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Oxford Bookworms Library, Stage 6: Pride and Prejudice (2007 edition) (PDF)
by Austen, Jane|West, ClareThe Oxford Bookworms Library offers enjoyable reading at seven levels (Starter to Stage 6). To find your required reading level please take the Oxford Bookworks reading level test. 'The moment I first met you, I noticed your pride, your sense of superiority, and your selfish disdain for the feelings of others. You are the last man in the world whom I could ever be persuaded to marry,' said Elizabeth Bennet. And so Elizabeth rejects the proud Mr Darcy. Can nothing overcome her prejudice against him? And what of the other Bennet girls - their fortunes, and misfortunes, in the business of getting husbands? This famous novel by Jane Austen is full of wise and humorous observation of the people and manners of her times.
Oxford Bookworms Library, Stage 6: Oliver Twist (2007 edition) (PDF)
by Dickens, Charles|Rogers, RichardThe Oxford Bookworms Library offers enjoyable reading at seven levels (Starter to Stage 6). To find your required reading level please take the Oxford Bookworks reading level test. London in the 1830s was no place to be if you were a hungry ten-year-old boy, an orphan without friends or family, with no home to go to, and only a penny in your pocket to buy a piece of bread. But Oliver Twist finds some friends--Fagin, the Artful Dodger, and Charley Bates. They give him food and shelter, and play games with him, but it is not until some days later that Oliver finds out what kind of friends they are and what kind of 'games' they play...
Oxford Bookworms Library, Stage 6: Oliver Twist (2007 edition) (PDF)
by Dickens, Charles|Rogers, RichardThe Oxford Bookworms Library offers enjoyable reading at seven levels (Starter to Stage 6). To find your required reading level please take the Oxford Bookworks reading level test. London in the 1830s was no place to be if you were a hungry ten-year-old boy, an orphan without friends or family, with no home to go to, and only a penny in your pocket to buy a piece of bread. But Oliver Twist finds some friends--Fagin, the Artful Dodger, and Charley Bates. They give him food and shelter, and play games with him, but it is not until some days later that Oliver finds out what kind of friends they are and what kind of 'games' they play...
Oxford Bookworms Library, Stage 6: The Fly and Other Horror Stories (2007 edition) (PDF)
by John EscottThe Oxford Bookworms Library offers enjoyable reading at seven levels (Starter to Stage 6). To find your required reading level please take the Oxford Bookworks reading level test. Flies are a nuisance. They are annoying when they buzz around you, but you can brush them away with your hand. After all, a fly is only about half the size of your fingernail. But suppose it wasn't. Catch a fly and look at it closely--look at its head, its eyes, its legs. Now imagine that this thing was the size of a human being... These eight stories offer horror in many shapes and forms, in worlds full of monsters and evil spirits, where terror lies waiting in the shadow, and where the living and the dead dance hand in hand.
Oxford Bookworms Library, Stage 6: Vanity Fair (2008 edition) (PDF)
by Thackeray, William Makepeace|Mowat, DianeThe Oxford Bookworms Library offers enjoyable reading at seven levels (Starter to Stage 6). To find your required reading level please take the Oxford Bookworks reading level test. When Becky Sharp and Amelia Sedley leave school, their feet are set on very different paths. Kind, foolish Amelia returns to her comfortable home and wealthy family, to await a suitable marriage, while Becky must look out for herself, earning her own living in a hard world. But Becky is neither kind nor foolish, and with her quick brain and keen eye for a chance, her fortunes soon rise, while Amelia's fall. Greed, ambition, loyalty, betrayal, folly, wisdom ... Thackeray's famous novel gives us a witty and satirical picture of English society during the Napoleonic wars.
Oxford Bookworms Library, Stage 6: Jane Eyre (3rd edition) (PDF)
by Clare West Charlotte BronteThe Oxford Bookworms Library offers enjoyable reading at seven levels (Starter to Stage 6). To find your required reading level please take the Oxford Bookworks reading level test. Jane Eyre is alone in the world. Disliked by her aunt's family, she is sent away to school. Here she learns that a young girl, with neither money nor family to support her, can expect little from the world
Oxford Bookworms Library, Starter: Survive! (2007 edition) (PDF)
by Helen BrookeThe Oxford Bookworms Library offers enjoyable reading at seven levels (Starter to Stage 6). To find your required reading level please take the Oxford Bookworks reading level test. You are in a small plane, going across the Rocky Mountains. Suddenly, the engine starts to make strange noises... Soon you are alone, in the snow, at the top of a mountain, and it is very, very cold. Can you find your way out of the mountain?
Oxford Bookworms Library, Starter: Starman (2007 edition) (PDF)
by Burrows, Phillip|Foster, MarkThe Oxford Bookworms Library offers enjoyable reading at seven levels (Starter to Stage 6). To find your required reading level please take the Oxford Bookworks reading level test. The empty centre of Australia. The sun is hot and there are not many people. And when Bill meets a man, alone, standing on an empty road a long way from anywhere, he is surprised and worried. And Bill is right to be worried. Because there is something strange about the man he meets. Very strange...
Oxford Bookworms Library, Starter: Oranges in the Snow (2007 edition) (PDF)
by Burrows, Phillip|Foster, MarkThe Oxford Bookworms Library offers enjoyable reading at seven levels (Starter to Stage 6). To find your required reading level please take the Oxford Bookworks reading level test. 'Everything's ready now. We can do the experiment,' says your assistant Joe. You are the famous scientist Mary Durie working in a laboratory in Alaska. When you discover something very new and valuable, other people want to try to steal your idea - can you stop them before they escape?
Oxford Bookworms Library, Starter: New York Café (2007 edition)
by Michael DeanThe Oxford Bookworms Library offers enjoyable reading at seven levels (Starter to Stage 6). To find your required reading level please take the Oxford Bookworks reading level test. It is the year 2030, and an e-mail message arrives at New York Café. 'I want to help people and make them happy!' But not everybody is happy about the e-mail, and soon the police and the President are very interested in the New York Café.
Oxford Bookworms Library, Starter: New York Café (2007 edition)
by Michael DeanThe Oxford Bookworms Library offers enjoyable reading at seven levels (Starter to Stage 6). To find your required reading level please take the Oxford Bookworks reading level test. It is the year 2030, and an e-mail message arrives at New York Café. 'I want to help people and make them happy!' But not everybody is happy about the e-mail, and soon the police and the President are very interested in the New York Café.
Oxford Bookworms Library, Starter: Sally's Phone (2007 edition) (PDF)
by Christine LindopThe Oxford Bookworms Library offers enjoyable reading at seven levels (Starter to Stage 6). To find your required reading level please take the Oxford Bookworks reading level test. Sally is always running - and she has her phone with her all the time: at home, on the train, at work, at lunchtime, and at the shops. But then one afternoon suddenly she has a different phone ... and it changes her life.
Oxford Bookworms Library, Starter: Sally's Phone (2007 edition) (PDF)
by Christine LindopThe Oxford Bookworms Library offers enjoyable reading at seven levels (Starter to Stage 6). To find your required reading level please take the Oxford Bookworks reading level test. Sally is always running - and she has her phone with her all the time: at home, on the train, at work, at lunchtime, and at the shops. But then one afternoon suddenly she has a different phone ... and it changes her life.
The Oxford Companion to Children's Literature (Oxford Quick Reference)
by Daniel HahnThe last thirty years have witnessed one of the most fertile periods in the history of children's books: the flowering of imaginative illustration and writing, the Harry Potter phenomenon, the rise of young adult and crossover fiction, and books that tackle extraordinarily difficult subjects. The Oxford Companion to Children's Literature provides an indispensable and fascinating reference guide to the world of children's literature. Its 3,500 entries cover every genre from fairy tales to chapbooks; school stories to science fiction; comics to children's hymns. Originally published in 1983, the Companion has been comprehensively revised and updated by Daniel Hahn. Over 900 new entries bring the book right up to date. A whole generation of new authors and illustrators are showcased, with books like Dogger, The Hunger Games, and Twilight making their first appearance. There are articles on developments such as manga, fan fiction, and non-print publishing, and there is additional information on prizes and prizewinners. This accessible A to Z is the first place to look for information about the authors, illustrators, printers, publishers, educationalists, and others who have influenced the development of children's literature, as well as the stories and characters at their centre. Written both to entertain and to instruct, the highly acclaimed Oxford Companion to Children's Literature is a reference work that no one interested in the world of children's books should be without.
The Oxford Companion to Shakespeare
by Michael Dobson Stanley Wells Will Sharpe Erin SullivanThe Oxford Companion to Shakespeare is the most comprehensive reference work available on Shakespeare's life, times, works, and his 400-year global legacy. In addition to the authoritative A-Z entries, it includes nearly 100 illustrations, a chronology, a guide to further reading, a thematic contents list, and special feature entries on each of Shakespeare's works. Tying in with the 400th anniversary of Shakespeare's death, this much-loved Companion has been revised and updated, reflecting developments and discoveries made in recent years and to cover the performance, interpretation, and the influence of Shakespeare's works up to the present day. First published in 2001, the online edition was revised in 2011, with updates to over 200 entries plus 16 new entries. These online updates appear in print for the first time in this second edition, along with a further 35,000 new and revised words. These include more than 80 new entries, ranging from important performers, directors, and scholars (such as Lucy Bailey, Samuel West, and Alfredo Michel Modenessi), to topics as diverse as Shakespeare in the digital age and the ubiquity of plants in Shakespeare's works, to the interpretation of Shakespeare globally, from Finland to Iraq. To make information on Shakespeare's major works easier to find, the feature entries have been grouped and placed in a centre section (fully cross-referenced from the A-Z). The thematic listing of entries - described in the press as 'an invaluable panorama of the contents' - has been updated to include all of the new entries. This edition contains a preface written by much-lauded Shakespearian actor Simon Russell Beale. Full of both entertaining trivia and scholarly detail, this authoritative Companion will delight the browser and reward students, academics, as well as anyone wanting to know more about Shakespeare.
The Oxford Companion to the Brontës: Anniversary edition (Oxford Companions)
by Christine Alexander Margaret SmithThis special edition of The Oxford Companion to the Brontës commemorates the bicentenary of Emily Brontë's birth in July 1818 and provides comprehensive and detailed information about the lives, works, and reputations of the Brontës - the three sisters Charlotte, Emily, and Anne, their father, and their brother Branwell. Expanded entries surveying the Brontës' lives and works are supplemented by entries on friends and acquaintances, pets, literary and political heroes; on the places they knew and the places they imagined; on their letters, drawings and paintings; on historical events such as Chartism, the Peterloo Massacre, and the Ashantee Wars; on exploration, slavery, and religion. Selected entries on the characters and places in the Brontë juvenilia provide a glimpse into their early imaginative worlds, and entries on film, ballet, and musicals indicate the extent to which their works have inspired others. A new foreword to the text has been also penned by Claire Harman, award-winning writer and literary critic, and recent biographer of Charlotte Brontë. This is a unique and authoritative reference book for the research student and the general reader. The A-Z format, extensive cross-referencing, classified contents, chronologies, illustrations, and maps, both facilitate quick reference and encourage further exploration. This Companion is not only invaluable for quick searches, but a delight to browse, and an inspiration to further reading.
Oxford Critical Guide to Homer's Iliad (Oxford Critical Guides)
by Jonathan L. ReadyThe Oxford Critical Guide to Homer's Iliad investigates each of the Iliad's twenty-four books, proceeding in order from book 1 to book 24 and devoting one chapter to each one. Contributors summarize the plot of a book and then explore its themes and poetics, providing both close readings of individual passages and synthetic reviews of current scholarship. This format allows readers to study the poem in the same manner in which they read it: book by book. Differing from other introductions to the Iliad that comprise chapters on specific topics and themes, the volume offers accessible and actionable discussions of concepts pertinent to each book of the poem. Differing from other introductory volumes that are written by a single author, this volume allows for a polyphony of critical voices and showcases the diversity of approaches to the Iliad. Finally, differing from commentaries keyed to the Greek text, this volume is completely accessible to those who do not read Homeric Greek. These features make the volume an essential resource for those studying the Iliad in translation and in the original Greek, for those in classical studies and in other disciplines, and for teachers and students, both those at the undergraduate level and those at the graduate level.
Oxford Critical Guide to Homer's Iliad (Oxford Critical Guides)
by Jonathan L. ReadyThe Oxford Critical Guide to Homer's Iliad investigates each of the Iliad's twenty-four books, proceeding in order from book 1 to book 24 and devoting one chapter to each one. Contributors summarize the plot of a book and then explore its themes and poetics, providing both close readings of individual passages and synthetic reviews of current scholarship. This format allows readers to study the poem in the same manner in which they read it: book by book. Differing from other introductions to the Iliad that comprise chapters on specific topics and themes, the volume offers accessible and actionable discussions of concepts pertinent to each book of the poem. Differing from other introductory volumes that are written by a single author, this volume allows for a polyphony of critical voices and showcases the diversity of approaches to the Iliad. Finally, differing from commentaries keyed to the Greek text, this volume is completely accessible to those who do not read Homeric Greek. These features make the volume an essential resource for those studying the Iliad in translation and in the original Greek, for those in classical studies and in other disciplines, and for teachers and students, both those at the undergraduate level and those at the graduate level.
Oxford Dictionary And Thesaurus: (pdf)
by Judy Pearsall Oxford Dictionaries StaffThe second edition of the Oxford Dictionary and Thesaurus is the perfect language resource, combining a dictionary and thesaurus text. This means that you only have to reach for one book when you need language help. In this edition the dictionary and thesaurus texts are integrated so that the thesaurus entry for a word follows the dictionary entry directly. This is based on market research into user preferences making the dictionary accessible, clear, and easy to use. New to this edition is a centre section for crossword enthusiasts and puzzle solvers, containing hundreds of thematic word lists. With 300,000 definitions, synonyms, and antonyms, this really is the ultimate tool for anyone who loves language-based quizzes and puzzles. The Oxford Dictionary and Thesaurus also features usage notes to help you deal with tricky vocabulary and improve your writing style. The ultimate reference tool for your shelf - but not designed to stay there!
The Oxford Dictionary of Literary Terms (Oxford Quick Reference)
by Chris BaldickThe bestselling Oxford Dictionary of Literary Terms provides clear and concise definitions of the most troublesome literary terms, from abjection to zeugma. It is an essential reference tool for students of literature in any language. Now expanded and in its fourth edition, it includes increased coverage of new terms from modern critical and theoretical movements, such as feminism, schools of American poetry, Spanish verse forms, life writing, and crime fiction. It includes extensive coverage of traditional drama, versification, rhetoric, and literary history, as well as updated and extended advice on recommended further reading and a pronunciation guide to more than 200 terms. Completely revised and updated, this edition also features brand-new entries on terms such as distant reading, graphic novels, middle generation, and misery memoir. Many new bibliographies have been added to entries and recommended web links are available via a companion website.
The Oxford Dictionary of Original Shakespearean Pronunciation
by David CrystalThis dictionary is the first comprehensive description of Shakespearean original pronunication (OP), enabling practitioners to deal with any queries about the pronunciation of individual words. It includes all the words in the First Folio, transcribed using IPA, and the accompanying website hosts sound files as a further aid to pronunciation. It also includes the main sources of evidence in the texts, notably all spelling variants (along with a frequency count for each variant) and all rhymes (including those occurring elsewhere in the canon, such as the Sonnets and long poems). An extensive introduction provides a full account of the aims, evidence, history, and current use of OP in relation to Shakespeare productions, as well as indicating the wider use of OP in relation to other Elizabethan and Jacobean writers, composers from the period, the King James Bible, and those involved in reconstructing heritage centres. It will be an invaluable resource for producers, directors, actors, and others wishing to mount a Shakespeare production or present Shakespeare's poetry in original pronunciation, as well as for students and academics in the fields of literary criticism and Shakespeare studies more generally.
The Oxford Edition of Charles Dickens: The Life and Adventures of Nicholas Nickleby (The Oxford Edition of Charles Dickens)
by Charles DickensThe Life and Adventures of Nicholas Nickleby, the second volume of the new Oxford Edition of Charles Dickens, is Dickens's third novel, originally published in monthly parts between March 1838 and September 1839. Brilliantly comic, the novel quickly developed a strong strand of social criticism, exploring themes such as love and family, selfishness, work, and charity. It showcases a host of characters, from the earnest and passionate young hero Nicholas, the pathetic Smike, and the brutal schoolmaster Wackford Squeers, to sparkling minor players like John Browdie, Mrs. Squeers, Mr. Mantalini, Mr. Crummles, and the infuriatingly inept Mrs. Nickleby. Solidifying the reputation for comedy and pathos Dickens had established with The Pickwick Papers and Oliver Twist, this novel reached—and delighted—the widest audience Dickens had yet known. The manuscript of Nicholas Nickleby survives only in fragments, with the British Library, the Charles Dickens Museum, and The Rosenbach library holding substantial portions, and the Victoria and Albert Museum, the Free Library of Philadelphia, and the Morgan Library also holding pages. This edition is presented in two volumes: the text in Volume I and Essay on the Text and Notes in Volume 2. The editors have closely examined all the surviving manuscript, recovering scores of deletions and recording all variants of wording in the textual apparatus. The text is based on that of the original serial instalments; all emendations from that text are fully documented. All lifetime British editions (the Cheap, the Library, the Illustrated Library, the People's and the Charles Dickens) have been carefully collated, and all verbal variants are recorded.
Oxford English Dictionary for Schools (PDF) (400MB+)
by Oxford Dictionaries400MB+ File Request - email bookshare@rnib.org.uk to request this title by WeTransfer. The Oxford English Dictionary for Schools is easy to use with its clear signposting, accessible design, and expertly levelled look and feel. Now students can and will find the words they want fast! It has extensive vocabulary including all cross-curriculum words, so it is ideal for preparing for Controlled Assessments. It is powered by the Oxford Children's Corpus, a unique electronic database of millions of words written for children. Added extras in this dictionary are the language panels for project work, synonyms for overused words to develop wide-ranging language skills, and citations. Real example sentences from the best children's books and teenage fiction show students how to use language most effectively. There are inspiring examples from authors such as David Almond, Philip Pullman, William Golding, Anthony Horowitz, Beverley Naidoo, and many more from the curriculum reading lists.
The Oxford English Literary History: Volume I: 1000-1350: Conquest and Transformation (Oxford English Literary History)
by Laura AsheThe Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. Each of these thirteen groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers. This book describes and seeks to explain the vast cultural, literary, social, and political transformations which characterized the period 1000-1350. Change can be perceived everywhere at this time. Theology saw the focus shift from God the Father to the suffering Christ, while religious experience became ever more highly charged with emotional affectivity and physical devotion. A new philosophy of interiority turned attention inward, to the exploration of self, and the practice of confession expressed that interior reality with unprecedented importance. The old understanding of penitence as a whole and unrepeatable event, a second baptism, was replaced by a new allowance for repeated repentance and penance, and the possibility of continued purgation of sins after death. The concept of love moved centre stage: in Christ's love as a new explanation for the Passion; in the love of God as the only means of governing the self; and in the appearance of narrative fiction, where heterosexual love was suddenly represented as the goal of secular life. In this mode of writing further emerged the figure of the individual, a unique protagonist bound in social and ethical relation with others; from this came a profound recalibration of moral agency, with reference not only to God but to society. More generally, the social and ethical status of secular lives was drastically elevated by the creation and celebration of courtly and chivalric ideals. In England the ideal of kingship was forged and reforged over these centuries, in intimate relation with native ideals of counsel and consent, bound by the law. In the aftermath of Magna Carta, and as parliament grew in reach and importance, a politics of the public sphere emerged, with a literature to match. These vast transformations have long been observed and documented in their separate fields. The Oxford English Literary History: Volume 1: 1000-1350: Conquest and Transformation offers an account of these changes by which they are all connected, and explicable in terms of one another.
The Oxford English Literary History: Volume I: 1000-1350: Conquest and Transformation (Oxford English Literary History)
by Laura AsheThe Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. Each of these thirteen groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers. This book describes and seeks to explain the vast cultural, literary, social, and political transformations which characterized the period 1000-1350. Change can be perceived everywhere at this time. Theology saw the focus shift from God the Father to the suffering Christ, while religious experience became ever more highly charged with emotional affectivity and physical devotion. A new philosophy of interiority turned attention inward, to the exploration of self, and the practice of confession expressed that interior reality with unprecedented importance. The old understanding of penitence as a whole and unrepeatable event, a second baptism, was replaced by a new allowance for repeated repentance and penance, and the possibility of continued purgation of sins after death. The concept of love moved centre stage: in Christ's love as a new explanation for the Passion; in the love of God as the only means of governing the self; and in the appearance of narrative fiction, where heterosexual love was suddenly represented as the goal of secular life. In this mode of writing further emerged the figure of the individual, a unique protagonist bound in social and ethical relation with others; from this came a profound recalibration of moral agency, with reference not only to God but to society. More generally, the social and ethical status of secular lives was drastically elevated by the creation and celebration of courtly and chivalric ideals. In England the ideal of kingship was forged and reforged over these centuries, in intimate relation with native ideals of counsel and consent, bound by the law. In the aftermath of Magna Carta, and as parliament grew in reach and importance, a politics of the public sphere emerged, with a literature to match. These vast transformations have long been observed and documented in their separate fields. The Oxford English Literary History: Volume 1: 1000-1350: Conquest and Transformation offers an account of these changes by which they are all connected, and explicable in terms of one another.