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Bliss (Modern Plays)
by Fraser GraceThe water's here, just like us, but soon it'll be flowing past fresh flowers and new grass, and all the way out to the sea. Based on a short story by the brilliant but often overlooked Russian writer Andrey Platonov (1899-1951), Bliss is the tragi-comic tale of a young couple trying to build a life against the odds in the aftermath of the Russian civil war.As ex-soldier Nikita struggles to overcome what we now might recognise as PTSD, the play opens up into a colourful and strangely heart-warming kaleidoscope of stories, song, laughter and magic, as the survivors of years of devastating war and political revolution all strive to comprehend how society can recover from catastrophe, how real love has both passionate and practical faces, and how the future is only built by those who manage to survive their past.This boisterous play is published in Methuen Drama's Lost Plays series, celebrating new plays that had productions postponed due to the Covid-19 outbreak and the global shutdown of theatre spaces.
Bliss (Modern Plays)
by Fraser GraceIt's good to see you're alive. Good to know not all the ghosts in the streets are enemies...1921. Russia. Winter. When Nikita returns home from the brutal civil war, he attempts to start a new life with his drunken father Mikhail and his new wife Lyuba, the feisty young girl he remembers from his school days. When Nikita fails to consummate his marriage – all the while aware that he is being haunted by a mysterious figure – escape is the only solution he can find. He finally emerges in a new town further along the Potudan River, only to be accused of an ambiguous crime against the Soviet State…Based on a short story by the Russian writer Andrey Platonov (1899-1951), Bliss is a kaleidoscope of hopes, dreams and realities, as the survivors of years of devastating war and political revolution search for their 'bliss' in post-war Soviet Russia. They quickly learn that a society needs time to recover from catastrophe, and that the future is only built by those who manage to accept their past.This edition of Bliss was published alongside the world premiere at the Finborough Theatre, London in May 2022.
Bliss (Modern Plays)
by Fraser GraceIt's good to see you're alive. Good to know not all the ghosts in the streets are enemies...1921. Russia. Winter. When Nikita returns home from the brutal civil war, he attempts to start a new life with his drunken father Mikhail and his new wife Lyuba, the feisty young girl he remembers from his school days. When Nikita fails to consummate his marriage – all the while aware that he is being haunted by a mysterious figure – escape is the only solution he can find. He finally emerges in a new town further along the Potudan River, only to be accused of an ambiguous crime against the Soviet State…Based on a short story by the Russian writer Andrey Platonov (1899-1951), Bliss is a kaleidoscope of hopes, dreams and realities, as the survivors of years of devastating war and political revolution search for their 'bliss' in post-war Soviet Russia. They quickly learn that a society needs time to recover from catastrophe, and that the future is only built by those who manage to accept their past.This edition of Bliss was published alongside the world premiere at the Finborough Theatre, London in May 2022.
Blogger Relations als Teilbereich der Medienarbeit: Unternehmenskommunikation mit neuen Öffentlichkeiten
by Verena GlieseVerena Gliese gibt in diesem Buch einen Überblick darüber, wie gesellschaftliche und technologische Veränderungen die Arbeit von Kommunikationsfachleuten verändert haben. Im Fokus stehen dabei neue Öffentlichkeiten, denen sich Unternehmen zunehmend gegenüberstehen sehen. Sie besitzen im Vergleich zu massenmedialen Öffentlichkeiten eigene Strukturen, Themen und Aufmerksamkeitsregeln. Am Beispiel von Bloggern als Laienjournalisten wird herausgearbeitet, welche Auswirkungen dies für die strategische und operative Planung der Medienarbeit von Unternehmen hat.
Bloggers Boot Camp: Learning How to Build, Write, and Run a Successful Blog
by Charlie White John BiggsAnyone can build a blog. It’s quite easy. The difficult part is keeping it relevant, technically sound, and popular. Bloggers Boot Camp shows you how to blog for success. It teaches you how to find a niche, find your unique voice, and how to hold a conversation with an audience. It provides information on all the right tools for the blog, and it offers best ways to promote your blog and content for maximum success and a profitable life. Though rules in creating compelling content haven’t really changed, ways in which the world blogs has since the last edition. The authors have learned a lot about social media since writing the previous edition’s manuscript. They understand and know how social media can make or break a blog. Microblogging is a new trend brought on by the wide utilization of social media. To that same end, networking with other bloggers and content creators on the web is another form of building one’s blog and one’s reputation as a writer.
Bloggers Boot Camp: Learning How to Build, Write, and Run a Successful Blog
by Charlie White John BiggsAnyone can build a blog. It’s quite easy. The difficult part is keeping it relevant, technically sound, and popular. Bloggers Boot Camp shows you how to blog for success. It teaches you how to find a niche, find your unique voice, and how to hold a conversation with an audience. It provides information on all the right tools for the blog, and it offers best ways to promote your blog and content for maximum success and a profitable life. Though rules in creating compelling content haven’t really changed, ways in which the world blogs has since the last edition. The authors have learned a lot about social media since writing the previous edition’s manuscript. They understand and know how social media can make or break a blog. Microblogging is a new trend brought on by the wide utilization of social media. To that same end, networking with other bloggers and content creators on the web is another form of building one’s blog and one’s reputation as a writer.
Blogging (Digital Media and Society)
by Jill Walker RettbergBlogging has profoundly influenced not only the nature of the internet today, but also the nature of modern communication, despite being a genre invented less than a decade ago. This book-length study of a now everyday phenomenon provides a close look at blogging while placing it in a historical, theoretical and contemporary context. Scholars, students and bloggers will find a lively survey of blogging that contextualises blogs in terms of critical theory and the history of digital media. Authored by a scholar-blogger, the book is packed with examples that show how blogging and related genres are changing media and communication. It gives definitions and explains how blogs work, shows how blogs relate to the historical development of publishing and communication and looks at the ways blogs structure social networks and at how social networking sites like MySpace and Facebook incorporate blogging in their design. Specific kinds of blogs discussed include political blogs, citizen journalism, confessional blogs and commercial blogs.
Blogging (Digital Media and Society)
by Jill Walker RettbergThoroughly revised and updated, this new edition of Blogging provides an accessible study of a now everyday phenomenon and places it in a historical, theoretical and contemporary context. The second edition takes into account the most recent research and developments and provides current analyses of new tools for microblogging and visual blogging. Jill Walker Rettberg discusses the ways blogs are integrated into today’s mainstream social media ecology, where comments and links from Twitter and Facebook may be more important than the network between blogs that was significant five years ago, and questions the shift towards increased commercialization and corporate control of blogs. The new edition also analyses how smart phones with cameras and social media have led a shift towards more visual emphasis in blogs, with photographs and graphics increasingly foregrounded. Authored by a scholar-blogger, this engaging book is packed with examples that show how blogging and related genres are changing media and communication. It gives definitions and explains how blogs work, shows how blogs relate to the historical development of publishing and communication and looks at the ways blogs structure social networks.
Blogging (Digital Media and Society)
by Jill Walker RettbergThoroughly revised and updated, this new edition of Blogging provides an accessible study of a now everyday phenomenon and places it in a historical, theoretical and contemporary context. The second edition takes into account the most recent research and developments and provides current analyses of new tools for microblogging and visual blogging. Jill Walker Rettberg discusses the ways blogs are integrated into today’s mainstream social media ecology, where comments and links from Twitter and Facebook may be more important than the network between blogs that was significant five years ago, and questions the shift towards increased commercialization and corporate control of blogs. The new edition also analyses how smart phones with cameras and social media have led a shift towards more visual emphasis in blogs, with photographs and graphics increasingly foregrounded. Authored by a scholar-blogger, this engaging book is packed with examples that show how blogging and related genres are changing media and communication. It gives definitions and explains how blogs work, shows how blogs relate to the historical development of publishing and communication and looks at the ways blogs structure social networks.
Blogging from Egypt: Digital Literature, 2005-2016 (Edinburgh Studies in Modern Arabic Literature)
by Teresa PepeSix years before the Egyptian revolution of January 2011, many young Egyptians had resorted to blogging as a means of self-expression and literary creativity. This resulted in the emergence of a new literary genre: the autofictional blog. Such blogs are explored here as forms of digital literature, combining literary analysis and interviews with the authors. The blogs analysed give readers a glimpse into the daily lives, feelings and aspirations of the Egyptian youth who have pushed the country towards a cultural and political revolution. The narratives are also indicative of significant aesthetic and political developments taking place in Arabic literature and culture.
Blogwars
by David D. PerlmutterPolitical blogs have grown astronomically in the last half-decade. In just one month in 2005, for example, popular blog DailyKos received more unique visitors than the population of Iowa and New Hampshire combined. But how much political impact do bloggers really have? In Blogwars, David D. Perlmutter examines this rapidly burgeoning phenomenon, exploring the degree to which blogs influence--or fail to influence--American political life. Challenging the hype, Perlmutter points out that blogs are not that powerful by traditional political measures: while bloggers can offer cogent and convincing arguments and bring before their readers information not readily available elsewhere, they have no financial, moral, social, or cultural leverage to compel readers to engage in any particular political behavior. Indeed, blogs have scored mixed results in their past political crusades. But in the end, Perlmutter argues that blogs, in their wide dissemination of information and opinions, actually serve to improve democracy and enrich political culture. He highlights a number of the particularly noteworthy blogs from the specialty to the superblog-including popular sites such as Daily Kos, The Huffington Post, Powerlineblog, Instapundit, and Talking Points Memo--and shows how blogs are becoming part of the tool kit of political professionals, from presidential candidates to advertising consultants. While the political future may be uncertain, it will not be unblogged. For many Internet users, blogs are the news and editorial sites of record, replacing traditional newspapers, magazines, and television news programs. Blogwars offers the first full examination of this new and controversial force on America's political landscape.
Blood and Gifts: A Play
by J. T. RogersMy God, Russian soldiers being shot with Chinese bullets. Sometimes the world is so beautiful.1981. As the Soviet army burns its way through Afghanistan and toward the critical Pakistani border, CIA operative Jim Warnock is sent to try to halt its bloody progress. Joining forces with a larger-than-life Afghan warlord and the Pakistani and British secret services, Jim spearheads the covert struggle. But in the face of mutual suspicion as the brutal chaos escalates, clear political action becomes impossible.
Blood and Home in Early Modern Drama: Domestic Identity on the Renaissance Stage (Routledge Studies in Renaissance Literature and Culture)
by Ariane M. BalizetIn this volume, the author argues that blood was, crucially, a means by which dramatists negotiated shifting contours of domesticity in 16th and 17th century England. Early modern English drama vividly addressed contemporary debates over an expanding idea of "the domestic," which encompassed the domus as well as sex, parenthood, household order, the relationship between home and state, and the connections between family honor and national identity. The author contends that the domestic ideology expressed by theatrical depictions of marriage and household order is one built on the simultaneous familiarity and violence inherent to blood. The theatrical relation between blood and home is far more intricate than the idealized language of the familial bloodline; the home was itself a bloody place, with domestic bloodstains signifying a range of experiences including religious worship, sex, murder, birth, healing, and holy justice. Focusing on four bleeding figures—the Bleeding Bride, Bleeding Husband, Bleeding Child, and Bleeding Patient—the author argues that the household blood of the early modern stage not only expressed the violence and conflict occasioned by domestic ideology, but also established the home as a site that alternately reified and challenged patriarchal authority.
Blood and Home in Early Modern Drama: Domestic Identity on the Renaissance Stage (Routledge Studies in Renaissance Literature and Culture)
by Ariane M. BalizetIn this volume, the author argues that blood was, crucially, a means by which dramatists negotiated shifting contours of domesticity in 16th and 17th century England. Early modern English drama vividly addressed contemporary debates over an expanding idea of "the domestic," which encompassed the domus as well as sex, parenthood, household order, the relationship between home and state, and the connections between family honor and national identity. The author contends that the domestic ideology expressed by theatrical depictions of marriage and household order is one built on the simultaneous familiarity and violence inherent to blood. The theatrical relation between blood and home is far more intricate than the idealized language of the familial bloodline; the home was itself a bloody place, with domestic bloodstains signifying a range of experiences including religious worship, sex, murder, birth, healing, and holy justice. Focusing on four bleeding figures—the Bleeding Bride, Bleeding Husband, Bleeding Child, and Bleeding Patient—the author argues that the household blood of the early modern stage not only expressed the violence and conflict occasioned by domestic ideology, but also established the home as a site that alternately reified and challenged patriarchal authority.
Blood and Sand: Wm Format
by Frank GardnerIt was on 6 June 2004 that BBC security correspondent Frank Gardner and cameraman Simon Cumbers were ambushed by Islamist gunmen in a quiet Riyadh back street. Simon was killed outright. Frank was hit in the shoulder and leg. As he lay in the dust, a figure stood over him and pumped four more bullets into his body at point-blank range…Against all the odds, Frank Gardner survived. Ten years on from that horrendous attack, although partly paralysed, he continues to travel the world reporting for the BBC. His acclaimed, moving and inspiring memoir is now brought up to date with a new chapter recalling his return to Saudi Arabia for the first time since he was shot. This new anniversary edition is a reaffirmation of his deep understanding of – and affection for – the Islamic world in these uncertain times.
Blood Barrios: Dispatches from the World's Deadliest Streets
by Alberto ArceWinner of the 2018 PEN Translates Award for Non-FictionFeatures illustrations by the Honduran artist Germán AndinoWelcome to a country that has a higher casualty rate than Iraq. Wander streets considered the deadliest in the world. Wake up each morning to another batch of corpses – sometimes bound, often mutilated – lining the roads; to the screeching blue light of police sirens and the huddles of 'red journalists' who make a living chasing after the bloodshed. But Honduras is no warzone. Not officially, anyway.Ignored by the outside world, this Central American country is ravaged by ultra-violent drug cartels and an equally ruthless, militarised law force. Corruption is rife and the justice system is woefully ineffective. Prisons are full to bursting and barrios are flooded with drugs from South America en route to the US. Cursed by geography, the people are trapped here, caught in a system of poverty and cruelty with no means of escape.For many years, award-winning journalist Alberto Arce was the only foreign correspondent in Tegucigalpa, Honduras's beleaguered capital, and he witnessed first-hand the country's descent into anarchy. Here, he shares his experiences in a series of gripping and atmospheric dispatches: from earnest conversations with narcos, taxi drivers and soldiers, to exposés of state corruption and harrowing accounts of the aftermath of violence. Provocative, revelatory and at time heart-rending, Blood Barrios shines a light on the suffering and stoicism of the Honduran people, and asks the international community if there is more that they can do.
Blood Barrios: Dispatches from the World's Deadliest Streets
by Alberto ArceWinner of the 2018 PEN Translates Award for Non-FictionFeatures illustrations by the Honduran artist Germán AndinoWelcome to a country that has a higher casualty rate than Iraq. Wander streets considered the deadliest in the world. Wake up each morning to another batch of corpses – sometimes bound, often mutilated – lining the roads; to the screeching blue light of police sirens and the huddles of 'red journalists' who make a living chasing after the bloodshed. But Honduras is no warzone. Not officially, anyway.Ignored by the outside world, this Central American country is ravaged by ultra-violent drug cartels and an equally ruthless, militarised law force. Corruption is rife and the justice system is woefully ineffective. Prisons are full to bursting and barrios are flooded with drugs from South America en route to the US. Cursed by geography, the people are trapped here, caught in a system of poverty and cruelty with no means of escape.For many years, award-winning journalist Alberto Arce was the only foreign correspondent in Tegucigalpa, Honduras's beleaguered capital, and he witnessed first-hand the country's descent into anarchy. Here, he shares his experiences in a series of gripping and atmospheric dispatches: from earnest conversations with narcos, taxi drivers and soldiers, to exposés of state corruption and harrowing accounts of the aftermath of violence. Provocative, revelatory and at time heart-rending, Blood Barrios shines a light on the suffering and stoicism of the Honduran people, and asks the international community if there is more that they can do.
Blood Brothers GCSE Student Edition (GCSE Student Guides)
by Willy Russell Ros MerkinWritten specifically for GCSE students by academics in the field, the Methuen Drama GCSE Student Editions provide in-depth explanatory material alongside the play texts frequently studied at Key Stage 4. Whether for use in the classroom or independent study, these editions offer a fully comprehensive and lightly glossed play text with accompanying notes specifically directed towards readers of this age, which unravel essential topics and challenge all students to delve further into literary analysis. A well established modern classic, Willy Russell's Blood Brothers tells the story of Mickey and Eddie, twins separated at birth who grow up to lead very opposite lives, but which constantly and inevitably intersect. In addition to some on-page explanatory notes and the play text, this edition contains sub-headed analyses of themes, characters, context and dramatic devices, as well as background information on the playwright. The Methuen Drama GCSE Student Editions never lose sight of their readership, and offer students the confidence to engage with the material, explore their own interpretations, and improve their understanding of the works.
Blood Brothers GCSE Student Edition (GCSE Student Guides)
by Willy Russell Ros MerkinWritten specifically for GCSE students by academics in the field, the Methuen Drama GCSE Student Editions provide in-depth explanatory material alongside the play texts frequently studied at Key Stage 4. Whether for use in the classroom or independent study, these editions offer a fully comprehensive and lightly glossed play text with accompanying notes specifically directed towards readers of this age, which unravel essential topics and challenge all students to delve further into literary analysis. A well established modern classic, Willy Russell's Blood Brothers tells the story of Mickey and Eddie, twins separated at birth who grow up to lead very opposite lives, but which constantly and inevitably intersect. In addition to some on-page explanatory notes and the play text, this edition contains sub-headed analyses of themes, characters, context and dramatic devices, as well as background information on the playwright. The Methuen Drama GCSE Student Editions never lose sight of their readership, and offer students the confidence to engage with the material, explore their own interpretations, and improve their understanding of the works.
Blood Brothers GCSE Student Guide (GCSE Student Guides)
by Ros MerkinWritten specifically for GCSE students by academics in the field, the Methuen Drama GCSE Guides conveniently gather indispensable resources and tips for successful understanding and writing all in one place, preparing students to approach their exams with confidence.Key features include a critical commentary of the play with extensive, clearly labelled analyses on themes, characters and context. They take studying drama even further with sections on dramatic technique, critical reception, related works, fascinating behind-the-scenes interviews with playwrights, directors or actors, and a helpful glossary of dramatic terms.A well-established modern classic, Willy Russell's Blood Brothers tells the story of Mickey and Eddie, twins separated at birth who grow up to lead very opposite lives, but which constantly and inevitably intersect.Closely following the requirements of GCSE English Literature assessment objectives, these studies include expert advice on how to write about modern drama. With featured activities for group study and independent work, they are versatile and valuable to students and teachers alike.
Blood Brothers GCSE Student Guide (GCSE Student Guides)
by Ros MerkinWritten specifically for GCSE students by academics in the field, the Methuen Drama GCSE Guides conveniently gather indispensable resources and tips for successful understanding and writing all in one place, preparing students to approach their exams with confidence.Key features include a critical commentary of the play with extensive, clearly labelled analyses on themes, characters and context. They take studying drama even further with sections on dramatic technique, critical reception, related works, fascinating behind-the-scenes interviews with playwrights, directors or actors, and a helpful glossary of dramatic terms.A well-established modern classic, Willy Russell's Blood Brothers tells the story of Mickey and Eddie, twins separated at birth who grow up to lead very opposite lives, but which constantly and inevitably intersect.Closely following the requirements of GCSE English Literature assessment objectives, these studies include expert advice on how to write about modern drama. With featured activities for group study and independent work, they are versatile and valuable to students and teachers alike.
Blood Harmony (Modern Plays)
by Matthew BulgoShe used to be everywhere, all at the sametime, do you know what I mean?And now she's nowhere.She was always there,that's what I'm trying to say.A fractured trio of sisters are pulled back together with news that turns their worlds upside down. Tensions from the past and worries about the future leave them feeling paralysed. When it feels like your world has come to a stop, how do you find a way to keep moving forward?Soaring music by Atlantic Records artists, The Staves, combines with dynamic movement and bold new writing in this compelling, intimate reflection on grief and the invisible bonds within families. Blood Harmony is a play with songs that'll make you want to pull your family a little closer and hold them a little tighter.
Blood Harmony (Modern Plays)
by Matthew BulgoShe used to be everywhere, all at the sametime, do you know what I mean?And now she's nowhere.She was always there,that's what I'm trying to say.A fractured trio of sisters are pulled back together with news that turns their worlds upside down. Tensions from the past and worries about the future leave them feeling paralysed. When it feels like your world has come to a stop, how do you find a way to keep moving forward?Soaring music by Atlantic Records artists, The Staves, combines with dynamic movement and bold new writing in this compelling, intimate reflection on grief and the invisible bonds within families. Blood Harmony is a play with songs that'll make you want to pull your family a little closer and hold them a little tighter.
Blood Relations: Christian and Jew in The Merchant of Venice
by Janet AdelmanIn Blood Relations, Janet Adelman confronts her resistance to The Merchant of Venice as both a critic and a Jew. With her distinctive psychological acumen, she argues that Shakespeare’s play frames the uneasy relationship between Christian and Jew specifically in familial terms in order to recapitulate the vexed familial relationship between Christianity and Judaism. Adelman locates the promise—or threat—of Jewish conversion as a particular site of tension in the play. Drawing on a variety of cultural materials, she demonstrates that, despite the triumph of its Christians, The Merchant of Venice reflects Christian anxiety and guilt about its simultaneous dependence on and disavowal of Judaism. In this startling psycho-theological analysis, both the insistence that Shylock’s daughter Jessica remain racially bound to her father after her conversion and the depiction of Shylock as a bloody-minded monster are understood as antidotes to Christian uneasiness about a Judaism it can neither own nor disown. In taking seriously the religious discourse of The Merchant of Venice, Adelman offers in Blood Relations an indispensable book on the play and on the fascinating question of Jews and Judaism in Renaissance England and beyond.
Blood Relations: Christian and Jew in The Merchant of Venice
by Janet AdelmanIn Blood Relations, Janet Adelman confronts her resistance to The Merchant of Venice as both a critic and a Jew. With her distinctive psychological acumen, she argues that Shakespeare’s play frames the uneasy relationship between Christian and Jew specifically in familial terms in order to recapitulate the vexed familial relationship between Christianity and Judaism. Adelman locates the promise—or threat—of Jewish conversion as a particular site of tension in the play. Drawing on a variety of cultural materials, she demonstrates that, despite the triumph of its Christians, The Merchant of Venice reflects Christian anxiety and guilt about its simultaneous dependence on and disavowal of Judaism. In this startling psycho-theological analysis, both the insistence that Shylock’s daughter Jessica remain racially bound to her father after her conversion and the depiction of Shylock as a bloody-minded monster are understood as antidotes to Christian uneasiness about a Judaism it can neither own nor disown. In taking seriously the religious discourse of The Merchant of Venice, Adelman offers in Blood Relations an indispensable book on the play and on the fascinating question of Jews and Judaism in Renaissance England and beyond.