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Pasternak

The Pastor and the Painter: Inside the lives of Andrew Chan and Myuran Sukumaran – from Aussie schoolboys to Bali 9 drug traffickers to Kerobokan's redeemed men

A very personal look at Andrew Chan and Myuran Sukumaran. Cindy Wockner was a journalist reporting the story of two surly drug smugglers. She was there from the beginning and would become a good friend of the two changed men.At 12.35 a.m. on 29 April 2015, Andrew Chan and Myuran Sukumaran were led out in front of a firing squad. Strapped to wooden crosses, they looked straight down the barrels of their killers' rifles. On that day, the Indonesian government did not execute two drug smugglers, they executed a pastor and a painter.But who were Andrew and Myuran?In 2005, the lure of drugs, money, fast cars and a better life led them and seven other Australians into a smuggling plot to import heroin from Indonesia to Australia. Unbeknownst to them all, the Australian Federal Police knew of their plan and tipped off the Indonesian authorities. Charged with drug trafficking, Myuran and Andrew were found guilty and sentenced to death. Andrew was 21 years old. Myuran was 24.At the time, Cindy Wockner was the Indonesia correspondent for News Limited: for a decade she covered their story and she got to know Myuran, Andrew and their families. They let her into their lives and she watched them transform from angry, defiant young inmates into fully rehabilitated, good men.This is the intimate, and untold, story of Andrew and Myuran. It details their redemption inside Kerobokan prison and their passion for helping others - through Andrew's growing commitment to his faith and Myu's burgeoning artistic talent. It reveals the boys they were and the men they became, in a potent cautionary tale and a poignant reminder of what we all lose when we ignore the power of mercy.'gripping' DAILY TELEGRAPH on Cindy Wockner and Madonna King's BALI 9

The pastor in print: Genre, audience, and religious change in early modern England (Politics, Culture and Society in Early Modern Britain)

The pastor in print explores the phenomenon of early modern pastors who chose to become print authors, addressing ways authorship could enhance, limit or change clerical ministry and ways pastor-authors conceived of their work in parish and print. It identifies strategies through which pastor-authors established authorial identities, targeted different sorts of audiences and strategically selected genre and content as intentional parts of their clerical vocation. The first study to provide a book-length analysis of the phenomenon of early modern pastors writing for print, it uses a case study of prolific pastor-author Richard Bernard to offer a new lens through which to view religious change in this pivotal period. By bringing together questions of print, genre, religio-politics and theology, the book will interest scholars and postgraduate students in history, literature and theological studies, and its readability will appeal to undergraduates and non-specialists.

The pastor in print: Genre, audience, and religious change in early modern England (Politics, Culture and Society in Early Modern Britain)

The pastor in print explores the phenomenon of early modern pastors who chose to become print authors, addressing ways authorship could enhance, limit or change clerical ministry and ways pastor-authors conceived of their work in parish and print. It identifies strategies through which pastor-authors established authorial identities, targeted different sorts of audiences and strategically selected genre and content as intentional parts of their clerical vocation. The first study to provide a book-length analysis of the phenomenon of early modern pastors writing for print, it uses a case study of prolific pastor-author Richard Bernard to offer a new lens through which to view religious change in this pivotal period. By bringing together questions of print, genre, religio-politics and theology, the book will interest scholars and postgraduate students in history, literature and theological studies, and its readability will appeal to undergraduates and non-specialists.

Pastor Tillich: The Justification of the Doubter (Oxford Theology and Religion Monographs)

Pastor Tillich: The Justification of the Doubter tells the story of Paul Tillich's early theological development from his student days until the end of the First World War, set against the backdrop of church politics in Wilhelmine Germany and with particular reference to his early sermons. The majority of scholarship understands Tillich primarily as a philosophical theologian. But before and during the First World War, Tillich was Pastor Tillich, studying to become a pastor, leading a Christian student group, working periodically as a pastor in Berlin churches, and preaching to soldiers. Arriving in Berlin after the war, Tillich pursued religious socialism and a theology of culture through the 1920s. But the theological basis of these programmes was what Tillich considered his main concern in 1919: the theology of doubt. Using a wealth of untranslated German sources largely unknown to English-language scholarship, Pastor Tillich presents the stations of Tillich's theological development of the notion of the justification of the doubter up to 1919. Distinguishing between Tillich's later autobiographical statements and the witness of archival sources, a significantly original, contextualised account of Tillich's early life in Germany emerges. From his days as the conservative son of a conservative Lutheran pastor to the battle-worn chaplain who could even talk about 'faith without God', Tillich underwent considerable change. The book should therefore speak to any interested in the history of modern theology, as an example of how biography and theology are intertwined.

Pastor Tillich: The Justification of the Doubter (Oxford Theology and Religion Monographs)

Pastor Tillich: The Justification of the Doubter tells the story of Paul Tillich's early theological development from his student days until the end of the First World War, set against the backdrop of church politics in Wilhelmine Germany and with particular reference to his early sermons. The majority of scholarship understands Tillich primarily as a philosophical theologian. But before and during the First World War, Tillich was Pastor Tillich, studying to become a pastor, leading a Christian student group, working periodically as a pastor in Berlin churches, and preaching to soldiers. Arriving in Berlin after the war, Tillich pursued religious socialism and a theology of culture through the 1920s. But the theological basis of these programmes was what Tillich considered his main concern in 1919: the theology of doubt. Using a wealth of untranslated German sources largely unknown to English-language scholarship, Pastor Tillich presents the stations of Tillich's theological development of the notion of the justification of the doubter up to 1919. Distinguishing between Tillich's later autobiographical statements and the witness of archival sources, a significantly original, contextualised account of Tillich's early life in Germany emerges. From his days as the conservative son of a conservative Lutheran pastor to the battle-worn chaplain who could even talk about 'faith without God', Tillich underwent considerable change. The book should therefore speak to any interested in the history of modern theology, as an example of how biography and theology are intertwined.

Pastoral (The New Critical Idiom)

Updated throughout, this new edition provides a clear and invaluable introduction to the study of pastoral. Terry Gifford traces the history of the genre from its classical origins through to contemporary writing and introduces the major writers and critical issues relating to pastoral. Gifford breaks the term down into three accessible concepts – pastoral, anti-pastoral, post-pastoral – and provides up-to-date examples from literature and film. New chapters explain the continuing tradition of georgic literature and the recent evolution of pastoral in their historical contexts. Pastoral is essential and engaging reading for students and academics alike.

Pastoral (The New Critical Idiom)

Updated throughout, this new edition provides a clear and invaluable introduction to the study of pastoral. Terry Gifford traces the history of the genre from its classical origins through to contemporary writing and introduces the major writers and critical issues relating to pastoral. Gifford breaks the term down into three accessible concepts – pastoral, anti-pastoral, post-pastoral – and provides up-to-date examples from literature and film. New chapters explain the continuing tradition of georgic literature and the recent evolution of pastoral in their historical contexts. Pastoral is essential and engaging reading for students and academics alike.

Pastoral Drama and Healing in Early Modern Italy

Pastoral Drama and Healing in Early Modern Italy represents the first full-length study to confront seriously the well-rehearsed analogy of the pastoral poet as healer. Usually associated with the edifying function of the Renaissance pastoral, this analogy, if engaged more profoundly, raises a number of questions that remain unanswered to this day. How does the pastoral heal? How exactly do the inner workings of the text cater to the healing? What socio-cultural conventions make the healing possible? What are the major problems that pastoral poetry as mimesis must overcome to make its healing morally legitimate? In the wake of Derrida's seminal work on the Platonic pharmakon, which has in turn led recent criticism to formulate a much more concrete understanding of the theater/drug analogy, the stringent approach to the therapeutic function of the Renaissance pastoral offered in this work provides a valuable critical tool to unpack the complexity contained within a little-understood cliché.

Pastoral Drama and Healing in Early Modern Italy

Pastoral Drama and Healing in Early Modern Italy represents the first full-length study to confront seriously the well-rehearsed analogy of the pastoral poet as healer. Usually associated with the edifying function of the Renaissance pastoral, this analogy, if engaged more profoundly, raises a number of questions that remain unanswered to this day. How does the pastoral heal? How exactly do the inner workings of the text cater to the healing? What socio-cultural conventions make the healing possible? What are the major problems that pastoral poetry as mimesis must overcome to make its healing morally legitimate? In the wake of Derrida's seminal work on the Platonic pharmakon, which has in turn led recent criticism to formulate a much more concrete understanding of the theater/drug analogy, the stringent approach to the therapeutic function of the Renaissance pastoral offered in this work provides a valuable critical tool to unpack the complexity contained within a little-understood cliché.

Pastoral Drama in Early Modern Italy: The Making of a New Genre

"Emerging in Italy in the mid-sixteenth century, pastoral drama is one of the most characteristic genres of its time. Sampson traces its uneven development into the following century by exploring masterpieces by Tasso and Guarini, and many lesser known works, some by women writers. She examines the treatment of key themes of love, the Golden Age, and Nature and Art against the background of the textual and stage production of the plays. An investigation of critical writings associated with the genre further reveals its significance to the contemporary literary scene, by stimulating 'modernizing' attitudes towards the canon, as well as new enquiries into the function and possibilities of art."

Pastoral Drama in Early Modern Italy: The Making of a New Genre

"Emerging in Italy in the mid-sixteenth century, pastoral drama is one of the most characteristic genres of its time. Sampson traces its uneven development into the following century by exploring masterpieces by Tasso and Guarini, and many lesser known works, some by women writers. She examines the treatment of key themes of love, the Golden Age, and Nature and Art against the background of the textual and stage production of the plays. An investigation of critical writings associated with the genre further reveals its significance to the contemporary literary scene, by stimulating 'modernizing' attitudes towards the canon, as well as new enquiries into the function and possibilities of art."

Pastoral Elegy in Contemporary British and Irish Poetry (Continuum Literary Studies)

Defying critical suggestions that the pastoral elegy is obsolete, Iain Twiddy reveals the popularity of the form in the work of major contemporary poets Seamus Heaney, Ted Hughes and Paul Muldoon, Michael Longley, Douglas Dunn and Peter Reading. As Twiddy outlines the development of the form, he identifies its characteristics and functions. But more importantly his study accounts for the enduring appeal of the pastoral elegy, why poets look to its conventions during times of personal distress and social disharmony, and how it allows them to recover from grief, loss and destruction. Informed by current debates and contemporary theories of mourning, Twiddy discusses themes of war and peace, social pastoral and environmental change, draws on the enduring influence of both Classical and Romantic poetics and explores poets' changing relationships with pastoral elegy throughout their careers. The result is a study that demonstrates why the pastoral elegy is still a flourishing and dynamic form in contemporary British and Irish poetry.

Pastoral Elegy in Contemporary British and Irish Poetry (Continuum Literary Studies)

Defying critical suggestions that the pastoral elegy is obsolete, Iain Twiddy reveals the popularity of the form in the work of major contemporary poets Seamus Heaney, Ted Hughes and Paul Muldoon, Michael Longley, Douglas Dunn and Peter Reading. As Twiddy outlines the development of the form, he identifies its characteristics and functions. But more importantly his study accounts for the enduring appeal of the pastoral elegy, why poets look to its conventions during times of personal distress and social disharmony, and how it allows them to recover from grief, loss and destruction. Informed by current debates and contemporary theories of mourning, Twiddy discusses themes of war and peace, social pastoral and environmental change, draws on the enduring influence of both Classical and Romantic poetics and explores poets' changing relationships with pastoral elegy throughout their careers. The result is a study that demonstrates why the pastoral elegy is still a flourishing and dynamic form in contemporary British and Irish poetry.

Pastoral Inscriptions: Reading and Writing Virgil's Eclogues (Classical Literature and Society)

Virgil's "Eclogues" represent the introduction of a new genre, pastoral, to Latin literature. Generic markers of pastoral in the "Eclogues" include not only the representation of the singing and speaking of shepherd characters, but also the learned density of the text itself. Here, Brian W. Breed examines the tension between representations of orality in Virgil's pastoral world and the intense textuality of his pastoral poetry. The book argues that separation between speakers and their language in the "Eclogues" is not merely pastoral preciosity. Rather, it shows how Virgil uses representations of orality as the point of comparison for measuring both the capacity and the limitations of the "Eclogues" as a written text that will be encountered by reading audiences. The importance of genre is considered both in terms of how pastoral might be defined for the particular literary-historical moment in which Virgil was writing and in light of the subsequent European pastoral tradition.

Pastoral Inscriptions: Reading and Writing Virgil's Eclogues (Classical Literature and Society)

Virgil's "Eclogues" represent the introduction of a new genre, pastoral, to Latin literature. Generic markers of pastoral in the "Eclogues" include not only the representation of the singing and speaking of shepherd characters, but also the learned density of the text itself. Here, Brian W. Breed examines the tension between representations of orality in Virgil's pastoral world and the intense textuality of his pastoral poetry. The book argues that separation between speakers and their language in the "Eclogues" is not merely pastoral preciosity. Rather, it shows how Virgil uses representations of orality as the point of comparison for measuring both the capacity and the limitations of the "Eclogues" as a written text that will be encountered by reading audiences. The importance of genre is considered both in terms of how pastoral might be defined for the particular literary-historical moment in which Virgil was writing and in light of the subsequent European pastoral tradition.

Pastoral, Pragmatism, and Twentieth-Century American Poetry (Modern and Contemporary Poetry and Poetics)

In the first expansive study of American pastoral since Leo Marx's The Machine in the Garden , Mikkelsen reinvigorates discussion of this literary mode as a form of cultural commentary whose subjects extend beyond the simple or rustic life to encompass the major social, economic, and political transformations of the past century.

Pastoralists of the West African Savanna: Selected Studies Presented and Discussed at the Fifteenth International African Seminar held at Ahmadu Bello University, Nigeria, July 1979 (African Seminars: Scholarship from the International African Institute #1)

Originally published in 1986, this volume deals with various aspects of the life of the pastoralists who live in the area between what was Senegambia and Cameroon. It analyses the changing relations between pastoralists and agricultural peoples, and the changes that pastoral societies are undergoing with urbanisation, increased central government control and the spread of market relations. The papers are in both English and French and include historical studies of aspects of the history of Adamawa, the Fulani, the Twareg, the Shuwa Arabs and the Koyam in pre-colonial times. There is also a survey of the state of Fula language studies and the variety of Fula literature; discussions of the changing nature of pastoralism and the nomadic way of life in Cameroon, Senegal and Nigeria, including the effects of drought.

Pastoralists of the West African Savanna: Selected Studies Presented and Discussed at the Fifteenth International African Seminar held at Ahmadu Bello University, Nigeria, July 1979 (African Seminars: Scholarship from the International African Institute)

Originally published in 1986, this volume deals with various aspects of the life of the pastoralists who live in the area between what was Senegambia and Cameroon. It analyses the changing relations between pastoralists and agricultural peoples, and the changes that pastoral societies are undergoing with urbanisation, increased central government control and the spread of market relations. The papers are in both English and French and include historical studies of aspects of the history of Adamawa, the Fulani, the Twareg, the Shuwa Arabs and the Koyam in pre-colonial times. There is also a survey of the state of Fula language studies and the variety of Fula literature; discussions of the changing nature of pastoralism and the nomadic way of life in Cameroon, Senegal and Nigeria, including the effects of drought.

Pasts at play: Childhood encounters with history in British culture, 1750–1914 (Interventions: Rethinking the Nineteenth Century)

This collection brings together scholars from disciplines including Children’s Literature, Classics, and History to develop fresh approaches to children’s culture and the uses of the past. It charts the significance of historical episodes and characters during the long nineteenth-century (1750-1914), a critical period in children's culture. Boys and girls across social classes often experienced different pasts simultaneously, for purposes of amusement and instruction. The book highlights an active and shifting market in history for children, and reveals how children were actively involved in consuming and repackaging the past: from playing with historically themed toys and games to performing in plays and pageants. Each chapter reconstructs encounters across different media, uncovering the cultural work done by particular pasts and exposing the key role of playfulness in the British historical imagination.

Pasts at play: Childhood encounters with history in British culture, 1750–1914 (Interventions: Rethinking the Nineteenth Century)

This collection brings together scholars from disciplines including Children’s Literature, Classics, and History to develop fresh approaches to children’s culture and the uses of the past. It charts the significance of historical episodes and characters during the long nineteenth-century (1750-1914), a critical period in children's culture. Boys and girls across social classes often experienced different pasts simultaneously, for purposes of amusement and instruction. The book highlights an active and shifting market in history for children, and reveals how children were actively involved in consuming and repackaging the past: from playing with historically themed toys and games to performing in plays and pageants. Each chapter reconstructs encounters across different media, uncovering the cultural work done by particular pasts and exposing the key role of playfulness in the British historical imagination.

Pat Barker (Contemporary British Novelists Ser.)

This work provides an extensive critical assessment and discussion of one of the most popular contemporary British novelists, drawing on theories of critical realism, gender and social identities, memory and narrative to outline the debates that Barker's work has engaged.

Pat Barker (New British Fiction)

Pat Barker is one of the leading British political and historical novelists of her generation. This introduction places her fiction in historical and theoretical contexts. Including a timeline of key dates and an interview with the author, Rawlinson establishes the cultural importance of her work and provides an overview of its critical reception.

Pat Barker (New British Fiction)

Pat Barker is one of the leading British political and historical novelists of her generation. This introduction places her fiction in historical and theoretical contexts. Including a timeline of key dates and an interview with the author, Rawlinson establishes the cultural importance of her work and provides an overview of its critical reception.

Pat Barker (Contemporary British Novelists Ser.)

This book provides a comprehensive account and critical analysis of the literary career of Pat Barker. It offers readings of Barker's innovations in narrative form, her revisionist perspectives on history, class and gender, and her preoccupation with themes of trauma, haunting and terror. It also analyses the reasons for her success and significance as a novelist. The chapters draw on contemporary theories of critical realism, gender and social identities, memory and narrative, in order to outline the debates with which Barker's work has consistently engaged. Brannigan argues that Barker is one of the most important writers in modern English literary history. She is principally renowned and widely acclaimed for her 'Regeneration' trilogy, the last volume of which, 'The Ghost Road', won the Booker Prize in 1995. In recent novels, Barker has continued to deal with controversial and shocking themes, including child murderers and the meanings of 'terror' in the contemporary world.