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Biofiction: An Introduction
by Michael LackeyBiofiction: An Introduction provides readers with the history, origins, evolution, and legitimization of biofiction, suggesting potential lines of inquiry, exploring criticisms of the literary form, and modeling the process of analyzing and interpreting individual texts. Written for undergraduate and graduate students, this volume combines comprehensive coverage of the core foundations of biofiction with contemporary and lively debates within the subject. The volume aims to confront and illuminate the following questions: • When did biofiction come into being? • What forces gave birth to it? • How does it uniquely function and signify? • Why has it become such a dominant aesthetic form in recent years? This introduction will give readers a framework for evaluating specific biofictions from writers as varied as Friedrich Nietzsche, George Moore, Zora Neale Hurston, William Styron, Angela Carter, Joyce Carol Oates, and Colm Tóibín, thus enabling readers to assess the value and impact of individual works on the culture at large. Spanning nineteenth-century origins to contemporary debates and adaptations, this book not only equips the reader with a firm grounding in the fundamentals of biofiction but also provides a valuable guide to the uncanny power of the biographical novel to transform cultural attitudes, perspectives, and beliefs.
Biofiction: An Introduction
by Michael LackeyBiofiction: An Introduction provides readers with the history, origins, evolution, and legitimization of biofiction, suggesting potential lines of inquiry, exploring criticisms of the literary form, and modeling the process of analyzing and interpreting individual texts. Written for undergraduate and graduate students, this volume combines comprehensive coverage of the core foundations of biofiction with contemporary and lively debates within the subject. The volume aims to confront and illuminate the following questions: • When did biofiction come into being? • What forces gave birth to it? • How does it uniquely function and signify? • Why has it become such a dominant aesthetic form in recent years? This introduction will give readers a framework for evaluating specific biofictions from writers as varied as Friedrich Nietzsche, George Moore, Zora Neale Hurston, William Styron, Angela Carter, Joyce Carol Oates, and Colm Tóibín, thus enabling readers to assess the value and impact of individual works on the culture at large. Spanning nineteenth-century origins to contemporary debates and adaptations, this book not only equips the reader with a firm grounding in the fundamentals of biofiction but also provides a valuable guide to the uncanny power of the biographical novel to transform cultural attitudes, perspectives, and beliefs.
Biofictional Histories, Mutations and Forms
by Michael LackeyBiofiction, defined as literature that names its protagonist after an actual historical figure, first became popular in the 1930s, but over the last forty years it has become a dominant literary form. Prominent writers such as J.M. Coetzee, Joyce Carol Oates, Russell Banks, Julia Alvarez, Peter Carey, Hilary Mantel, Colm Tóibín, Anne Enright, Colum McCann, and Michael Cunningham have authored spectacular biographical novels which have won some of the world’s most prestigious awards for fiction. However, in spite of the prominence of these authors, works, and awards, there has been considerable confusion about the nature of biofiction. This collection of process pieces and academic essays from authors and scholars of biofiction defines the nature of the aesthetic form, clarifies why it has come into being, specifies what it is uniquely capable of signifying, illustrates how it pictures the historical and critiques the political, and suggests potential directions for future studies. This book was originally published as a special issue of a/b: Auto/Biography Studies.
Biofictional Histories, Mutations and Forms
by Michael LackeyBiofiction, defined as literature that names its protagonist after an actual historical figure, first became popular in the 1930s, but over the last forty years it has become a dominant literary form. Prominent writers such as J.M. Coetzee, Joyce Carol Oates, Russell Banks, Julia Alvarez, Peter Carey, Hilary Mantel, Colm Tóibín, Anne Enright, Colum McCann, and Michael Cunningham have authored spectacular biographical novels which have won some of the world’s most prestigious awards for fiction. However, in spite of the prominence of these authors, works, and awards, there has been considerable confusion about the nature of biofiction. This collection of process pieces and academic essays from authors and scholars of biofiction defines the nature of the aesthetic form, clarifies why it has come into being, specifies what it is uniquely capable of signifying, illustrates how it pictures the historical and critiques the political, and suggests potential directions for future studies. This book was originally published as a special issue of a/b: Auto/Biography Studies.
Biofictions: Literary and Visual Imagination in the Age of Biotechnology (Routledge Focus on Literature)
by Lejla KucukalicBiofictions introduces three novel concepts: ‘biofiction,’ ‘bioimagination,’ and ‘biodiscourse’ to talk about intersections of literary and visual texts and biotechnology. The book proposes a new interdisciplinary area of research that correlates processes of genetics and literature, based on two critical approaches. One, drawing parallels between the genetic codes, human language, formal (binary) language and posthuman communication and the role of meaning and imagination in these forms of communication. Two, by defining "biofictions" as a critical scientific-artistic concept and as a corpus of texts that engage ideas and developments in molecular biology. Syncretic connection between biotechnology and literature is especially evident in an open science movement and a literary artistic genre of biopunk, discussed across chapters. The study includes well-known contemporary texts such as David Foster Wallace’s Infinite Jest, that are re-contextualized as biofiction, it offers a re-reading of important but neglected novels such as Thomas Disch’s Camp Concentration (1967) and it analyzes new visual texts such as the TV series Altered Carbon and Ghost in the Shell films. Based on these wide-ranging examples and new critical concepts, the book argues that coming up with possible alterations for the genetic code or intended traits for the organism is a discursive practice that brings into being bio-narratives that are both organic and literary. Chapter 1 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Biofictions: Literary and Visual Imagination in the Age of Biotechnology (Routledge Focus on Literature)
by Lejla KucukalicBiofictions introduces three novel concepts: ‘biofiction,’ ‘bioimagination,’ and ‘biodiscourse’ to talk about intersections of literary and visual texts and biotechnology. The book proposes a new interdisciplinary area of research that correlates processes of genetics and literature, based on two critical approaches. One, drawing parallels between the genetic codes, human language, formal (binary) language and posthuman communication and the role of meaning and imagination in these forms of communication. Two, by defining "biofictions" as a critical scientific-artistic concept and as a corpus of texts that engage ideas and developments in molecular biology. Syncretic connection between biotechnology and literature is especially evident in an open science movement and a literary artistic genre of biopunk, discussed across chapters. The study includes well-known contemporary texts such as David Foster Wallace’s Infinite Jest, that are re-contextualized as biofiction, it offers a re-reading of important but neglected novels such as Thomas Disch’s Camp Concentration (1967) and it analyzes new visual texts such as the TV series Altered Carbon and Ghost in the Shell films. Based on these wide-ranging examples and new critical concepts, the book argues that coming up with possible alterations for the genetic code or intended traits for the organism is a discursive practice that brings into being bio-narratives that are both organic and literary. Chapter 1 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
A Biographical Encyclopedia of Early Modern Englishwomen: Exemplary Lives and Memorable Acts, 1500-1650
by Carole Levin Anna Riehl Bertolet Jo Eldridge CarneyFrom the exemplary to the notorious to the obscure, this comprehensive and innovative encyclopedia showcases the worthy women of early modern England. Poets, princesses, or pirates, the women of power and agency found in these pages are indeed worth knowing, and this volume will introduce many female figures to even the most established scholars in early modern studies. Rather than using the conventional alphabetical format of the standard biographical encyclopedia, this volume is divided into categories of women. Since many women will fit in more than one category, each woman is placed in the category that best exemplifies her life, and is cross referenced in other appropriate sections. This structure makes the book an interesting read for seasoned scholars of early modern women, while students need not already be familiar with these subjects in order to benefit from the text. Another unusual feature of this reference work is that each entry begins with some incident from the woman’s life that is particularly exciting or significant. Some entries are very brief while others are extensive. Each includes a source listing. The book is well illustrated and liberally sprinkled with quotations of the time either by or about the women in the text.
A Biographical Encyclopedia of Early Modern Englishwomen: Exemplary Lives and Memorable Acts, 1500-1650
by Carole Levin Anna Riehl Bertolet Jo Eldridge CarneyFrom the exemplary to the notorious to the obscure, this comprehensive and innovative encyclopedia showcases the worthy women of early modern England. Poets, princesses, or pirates, the women of power and agency found in these pages are indeed worth knowing, and this volume will introduce many female figures to even the most established scholars in early modern studies. Rather than using the conventional alphabetical format of the standard biographical encyclopedia, this volume is divided into categories of women. Since many women will fit in more than one category, each woman is placed in the category that best exemplifies her life, and is cross referenced in other appropriate sections. This structure makes the book an interesting read for seasoned scholars of early modern women, while students need not already be familiar with these subjects in order to benefit from the text. Another unusual feature of this reference work is that each entry begins with some incident from the woman’s life that is particularly exciting or significant. Some entries are very brief while others are extensive. Each includes a source listing. The book is well illustrated and liberally sprinkled with quotations of the time either by or about the women in the text.
Biographical Life Course Research: Studying the Biography-History Dynamic
by Ann NilsenThis open access book explores an approach that connects individual and societal processes throughout history and shifting trends in sociological perspectives, influenced by C. Wright Mills’ theories of time and temporality. It traces its origins from American pragmatist thought and Chicago qualitative sociology in the early 20th century to the revival of biographical research in European and American sociology during the 1970s. The book shows empirical studies from this vibrant research approach can bridge methodological gaps between qualitative and quantitative biographical studies, applicable to various topics like class, gender, ethnicity, and intergenerational dimensions.
Biographical Misrepresentations of British Women Writers
by Brenda AyresThis book is an investigation of the biases, contradictions, errors, ambiguities, gaps, and historical contexts in biographies of controversial British women who published during the long nineteenth century, many of them left unchecked and perpetuated from publication to publication. Fourteen scholars analyze the agenda, problems, and strengths of biographical material, highlighting the flaws, deficiencies, and influences that have distorted the portraits of women such as Lady Mary Wortley Montagu, Mary Wollstonecraft, Mary Hays, Sydney Owenson, Letitia Elizabeth Landon, Felicia Hemans, Elizabeth Barrett Browning, Caroline Norton, Elizabeth Gaskell, Charlotte Bront#65533;, Lady Florence Dixie, George Eliot, and Edith Simcox. Through exposing distortions, this fascinating study demonstrates that biographies are often more about the biographer than they are about the biographee and that they are products of the time in which they are written.
Biographical Misrepresentations of British Women Writers: A Hall of Mirrors and the Long Nineteenth Century (PDF)
by Brenda AyresThis book is an investigation of the biases, contradictions, errors, ambiguities, gaps, and historical contexts in biographies of controversial British women who published during the long nineteenth century, many of them left unchecked and perpetuated from publication to publication. Fourteen scholars analyze the agenda, problems, and strengths of biographical material, highlighting the flaws, deficiencies, and influences that have distorted the portraits of women such as Lady Mary Wortley Montagu, Mary Wollstonecraft, Mary Hays, Sydney Owenson, Letitia Elizabeth Landon, Felicia Hemans, Elizabeth Barrett Browning, Caroline Norton, Elizabeth Gaskell, Charlotte Brontë, Lady Florence Dixie, George Eliot, and Edith Simcox. Through exposing distortions, this fascinating study demonstrates that biographies are often more about the biographer than they are about the biographee and that they are products of the time in which they are written.
The Biographical Turn: Lives in history
by Hans Renders Binne De Haan Jonne HarmsmaThe Biographical Turn showcases the latest research through which the field of biography is being explored. Fifteen leading scholars in the field present the biographical perspective as a scholarly research methodology, investigating the consequences of this bottom-up approach and illuminating its value for different disciplines. While biography has been on the rise in academia since the 1980s, this volume highlights the theoretical implications of the biographical turn that is changing the humanities. Chapters cover subjects such as gender, religion, race, new media and microhistory, presenting biography as as a research methodology suited not only for historians but also for explorations in areas including literature studies, sociology, economics and politics. By emphasizing agency, the use of primary sources and the critical analysis of context and historiography, this book demonstrates how biography can function as a scholarly methodology for a wide range of topics and fields of research. International in scope, The Biographical Turn emphasizes that the individual can have a lasting impact on the past and that lives that are now forgotten can be as important for the historical narrative as the biographies of kings and presidents. It is a valuable resource for all students of biography, history and historical theory.
The Biographical Turn: Lives in history
by Hans Renders Binne De Haan Jonne HarmsmaThe Biographical Turn showcases the latest research through which the field of biography is being explored. Fifteen leading scholars in the field present the biographical perspective as a scholarly research methodology, investigating the consequences of this bottom-up approach and illuminating its value for different disciplines. While biography has been on the rise in academia since the 1980s, this volume highlights the theoretical implications of the biographical turn that is changing the humanities. Chapters cover subjects such as gender, religion, race, new media and microhistory, presenting biography as as a research methodology suited not only for historians but also for explorations in areas including literature studies, sociology, economics and politics. By emphasizing agency, the use of primary sources and the critical analysis of context and historiography, this book demonstrates how biography can function as a scholarly methodology for a wide range of topics and fields of research. International in scope, The Biographical Turn emphasizes that the individual can have a lasting impact on the past and that lives that are now forgotten can be as important for the historical narrative as the biographies of kings and presidents. It is a valuable resource for all students of biography, history and historical theory.
Biographie – Religiosität – Bildung: Zur Identitätsentwicklung durch religiöse Bildungsprozesse (Lernweltforschung #22)
by Anja LorenzDiese biographieanalytische Studie thematisiert die Auseinandersetzung mit der Bedeutung von Religiosität und religiösen Lern- und Bildungsprozessen von Frauen für Identitätsbildungsprozesse. Mithilfe von autobiographischen Stegreiferzählungen wird die Relevanz individualisierter Religiosität diskutiert und der religiöse Zugang in Kindheit und Jugend als Voraussetzung für eine möglicherweise zu entwickelnde Erwachsenenreligiosität im Leben von Frauen expliziert. Darüber hinaus wird die Verknüpfung von Religiosität mit den Faktoren Geschlecht, Bildung und Narrativität sowie die Relevanz von Religiosität für die gelingende Überwindung und Verarbeitung von krisenhaften Prozessen untersucht.
Biographies and Autobiographies in Modern Italy: a Festschrift for John Woodhouse
by Martin McLaughlin"Critical interest in biography and autobiography has never been higher. However, while life-writing flourishes in the UK, in Italy it is a less prominent genre. The twelve essays collected here are written against this backdrop, and address issues in biographical and autobiographical writing in Italy from the later nineteenth century to the present, with a particular emphasis on the interplay between individual lives and life-writing and the wider social and political history of Italy. The majority of essays focus on well-known writers (D'Annunzio, Svevo, Bontempelli, Montale, Levi, Calvino, Eco and Fallaci), and their varying anxieties about autobiographical writing in their work. This picture is rounded out by a series of studies of similar themes in lesser known figures: the critic Enrico Nencioni, the Welsh-Italian painter Llewellyn Lloyd and Italian writers and journalists covering the Spanish Civil War. The contributors, all specialists in their fields, are Antonella Braida, Charles Burdett, Jane Everson, John Gatt Rutter, Robert Gordon, Gwyn Griffith, Peter Hainsworth, Martin McLaughlin, Gianni Oliva, Giuliana Pieri, and Jon Usher. The volume is dedicated to John Woodhouse, on his seventieth birthday, and concludes with a bibliography of his writings."
Biographies and Autobiographies in Modern Italy: a Festschrift for John Woodhouse
by Martin McLaughlin"Critical interest in biography and autobiography has never been higher. However, while life-writing flourishes in the UK, in Italy it is a less prominent genre. The twelve essays collected here are written against this backdrop, and address issues in biographical and autobiographical writing in Italy from the later nineteenth century to the present, with a particular emphasis on the interplay between individual lives and life-writing and the wider social and political history of Italy. The majority of essays focus on well-known writers (D'Annunzio, Svevo, Bontempelli, Montale, Levi, Calvino, Eco and Fallaci), and their varying anxieties about autobiographical writing in their work. This picture is rounded out by a series of studies of similar themes in lesser known figures: the critic Enrico Nencioni, the Welsh-Italian painter Llewellyn Lloyd and Italian writers and journalists covering the Spanish Civil War. The contributors, all specialists in their fields, are Antonella Braida, Charles Burdett, Jane Everson, John Gatt Rutter, Robert Gordon, Gwyn Griffith, Peter Hainsworth, Martin McLaughlin, Gianni Oliva, Giuliana Pieri, and Jon Usher. The volume is dedicated to John Woodhouse, on his seventieth birthday, and concludes with a bibliography of his writings."
Biography: Fiction, Fact and Form (pdf) (Dictionary Of Literary Biography Ser. #Vol. 35)
by Ira B. Nadel
Biography: Writing Lives
by Catherine N. ParkeCatherine Parke explores biography through detailed examinations of Samuel Johnson, Virginia Woolf, Langston Hughes, Gertrude Stein and other masters of the genre.
Biography: Writing Lives (Genres In Context Ser.)
by Catherine N. ParkeCatherine Parke explores biography through detailed examinations of Samuel Johnson, Virginia Woolf, Langston Hughes, Gertrude Stein and other masters of the genre.
Biography and History (Theory and History)
by B. CaineBiography is the oldest way of writing about historical events, and one of the most popular. Looking at the complex relationship between the discipline of history and the writing of lives, Biography and History:• is the first work to explore the significant place of biography within historical writing at the present time• combines a discussion of the history of biography with an extended analysis of contemporary approaches to biography• links developments within history to the wider interest in auto/biography and life-writing, and to literary methods• suggests that there are some distinctive features in the ways in which historians handle biography.Original and insightful, this is an essential introduction to a growing, and increasingly important, field of study and research.
Biography and History (Theory and History)
by Barbara CaineLooking at the complex relationship between the discipline of history and the writing of lives, this key textbook provides an original and insightful introduction to a growing and increasingly important area of historical scholarship and research. Examining key works that have changed the nature of biography, Barbara Caine also explores the way biographical narrative and life stories have become a central preoccupation for history. Outlining the main features of contemporary historical biography, this is an ideal companion for undergraduate and postgraduate students taking courses on Historiography, Theory and History, Theory and Methods, Historical Methodology, History and Life/Biographical/Autobiographical Writing, and Life-Writing courses on English or Creative Writing degrees.
Biography and History (Theory and History)
by Barbara CaineLooking at the complex relationship between the discipline of history and the writing of lives, this key textbook provides an original and insightful introduction to a growing and increasingly important area of historical scholarship and research. Examining key works that have changed the nature of biography, Barbara Caine also explores the way biographical narrative and life stories have become a central preoccupation for history. Outlining the main features of contemporary historical biography, this is an ideal companion for undergraduate and postgraduate students taking courses on historiography, theory and history, theory and methods, historical methodology, history and life/biographical/autobiographical writing, and life-writing courses on English or creative writing degrees.New to this Edition:- Thoroughly updated throughout- New concluding chapter on history and the individual life, and the place of biography in history
Biography Between Structure and Agency: Central European Lives in International Historiography (Studies in German History #9)
by Volker Berghahn Simone LässigWhile bookstore shelves around the world have never ceased to display best-selling “life-and-letters” biographies in prominent positions, the genre became less popular among academic historians during the Cold War decades. Their main concern then was with political and socioeconomic structures, institutions, and organizations, or—more recently—with the daily lives of ordinary people and small communities. The contributors to this volume—all well known senior historians—offer self-critical reflections on problems they encountered when writing biographies themselves. Some of them also deal with topics specific to Central Europe, such as the challenges of writing about the lives of both victims and perpetrators. Although the volume concentrates on European historiography, its strong methodological and conceptual focus will be of great interest to non-European historians wrestling with the old “structure-versus-agency” question in their own work. Contributors: Volker R. Berghahn, Hartmut Berghoff, Hilary Earl, Jan Eckel, Willem Frijhoff, Ian Kershaw, Simone Lässig, Karl Heinrich Pohl, John C. G. Röhl, Angelika Schaser, Joachim Radkau, Cornelia Rauh-Kühne, Mark Roseman, Christoph Strupp and Michael Wildt.
The Biography Book: A Reader's Guide To Nonfiction, Fictional, and Film Biographies of More Than 500 of the Most Fascinating Individuals of all Time
by Daniel S. BurtFrom Marilyn to Mussolini, people captivate people. A&E's Biography, best-selling autobiographies, and biographical novels testify to the popularity of the genre. But where does one begin? Collected here are descriptions and evaluations of over 10,000 biographical works, including books of fact and fiction, biographies for young readers, and documentaries and movies, all based on the lives of over 500 historical figures from scientists and writers, to political and military leaders, to artists and musicians.Each entry includes a brief profile, autobiographical and primary sources, and recommended works. Short reviews describe the pertinent biographical works and offer insight into the qualities and special features of each title, helping readers to find the best biographical material available on hundreds of fascinating individuals.