- Table View
- List View
King Lear (Shakespeare Handbooks)
by John Russell BrownAn introductory guide to King Lear in performance offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key productions, a survey of film and TV adaptations, a sampling of critical opinion and annotated further reading.
King Lear: Shakespeare: The Critical Tradition (Shakespeare: The Critical Tradition)
by Joseph Candido Brian VickersThis volume documents the reception and interpretation of Shakespeare's tragedy King Lear by critics, editors and general readers from the late 18th to the early 20th centuries. Following an introduction which provides an historical account of the play's critical reception from the earliest times to the present day, the volume presents a selection of original documents, together with contextual head notes and biographical sketches of the authors and a rationale for their selection, as well as a list of suggested further reading.The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods. Thus the volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.
King Lear: Shakespeare: The Critical Tradition (Shakespeare: The Critical Tradition)
by Joseph Candido Brian VickersThis volume documents the reception and interpretation of Shakespeare's tragedy King Lear by critics, editors and general readers from the late 18th to the early 20th centuries. Following an introduction which provides an historical account of the play's critical reception from the earliest times to the present day, the volume presents a selection of original documents, together with contextual head notes and biographical sketches of the authors and a rationale for their selection, as well as a list of suggested further reading.The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods. Thus the volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.
King Lear: A critical guide (Continuum Renaissance Drama Guides)
by Edited by Andrew Hiscock and Lisa HopkinsKing Lear is one of Shakespeare's most performed and studied plays - seen as one of the most significant and universal tragedies of all time. This guide introduces the play's critical and performance history, including notable stage productions alongside TV, film and radio versions. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further individual research.
King Lear: Shakespeare's Dark Consolations (My Reading)
by Arthur W. FrankA book on the experience of reading Shakespeare's 'dark plays'. As part of the My Reading series, King Lear is a personal meditation on a great literary work. Arthur Frank brings a career of studying illness experience and suffering to consider how King Lear can aid people whose lives need help. Reading King Lear leads Frank to both an encounter with his own old age and a source of consolation-companionship—in his future. This book does not try to minimize vulnerabilities, but it shows what is fully human, and thus shared, in suffering. The book introduces readers to King Lear, and it invites those who know the play to a new consideration for its ability to affect people's lives.
King Lear: Shakespeare's Dark Consolations (My Reading)
by Arthur W. FrankA book on the experience of reading Shakespeare's 'dark plays'. As part of the My Reading series, King Lear is a personal meditation on a great literary work. Arthur Frank brings a career of studying illness experience and suffering to consider how King Lear can aid people whose lives need help. Reading King Lear leads Frank to both an encounter with his own old age and a source of consolation-companionship—in his future. This book does not try to minimize vulnerabilities, but it shows what is fully human, and thus shared, in suffering. The book introduces readers to King Lear, and it invites those who know the play to a new consideration for its ability to affect people's lives.
King Lear: A Guide to the Play (Greenwood Guides to Shakespeare)
by Jay leon HalioIn its timeless exploration of familial and political dissolution, and in its relentless questioning of the apparent moral indifference of the universe, King Lear is Shakespeare's darkest tragedy. It is also one of his most timely, for many of the issues it raises resonate loudly within our own era. Perhaps because of its contemporary relevance, it is one of Shakespeare's most frequently produced, taught, and studied works. And the amount of scholarship on King Lear is exceeded only be the complexity which that scholarship reveals. This book is a lucid and thorough guide to the play's roots and legacy.The volume begins with a discussion of the play's textual history, which is complicated by the different quarto and folio versions. It also addresses the merits of several recent editions. The book then looks at the literary, historical, and cultural contexts that inform the play. This is followed by an examination of Shakespeare's dramatic art, an analysis of the play's themes, and a summary of the different approaches critics have used to elucidate its meaning. A final chapter explores the play's rich production history, and a selected bibliography concludes the volume. As a guide, this reference successfully navigates the tremendous body of available scholarship and is a ready aid for a wide range of readers.
King Lear: A critical guide (Continuum Renaissance Drama Guides)
by Andrew Hiscock Lisa HopkinsKing Lear is one of Shakespeare's most performed and studied plays - seen as one of the most significant and universal tragedies of all time. This guide introduces the play's critical and performance history, including notable stage productions alongside TV, film and radio versions. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further individual research.
King Lear: Critical Essays (Shakespearean Criticism #Series Number 33)
by Kenneth MuirOriginally published in 1984. With selections organised chronologically, this collection presents the best writing on one of Shakespeare’s most studied plays. The structure displays the changing responses to the play and includes a wide range of criticism from the likes of Coleridge, Hazlitt, Moulton, Granville-Barker, Orwell, Levin, Stampfer, Gardner and Speaight interspersed with short entries from Keats, Raleigh, Freud and others. The final chapter by the editor elucidates his own thoughts on Lear, building on his commentary in the Introduction which puts the collection in context.
King Lear: Critical Essays (Shakespearean Criticism)
by Kenneth MuirOriginally published in 1984. With selections organised chronologically, this collection presents the best writing on one of Shakespeare’s most studied plays. The structure displays the changing responses to the play and includes a wide range of criticism from the likes of Coleridge, Hazlitt, Moulton, Granville-Barker, Orwell, Levin, Stampfer, Gardner and Speaight interspersed with short entries from Keats, Raleigh, Freud and others. The final chapter by the editor elucidates his own thoughts on Lear, building on his commentary in the Introduction which puts the collection in context.
King Lear (Shakespeare Handbooks)
by John Russell-BrownAn introductory guide to King Lear in performance offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key productions, a survey of film and TV adaptations, a sampling of critical opinion and annotated further reading.
King Lear (Critics Debate)
by Ann ThompsonKing Lear is an enormous work in every sense. Despite the misgivings and often pertinent criticisms of earlier generations of critics, it seems now to be accepted as the greatest monument of our culture: the most revered play by the most revered writer in our language.In this study, Dr. Thompson first analyses the many critical approaches to King Lear, placing in context the formal, historical, social, philosophical, religious, mico-level and performance-based approaches. In her Appraisal section, she investigates the phenomenon of 'The Greatness of King Lear', surveying the wider issues of the status of 'classic' texts and the formation and perpetuation of literary canons. She also discusses arguments by critics who have questioned the high evaluation of King Lear, and the arguments of contemporary critics whose approaches have the effect of displacing traditional evaluations altogether.
King Lear: Parallel Text Edition
by Rene WeisThis reissed edition of Longman Annotated Texts King Lear includes comprehensive notes, annotations and an introduction, all designed to be of use to undergraduates and interested readers.King Lear is one of Shakespeare's most widely studied tragedies. However, since the late 1970s textual scholars, critics and editors have argued that there is no single 'King Lear' text. Anyone studying the play needs to be aware of two different texts, one based on the quarto of 1608, The History of King Lear, and a revised version published in the first folio of 1623, The Tragedy of King Lear. This edition offers a fully annotated, modern spelling version of the texts set side by side, identifying and elucidating the major discrepancies between the two. It presents some possible reasons for the differences between the two texts, which themselves shed light on a number of issues relating to literary transmission in the Renaissance and give an insight into the nature of performance and censorship.
King Lear: Parallel Text Edition
by Rene WeisThis reissed edition of Longman Annotated Texts King Lear includes comprehensive notes, annotations and an introduction, all designed to be of use to undergraduates and interested readers.King Lear is one of Shakespeare's most widely studied tragedies. However, since the late 1970s textual scholars, critics and editors have argued that there is no single 'King Lear' text. Anyone studying the play needs to be aware of two different texts, one based on the quarto of 1608, The History of King Lear, and a revised version published in the first folio of 1623, The Tragedy of King Lear. This edition offers a fully annotated, modern spelling version of the texts set side by side, identifying and elucidating the major discrepancies between the two. It presents some possible reasons for the differences between the two texts, which themselves shed light on a number of issues relating to literary transmission in the Renaissance and give an insight into the nature of performance and censorship.
King Lear: Arden Performance Editions (Arden Performance Editions)
by William ShakespeareKing Lear has ruled for many years. As age overtakes him, he divides his kingdom amongst his children. Misjudging their loyalty, he soon finds himself stripped of all the trappings of state, wealth and power that had defined him. Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students. Designed to be used and to be useful, each edition has plenty of space for personal annotations and the well-spaced text is easy to read and to navigate. Each edition offers: - Short, clear definitions of words - Information about key textual variants - Notes on pronunciation of difficult names and unfamiliar words - An easy to read layout with space to write your own notes - A short introduction to the play
King Lear: Arden Performance Editions (Arden Performance Editions)
by William ShakespeareKing Lear has ruled for many years. As age overtakes him, he divides his kingdom amongst his children. Misjudging their loyalty, he soon finds himself stripped of all the trappings of state, wealth and power that had defined him. Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students. Designed to be used and to be useful, each edition has plenty of space for personal annotations and the well-spaced text is easy to read and to navigate. Each edition offers: - Short, clear definitions of words - Information about key textual variants - Notes on pronunciation of difficult names and unfamiliar words - An easy to read layout with space to write your own notes - A short introduction to the play
King Lear by William Shakespeare (Bloomsbury Master Guides)
by Francis CaseyThis ebook is now available from Bloomsbury Academic. Bloomsbury Academic publish acclaimed resources for undergraduate and postgraduate courses across a broad range of subjects including Art & Visual Culture, Biblical Studies, Business & Management, Drama & Performance Studies, Economics, Education, Film & Media, History, Linguistics, Literary Studies, Philosophy, Politics & International Relations, Religious Studies, Social Work & Social Welfare, Study Skills and Theology. Visit bloomsbury.com for more information.
King Lear in Brooklyn
by Michael PenningtonWhat is King Lear really thinking? What has made his daughters what they are? What does his mysterious Fool dream about? What really lies behind the familiar lines of Shakespeare’s great tragedy? Michael Pennington appeared triumphantly as King Lear in New York in 2014 and repeats the part in a major UK tour in 2016. As well as giving an enthralling account of the circumstances and fortunes of the New York production, he dispels the idea of this great play as something forbidding and remote by bringing its characters vividly into the present in their contemporary voices to explain their reactions, strategies, struggles and setbacks. This counterpoint of Shakespeare’s play seen from this point of view with the earthly story of the actor working in Brooklyn with real people is uncanny and beautiful. Pennington’s account is also funny, highly personal and deeply illuminating, both honest and scholarly. Invaluable for theatre practitioners, theatregoers and all lovers of Shakespeare, KING LEAR IN BROOKLYN is the work of one of our very finest actor-writers at the top of his game.
King Lear: Language and Writing (Arden Student Skills: Language and Writing)
by Jean E. HowardArden Student Skills: Language and Writing volumes offer a new type of study aid that combines lively critical insight with practical guidance on the writing skills you need to develop in order to engage fully with Shakespeare's texts. The books' core focus is on language: both understanding and enjoying Shakespeare's complex dramatic language and expanding your own critical vocabulary as you respond to his plays. Each guide in the series will empower you to read and write about Shakespeare with increased confidence and enthusiasm.King Lear: Language and Writing reveals how the play's elemental power springs from its language, which is at once simple, relentless and resonant, as well as from its full-blown double plot that multiplies unbearably both the follies and the pain of its protagonists. Chapters explore the play's status as a tragedy, its stagecraft, primary source material and both its textual and theatre history. The 'Writing Matters' section at the end of each chapter provides suggestions for activities that can further enhance your understanding of the play. This is an indispensable guide to Shakespeare's rich and complex dramatic language and will improve and develop your critical writing skills.
King Lear: Language and Writing (Arden Student Skills: Language and Writing)
by Jean E. HowardArden Student Skills: Language and Writing volumes offer a new type of study aid that combines lively critical insight with practical guidance on the writing skills you need to develop in order to engage fully with Shakespeare's texts. The books' core focus is on language: both understanding and enjoying Shakespeare's complex dramatic language and expanding your own critical vocabulary as you respond to his plays. Each guide in the series will empower you to read and write about Shakespeare with increased confidence and enthusiasm.King Lear: Language and Writing reveals how the play's elemental power springs from its language, which is at once simple, relentless and resonant, as well as from its full-blown double plot that multiplies unbearably both the follies and the pain of its protagonists. Chapters explore the play's status as a tragedy, its stagecraft, primary source material and both its textual and theatre history. The 'Writing Matters' section at the end of each chapter provides suggestions for activities that can further enhance your understanding of the play. This is an indispensable guide to Shakespeare's rich and complex dramatic language and will improve and develop your critical writing skills.
The King of Hell's Palace (Modern Plays)
by Frances Ya-Chu CowhigWhen the Henan Ministry of Health begins paying citizens for blood plasma which is then sold to pharmaceutical companies, impoverished farmers in the province's remote villages sell blood to buy fertilizer, mend their houses and create a better life for their children. As corrupt health officials cut costs to maximize profits, safety standards are ignored, bringing potential catastrophe to China's most vulnerable population. Inspired by true events, this gripping drama explores the conflicts that arise when a community's greatest source of capital becomes their own bodies. Focusing on the personal repercussions of the cover-up, The King of Hell's Palace questions how political and medical decisions are made and how both a family and an entire country can look to recover from traumatic events.
The King of Hell's Palace (Modern Plays)
by Frances Ya-Chu CowhigWhen the Henan Ministry of Health begins paying citizens for blood plasma which is then sold to pharmaceutical companies, impoverished farmers in the province's remote villages sell blood to buy fertilizer, mend their houses and create a better life for their children. As corrupt health officials cut costs to maximize profits, safety standards are ignored, bringing potential catastrophe to China's most vulnerable population. Inspired by true events, this gripping drama explores the conflicts that arise when a community's greatest source of capital becomes their own bodies. Focusing on the personal repercussions of the cover-up, The King of Hell's Palace questions how political and medical decisions are made and how both a family and an entire country can look to recover from traumatic events.
King Richard II: Shakespeare: The Critical Tradition (Shakespeare: The Critical Tradition)
by Nicholas F. RadelThis revised edition of King Richard II: Critical Tradition increases our the play was received and understood by critics, editors and general readers. Updated with a new introduction providing a survey of critical responses to Richard II since the 1990s to the present day, this volume offers, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The updated introduction offers an overview of recent criticism on the play in relation to feminist theory, queer theory, performance theory and ecocriticism. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods. Featuring criticism by A.C. Swinburne, Walter Pater, Oscar Wilde and W.B. Yeats, this volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.