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Ovid's Metamorphoses (Oxford Approaches to Classical Literature)
by Elaine FanthamOxford Approaches to Classical Literature (Series Editors: Kathleen Coleman and Richard Rutherford) introduces individual works of Greek and Latin literature to readers who are approaching them for the first time. Each volume sets the work in its literary and historical context, and aims to offer a balanced and engaging assessment of its content, artistry, and purpose. A brief survey of the influence of the work upon subsequent generations is included to demonstrate its enduring relevance and power. All quotations from the original are translated into English. Ovid's Metamorphoses have been seen as both the culmination of and a revolution in the classical epic tradition, transferring narrative interest from war to love and fantasy. This introduction considers how Ovid found and shaped his narrative from the creation of the world to his own sophisticated times, illustrating the cruelty of jealous gods, the pathos of human love, and the imaginative fantasy of flight, monsters, magic, and illusion. Elaine Fantham introduces the reader not only to this marvelous and complex narrative poem, but to the Greek and Roman traditions behind Ovid's tales of transformation and a selection of the images and texts that it inspired.
Ovid's 'Metamorphoses': A Reader's Guide (Reader's Guides)
by Genevieve LiveleyPerhaps no other classical text has proved its versatility so much as Ovid's epic poem. A staple of undergraduate courses in Classical Studies, Latin, English and Comparative Literature, Metamorphoses is arguably one of the most important, canonical Latin texts and certainly among the most widely read and studied.Ovid's 'Metamorphoses': A Reader's Guide is the ideal companion to this epic classical text offering guidance on:• Literary, historical and cultural context• Key themes• Reading the text• Reception and influence• Further reading
Ovid's 'Metamorphoses': A Reader's Guide (Reader's Guides)
by Genevieve LiveleyPerhaps no other classical text has proved its versatility so much as Ovid's epic poem. A staple of undergraduate courses in Classical Studies, Latin, English and Comparative Literature, Metamorphoses is arguably one of the most important, canonical Latin texts and certainly among the most widely read and studied.Ovid's 'Metamorphoses': A Reader's Guide is the ideal companion to this epic classical text offering guidance on:• Literary, historical and cultural context• Key themes• Reading the text• Reception and influence• Further reading
Ovid's Metamorphoses and the Environmental Imagination (Ancient Environments)
by Francesca Martelli and Giulia SissaThis book positions Ovid's Metamorphoses as a foundational text in the western history of environmental thought. The poem is about new bodies. Stones, springs, plants and animals materialize out of human origins to create a world of hybrid objects, which retain varying degrees of human subjectivity while taking on new physical form. In bending the boundaries of known categories of being, these hybrid entities reveal both the porousness of human and other agencies as well as the dangers released by their fusion. Metamorphosis unsettles the category of the human within the complex ecologies that make up the world as we know it.Drawing on a range of modern environmental theorists and approaches, the contributors to this volume trace how the Metamorphoses models the relationship between humans and other life forms in ways that resonate with the preoccupations of contemporary eco-criticism. They make the case for seeing the worldview depicted in Ovid's poem as an exemplar of the 'premodern' ecological mindset that contemporary environmental thought seeks to approximate. They also highlight critical moments in the history of the poem's ecological reception, including reflections by a contemporary poet, as well as studies of Medieval and Renaissance responses to Ovid.
Ovid's Metamorphoses and the Environmental Imagination (Ancient Environments)
This book positions Ovid's Metamorphoses as a foundational text in the western history of environmental thought. The poem is about new bodies. Stones, springs, plants and animals materialize out of human origins to create a world of hybrid objects, which retain varying degrees of human subjectivity while taking on new physical form. In bending the boundaries of known categories of being, these hybrid entities reveal both the porousness of human and other agencies as well as the dangers released by their fusion. Metamorphosis unsettles the category of the human within the complex ecologies that make up the world as we know it.Drawing on a range of modern environmental theorists and approaches, the contributors to this volume trace how the Metamorphoses models the relationship between humans and other life forms in ways that resonate with the preoccupations of contemporary eco-criticism. They make the case for seeing the worldview depicted in Ovid's poem as an exemplar of the 'premodern' ecological mindset that contemporary environmental thought seeks to approximate. They also highlight critical moments in the history of the poem's ecological reception, including reflections by a contemporary poet, as well as studies of Medieval and Renaissance responses to Ovid.
Ovid's Myth of Pygmalion on Screen: In Pursuit of the Perfect Woman (Continuum Studies in Classical Reception)
by Paula JamesWhy has the myth of Pygmalion and his ivory statue proved so inspirational for writers, artists, philosophers, scientists, and directors and creators of films and television series? The 'authorised' version of the story appears in the epic poem of transformations, Metamorphoses, by the first-century CE Latin poet Ovid; in which the bard Orpheus narrates the legend of the sculptor king of Cyprus whose beautiful carved woman was brought to life by the goddess Venus.Focusing on screen storylines with a Pygmalion subtext, from silent cinema to Buffy the Vampire Slayer and Lars and the Real Girl, this book looks at why and how the made-over or manufactured woman has survived through the centuries and what we can learn about this problematic model of 'perfection' from the perspective of the past and the present. Given the myriad representations of Ovid's myth, can we really make a modern text a tool of interpretation for an ancient poem? This book answers with a resounding 'yes' and explains why it is so important to give antiquity back its future.
Ovid's Myth of Pygmalion on Screen: In Pursuit of the Perfect Woman (Continuum Studies in Classical Reception #5)
by Paula JamesWhy has the myth of Pygmalion and his ivory statue proved so inspirational for writers, artists, philosophers, scientists, and directors and creators of films and television series? The 'authorised' version of the story appears in the epic poem of transformations, Metamorphoses, by the first-century CE Latin poet Ovid; in which the bard Orpheus narrates the legend of the sculptor king of Cyprus whose beautiful carved woman was brought to life by the goddess Venus.Focusing on screen storylines with a Pygmalion subtext, from silent cinema to Buffy the Vampire Slayer and Lars and the Real Girl, this book looks at why and how the made-over or manufactured woman has survived through the centuries and what we can learn about this problematic model of 'perfection' from the perspective of the past and the present. Given the myriad representations of Ovid's myth, can we really make a modern text a tool of interpretation for an ancient poem? This book answers with a resounding 'yes' and explains why it is so important to give antiquity back its future.
Ovid's Toyshop of the Heart: "Epistulae Heroidum"
by Florence VerducciFlorence Verducci challenges the presuppositions and expectations that have led to embarrassed censure of the wit and comic irreverence that Ovid wove into these dramatic monologues, addressed by his heroines to absent lovers.Originally published in 1986.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Ovid's Tragic Heroines: Gender Abjection and Generic Code-Switching
by Jessica A. WesterholdOvid's Tragic Heroines expands our understanding of Ovid's incorporation of Greek generic codes and the tragic heroines, Phaedra and Medea, while offering a new perspective on the Roman poet's persistent interest in these two characters and their paradigms. Ovid presents these two Attic tragic heroines as symbols of different passions that are defined by the specific combination of their gender and generic provenance. Their failure to be understood and their subsequent punishment are constructed as the result of their female "nature," and are generically marked as "tragic." Ovid's masculine poetic voice, by contrast, is given free rein to oscillate and play with poetic possibilities. Jessica A. Westerhold focuses on select passages from the poems Ars Amatoria, Heroides, and Metamorphoses. Building on existing scholarship, she analyzes the dynamic nature of generic categories and codes in Ovid's poetry, especially the interplay of elegy and epic. Further, her analysis of Ovid's reception applies the idea of the abject to elucidate Ovid's process of constructing gender and genre in his poetry. Ovid's Tragic Heroines incorporates established theories of the performativity of sex, gender, and kinship roles to understand the continued maintenance of the normative and abject subject positions Ovid's poetry creates. The resulting analysis reveals how Ovid's Phaedras and Medeas offer alternatives both to traditional gender roles and to material appropriate to a poem's genre, ultimately using the tragic code to introduce a new perspective to epic and elegy.
Owen Barfield’s Poetic Philosophy: Meaning and Imagination (Bloomsbury Studies in Philosophy and Poetry)
by Dr Jeffrey HipolitoThe first book to offer an overview, at once introductory and comprehensive, of the philosophical thought of Owen Barfield, sometimes known as the “first and last Inkling” and as the “British Heidegger.”Beginning by placing Barfield's early poetics in the context of the critical hurly-burly of modernist London of the 1920s, Owen Barfield's Poetic Philosophy: Meaning and Imagination shows how Barfield's subsequent development of a philosophy of history, metaphysics, and ethics culminates in his development of a poetic cosmology. Hipolito situates Barfield's poetic philosophy in relation to his significant contemporaries (and predecessors) including T.S. Eliot, D.H. Lawrence, I.A. Richards, Jean Paul Sartre, Martin Heidegger and Ernst Cassirer, bringing to light for the first time many important aspects of Barfield's thought. The book concludes with an analysis of the Burgeon trilogy, in which Barfield recapitulates the themes and arguments of his poetic philosophy by exemplifying them in three genre-defying works of fiction.Structured chronologically and giving a systematic examination of Barfield's thought, Owen Barfield's Poetic Philosophy paints a much-needed picture of a major thinker and poet, who was entirely engaged with his times and who remains crucially relevant to our own.
Owen Barfield’s Poetic Philosophy: Meaning and Imagination (Bloomsbury Studies in Philosophy and Poetry)
by Dr Jeffrey HipolitoThe first book to offer an overview, at once introductory and comprehensive, of the philosophical thought of Owen Barfield, sometimes known as the “first and last Inkling” and as the “British Heidegger.”Beginning by placing Barfield's early poetics in the context of the critical hurly-burly of modernist London of the 1920s, Owen Barfield's Poetic Philosophy: Meaning and Imagination shows how Barfield's subsequent development of a philosophy of history, metaphysics, and ethics culminates in his development of a poetic cosmology. Hipolito situates Barfield's poetic philosophy in relation to his significant contemporaries (and predecessors) including T.S. Eliot, D.H. Lawrence, I.A. Richards, Jean Paul Sartre, Martin Heidegger and Ernst Cassirer, bringing to light for the first time many important aspects of Barfield's thought. The book concludes with an analysis of the Burgeon trilogy, in which Barfield recapitulates the themes and arguments of his poetic philosophy by exemplifying them in three genre-defying works of fiction.Structured chronologically and giving a systematic examination of Barfield's thought, Owen Barfield's Poetic Philosophy paints a much-needed picture of a major thinker and poet, who was entirely engaged with his times and who remains crucially relevant to our own.
Owen Barfield’s Poetry, Drama, and Fiction: Rider on Pegasus (Routledge Studies in Twentieth-Century Literature)
by Jeffrey HipolitoOwen Barfield influenced a diverse range of writers that includes T. S. Eliot, J. R. R. Tolkien, W. H. Auden, Howard Nemerov, and Saul Bellow, and Owen Barfield's Poetry, Drama, and Fiction is the first book to comprehensively explore and assess the literary career of the "fourth Inkling," Owen Barfield. It examines his major poems, plays, and novels, with special attention both to his development over a seventy-year literary career and to the manifold ways in which his work responds with power, originality, and insight to modernist London, the nuclear age, and the dawning era of environmental crisis. With this volume, it is now possible to place into clear view the full career and achievement of Owen Barfield, who has been called the British Heidegger, the first and last Inkling, and the last Romantic.
Owen Barfield’s Poetry, Drama, and Fiction: Rider on Pegasus (Routledge Studies in Twentieth-Century Literature)
by Jeffrey HipolitoOwen Barfield influenced a diverse range of writers that includes T. S. Eliot, J. R. R. Tolkien, W. H. Auden, Howard Nemerov, and Saul Bellow, and Owen Barfield's Poetry, Drama, and Fiction is the first book to comprehensively explore and assess the literary career of the "fourth Inkling," Owen Barfield. It examines his major poems, plays, and novels, with special attention both to his development over a seventy-year literary career and to the manifold ways in which his work responds with power, originality, and insight to modernist London, the nuclear age, and the dawning era of environmental crisis. With this volume, it is now possible to place into clear view the full career and achievement of Owen Barfield, who has been called the British Heidegger, the first and last Inkling, and the last Romantic.
Owen the Poet (Studies in 20th Century Literature)
by Dominic HibberdWilfred Owen's poetry is now very widely known as the finest that came out of the First World War. But much about the poet and his work has not been fully understood. This book, based on unrivalled research, is the first to study of Owen's complete poetic achievement, revealing the uniqueness, strangeness and unity of what he called his 'poethood'. His war poems are shown to be a consistent development from his prewar verse and his unswerving allegiance to Romanticism; they grew out of a pattern of mythologised secret experience that took shape in some of his least-known manuscripts before he knew anything of the trenches. Owen lived for poetry; many unfamiliar aspects of that life are brought into focus, including his early discovery of Georgianism, his battle wirh Revivalist religion, his debt to the French Decadence, his alleged cowardice, the torment of his shellshock and the remarkable 'sociological' treatment he received for it, his sexual nature and his friendship with Oscar Wilde's beleaguered disciples in 1918, and his supreme courage in making poetry out of inner horrors deliberately 'recollected in tranquility'. Learning from Wordsworth and Shelley, Aesthetes and Decadents, Sassoon and the Georgians, Hardy, Barbusse, Russell, Edward Carpenter and many others, Owen realised his life's ambition and became a profoundly origianal poet. Owen the Poet ends with chapters on two of his richest works: 'Strange Meeting', his worst shellshock nightmare, and 'Spring Offensive', the epilogue to all he wrote. Notes, appendixes and bibliography complete what is likely to be the most authoritative book on its subject for many years to come.
The Owl and the Nightingale: A New Verse Translation (The Lockert Library of Poetry in Translation #134)
by Simon ArmitageFrom the UK Poet Laureate and bestselling translator of Sir Gawain and the Green Knight, a complete verse translation of a spirited and humorous medieval English poemThe Owl and the Nightingale, one of the earliest literary works in Middle English, is a lively, anonymous comic poem about two birds who embark on a war of words in a wood, with a nearby poet reporting their argument in rhyming couplets, line by line and blow by blow. In this engaging and energetic verse translation, Simon Armitage captures the verve and humor of this dramatic tale with all the cut and thrust of the original.In an agile iambic tetrameter that skillfully amplifies the prosody and rhythm of the original, Armitage’s translation moves entertainingly from the eloquent and philosophical to the ribald and ridiculous. Sounding at times like antagonists in a Twitter feud, the owl and the nightingale quarrel about a host of subjects that still resonate today—including love, marriage, identity, cultural background, class distinctions, and the right to be heard. Adding to the playful, raucous mood of the barb-trading birds is Armitage, who at one point inserts himself into the poem as a “magistrate . . . to adjudicate”—one who is “skilled with words & worldly wise / & frowns on every form of vice.”Featuring the Middle English text on facing pages and an introduction by Armitage, this volume will delight readers of all ages.
The Owl, The Raven, and the Dove: The Religious Meaning of the Grimms' Magic Fairy Tales
by G. Ronald MurphyThe fairy tales collected by the brothers Grimm are among the best known and most widely-read stories in western literature. In recent years commentators such as Bruno Bettelheim have, usually from a psychological perspective, pondered the underlying meaning of the stories, why children are so enthralled by them, and what effect they have on the the best-known tales (Hansel and Gretel, Little Red Riding Hood, Cinderella, Snow White, and Sleeping Beauty) and shows that the Grimms saw them as Christian fables. Murphy examines the arguments of previous interpreters of the tales, and demonstrates how they missed the Grimms' intention. His own readings of the five so-called "magical" tales reveal them as the beautiful and inspiring "documents of faith" that the Grimms meant them to be. Offering an entirely new perspective on these often-analyzed tales, Murphy's book will appeal to those concerned with the moral and religious education of children, to students and scholars of folk literature and children's literature, and to the many general readers who are captivated by fairy tales and their meanings.
The Owl, The Raven, and the Dove: The Religious Meaning of the Grimms' Magic Fairy Tales
by G. Ronald MurphyThe fairy tales collected by the brothers Grimm are among the best known and most widely-read stories in western literature. In recent years commentators such as Bruno Bettelheim have, usually from a psychological perspective, pondered the underlying meaning of the stories, why children are so enthralled by them, and what effect they have on the the best-known tales (Hansel and Gretel, Little Red Riding Hood, Cinderella, Snow White, and Sleeping Beauty) and shows that the Grimms saw them as Christian fables. Murphy examines the arguments of previous interpreters of the tales, and demonstrates how they missed the Grimms' intention. His own readings of the five so-called "magical" tales reveal them as the beautiful and inspiring "documents of faith" that the Grimms meant them to be. Offering an entirely new perspective on these often-analyzed tales, Murphy's book will appeal to those concerned with the moral and religious education of children, to students and scholars of folk literature and children's literature, and to the many general readers who are captivated by fairy tales and their meanings.
Owls (PDF)
by Emily BoneThis book presents the reader with a large amount of information about owls, including different types of owls and how they live.
Owning Performance | Performing Ownership: Literary Property and the Eighteenth-Century British Stage
by Jane WesselIn 1710, England’s first copyright law gave authors the ability to own their works, but it was not until 1833 that literary property law was extended to protect dramatic performance. Between these dates, generations of playwrights grappled for control over their intellectual property in a cultural and legal environment that treated print differently from performance. As ownership became a central concern for many, actors fought to possess their dramatic parts exclusively, playwrights struggled to control and profit from repeat performances of their works, and managers tried to gain a monopoly over the performance of profitable plays. Owning Performance follows the careers of some of the 18th century’s most influential playwrights, actors, and theater managers as they vied for control over the period’s most popular shows. Without protection for dramatic literary property, these figures developed creative extra-legal strategies for controlling the performance of drama—quite literally performing their ownership. Their various strategies resulted in a culture of ephemerality, with many of the period’s most popular works existing only in performance and manuscript copies. Author Jane Wessel explores how playwrights and actors developed strategies for owning their works and how, in turn, theater managers appropriated these strategies, putting constant pressure on artists to innovate. Owning Performance reveals the wide-reaching effects of property law on theatrical culture, tracing a turn away from print that affected the circulation, preservation, and legacy of 18th century drama.
Owning Up: Privacy, Property, and Belonging in U.S. Women's Life Writing
by Katherine AdamsOwning Up argues that from its beginning the U.S. discourse on privacy has been couched in terms of violation and dispossession, so that even as nineteenth-century Americans came to regard privacy as a natural right, and to identify it with sacred ideals of democratic freedom and individuality, they also understood it as under threat or erasure. Using biographical and autobiographical writing as her primary archive, Adams traces the public narrative of imperiled privacy across five centuries. Her analyses begin with the premise that nineteenth-century conceptions of privacy became meaningful only in negative relation to the encroaching forces of market capitalism and commodification. Where previous studies treat privacy as a stable category whose defining features are middle-class domesticity and femininity, Owning Up contends that privacy is an empty category that lacks fixed content and requires constant re-articulation via panic narratives in which gender always operates in intersection with race. Chapters look at how the discourse of imperiled privacy develops in conjunction with Romantic idealism and antebellum reform, racial reconstruction and the ethic of self-right, and Social Darwinist laissez faire, and culminates at the end of the century in calls for legislation to protect the American individual's "right to be let alone."
Oxford A-z Of Grammar And Punctuation: (pdf)
by John SeelyThe Oxford A-Z of Grammar and Punctuation offers accessible and coherent explanations across a broad range of topics, and is an excellent first port of call for any reader seeking clear, authoritative help with grammar and punctuation. Incorporating hundreds of examples of real usage taken from the Oxford English Corpus, this handy volume contains more than 300 alphabetically-arranged entries, including standard grammatical terms such as active voice, conjunction, pronoun, synonym, and transitive verb. It also discusses related questions of usage, including how to distinguish between 'may or might', 'that or which', and 'it's or its'. Over 30 feature entries on major headwords like adverb, clause, and spelling include diagrams listing related terms. The A-Z has been fully revised and updated, and the structure and approach has been revisited to improve its accessibility, including clearer typographical conventions, and the reintroduction of the easy-to-use two-colour format found in early editions. Major headwords have been made (where possible) shorter and easier to navigate, and all sample sentences have been revised, replacing those that are out of date and adding new ones where needed. Readers of all levels will find this volume to be an essential tool for writing at home, in the office, at school, and at college.
The Oxford Book of War Poetry
by Jon StallworthyThere can be no area of human experience that has generated a wider range of powerful feelings than war. The 250 poems in Jon Stallworthy's classic and celebrated anthology span centuries of human experience of war, from David's Lament for Saul and Jonathan, and Homer's Iliad, to the finest poems of the First and Second World Wars, and beyond. Reflecting the feelings of poets as diverse as Byron, Hardy, Owen, Sassoon, and Heaney, they chart a great shift in human awareness - from man's early celebratory war-songs' to the twentieth century's darker poetic responses to man's inhumanity to man'.
Oxford Bookworms Libraray, Stage 2: Dracula (2007 edition) (PDF)
by Diane Mowat Bram StokerThe Oxford Bookworms Library offers enjoyable reading at seven levels (Starter to Stage 6). To find your required reading level please take the Oxford Bookworks reading level test. In the mountains of Transylvania there stands a castle. It is the home of Count Dracula - a dark, lonely place, and at night the wolves howl around the walls.
Oxford Bookworms Libraray, Stage 2: Dracula (2007 edition)
by Stoker, Bram|Mowat, DianeThe Oxford Bookworms Library offers enjoyable reading at seven levels (Starter to Stage 6). To find your required reading level please take the Oxford Bookworks reading level test. In the mountains of Transylvania there stands a castle. It is the home of Count Dracula - a dark, lonely place, and at night the wolves howl around the walls. In the year 1875 Jonathan Harker comes from England to do business with the Count. But Jonathan does not feel comfortable at Castle Dracula. Strange things happen at night, and very soon, he begins to feel afraid. And he is right to be afraid, because Count Dracula is one of the Un-Dead - a vampire that drinks the blood of living people . . .
Oxford Bookworms Library, Girl on a Motorcycle: Starter (2007 edition)
by John EscottThe Oxford Bookworms Library offers enjoyable reading at seven levels (Starter to Stage 6). To find your required reading level please take the Oxford Bookworks reading level test. 'Give me the money,' says the robber to the Los Angeles security guard. The guard looks at the gun and hands over the money. The robber has long blond hair and rides a motorcycle - and a girl with long blond hair arrives at Kenny's motel - on a motorcycle. Is she the robber?