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Robert Browning: Selected Poetry and Prose
by Robert BrowningFirst Published in 1991. This edition draws upon a wide range pf Browning's poetry and prose, inducing selections from his 'Dramatic Lyrics', 'Dramatic Romances and Lyrics' and 'Men and Women' and 'Dramatis Personae' collections, as well as extracts from his correspondence with Elizabeth Barrett. Aidan Day's introduction chronicles the events both of Browning's life and of his development as a poet.
Robert Browning: A Collection of Critical Essays (Routledge Library Editions: Victorian Poetry)
by Philip DrewFirst published in 1966. This title complies a selection of critical articles by various authors on the poetry of Robert Browning. The editor has collected a number of important general studies of Browning’s mind and art by English and American critics, as well as studies on individual poems. This book will be of interest to students of literature.
Robert Browning: A Collection of Critical Essays (Routledge Library Editions: Victorian Poetry)
by Philip DrewFirst published in 1966. This title complies a selection of critical articles by various authors on the poetry of Robert Browning. The editor has collected a number of important general studies of Browning’s mind and art by English and American critics, as well as studies on individual poems. This book will be of interest to students of literature.
Robert Browning: A Literary Life (Literary Lives)
by S. WoodBrowning both denied and affirmed the value of biography for an understanding of literature. This book narrates the development of his controversial creative life through responses to his work by five key nineteenth-century figures: John Stuart Mill, William Charles Macready, Thomas Carlyle, John Ruskin and Matthew Arnold. It also relates Browning's sense of literary vocation to Victorian publishing. Browning emerges as a writer vividly engaged with contemporary assumptions, yet deeply aware of the unaccountability of writing.
Robert Browning
by John Woolford Daniel KarlinRobert Browning (1812-89) rivals Tennyson as the major Victorian poet with such important works as Dramatic Lyrics, Dramatic Romances and Lyrics, Men and Women, Dramatic Personae and the monumental The Ring and the Book. He is known for his development of the dramatic monologue in which he recreated the world of Renaissance Italy, and provided subtle and complex explorations of character. Here, Daniel Karlin and John Woolford provide a thematic survey of Browning's often difficult work, using key poems as a common point of reference. The themes covered include: styles, genres, the mind, the world, interaction and criticism. This excellent survey will be of value to students of Victorian literature and modernism.
Robert Browning
by John Woolford Daniel KarlinRobert Browning (1812-89) rivals Tennyson as the major Victorian poet with such important works as Dramatic Lyrics, Dramatic Romances and Lyrics, Men and Women, Dramatic Personae and the monumental The Ring and the Book. He is known for his development of the dramatic monologue in which he recreated the world of Renaissance Italy, and provided subtle and complex explorations of character. Here, Daniel Karlin and John Woolford provide a thematic survey of Browning's often difficult work, using key poems as a common point of reference. The themes covered include: styles, genres, the mind, the world, interaction and criticism. This excellent survey will be of value to students of Victorian literature and modernism.
Robert Browning: Selected Poems
by John Woolford Daniel Karlin Joseph PhelanRobert Browning (1812 – 1889) was one of the defining figures of the Victorian age. Famous in his lifetime for his elopement and marriage to Elizabeth Barratt, his critical reputation grew steadily in the years following her early death. Browning’s mastery of dramatic verse was evident throughout his career, from such chillingly unforgettable monologues as ‘My Last Duchess’ and ‘Porphyria’ to the mature work included in his collection Dramatis Personae. This selection, chosen by leading scholars, reveals the innovation, complexity and profound psychological insight that have ensured Browning’s enduring reputation and his continuing appeal to readers today. Browning: Selected Poems results from a completely fresh appraisal of the canon, text and context of the writer’s work. The poems are presented in the order of their composition and in the text in which they were first published, giving a unique insight into the development of Browning’s art. An introduction and chronology offer useful background material, whilst annotations and headnotes provide details of composition, publication, sources and contemporary reception. This authoritative yet accessible selection should become the first point of reference for scholar, student and general reader alike.
Robert Browning: Selected Poems
by John Woolford Daniel Karlin Joseph PhelanRobert Browning (1812 – 1889) was one of the defining figures of the Victorian age. Famous in his lifetime for his elopement and marriage to Elizabeth Barratt, his critical reputation grew steadily in the years following her early death. Browning’s mastery of dramatic verse was evident throughout his career, from such chillingly unforgettable monologues as ‘My Last Duchess’ and ‘Porphyria’ to the mature work included in his collection Dramatis Personae. This selection, chosen by leading scholars, reveals the innovation, complexity and profound psychological insight that have ensured Browning’s enduring reputation and his continuing appeal to readers today. Browning: Selected Poems results from a completely fresh appraisal of the canon, text and context of the writer’s work. The poems are presented in the order of their composition and in the text in which they were first published, giving a unique insight into the development of Browning’s art. An introduction and chronology offer useful background material, whilst annotations and headnotes provide details of composition, publication, sources and contemporary reception. This authoritative yet accessible selection should become the first point of reference for scholar, student and general reader alike.
Robert Browning: Selected Writings (21st-Century Oxford Authors)
This volume in the 21st-Century Oxford Authors series offers students and readers a comprehensive selection of the work of Robert Browning (1812-1889). Accompanied by full scholarly apparatus, this is the first one-volume fully annotated edition of Browning's poetry. It presents work written across the breadth of his career, from the very first poem he published, Pauline, to Asolando, the volume that was published on the day that he died. The text chosen is, wherever possible, the text of the poem as it was first published by Browning himself, and as a consequence the volume also constitutes a kind of biography that enables students to understand Browning's development over the course of his life. The edition reveals a poet who began as a bold experimentalist, and who continued to experiment throughout a writing career of more than fifty years. Browning is best known for his dramatic monologues, and the dramatic monologues are fully represented in this volume, but he was also a narrative poet, a poet of philosophical reflection, and a poet who fashioned an extraordinary variety of lyric measures. This volume reveals Browning as a far more versatile poet than he is often taken to be. There are two important prose items, an essay on Shelley and a letter to Ruskin which clarify Browning's intellectual stance. The Notes include brief headnotes to each poem followed by detailed annotation, and they assist the reader in developing a full understanding of these masterful poems. Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Browning, and a Chronology.
Robert Browning: The Poems (Analysing Texts)
by John BladesThis stimulating study takes a fresh look at Browning's poetry and at some of the key themes that run through his work. Part I uses carefully selected extracts for close textual analysis, while Part II examines Browning's life, contexts and a sample of criticism. Using some of Browning's most widely studied poems, this book will develop students' close reading technique and help them to articulate their own responses to poetry.The volume is an ideal introductory guide for A Level and undergraduate English Literature students, or anyone studying Browning's poems for the first time.
Robert Burns and Religion
by Walter McGintyThis title was first published in 2003. This text examines the role of religion in the life of the poet Robert Burns. Incorporating previously unexplored sources, and taking into consideration contemporary work on Burns, and on Scottish literature and history, author J. Walter McGinty presents an account of Burns's personal religion and the factors that helped to form it. McGinty begins by discussing the recurring themes in Burns's religious writings: a belief in a benevolent God; a hankering after, if not a hope, that there might be a life after death; and a sense of his own accountability. He then presents for comparison the religious poetry of two of Burns's contemporaries, William Cowper and Christopher Smart, usefully extending the discussion of Burns beyond the purely Scottish context. Finally, McGinty provides portraits of some of the ministers of "The Church of Scotland's Garland-A New Song", followed by an analysis of Burns's religious poetry.
Robert Burns and Religion
by Walter McGintyThis title was first published in 2003. This text examines the role of religion in the life of the poet Robert Burns. Incorporating previously unexplored sources, and taking into consideration contemporary work on Burns, and on Scottish literature and history, author J. Walter McGinty presents an account of Burns's personal religion and the factors that helped to form it. McGinty begins by discussing the recurring themes in Burns's religious writings: a belief in a benevolent God; a hankering after, if not a hope, that there might be a life after death; and a sense of his own accountability. He then presents for comparison the religious poetry of two of Burns's contemporaries, William Cowper and Christopher Smart, usefully extending the discussion of Burns beyond the purely Scottish context. Finally, McGinty provides portraits of some of the ministers of "The Church of Scotland's Garland-A New Song", followed by an analysis of Burns's religious poetry.
Robert Burns and the Philosophers (Routledge Studies in Romanticism)
by J Walter McGintyThis volume expounds the influence of Robert Burns’s reading of Philosophy on his life and work, supplementing this with his personal encounters with those philosophers he met. The work begins with the Homespun Philosophy of his early years under the tutelage of William Burnes and John Murdoch, then examines in detail some of the texts of John Locke, Adam Smith and Francis Hutcheson, including other writers who reflect Hutcheson’s thinking. Further chapters include the exploration on Thomas Reid, Dugald Stewart, Archibald Alison and William Greenfield. Robert Burns and the Philosophers does not purport to be a work of philosophy but rather to show the poet’s reaction to the subject and the development of his understanding. This work opens up a subject that hitherto has been almost unexplored.
Robert Burns and the Philosophers (Routledge Studies in Romanticism)
by J Walter McGintyThis volume expounds the influence of Robert Burns’s reading of Philosophy on his life and work, supplementing this with his personal encounters with those philosophers he met. The work begins with the Homespun Philosophy of his early years under the tutelage of William Burnes and John Murdoch, then examines in detail some of the texts of John Locke, Adam Smith and Francis Hutcheson, including other writers who reflect Hutcheson’s thinking. Further chapters include the exploration on Thomas Reid, Dugald Stewart, Archibald Alison and William Greenfield. Robert Burns and the Philosophers does not purport to be a work of philosophy but rather to show the poet’s reaction to the subject and the development of his understanding. This work opens up a subject that hitherto has been almost unexplored.
Robert Burns and the United States of America: Poetry, Print, and Memory 1786–1866
by Arun SoodThis book provides a critical study of the relationship between Robert Burns and the United States of America, c.1786-1866. Though Burns is commonly referred to as Scotland’s “National Poet”, his works were frequently reprinted in New York and Philadelphia; his verse mimicked by an emerging canon of American poets; and his songs appropriated by both abolitionists and Confederate soldiers during the Civil War era. Adopting a transnational, Atlantic Studies perspective that shifts emphasis from Burns as national poet to transnational icon, this book charts the reception, dissemination and cultural memory of Burns and his works in the United States up to 1866.
Robert Burns and the United States of America: Poetry, Print, and Memory 1786–1866
by Arun SoodThis book provides a critical study of the relationship between Robert Burns and the United States of America, c.1786-1866. Though Burns is commonly referred to as Scotland’s “National Poet”, his works were frequently reprinted in New York and Philadelphia; his verse mimicked by an emerging canon of American poets; and his songs appropriated by both abolitionists and Confederate soldiers during the Civil War era. Adopting a transnational, Atlantic Studies perspective that shifts emphasis from Burns as national poet to transnational icon, this book charts the reception, dissemination and cultural memory of Burns and his works in the United States up to 1866.
Robert Burns and Transatlantic Culture
by Sharon Alker Leith DavisWhile recent scholarship has usefully positioned Burns within the context of British Romanticism as a spokesperson of Scottish national identity, Robert Burns and Transatlantic Culture considers Burns's impact in the United States, Canada, and South America, where he has served variously as a site of cultural memory and of creative negotiation. Ambitious in its scope, the volume is divided into five sections that explore: transatlantic concerns in Burns's own work, Burns's early publication in North America, Burns's reception in the Americas, Burns's creation as a site of cultural memory, and extra-literary remediations of Burns, including contemporary digital representations. By tracing the transatlantic modulations of the poet and songwriter and his works, Robert Burns and Transatlantic Culture sheds new light on the circuits connecting Scotland and Britain with the evolving cultures of the Americas from the late eighteenth century to the present.
Robert Burns and Transatlantic Culture
by Sharon Alker Leith DavisWhile recent scholarship has usefully positioned Burns within the context of British Romanticism as a spokesperson of Scottish national identity, Robert Burns and Transatlantic Culture considers Burns's impact in the United States, Canada, and South America, where he has served variously as a site of cultural memory and of creative negotiation. Ambitious in its scope, the volume is divided into five sections that explore: transatlantic concerns in Burns's own work, Burns's early publication in North America, Burns's reception in the Americas, Burns's creation as a site of cultural memory, and extra-literary remediations of Burns, including contemporary digital representations. By tracing the transatlantic modulations of the poet and songwriter and his works, Robert Burns and Transatlantic Culture sheds new light on the circuits connecting Scotland and Britain with the evolving cultures of the Americas from the late eighteenth century to the present.
Robert Burton and the Transformative Powers of Melancholy (Literary and Scientific Cultures of Early Modernity)
by Stephanie ShirilanFew English books are as widely known, underread, and underappreciated as Robert Burton’s The Anatomy of Melancholy. Stephanie Shirilan laments that modern scholars often treat the Anatomy as an unmediated repository of early modern views on melancholy, overlooking the fact that Burton is writing a cento - an ancient form of satire that quotes and misquotes authoritative texts in often subversive ways - and that his express intent in so doing is to offer his readers literary therapy for melancholy. This book explores the ways in which the Anatomy dispenses both direct physic and more systemic medicine by encouraging readers to think of melancholy as a privileged mental and spiritual acuity that requires cultivation and management rather than cure. Refuting the prevailing historiography of anxious early modern embodiment that cites Burton as a key witness, Shirilan submits that the Anatomy rejects contemporary Neostoic and Puritan approaches to melancholy. She reads Burton’s erraticism, opacity, and theatricality as modes of resistance against demands for constancy, transparency, and plainness in the popular literature of spiritual and moral hygiene of his day. She shows how Burton draws on rhetorical, theological, and philosophical traditions that privilege the transformative powers of the imagination in order to celebrate melancholic impressionability for its capacity to inspire and engender empathy, charity, and faith.
Robert Burton and the Transformative Powers of Melancholy (Literary and Scientific Cultures of Early Modernity)
by Stephanie ShirilanFew English books are as widely known, underread, and underappreciated as Robert Burton’s The Anatomy of Melancholy. Stephanie Shirilan laments that modern scholars often treat the Anatomy as an unmediated repository of early modern views on melancholy, overlooking the fact that Burton is writing a cento - an ancient form of satire that quotes and misquotes authoritative texts in often subversive ways - and that his express intent in so doing is to offer his readers literary therapy for melancholy. This book explores the ways in which the Anatomy dispenses both direct physic and more systemic medicine by encouraging readers to think of melancholy as a privileged mental and spiritual acuity that requires cultivation and management rather than cure. Refuting the prevailing historiography of anxious early modern embodiment that cites Burton as a key witness, Shirilan submits that the Anatomy rejects contemporary Neostoic and Puritan approaches to melancholy. She reads Burton’s erraticism, opacity, and theatricality as modes of resistance against demands for constancy, transparency, and plainness in the popular literature of spiritual and moral hygiene of his day. She shows how Burton draws on rhetorical, theological, and philosophical traditions that privilege the transformative powers of the imagination in order to celebrate melancholic impressionability for its capacity to inspire and engender empathy, charity, and faith.
Robert Cormier (New Casebooks)
by Adrienne E. GavinThis compelling New Casebook is the first essay collection devoted to the work of groundbreaking American author Robert Cormier. Written by a team of international children's literature experts, the volume offers a variety of critical and theoretical approaches to the range of Cormier's controversial young adult novels.The newly-commissioned essays explore the author's earlier best-known writings for teenagers as well as his later less critically examined texts, focussing on key issues such as adolescence, identity, bullying and child corruption. Recognizing Cormier's achievement, this long-overdue critical resource is essential reading for anyone with an interest in his influential work and lasting impact on young adult fiction.
Robert Cormier (New Casebooks)
by Adrienne E. GavinThis compelling New Casebook is the first essay collection devoted to the work of groundbreaking American author Robert Cormier. Written by a team of international children's literature experts, the volume offers a variety of critical and theoretical approaches to the range of Cormier's controversial young adult novels.The newly-commissioned essays explore the author's earlier best-known writings for teenagers as well as his later less critically examined texts, focussing on key issues such as adolescence, identity, bullying and child corruption. Recognizing Cormier's achievement, this long-overdue critical resource is essential reading for anyone with an interest in his influential work and lasting impact on young adult fiction.
Robert David Macdonald: Plays Two (Oberon Modern Playwrights)
by Robert David MacdonaldA memorial volume featuring four of the acclaimed playwright's works following his death.
Robert De Niro at Work: From Screenplay to Screen Performance (Palgrave Studies in Screenwriting)
by Adam Ganz Steven PriceRobert De Niro at Work is the first critical study to examine how Robert de Niro, perhaps the finest screen actor of his generation, works with screenplays to imagine, prepare and denote his performance. In categorising the various ways in which De Niro works with a screenplay, this book will re-examine the relationship between actor and text. This book considers the screenplay as above all a working document and a material object, present at every stage of the filmmaking process. The working screenplay goes through various iterations in development and exists in many versions on set, each adapted and personalised for the specific use of the individual and their role. As the archive reveals, nobody works more closely with the script than the actor, and no actor works more on a script than De Niro.
Robert Fergusson and the Scottish Periodical Press
by Rhona BrownThough Robert Fergusson published only one collection of poems during his lifetime, he was a fixture in the Scottish periodical press. Rhona Brown explores Fergusson's poetic output in its immediate periodical context, enabling a new understanding of Fergusson's contribution to poetry that also enlarges on our understanding of the Scottish periodical press. Focusing on the development of his career in Walter Ruddiman's Weekly Magazine, Brown situates Fergusson's poetry alongside contemporary events that expose Fergusson's preoccupations with the frivolities of fashion, theatrical culture, the economic status of Scottish manufacture, and politics. At the same time, Brown offers fascinating insights into the political climate of Enlightenment Scotland and shows the Weekly Magazine in relationship to the larger Scottish and British periodical milieus. She concludes by exploring reactions to Fergusson's death in the British periodical presses, arguing that contrary to critical consensus, the poet's death was ignored neither by his own country nor by the larger literary community.