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Parts of a Whole: Distributivity as a Bridge between Aspect and Measurement (Oxford Studies in Theoretical Linguistics #66)
by Lucas ChampollionThis book uses mathematical models of language to explain why there are certain gaps in language: things that we might expect to be able to say but can't. For instance, why can we say I ran for five minutes but not *I ran all the way to the store for five minutes? Why is five pounds of books acceptable, but *five pounds of book not acceptable? What prevents us from saying *sixty degrees of water to express the temperature of the water in a swimming pool when sixty inches of water can express its depth? And why can we not say *all the ants in my kitchen are numerous? The constraints on these constructions involve concepts that are generally studied separately: aspect, plural and mass reference, measurement, and distributivity. In this book, Lucas Champollion provides a unified perspective on these domains, connects them formally within the framework of algebraic semantics and mereology, and uses this connection to transfer insights across unrelated bodies of literature and formulate a single constraint that explains each of the judgments above.
Parts of Speech in Mandarin: The State of the Art (Springerbriefs In Linguistics Ser. #0)
by Candice Chi-Hang CheungThis book offers a comprehensive survey of the major parts of speech in Mandarin. Seeking to identify the sets of universal and language-specific categories, it compares the range of categories available in Mandarin and the Indo-European languages and establishes six universal categories – nouns, verbs, adjectives, adverbs, prepositions and conjunctions – and three language-specific ones, namely classifiers, localizers and sentence-final particles. Incorporating insights from recent research findings and the diachronic development of the language, the book sheds new light on the factors that contribute to the long-standing debate on the categorical status of adjectives, prepositions and localizers in the extant literature. Bringing together the earlier general descriptions and the latest advances, it is broadly accessible to non-native and native speakers of the language and offers an ideal reference source for all students and scholars who are interested in studying the parts of speech in Mandarin.
Party Communication in Routine Times of Politics: Issue Dynamics, Party Competition, Agenda-Setting, and Representation in Germany
by Simona BevernSimona Bevern addresses the questions what and why political parties communicate in the time between elections, focusing on the dynamic rise and fall of policy issues. Despite the central role of political parties and the alleged importance of communication, only few scholars have taken a closer look at the content and dynamics of parties’ communication in routine times of politics. In this study, interactions between parties’ communication, their party competitors, the legislative agenda and public opinion are studied in Germany for the years 2004–2009, making use of a novel data set and quantitative methods.
Pas de Probleme: Student Book
by Madeleine Hummler Brigitte Rix Elspeth NicholsPas de problème is a highly illustrative and communicative course designed for adults of all ages, from those with a 'rusty' recollection of school French to those advancing in the acquisition of a new language on a fast track. It will give students a thorough grounding in all the skills required to understand, speak, read and write contemporary French.The coursebook consists of 12 lively, illustrated chapters covering different broad themes and providing plenty of diverse material from technical to light-hearted. A wide range of registers is covered, from everyday idioms to formal letter-writing phrases. Each chapter contains the following: * sections reminding students of essential vocabulary and structures* explanations of new grammar in one single block for easy reference* reading and listening exercises* new vocabulary lists to aid self-study* role-playing exercises * internet addresses for further research* boxes containing helpful learning tips Audio files to accompany this book are available free of charge at www.routledge.com/cw/hummler
Pas de Probleme: Student Book
by Madeleine Hummler Brigitte Rix Elspeth NicholsPas de problème is a highly illustrative and communicative course designed for adults of all ages, from those with a 'rusty' recollection of school French to those advancing in the acquisition of a new language on a fast track. It will give students a thorough grounding in all the skills required to understand, speak, read and write contemporary French.The coursebook consists of 12 lively, illustrated chapters covering different broad themes and providing plenty of diverse material from technical to light-hearted. A wide range of registers is covered, from everyday idioms to formal letter-writing phrases. Each chapter contains the following: * sections reminding students of essential vocabulary and structures* explanations of new grammar in one single block for easy reference* reading and listening exercises* new vocabulary lists to aid self-study* role-playing exercises * internet addresses for further research* boxes containing helpful learning tips Audio files to accompany this book are available free of charge at www.routledge.com/cw/hummler
Pascal and Theology
by Jan MielOriginally published in 1970. The question of man's freedom to exercise his will—as active an issue among twentieth-century philosophers and theologians as it was in the Jesuit and Jansenist camps known to Pascal—is basic to this study. Pascal's theological thinking, which Professor Miel demonstrates to be the source of unity and coherence in virtually all phases of his thought, is preoccupied by a concern for man's limitations. In his analysis of Pascal's theology, Miel is concerned not only with characterizing Pascal's theological position but also with evaluating it in terms of the history of the church. In a concise and lucid review of the Christian doctrine of grace from the pre-Augustinians through the Renaissance, the author identifies the intellectual-theological atmosphere that created the need for Pascal's strong defense of Augustinian theology. Miel considers Pascal's Écrits sur la grâce, Lettres provincials, and Pensées as well as shorter compositions and correspondence. He establishes the content of Pascal's vision of grace and free will, noting both its originality and its sense of history. Most importantly, he asserts that Pascal's affirmation of Jansenism predated his association with Port Royal and, indeed, was basic to all his adult thought and work. The author finds in the writings of Pascal a style that anticipates twentieth-century theology, a sophistication that belies charges of Pascal's theological naïveté, and a concern to uphold rather than to undermine doctrinal traditions of the church.
Pasolini after Dante: The 'Divine Mimesis' and the Politics of Representation (Legenda)
by Emanuela PattiWhat role did Dante play in the work of Pier Paolo Pasolini (1922-1975)? His unfinished and fragmented imitation of the Comedia, La Divina Mimesis, is only one outward sign of what was a sustained dialogue with Dante on representation begun in the early 1950s. During this period, the philologists Gianfranco Contini (1912-1990) and Erich Auerbach (1892-1957) played a crucial role in Pasolini’s re-thinking of ‘represented reality’, suggesting Dante as the best literary, authorial and political model for a generation of postwar Italian writers. This emerged first as ‘Dantean realism’ in Pasolini’s prose and poetry, after Contini’s interpretation of Dante and of his plurilingualism, and then as ‘figural realism’ in his cinema, after Auerbach’s concepts of Dante’s figura and ‘mingling of styles’. Following the evolution of Pasolini’s mimetic ideal from these formative influences through to La Divina Mimesis, Emanuela Patti explores Pasolini’s politics of representation in relation to the ‘national-popular’, the ‘questione della lingua’ and the Italian post-war debates on neorealism, while also providing a new interpretation of some of his major literary and cinematic works.
Pasolini after Dante: The 'Divine Mimesis' and the Politics of Representation (Legenda)
by Emanuela PattiWhat role did Dante play in the work of Pier Paolo Pasolini (1922-1975)? His unfinished and fragmented imitation of the Comedia, La Divina Mimesis, is only one outward sign of what was a sustained dialogue with Dante on representation begun in the early 1950s. During this period, the philologists Gianfranco Contini (1912-1990) and Erich Auerbach (1892-1957) played a crucial role in Pasolini’s re-thinking of ‘represented reality’, suggesting Dante as the best literary, authorial and political model for a generation of postwar Italian writers. This emerged first as ‘Dantean realism’ in Pasolini’s prose and poetry, after Contini’s interpretation of Dante and of his plurilingualism, and then as ‘figural realism’ in his cinema, after Auerbach’s concepts of Dante’s figura and ‘mingling of styles’. Following the evolution of Pasolini’s mimetic ideal from these formative influences through to La Divina Mimesis, Emanuela Patti explores Pasolini’s politics of representation in relation to the ‘national-popular’, the ‘questione della lingua’ and the Italian post-war debates on neorealism, while also providing a new interpretation of some of his major literary and cinematic works.
Pasolini Requiem: Second Edition
by Barth David SchwartzPier Paolo Pasolini (1922–75) was one of the most important Italian intellectuals of the post–World War II era. An astonishing polymath—poet, novelist, literary critic, political polemicist, screenwriter, and film director—he exerted profound influence on Italian culture up to his untimely death at the age of fifty-three. This revised edition of what the New York Times Book Review has called “the standard Pasolini biography” introduces the artist to a new generation of readers. Based on extensive interviews with those who knew Pasolini, both friends and enemies, admirers and detractors, Pasolini Requiem chronicles his growth from poet in the provinces to Italy’s leading “civil poet”; his flight to Rome in 1950; the scandalous success of his two novels and political writing; and his transition to film, where he started as a contributor to the golden age of Italian cinema and ended with the shocking Salò, or the 120 Days of Sodom. Pasolini’s tragic and still unsolved murder has remained a subject of contentious debate for four decades. The enduring fascination with who committed the crime—and why—reflects his vital stature in Italy’s political and social history. Updated throughout and with a new afterword covering the efforts to reopen the investigation—and the legal maelstrom surrounding Pasolini’s demise—this edition of Pasolini Requiem is a riveting account of one of the twentieth century’s most controversial, ever-present iconoclasts.
Pasolini Requiem: Second Edition
by Barth David SchwartzPier Paolo Pasolini (1922–75) was one of the most important Italian intellectuals of the post–World War II era. An astonishing polymath—poet, novelist, literary critic, political polemicist, screenwriter, and film director—he exerted profound influence on Italian culture up to his untimely death at the age of fifty-three. This revised edition of what the New York Times Book Review has called “the standard Pasolini biography” introduces the artist to a new generation of readers. Based on extensive interviews with those who knew Pasolini, both friends and enemies, admirers and detractors, Pasolini Requiem chronicles his growth from poet in the provinces to Italy’s leading “civil poet”; his flight to Rome in 1950; the scandalous success of his two novels and political writing; and his transition to film, where he started as a contributor to the golden age of Italian cinema and ended with the shocking Salò, or the 120 Days of Sodom. Pasolini’s tragic and still unsolved murder has remained a subject of contentious debate for four decades. The enduring fascination with who committed the crime—and why—reflects his vital stature in Italy’s political and social history. Updated throughout and with a new afterword covering the efforts to reopen the investigation—and the legal maelstrom surrounding Pasolini’s demise—this edition of Pasolini Requiem is a riveting account of one of the twentieth century’s most controversial, ever-present iconoclasts.
Pasolini Requiem: Second Edition
by Barth David SchwartzPier Paolo Pasolini (1922–75) was one of the most important Italian intellectuals of the post–World War II era. An astonishing polymath—poet, novelist, literary critic, political polemicist, screenwriter, and film director—he exerted profound influence on Italian culture up to his untimely death at the age of fifty-three. This revised edition of what the New York Times Book Review has called “the standard Pasolini biography” introduces the artist to a new generation of readers. Based on extensive interviews with those who knew Pasolini, both friends and enemies, admirers and detractors, Pasolini Requiem chronicles his growth from poet in the provinces to Italy’s leading “civil poet”; his flight to Rome in 1950; the scandalous success of his two novels and political writing; and his transition to film, where he started as a contributor to the golden age of Italian cinema and ended with the shocking Salò, or the 120 Days of Sodom. Pasolini’s tragic and still unsolved murder has remained a subject of contentious debate for four decades. The enduring fascination with who committed the crime—and why—reflects his vital stature in Italy’s political and social history. Updated throughout and with a new afterword covering the efforts to reopen the investigation—and the legal maelstrom surrounding Pasolini’s demise—this edition of Pasolini Requiem is a riveting account of one of the twentieth century’s most controversial, ever-present iconoclasts.
Pasolini Requiem: Second Edition
by Barth David SchwartzPier Paolo Pasolini (1922–75) was one of the most important Italian intellectuals of the post–World War II era. An astonishing polymath—poet, novelist, literary critic, political polemicist, screenwriter, and film director—he exerted profound influence on Italian culture up to his untimely death at the age of fifty-three. This revised edition of what the New York Times Book Review has called “the standard Pasolini biography” introduces the artist to a new generation of readers. Based on extensive interviews with those who knew Pasolini, both friends and enemies, admirers and detractors, Pasolini Requiem chronicles his growth from poet in the provinces to Italy’s leading “civil poet”; his flight to Rome in 1950; the scandalous success of his two novels and political writing; and his transition to film, where he started as a contributor to the golden age of Italian cinema and ended with the shocking Salò, or the 120 Days of Sodom. Pasolini’s tragic and still unsolved murder has remained a subject of contentious debate for four decades. The enduring fascination with who committed the crime—and why—reflects his vital stature in Italy’s political and social history. Updated throughout and with a new afterword covering the efforts to reopen the investigation—and the legal maelstrom surrounding Pasolini’s demise—this edition of Pasolini Requiem is a riveting account of one of the twentieth century’s most controversial, ever-present iconoclasts.
Pass It On (Rigby Navigator #Blue Level, Issue 2)
by Rigby NavigatorFind out more about language and communication. You'll be dotty about our top-secret reports on Morse Code and secret messages. Is it Greek to you? Then get cracking! Navigator is a Key Stage 2 reading scheme which covers fiction and non-fiction. It provides material to give pupils a 20-minute guided reading sesson per week during each school year.
Pass It On (Rigby Navigator #Blue Level, Issue 2)
by Rigby NavigatorFind out more about language and communication. You'll be dotty about our top-secret reports on Morse Code and secret messages. Is it Greek to you? Then get cracking! Navigator is a Key Stage 2 reading scheme which covers fiction and non-fiction. It provides material to give pupils a 20-minute guided reading sesson per week during each school year.
The Passage of Literature: Genealogies of Modernism in Conrad, Rhys, and Pramoedya
by Christopher GoGwiltJoseph Conrad, Jean Rhys, and Pramoedya Ananta Toer are writers renowned for crafting narratives of great technical skill that resonate with potent truths on the colonial condition. Yet given the generational and geographical boundaries that separated them, they are seldom considered in conjunction with one another. The Passage of Literature unites the three in a bracing comparative study that breaks away from traditional conceptions of modernism, going beyond temporal periodization and the entrenched Anglo-American framework that undergirds current scholarship. This study nimbly traces a trio of distinct yet interrelated modernist genealogies. English modernism as exemplified by Conrad's Malay trilogy is productively paired with the hallmark work of Indonesian modernism, Pramoedya's Buru quartet. The two novel sequences, penned years apart, narrate overlapping histories of imperialism in the Dutch East Indies, and both make opera central for understanding the cultural dynamic of colonial power. Creole modernism--defined not only by the linguistic diversity of the Caribbean but also by an alternative vision of literary history--provides a transnational context for reading Rhys's Good Morning, Midnight and Wide Sargasso Sea, each novel mapped in relation to the colonial English and postcolonial Indonesian coordinates of Conrad's The Shadow-Line and Pramoedya's This Earth of Mankind. All three modernisms-English, Creole, and Indonesian-converge in a discussion of the Indonesian figure of the nyai, a concubine or house servant, who represents the traumatic core of transnational modernism. Throughout the study, Pramoedya's extraordinary effort to reconstruct the lost record of Indonesia's emergence as a nation provides a model for reading each fragmentary passage of literature as part of an ongoing process of decolonizing tradition. Drawing on translated and un-translated works of fiction and nonfiction, GoGwilt effectively reexamines the roots of Anglophone modernist studies, thereby laying out the imperatives of a new postcolonial philology even as he resituates European modernism within the literary, linguistic, and historical context of decolonization.
The Passage of Literature: Genealogies of Modernism in Conrad, Rhys, and Pramoedya
by Christopher GoGwiltJoseph Conrad, Jean Rhys, and Pramoedya Ananta Toer are writers renowned for crafting narratives of great technical skill that resonate with potent truths on the colonial condition. Yet given the generational and geographical boundaries that separated them, they are seldom considered in conjunction with one another. The Passage of Literature unites the three in a bracing comparative study that breaks away from traditional conceptions of modernism, going beyond temporal periodization and the entrenched Anglo-American framework that undergirds current scholarship. This study nimbly traces a trio of distinct yet interrelated modernist genealogies. English modernism as exemplified by Conrad's Malay trilogy is productively paired with the hallmark work of Indonesian modernism, Pramoedya's Buru quartet. The two novel sequences, penned years apart, narrate overlapping histories of imperialism in the Dutch East Indies, and both make opera central for understanding the cultural dynamic of colonial power. Creole modernism--defined not only by the linguistic diversity of the Caribbean but also by an alternative vision of literary history--provides a transnational context for reading Rhys's Good Morning, Midnight and Wide Sargasso Sea, each novel mapped in relation to the colonial English and postcolonial Indonesian coordinates of Conrad's The Shadow-Line and Pramoedya's This Earth of Mankind. All three modernisms-English, Creole, and Indonesian-converge in a discussion of the Indonesian figure of the nyai, a concubine or house servant, who represents the traumatic core of transnational modernism. Throughout the study, Pramoedya's extraordinary effort to reconstruct the lost record of Indonesia's emergence as a nation provides a model for reading each fragmentary passage of literature as part of an ongoing process of decolonizing tradition. Drawing on translated and un-translated works of fiction and nonfiction, GoGwilt effectively reexamines the roots of Anglophone modernist studies, thereby laying out the imperatives of a new postcolonial philology even as he resituates European modernism within the literary, linguistic, and historical context of decolonization.
Passing the Literacy Skills Test
by Jim Johnson Bruce Bond Johnson Jim Bond Bruce"This book is fantastic and has been purchased by many of our students who have subsequently passed the skill test. " - Sarah Martin-Denham, Faculty of Education and Society, University of Sunderland All applicants to Initial Teacher Training in England need to PASS the QTS Literacy Skills Test before starting their course. This professional skills test is designed to ensure trainee teachers have a sound grasp of literacy skills such as comprehension and spelling and how to apply these in practice. This popular and widely recommended book outlines all of the requirements of the QTS Literacy Skills Test, explains the essential subject knowledge candidates need and includes practice questions for test preparation. This fourth edition, co-written by an author of the test itself, is updated throughout and now includes a full practice test, more practice questions and more question and answer commentary. This is more than a collection of practice questions. It includes advice, tips, test commentary and guidance to help students pass first time. It helps students to: familiarise yourself with the skills and knowledge to be tested fully understand the format and structure of the literacy skills test know what to expect on the day of the test HOW TO USE THIS BOOK For the purposes of the test, literacy is seen as comprising the four sections: Spelling, Punctuation, Grammar and Comprehension. Each section has its own chapter. There you will find an explanation of the knowledge required, examples of the features of literacy being tested and explicitly direction about what to do in the test. There are practice questions for each section. Chapter 5 is a complete literacy practice skills test for you to work through, and Chapter 6 contains answers and explanatory key points for all the questions in the main chapters, and for the practice test. Revision checklist You can use the checklist in your revision to make sure that you have covered all the key content areas.
Passion and Language in Eighteenth-Century Literature: The Aesthetic Sublime in the Work of Eliza Haywood, Aaron Hill, and Martha Fowke
by Earla WilputteProviding imaginatively contextualized close readings, this study focuses on three key eighteenth-century writers - Haywood, Hill and Fowke. Wilputte traces the development of the passionate language of these writers whose lives, writing careers, and interests intersected from 1720 to 1724 in the "Hillarian" coterie.
A Passion for Books
by Dale SalwakLeading writers and critics, including Margaret Drabble, Alan Sillitoe and Ferdinand Mount, share their passion for books and the joys of reading in an inspiring collection of essays and writings. A Passion for Books is both a celebration of the value and importance of reading and a spirited defence against the many gloomy voices in our so-called electronic age who say the book will soon be obsolete. This book, itself a joy to read, is written for anyone who cares at all about the past and future of books and reading.
Passion for Place Book II: Between the Vital Spacing and the Creative Horizons of Fulfilment (Analecta Husserliana #51)
by Anna-TeresaTymienieckaAmong the multiple, subliminal passions that inspire our life in innumerable ways, literature shows us one that seems to play a particularly penetrating role in human concerns. This passion, which Tymieniecka calls an `esoteric passion', finds its projection and crystallization in space: it is the esoteric passion for space. This subliminal passion, investigated through literature, allows the philosopher to reach beneath the fallacious separations of nature, humanness and the cultural world, restoring the wholeness of experience that has become lost in the artificial one-sidedness of contemporary approaches, confined to language as they are. The elemental passion for place is investigated here in the literary fruits of creative imagination. Unravelled from the very depths of the primogenital, onto-poietic unfolding of life, the passion for place is revealed as projecting into the flux of life: it is a `station' of life-significance. This collection presents papers from two conferences of the International Society of Phenomenology and Literature held in Cambridge, MA in 1993/4.
The Passion Projects: Modernist Women, Intimate Archives, Unfinished Lives
by Melanie MicirHow modernist women writers used biographical writing to resist their exclusion from literary historyIt’s impossible, now, to think of modernism without thinking about gender, sexuality, and the diverse movers and shakers of the early twentieth century. But this was not always so. The Passion Projects examines biographical projects that modernist women writers undertook to resist the exclusion of their friends, colleagues, lovers, and companions from literary history. Many of these works were vibrant efforts of modernist countermemory and counterhistory that became casualties in a midcentury battle for literary legitimacy, but that now add a new dimension to our appreciation of such figures as Radclyffe Hall, Gertrude Stein, Hope Mirrlees, and Sylvia Beach, among many others.Melanie Micir explores an extensive body of material, including Sylvia Townsend Warner’s carefullly annotated letters to her partner Valentine Ackland, Djuna Barnes’s fragmented drafts about the Baroness Elsa von Freytag-Loringhoven, Margaret Anderson’s collection of modernist artifacts, and Virginia Woolf’s joke biography of her friend and lover Vita Sackville-West, the novel Orlando. Whether published in encoded desire or squirreled away in intimate archives, these “passion projects” recorded life then in order to summon an audience now, and stand as important predecessors of queer and feminist recovery projects that have shaped the contemporary understanding of the field.Arguing for the importance of biography, The Passion Projects shows how women turned to this genre in the early twentieth century to preserve their lives and communities for future generations to discover.
Passion, Prudence, and Virtue in Shakespearean Drama (Continuum Shakespeare Studies)
by Unhae Park LangisAn analysis of passion, prudence and virtue in Shakespearean drama from the perspective of ethical criticism.
Passion, Prudence, and Virtue in Shakespearean Drama (Continuum Shakespeare Studies)
by Unhae Park LangisAn analysis of passion, prudence and virtue in Shakespearean drama from the perspective of ethical criticism.
A Passionate Apprentice: The Early Journals 1897-1909
by Virginia WoolfA Passionate Apprentice comprises the first years of Virginia Woolf's Journal - from 1879 to 1909. Beginning in early January, when Woolf was almost fifteen, the pages open at a time when she was slowly recovering from a period of madness following her mother's death in May 1895. Between this January and the autumn of 1904, Woolf would suffer the deaths of her half-sister and of her father, and survive a summer of madness and suicidal depression. Behind the loss and confusion, however, and always near the surface of her writing is a constructive force at work - a powerful impulse towards health. It was an urge, through writing, to bring order and continuity out of chaos. Putting things into words and giving them deliberate expression had the effect of restoring reality to much that might otherwise have remained insubstantial. This early chronicle represents the beginning of the future Virginia Woolf's apprenticeship as a novelist. These pages show that rare instance when a writer of great importance leaves behind not only the actual documents of an apprenticeship, but also a biographical record of that momentous period as well. In Woolf's words, 'Here is a volume of fairly acute life (the first really lived year of my life).'