, the enchantresses continue to speak to us of a dynamic female tradition in Arthurian mythology which is as compelling and provocative as the women themselves. Arthur's Enchantresses will be essential reading for anyone with an interest in cultural history, mythology, religion and medieval literature.
King Arthur's Modern Return
by Debra N. MancoffThe Arthurian legend closes with a promise: On a distant day, when his country calls, the king will return. His lost realm will be regained, and his shattered dream of an ideal world will, at last, be realized. This collection of original essays explores the issue of return in the modern Arthurian legend. With an Introduction by noted scholar Raymond H. Thompson and 13 essays by authors from the fields of literature, art history, film history, and folklore, this collection reveals the flexibility of the legend. Just as the modern legend takes the form current to its generation, the myth of return generates a new legend with each telling. As these authors show, return can come in the form of a noble king or a Caribbean immigrant, with the mystery of an art theft or a dying boy's dream.
King Arthur's Modern Return
by Debra N. MancoffThe Arthurian legend closes with a promise: On a distant day, when his country calls, the king will return. His lost realm will be regained, and his shattered dream of an ideal world will, at last, be realized. This collection of original essays explores the issue of return in the modern Arthurian legend. With an Introduction by noted scholar Raymond H. Thompson and 13 essays by authors from the fields of literature, art history, film history, and folklore, this collection reveals the flexibility of the legend. Just as the modern legend takes the form current to its generation, the myth of return generates a new legend with each telling. As these authors show, return can come in the form of a noble king or a Caribbean immigrant, with the mystery of an art theft or a dying boy's dream.
King Henry V: Shakespeare: The Critical Tradition (Shakespeare: The Critical Tradition)
by Joseph CandidoWith its depiction of the victorious English king, Henry V has divided critical opinion and remains one of the more controversial of Shakespeare's histories. This new volume in Shakespeare: The Critical Tradition increases our knowledge of how Shakespeare's plays were received and understood by critics, editors and general readers. The volume offers, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods. Thus the volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.
King Henry V: A Critical Reader (Arden Early Modern Drama Guides)
by Line Cottegnies Karen BritlandArden Early Modern Drama Guides offer students and academics practical and accessible introductions to the critical and performance contexts of key Elizabethan and Jacobean plays. Essays from leading international scholars give invaluable insight into the text by presenting a range of critical perspectives, making the books ideal companions for study and research. Key features include: Essays on the play's critical and performance history A keynote essay on current research and thinking about the play A selection of new essays by leading scholars A survey of resources to direct students' further reading about the play in print and online This volume offers a thought-provoking guide to King Henry V, surveying the play's rich critical and performance history, with a particular emphasis on its reputation in France as well as Britain and the US. A chapter on non-Anglophone reactions to the play, alongside new essays on British identity, religion, medieval warfare and the questioning of Henry V's heroism, open up ground-breaking perspectives on the play. The volume also includes discussions of King Henry V's rich theatrical and filmic heritage, and a guide to learning and teaching resources and how these might be integrated into effective pedagogic strategies in the classroom.
King Henry V: A Critical Reader (Arden Early Modern Drama Guides)
by Line Cottegnies Karen BritlandArden Early Modern Drama Guides offer students and academics practical and accessible introductions to the critical and performance contexts of key Elizabethan and Jacobean plays. Essays from leading international scholars give invaluable insight into the text by presenting a range of critical perspectives, making the books ideal companions for study and research. Key features include: Essays on the play's critical and performance history A keynote essay on current research and thinking about the play A selection of new essays by leading scholars A survey of resources to direct students' further reading about the play in print and online This volume offers a thought-provoking guide to King Henry V, surveying the play's rich critical and performance history, with a particular emphasis on its reputation in France as well as Britain and the US. A chapter on non-Anglophone reactions to the play, alongside new essays on British identity, religion, medieval warfare and the questioning of Henry V's heroism, open up ground-breaking perspectives on the play. The volume also includes discussions of King Henry V's rich theatrical and filmic heritage, and a guide to learning and teaching resources and how these might be integrated into effective pedagogic strategies in the classroom.
King Henry V: Shakespeare: The Critical Tradition (Shakespeare: The Critical Tradition)
With its depiction of the victorious English king, Henry V has divided critical opinion and remains one of the more controversial of Shakespeare's histories. This new volume in Shakespeare: The Critical Tradition increases our knowledge of how Shakespeare's plays were received and understood by critics, editors and general readers. The volume offers, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods. Thus the volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.
King James's Bible: A Selection
by W. H StevensonWithout an understanding of Biblical stories, readers lose out on much of the richness of English literature, as authors from Milton through T.S. Eliot to Jeanette Winterson draw inspiration from Biblical stories in their own writing. This user-friendly annotated selection of key passages from the King James’s Bible clarifies the key themes, characters, stories and genealogies for students, offering timelines, a bibliography, and a detailed index for quick and easy reference. The original 1984 version, of which this is a revised edition, was written by Bill Stevenson as a response to his students' difficulty with biblical references in literature - a selection from the King James’s Bible that would give the student a notion of what the book contains, including the history of the 1611 text, the strands of imagery that bind the whole together. It gives the student a brief overview of the political, historical and religious contexts of the stories in the Bible as well as a brief history of the different versions of the Bible.
King James's Bible: A Selection
by W. H StevensonWithout an understanding of Biblical stories, readers lose out on much of the richness of English literature, as authors from Milton through T.S. Eliot to Jeanette Winterson draw inspiration from Biblical stories in their own writing. This user-friendly annotated selection of key passages from the King James’s Bible clarifies the key themes, characters, stories and genealogies for students, offering timelines, a bibliography, and a detailed index for quick and easy reference. The original 1984 version, of which this is a revised edition, was written by Bill Stevenson as a response to his students' difficulty with biblical references in literature - a selection from the King James’s Bible that would give the student a notion of what the book contains, including the history of the 1611 text, the strands of imagery that bind the whole together. It gives the student a brief overview of the political, historical and religious contexts of the stories in the Bible as well as a brief history of the different versions of the Bible.
King John (Shakespeare: The Critical Tradition)
by Joseph CandidoIncludes Malone, Hazlitt, Dowden, Swinburne, Pater, Brandes, Chambers, Masefield and Frank Harris.
King John: Shakespeare: The Critical Tradition (Shakespeare: The Critical Tradition)
by Joseph CandidoThis new volume in Shakespeare: The Critical Tradition increases our knowledge of how Shakespeare's plays were received and understood by critics, editors and general readers. Updated with a new introduction providing a survey of critical responses to the plays since the late 1930s to the present day, the volume offers, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods. Thus the volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.
King John: Shakespeare: The Critical Tradition (Shakespeare: The Critical Tradition)
This new volume in Shakespeare: The Critical Tradition increases our knowledge of how Shakespeare's plays were received and understood by critics, editors and general readers. Updated with a new introduction providing a survey of critical responses to the plays since the late 1930s to the present day, the volume offers, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods. Thus the volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.
King John and Henry VIII: Critical Essays (Shakespearean Criticism)
by Frances A. ShirleyOriginally published in 1988. Arranged by play, the essays presented here focus first on production and then on a range of other issues such as characters, imagery, textual problems and themes. Both plays were more popular in earlier centuries and most later essayists focused on small issues rather than view the plays in wider perspective. More recent pieces included here seek organising principles for King John and look in more detail at Henry VIII. Beginning with the in-depth introduction by the editor, this collection shows the reception of the play by its Elizabethan audience compared to twentieth century audiences and looks at the history portrayed by Shakespeare. Some chapters review very varied stage productions while others are character analysis or individual focuses.
King John and Henry VIII: Critical Essays (Shakespearean Criticism)
by Frances A. ShirleyOriginally published in 1988. Arranged by play, the essays presented here focus first on production and then on a range of other issues such as characters, imagery, textual problems and themes. Both plays were more popular in earlier centuries and most later essayists focused on small issues rather than view the plays in wider perspective. More recent pieces included here seek organising principles for King John and look in more detail at Henry VIII. Beginning with the in-depth introduction by the editor, this collection shows the reception of the play by its Elizabethan audience compared to twentieth century audiences and looks at the history portrayed by Shakespeare. Some chapters review very varied stage productions while others are character analysis or individual focuses.
King John (Mis)Remembered
by Igor DjordjevicKing John’s evil reputation has outlasted and proved more enduring than that of Richard III, whose notoriety seemed ensured thanks to Shakespeare’s portrayal of him. The paradox is even greater when we realize that this portrait of John endures despite Shakespeare’s portrait of him in the play King John, where he hardly comes off as a villain at all. Here Igor Djordjevic argues that the story of John’s transformation in cultural memory has never been told completely, perhaps because the crucial moment in John’s change back to villainy is a literary one: it occurs at the point when the 'historiographic' trajectory of John’s character-development intersects with the 'literary' evolution of Robin Hood. But as Djordjevic reveals, John’s second fall in cultural memory became irredeemable as the largely unintended result of the work of three men - John Stow, Michael Drayton, Anthony Munday - who knew each other and who all read a significant passage in a little known book (the Chronicle of Dunmow), while a fourth man’s money (Philip Henslowe) helped move the story from page to stage. The rest, as they say, is history. Paying particular attention to the work of Michael Drayton and Anthony Munday who wrote for the Lord Admiral’s Men, Djordjevic traces the cultural ripples their works created until the end of the seventeenth century, in various familiar as well as previously ignored historical, poetic, and dramatic works by numerous authors. Djordjevic’s analysis of the playtexts’ source, and the personal and working relationship between the playwright-poets and John Stow as the antiquarian disseminator of the source text, sheds a brighter light on a moment that proves to have a greater significance outside theatrical history; it has profound repercussions for literary history and a nation’s cultural memory.
King John (Mis)Remembered: The Dunmow Chronicle, The Lord Admiral's Men, And The Formation Of Cultural Memory
by Igor DjordjevicKing John’s evil reputation has outlasted and proved more enduring than that of Richard III, whose notoriety seemed ensured thanks to Shakespeare’s portrayal of him. The paradox is even greater when we realize that this portrait of John endures despite Shakespeare’s portrait of him in the play King John, where he hardly comes off as a villain at all. Here Igor Djordjevic argues that the story of John’s transformation in cultural memory has never been told completely, perhaps because the crucial moment in John’s change back to villainy is a literary one: it occurs at the point when the 'historiographic' trajectory of John’s character-development intersects with the 'literary' evolution of Robin Hood. But as Djordjevic reveals, John’s second fall in cultural memory became irredeemable as the largely unintended result of the work of three men - John Stow, Michael Drayton, Anthony Munday - who knew each other and who all read a significant passage in a little known book (the Chronicle of Dunmow), while a fourth man’s money (Philip Henslowe) helped move the story from page to stage. The rest, as they say, is history. Paying particular attention to the work of Michael Drayton and Anthony Munday who wrote for the Lord Admiral’s Men, Djordjevic traces the cultural ripples their works created until the end of the seventeenth century, in various familiar as well as previously ignored historical, poetic, and dramatic works by numerous authors. Djordjevic’s analysis of the playtexts’ source, and the personal and working relationship between the playwright-poets and John Stow as the antiquarian disseminator of the source text, sheds a brighter light on a moment that proves to have a greater significance outside theatrical history; it has profound repercussions for literary history and a nation’s cultural memory.
King Lear (The RSC Shakespeare)
by Jonathan Bate Eric RasmussenFrom the Royal Shakespeare Company – a modern, definitive edition of Shakespeare’s bleakest and most profound tragedy. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of King Lear in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are interviews with three leading directors – Adrian Noble, Deborah Warner and Trevor Nunn – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.