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Romance, Language and Education in Jane Austen's Novels

Romance Object Clitics: Microvariation and Linguistic Change (Oxford Studies in Diachronic and Historical Linguistics #44)

This book offers an empirical and theoretical exploration of the development of object clitic pronouns in the Romance languages, drawing on data from Latin, medieval vernaculars, modern Romance languages, and lesser-known dialects. Diego Pescarini examines phonological, morphological, and especially syntactic aspects of Romance object clitics, using the findings to reconstruct their evolution from Latin to Romance and to model clitic placement in modern Romance languages. On the theoretical side, the volume engages with previous accounts of clitics, particularly in generative theory. It challenges the received idea that cliticization resulted from a form of syntactic deficiency; instead, it proposes that clitics resulted from the feature endowment of discourse features, which initially caused freezing of certain pronominal forms and then - through reanalysis - their successive incorporation to verbal hosts. This approach leads to a revision of earlier analyses of well-known phenomena such as interpolation, climbing, and enclisis/proclisis alternations, and to new approaches to issues including V2 syntax, scrambling, and stylistic fronting, among many others.

The Romance of Arthur: An Anthology of Medieval Texts in Translation

The Romance of Arthur, James J. Wilhelm’s classic anthology of Arthurian literature, is an essential text for students of the medieval Romance tradition. This fully updated third edition presents a comprehensive reader, mapping the course of Arthurian literature, and is expanded to cover: key authors such as Chrétien de Troyes and Thomas of Britain, as well as Arthurian texts by women and more obscure sources for Arthurian romance extensive coverage of key themes and characters in the tradition a wide geographical range of texts including translations from Latin, French, German, Spanish, Welsh, Middle English, and Italian sources a broad chronological range of texts, encompassing nearly a thousand years of Arthurian romance. Norris J. Lacy builds on the book’s source material, presenting readers with a clear introduction to many accessible modern-spelling versions of Arthurian texts. The extracts are presented in a new reader-friendly format with detailed suggestions for further reading and illustrations of key places, figures, and scenes. The Romance of Arthur provides an excellent introduction and an extensive resource for both students and scholars of Arthurian literature.

The Romance of Arthur: An Anthology of Medieval Texts in Translation

The Romance of Arthur, James J. Wilhelm’s classic anthology of Arthurian literature, is an essential text for students of the medieval Romance tradition. This fully updated third edition presents a comprehensive reader, mapping the course of Arthurian literature, and is expanded to cover: key authors such as Chrétien de Troyes and Thomas of Britain, as well as Arthurian texts by women and more obscure sources for Arthurian romance extensive coverage of key themes and characters in the tradition a wide geographical range of texts including translations from Latin, French, German, Spanish, Welsh, Middle English, and Italian sources a broad chronological range of texts, encompassing nearly a thousand years of Arthurian romance. Norris J. Lacy builds on the book’s source material, presenting readers with a clear introduction to many accessible modern-spelling versions of Arthurian texts. The extracts are presented in a new reader-friendly format with detailed suggestions for further reading and illustrations of key places, figures, and scenes. The Romance of Arthur provides an excellent introduction and an extensive resource for both students and scholars of Arthurian literature.

The Romance of Failure: First-Person Fictions of Poe, Hawthorne, and James

This book focuses on the intense intimacy between author and first-person narrator in the fictions of Poe, Hawthorne, and James in order to defend the beleaguered "I" in these works against the depersonalizing tendencies of postructuralism. In reaffirming the importance of the human subject for the study of narrative, Auerbach shows how the first person form, in particular, underscores fundamental problems of literary representation: how fictions come to be made, and the relation between these plots and the people who make them.

The Romance of Flamenca (Library of Medieval Literature #Vol. 101a)

First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

The Romance of Flamenca (Library of Medieval Literature)

First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

The Romance of Gambling in the Eighteenth-Century British Novel (Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print)

Gambling permeated the daily lives of eighteenth-century Britons of all classes. This book explicates the relationship between the rampant gambling in eighteenth-century England, the new forms of gambling-inspired capitalism that transformed British society, and novels that interrogate the new socio-economy of long odds and lucky breaks.

The Romance of Private Life: by Sarah Harriet Burney (Chawton House Library: Women's Novels)

Contains two tales - "The Renunciation", which presents a colourful picture of life abroad, when an English girl travels to Italy in search of kin and supports herself as an artist, offering an early feminist heroine; and, "The Hermitage", a psychological thriller involving a ruined country maiden and an unsolved murder.

The Romance of Private Life: by Sarah Harriet Burney (Chawton House Library: Women's Novels)

Contains two tales - "The Renunciation", which presents a colourful picture of life abroad, when an English girl travels to Italy in search of kin and supports herself as an artist, offering an early feminist heroine; and, "The Hermitage", a psychological thriller involving a ruined country maiden and an unsolved murder.

The Romance of Science: Essays in Honour of Trevor H. Levere (Archimedes #52)

The Romance of Science pays tribute to the wide-ranging and highly influential work of Trevor Levere, historian of science and author of Poetry Realised in Nature, Transforming Matter, Science and the Canadian Arctic, Affinity and Matter and other significant inquiries in the history of modern science. Expanding on Levere’s many themes and interests, The Romance of Science assembles historians of science -- all influenced by Levere's work -- to explore such matters as the place and space of instruments in science, the role and meaning of science museums, poetry in nature, chemical warfare and warfare in nature, science in Canada and the Arctic, Romanticism, aesthetics and morals in natural philosophy, and the “dismal science” of economics. The Romance of Science explores the interactions between science's romantic, material, institutional and economic engagements with Nature.

The Romance of the Holy Land in American Travel Writing, 1790–1876

This book is the first to engage with the full range of American travel writing about nineteenth-century Ottoman Palestine, and the first to acknowledge the influence of the late-eighteenth-century Barbary captivity narrative on nineteenth-century travel writing about the Middle East. Brian Yothers argues that American travel writing about the Holy Land forms a coherent, if greatly varied, tradition, which can only be fully understood when works by major writers such as Twain and Melville are studied alongside missionary accounts, captivity narratives, chronicles of religious pilgrimages, and travel writing in the genteel tradition. Yothers also examines works by lesser-known authors such as Bayard Taylor, John Lloyd Stephens, and Clorinda Minor, demonstrating that American travel writing is marked by a profound intertextuality with the Hebrew and Christian scriptures and with British and continental travel narratives about the Holy Land. His concluding chapter on Melville's Clarel shows how Melville's poem provides an incisive critique of the nascent imperial discourse discernible in the American texts with which it is in dialogue.

The Romance of the Holy Land in American Travel Writing, 1790–1876

This book is the first to engage with the full range of American travel writing about nineteenth-century Ottoman Palestine, and the first to acknowledge the influence of the late-eighteenth-century Barbary captivity narrative on nineteenth-century travel writing about the Middle East. Brian Yothers argues that American travel writing about the Holy Land forms a coherent, if greatly varied, tradition, which can only be fully understood when works by major writers such as Twain and Melville are studied alongside missionary accounts, captivity narratives, chronicles of religious pilgrimages, and travel writing in the genteel tradition. Yothers also examines works by lesser-known authors such as Bayard Taylor, John Lloyd Stephens, and Clorinda Minor, demonstrating that American travel writing is marked by a profound intertextuality with the Hebrew and Christian scriptures and with British and continental travel narratives about the Holy Land. His concluding chapter on Melville's Clarel shows how Melville's poem provides an incisive critique of the nascent imperial discourse discernible in the American texts with which it is in dialogue.

The Romance of the Rose: Third Edition

Many English-speaking readers of the Roman de la rose, the famous dream allegory of the thirteenth century, have come to rely on Charles Dahlberg's elegant and precise translation of the Old French text. His line-by-line rendering in contemporary English is available again, this time in a third edition with an updated critical apparatus. Readers at all levels can continue to deepen their understanding of this rich tale about the Lover and his quest--against the admonishments of Reason and the obstacles set by Jealousy and Resistance--to pluck the fair Rose in the Enchanted Garden.The original introduction by Dahlberg remains an excellent overview of the work, covering such topics as the iconographic significance of the imagery and the use of irony in developing the central theme of love. His new preface reviews selected scholarship through 1990, which examines, for example, the sources and influences of the work, the two authors, the nature of the allegorical narrative as a genre, the use of first person, and the poem's early reception. The new bibliographic material incorporates that of the earlier editions. The sixty-four miniature illustrations from thirteenth-and fifteenth-century manuscripts are retained, as are the notes keyed to the Langlois edition, on which the translation is based.

The Romance of the Rose: Third Edition

Many English-speaking readers of the Roman de la rose, the famous dream allegory of the thirteenth century, have come to rely on Charles Dahlberg's elegant and precise translation of the Old French text. His line-by-line rendering in contemporary English is available again, this time in a third edition with an updated critical apparatus. Readers at all levels can continue to deepen their understanding of this rich tale about the Lover and his quest--against the admonishments of Reason and the obstacles set by Jealousy and Resistance--to pluck the fair Rose in the Enchanted Garden. The original introduction by Dahlberg remains an excellent overview of the work, covering such topics as the iconographic significance of the imagery and the use of irony in developing the central theme of love. His new preface reviews selected scholarship through 1990, which examines, for example, the sources and influences of the work, the two authors, the nature of the allegorical narrative as a genre, the use of first person, and the poem's early reception. The new bibliographic material incorporates that of the earlier editions. The sixty-four miniature illustrations from thirteenth-and fifteenth-century manuscripts are retained, as are the notes keyed to the Langlois edition, on which the translation is based.

The Romance of the Rose and the Making of Fourteenth-Century English Literature (Oxford Studies in Medieval Literature and Culture)

The Romance of the Rose had a transformative effect on the multilingual literary culture of fourteenth-century England, leaving more material evidence for late medieval English-speaking readers than any other vernacular literary work from mainland Europe. This book examines its decisive effect on English literature of the fourteenth century, and new literary experiments it provoked from writers such as Geoffrey Chaucer, John Gower, William Langland, and the author of Sir Gawain and the Green Knight. Linking the English afterlife of the Rose to a host of ongoing cultural developments in mainland Europe, The Romance of the Rose and the Making of Fourteenth-Century English Literature reveals the deep interconnectedness of English and European literary culture. Examining courtly, clerical, and classicising orientations towards the text, it presents new arguments for the place of the Rose at the centre of fourteenth-century English literature, and explores its rich manuscript history to reveal new evidence about the cultural significance of this love allegory from thirteenth-century France. The chapters avoid an author-centred approach, arranging readings of the Rose and its relation with English literature in constellations that reveal complex unfolding inter-relation of the diverse readings of the Rose that took place in fourteenth-century England.

The Romance of the Rose and the Making of Fourteenth-Century English Literature (Oxford Studies in Medieval Literature and Culture)

The Romance of the Rose had a transformative effect on the multilingual literary culture of fourteenth-century England, leaving more material evidence for late medieval English-speaking readers than any other vernacular literary work from mainland Europe. This book examines its decisive effect on English literature of the fourteenth century, and new literary experiments it provoked from writers such as Geoffrey Chaucer, John Gower, William Langland, and the author of Sir Gawain and the Green Knight. Linking the English afterlife of the Rose to a host of ongoing cultural developments in mainland Europe, The Romance of the Rose and the Making of Fourteenth-Century English Literature reveals the deep interconnectedness of English and European literary culture. Examining courtly, clerical, and classicising orientations towards the text, it presents new arguments for the place of the Rose at the centre of fourteenth-century English literature, and explores its rich manuscript history to reveal new evidence about the cultural significance of this love allegory from thirteenth-century France. The chapters avoid an author-centred approach, arranging readings of the Rose and its relation with English literature in constellations that reveal complex unfolding inter-relation of the diverse readings of the Rose that took place in fourteenth-century England.

The Romance of the Rose or of Guillaume de Dole (Routledge Revivals)

Published in 1995: The author of at least two noteworthy romances of the early thirteenth century, Le Roman de la Rose or Guillaume de Dole and L'Escoufle (The Kite), as well as Le Lai de l'Ombre, Jean Renart is today recognized as the most accomplished practitioner of the "realistic romance" in Old French literature.

The Romance of the Rose or of Guillaume de Dole (Routledge Revivals)

Published in 1995: The author of at least two noteworthy romances of the early thirteenth century, Le Roman de la Rose or Guillaume de Dole and L'Escoufle (The Kite), as well as Le Lai de l'Ombre, Jean Renart is today recognized as the most accomplished practitioner of the "realistic romance" in Old French literature.

The Romance of Three Hamlets: Shakespeare through a Chinese Prism

Through a metaphorical journey of Shakespeare in traditional Chinese theatre, using three Chinese opera productions of Hamlet as signposts, the book discusses the relationship between Shakespeare and Chinese theatrical traditions.A brief discussion of the Yue-opera Hamlet looks back at the role of Shakespeare in the Chinese discourse of renaissance and re-evaluation of traditions since the early twentieth century. A detailed analysis of the Peking-opera Hamlet shows what is lost and what is gained in the negotiation between Shakespeare and Chinese theatrical traditions, and why. The third Hamlet is an experimental Kun-opera production, leading to a discussion of the potential for Shakespeare and Chinese theatrical traditions to join hands and reach new depths of artistic expression.The book will attract researchers, students, and enthusiasts of Shakespeare, cross-cultural Shakespearean recreation, Chinese theatrical traditions, and comparative literature.

The Romance of Three Hamlets: Shakespeare through a Chinese Prism

Through a metaphorical journey of Shakespeare in traditional Chinese theatre, using three Chinese opera productions of Hamlet as signposts, the book discusses the relationship between Shakespeare and Chinese theatrical traditions.A brief discussion of the Yue-opera Hamlet looks back at the role of Shakespeare in the Chinese discourse of renaissance and re-evaluation of traditions since the early twentieth century. A detailed analysis of the Peking-opera Hamlet shows what is lost and what is gained in the negotiation between Shakespeare and Chinese theatrical traditions, and why. The third Hamlet is an experimental Kun-opera production, leading to a discussion of the potential for Shakespeare and Chinese theatrical traditions to join hands and reach new depths of artistic expression.The book will attract researchers, students, and enthusiasts of Shakespeare, cross-cultural Shakespearean recreation, Chinese theatrical traditions, and comparative literature.

The Romance of Tristan: Template Subtitle (Routledge Revivals)

Published in 1989: A translation of Beroul's twelfth century Tristran from the Old French. Discussion of the author is included, but since nothing is known of him (or them) the biography is limited. His literary style and historical (or legendary) influence are well surveyed.

The Romance of Tristan: Template Subtitle (Routledge Revivals)

Published in 1989: A translation of Beroul's twelfth century Tristran from the Old French. Discussion of the author is included, but since nothing is known of him (or them) the biography is limited. His literary style and historical (or legendary) influence are well surveyed.

Romance on the Early Modern Stage: English Expansion Before and After Shakespeare

What is dramatic romance? Scholars have long turned to Shakespeare's biography to answer this question, marking his 'late plays' as the beginning and end of the dramatic romance. This book identifies an earlier history for this genre, revealing how stage romances imaginatively expanded audience interest in England's emerging global economy.

Romance Phonetics and Phonology

This volume explores several recurring topics in Romance phonetics and phonology, with a special focus on the segment, syllable, word, and phrase levels of analysis. An international team of experts and junior researchers present research that ranges from the low-level mechanical processes involved in speech production and perception to high-level representation and computation, based on data from across the Romance language family, including from varieties that are less widely studied. The book is divided into five parts. In the first, chapters present acoustic studies, examining topics such as Italian anaphonesis and voiceless fricative sibilants in Galician, while chapters in part two turn to articulatory studies of features including three-consonant onsets in Romanian and rhotic variation in Tuscan Italian. The focus of the third part is perception, and includes studies of perceived phrasing in French and perceptual cues for individual voice quality, while part four examines phonological issues such as Galician mid-vowel reduction and sibilant voicing in Spanish. Chapters in the final part of the volume look at the effects of production and perception on issues in language acquisition. The book draws on a range of experimental and methodological approaches and will be of interest not only to scholars of Romance linguistics but also to all those working in phonetics and phonology from graduate level upwards.