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The Romantic Revolution in America: Main Currents in American Thought
by Vernon Louis ParringtonThe development of literature between 1800 and 1860 in the United States was heavily influenced by two wars. The War of 1812 hastened the development of nineteenth-century ideals, and the Civil War uprooted certain growths of those vigorous years. The half century between these dramatic episodes was a period of extravagant vigor, the final outcome being the emergence of a new middle class.Parrington argues that America was becoming a new world with undreamed potential. This new era was no longer content with the ways of a founding generation. The older America of colonial days had been static, rationalistic, inclined to pessimism, and fearful of innovation. During the years between the Peace of Paris (1763) and the end of the War of 1812, older America was dying. The America that emerged, which is the focal point of this volume, was a shifting, restless world, eager to better itself, bent on finding easier roads to wealth than the plodding path of natural increase.The culture of this period also changed. Formal biographies written in this period often gave way to eulogy; it was believed that a writer was under obligation to speak well of the dead. Consequently, scarcely a single commentary of the times can be trusted, and the critic is reduced to patching together his account out of scanty odds and ends. A new introduction by Bruce Brown highlights the life of Vernon Louis Parrington and explains the importance of this second volume in the Pulitzer Prize-winning study.
The Romantic Revolution in America: Main Currents in American Thought
by Vernon Louis ParringtonThe development of literature between 1800 and 1860 in the United States was heavily influenced by two wars. The War of 1812 hastened the development of nineteenth-century ideals, and the Civil War uprooted certain growths of those vigorous years. The half century between these dramatic episodes was a period of extravagant vigor, the final outcome being the emergence of a new middle class.Parrington argues that America was becoming a new world with undreamed potential. This new era was no longer content with the ways of a founding generation. The older America of colonial days had been static, rationalistic, inclined to pessimism, and fearful of innovation. During the years between the Peace of Paris (1763) and the end of the War of 1812, older America was dying. The America that emerged, which is the focal point of this volume, was a shifting, restless world, eager to better itself, bent on finding easier roads to wealth than the plodding path of natural increase.The culture of this period also changed. Formal biographies written in this period often gave way to eulogy; it was believed that a writer was under obligation to speak well of the dead. Consequently, scarcely a single commentary of the times can be trusted, and the critic is reduced to patching together his account out of scanty odds and ends. A new introduction by Bruce Brown highlights the life of Vernon Louis Parrington and explains the importance of this second volume in the Pulitzer Prize-winning study.
The Romantic Rhetoric of Accumulation
by Lenora HansonThe Romantic Rhetoric of Accumulation provides an account of the long arc of dispossession from the British Romantic period to today. Lenora Hanson glimpses histories of subsistence (such as reproductive labor, vagrancy and criminality, and unwaged labor) as figural ways of living that are superfluous—simultaneously more than enough to live and less than what is necessary for capitalism. Hanson treats rhetorical language as an archive of capital's accumulation through dispossession, in works by S.T. Coleridge, Edmund Burke, Mary Robinson, William Wordsworth, Benjamin Moseley, Joseph Priestley, and Alexander von Humboldt, as well as in contemporary film and critical theory. Reading riots through apostrophe, enclosure through anachronism, superstition and witchcraft through tautology, and the paradoxical coincidence of subsistence living with industrialization, Hanson shows the figural to be a material record of the survival of non-capitalist forms of life within capitalism. But this survival is not always-already resistant to capitalism, nor are the origins of capital accumulation confined to the Romantic past. Hanson reveals rhetorical figure as entwined in deeply ambivalent ways with the circuitous, ongoing process of dispossession. Reading both historically and rhetorically, Hanson argues that rhetorical language records histories of dispossession and the racialized, gendered distribution of the labor of subsistence. Romanticism, they show, is more contemporary than ever.
The Romantic Rhetoric of Accumulation
by Lenora HansonThe Romantic Rhetoric of Accumulation provides an account of the long arc of dispossession from the British Romantic period to today. Lenora Hanson glimpses histories of subsistence (such as reproductive labor, vagrancy and criminality, and unwaged labor) as figural ways of living that are superfluous—simultaneously more than enough to live and less than what is necessary for capitalism. Hanson treats rhetorical language as an archive of capital's accumulation through dispossession, in works by S.T. Coleridge, Edmund Burke, Mary Robinson, William Wordsworth, Benjamin Moseley, Joseph Priestley, and Alexander von Humboldt, as well as in contemporary film and critical theory. Reading riots through apostrophe, enclosure through anachronism, superstition and witchcraft through tautology, and the paradoxical coincidence of subsistence living with industrialization, Hanson shows the figural to be a material record of the survival of non-capitalist forms of life within capitalism. But this survival is not always-already resistant to capitalism, nor are the origins of capital accumulation confined to the Romantic past. Hanson reveals rhetorical figure as entwined in deeply ambivalent ways with the circuitous, ongoing process of dispossession. Reading both historically and rhetorically, Hanson argues that rhetorical language records histories of dispossession and the racialized, gendered distribution of the labor of subsistence. Romanticism, they show, is more contemporary than ever.
Romantic Satanism: Myth and the Historical Moment in Blake, Shelley and Byron
by P. SchockCriticism has largely emphasised the private meaning of 'Romantic Satanism', treating it as the celebration of subjectivity through allusions to Paradise Lost that voice Satan's solitary defiance. The first full-length treatment of its subject, Romantic Satanism explores this literary phenomenon as a socially produced myth exhibiting the response of writers to their milieu. Through contextualized readings of the major works of Blake, Shelley, and Byron, this book demonstrates that Satanism enabled Romantic writers to interpret their tempestuous age: it provided them a mythic medium for articulating the hopes and fears their age aroused, for prophesying and inducing change.
Romantic Shades and Shadows
by Susan J. WolfsonReading is a weirdly phantasmic trade: animating words to revive absent voices, rehearing the past, fantasizing a future. In Romantic Shades and Shadows, Susan J. Wolfson explores spectral language, formations, and sensations, defining an apparitional poetics in the finely grained textures of writing and their effects on present reading. Framed by an introductory chapter on writing and apparition and an afterword on haunted reading, the book includes chapters of sustained, revelatory close attention to the particular, often peculiar, literary imaginations of William Wordsworth, William Hazlitt, Percy Bysshe Shelley, Lord Byron, W. B. Yeats, and John Keats. Wolfson also explores the work of Samuel Taylor Coleridge (a self-confessed Ghost-Theorist), Mary Shelley, and other writers of the Long Romantic era, canonical as well as less familiar. All are encountered in freshly pointed ways on an arc of investigation that builds with generative force.Romantic Shades and Shadows is written with a lucidity, wit, and accessibility that will appeal to general readers, and with a critical sophistication and scholarly expertise that will engage advanced students, critics, and professional peers.
Romantic Sobriety: Sensation, Revolution, Commodification, History
by Orrin N. WangThis book explores the relationship among Romanticism, deconstruction, and Marxism by examining tropes of sensation and sobriety in a set of exemplary texts from Romantic literature and contemporary literary theory.Orrin N. C. Wang explains how themes of sensation and sobriety, along with Marxist-related ideas of revolution and commodification, set the terms of narrative surrounding the history of Romanticism as a movement. The book is both polemical and critical, engaging in debates with modern thinkers such as Paul de Man, Jacques Derrida, Walter Benn Michaels, and Slavoj Žižek, as well as presenting fresh readings of late eighteenth- and early nineteenth-century writers, including Wordsworth, Kant, Shelley, Byron, Brontë, and Keats. Romantic Sobriety combines deeply complex, close readings with a broader reflection on Romanticism and its implications for literary study. It will interest scholars who study Romanticism from a number of perspectives, including those interested in bodily and social consumption, the roles of addiction and abstinence in literature, the connection between literary and visual culture, the intersection of critical theory and Romanticism, and the relationships among language, historical knowledge, and political practice.
Romantic Sobriety: Sensation, Revolution, Commodification, History
by Orrin N. WangThis book explores the relationship among Romanticism, deconstruction, and Marxism by examining tropes of sensation and sobriety in a set of exemplary texts from Romantic literature and contemporary literary theory.Orrin N. C. Wang explains how themes of sensation and sobriety, along with Marxist-related ideas of revolution and commodification, set the terms of narrative surrounding the history of Romanticism as a movement. The book is both polemical and critical, engaging in debates with modern thinkers such as Paul de Man, Jacques Derrida, Walter Benn Michaels, and Slavoj Žižek, as well as presenting fresh readings of late eighteenth- and early nineteenth-century writers, including Wordsworth, Kant, Shelley, Byron, Brontë, and Keats. Romantic Sobriety combines deeply complex, close readings with a broader reflection on Romanticism and its implications for literary study. It will interest scholars who study Romanticism from a number of perspectives, including those interested in bodily and social consumption, the roles of addiction and abstinence in literature, the connection between literary and visual culture, the intersection of critical theory and Romanticism, and the relationships among language, historical knowledge, and political practice.
The Romantic Sublime: Studies in the Structure and Psychology of Transcendence
by Portia WeiskelThomas Weiskel investigates the concept of the sublime in the poetry of English Romantic writers. His work infuses elements of structuralism and psychological thought in his attempt to describe and demystify the sublime experience—or, in his words, to "desublimate the sublime." In doing so, he demonstrates that the sublime is largely mystified, and he contrasts those with faith in the awesomeness of sublimation and those who remain skeptical of the sublime's mystifying power. In working to demystify the sublime, Weiskel emphasizes the task of intelligence by assigning morality and intellect the value of mistrust in sublimation.
The Romantic Sublime: Studies in the Structure and Psychology of Transcendence
by Thomas WeiskelThomas Weiskel investigates the concept of the sublime in the poetry of English Romantic writers. His work infuses elements of structuralism and psychological thought in his attempt to describe and demystify the sublime experience—or, in his words, to "desublimate the sublime." In doing so, he demonstrates that the sublime is largely mystified, and he contrasts those with faith in the awesomeness of sublimation and those who remain skeptical of the sublime's mystifying power. In working to demystify the sublime, Weiskel emphasizes the task of intelligence by assigning morality and intellect the value of mistrust in sublimation.
The Romantic Sublime: Studies in the Structure and Psychology of Transcendence
by Thomas WeiskelThomas Weiskel investigates the concept of the sublime in the poetry of English Romantic writers. His work infuses elements of structuralism and psychological thought in his attempt to describe and demystify the sublime experience—or, in his words, to "desublimate the sublime." In doing so, he demonstrates that the sublime is largely mystified, and he contrasts those with faith in the awesomeness of sublimation and those who remain skeptical of the sublime's mystifying power. In working to demystify the sublime, Weiskel emphasizes the task of intelligence by assigning morality and intellect the value of mistrust in sublimation.
Romantic Theory: Forms of Reflexivity in the Revolutionary Era
by Leon ChaiThis original study explores the new idea of theory that emerged in the wake of the French Revolution. Leon Chai sees in the Romantic age a significant movement across several broad fields of intellectual endeavor, from theoretical concepts to an attempt to understand how they arise. He contends that this movement led to a spatial treatment of concepts, the primacy of development over concepts, and the creation of metatheory, or the formal analysis of theory. Chai begins with P. B. Shelley on the need for conceptual framework, or theory. He then considers how Friedrich Wolf and Friedrich Schlegel shift from a preoccupation with antiquity to a heightened self-awareness of Romantic nostalgia for that lost past. He finds a similar reflexivity in Napoleon's battle plan at Jena and, subsequently, in Hegel's move from substance to subject. Chai then turns to the sciences: Xavier Bichat's rejection of the idea of a unitary vital principle for life as process; the chemical theory of matter developed by Humphry Davy; and the work of Évariste Galois, whose proof of the solvability of equations using radicals ushered in the age of metatheory. Chai concludes with reactions to theory: Coleridge's proposal of the conflict between reason and understanding as a model of theory, Mary Shelley's effort to replace theory with a different kind of relationship to external others, and Hölderlin's reflection on the limits of representation and the possibility of fulfillment beyond it.
Romantic Things: A Tree, a Rock, a Cloud
by Mary JacobusOur thoughts are shaped as much by what things make of us as by what we make of them. Lyric poetry is especially concerned with things and their relationship to thought, sense, and understanding. In Romantic Things, Mary Jacobus explores the world of objects and phenomena in nature as expressed in Romantic poetry alongside the theme of sentience and sensory deprivation in literature and art. Jacobus discusses objects and attributes that test our perceptions and preoccupy both Romantic poetry and modern philosophy. John Clare, John Constable, Rainer Maria Rilke, W. G. Sebald, and Gerhard Richter make appearances around the central figure of William Wordsworth as Jacobus explores trees, rocks, clouds, breath, sleep, deafness, and blindness in their work. While she thinks through these things, she is assisted by the writings of Maurice Merleau-Ponty, Jacques Derrida, and Jean-Luc Nancy. Helping us think more deeply about things that are at once visible and invisible, seen and unseen, felt and unfeeling, Romantic Things opens our eyes to what has been previously overlooked in lyric and Romantic poetry.
Romantic Things: A Tree, a Rock, a Cloud
by Mary JacobusOur thoughts are shaped as much by what things make of us as by what we make of them. Lyric poetry is especially concerned with things and their relationship to thought, sense, and understanding. In Romantic Things, Mary Jacobus explores the world of objects and phenomena in nature as expressed in Romantic poetry alongside the theme of sentience and sensory deprivation in literature and art. Jacobus discusses objects and attributes that test our perceptions and preoccupy both Romantic poetry and modern philosophy. John Clare, John Constable, Rainer Maria Rilke, W. G. Sebald, and Gerhard Richter make appearances around the central figure of William Wordsworth as Jacobus explores trees, rocks, clouds, breath, sleep, deafness, and blindness in their work. While she thinks through these things, she is assisted by the writings of Maurice Merleau-Ponty, Jacques Derrida, and Jean-Luc Nancy. Helping us think more deeply about things that are at once visible and invisible, seen and unseen, felt and unfeeling, Romantic Things opens our eyes to what has been previously overlooked in lyric and Romantic poetry.
Romantic Things: A Tree, a Rock, a Cloud
by Mary JacobusOur thoughts are shaped as much by what things make of us as by what we make of them. Lyric poetry is especially concerned with things and their relationship to thought, sense, and understanding. In Romantic Things, Mary Jacobus explores the world of objects and phenomena in nature as expressed in Romantic poetry alongside the theme of sentience and sensory deprivation in literature and art. Jacobus discusses objects and attributes that test our perceptions and preoccupy both Romantic poetry and modern philosophy. John Clare, John Constable, Rainer Maria Rilke, W. G. Sebald, and Gerhard Richter make appearances around the central figure of William Wordsworth as Jacobus explores trees, rocks, clouds, breath, sleep, deafness, and blindness in their work. While she thinks through these things, she is assisted by the writings of Maurice Merleau-Ponty, Jacques Derrida, and Jean-Luc Nancy. Helping us think more deeply about things that are at once visible and invisible, seen and unseen, felt and unfeeling, Romantic Things opens our eyes to what has been previously overlooked in lyric and Romantic poetry.
Romantic Things: A Tree, a Rock, a Cloud
by Mary JacobusOur thoughts are shaped as much by what things make of us as by what we make of them. Lyric poetry is especially concerned with things and their relationship to thought, sense, and understanding. In Romantic Things, Mary Jacobus explores the world of objects and phenomena in nature as expressed in Romantic poetry alongside the theme of sentience and sensory deprivation in literature and art. Jacobus discusses objects and attributes that test our perceptions and preoccupy both Romantic poetry and modern philosophy. John Clare, John Constable, Rainer Maria Rilke, W. G. Sebald, and Gerhard Richter make appearances around the central figure of William Wordsworth as Jacobus explores trees, rocks, clouds, breath, sleep, deafness, and blindness in their work. While she thinks through these things, she is assisted by the writings of Maurice Merleau-Ponty, Jacques Derrida, and Jean-Luc Nancy. Helping us think more deeply about things that are at once visible and invisible, seen and unseen, felt and unfeeling, Romantic Things opens our eyes to what has been previously overlooked in lyric and Romantic poetry.
Romantic Things: A Tree, a Rock, a Cloud
by Mary JacobusOur thoughts are shaped as much by what things make of us as by what we make of them. Lyric poetry is especially concerned with things and their relationship to thought, sense, and understanding. In Romantic Things, Mary Jacobus explores the world of objects and phenomena in nature as expressed in Romantic poetry alongside the theme of sentience and sensory deprivation in literature and art. Jacobus discusses objects and attributes that test our perceptions and preoccupy both Romantic poetry and modern philosophy. John Clare, John Constable, Rainer Maria Rilke, W. G. Sebald, and Gerhard Richter make appearances around the central figure of William Wordsworth as Jacobus explores trees, rocks, clouds, breath, sleep, deafness, and blindness in their work. While she thinks through these things, she is assisted by the writings of Maurice Merleau-Ponty, Jacques Derrida, and Jean-Luc Nancy. Helping us think more deeply about things that are at once visible and invisible, seen and unseen, felt and unfeeling, Romantic Things opens our eyes to what has been previously overlooked in lyric and Romantic poetry.
Romantic Things: A Tree, a Rock, a Cloud
by Mary JacobusOur thoughts are shaped as much by what things make of us as by what we make of them. Lyric poetry is especially concerned with things and their relationship to thought, sense, and understanding. In Romantic Things, Mary Jacobus explores the world of objects and phenomena in nature as expressed in Romantic poetry alongside the theme of sentience and sensory deprivation in literature and art. Jacobus discusses objects and attributes that test our perceptions and preoccupy both Romantic poetry and modern philosophy. John Clare, John Constable, Rainer Maria Rilke, W. G. Sebald, and Gerhard Richter make appearances around the central figure of William Wordsworth as Jacobus explores trees, rocks, clouds, breath, sleep, deafness, and blindness in their work. While she thinks through these things, she is assisted by the writings of Maurice Merleau-Ponty, Jacques Derrida, and Jean-Luc Nancy. Helping us think more deeply about things that are at once visible and invisible, seen and unseen, felt and unfeeling, Romantic Things opens our eyes to what has been previously overlooked in lyric and Romantic poetry.
The Romantic Tradition in British Political Thought (Routledge Library Editions: Political Thought and Political Philosophy #40)
by Jonathan MendilowFirst published in 1986. It is often suggested that the great first generation of Romantics, after the first flush of their revolutionary enthusiasm, ‘sold out’ to the forces of conservatism and reaction. This book starts from the thesis that the ideas of Wordsworth, Coleridge and Southey did always contain powerful radical and reformist implications that set the tone of liberal and left-wing discussion for several generations. The message of the French Revolution and Wordsworth’s youthful enthusiasm continued to imbue the thought of Carlyle, and his disciples Ruskin and Kingsley, and its characteristic articulations are still visible in later socialists such as Keir Hardie and Blatchford. This thoughtful book not only shows how surprising are the original roots of some great socialist thinkers, but also argues for a strong continuity in the English tradition of political thought from the 1780s to the early years of the twentieth century. Both students of politics and of literature and Victorian ideas will be stimulated by The Romantic Tradition in British Political Thought.
The Romantic Tradition in British Political Thought (Routledge Library Editions: Political Thought and Political Philosophy #40)
by Jonathan MendilowFirst published in 1986. It is often suggested that the great first generation of Romantics, after the first flush of their revolutionary enthusiasm, ‘sold out’ to the forces of conservatism and reaction. This book starts from the thesis that the ideas of Wordsworth, Coleridge and Southey did always contain powerful radical and reformist implications that set the tone of liberal and left-wing discussion for several generations. The message of the French Revolution and Wordsworth’s youthful enthusiasm continued to imbue the thought of Carlyle, and his disciples Ruskin and Kingsley, and its characteristic articulations are still visible in later socialists such as Keir Hardie and Blatchford. This thoughtful book not only shows how surprising are the original roots of some great socialist thinkers, but also argues for a strong continuity in the English tradition of political thought from the 1780s to the early years of the twentieth century. Both students of politics and of literature and Victorian ideas will be stimulated by The Romantic Tradition in British Political Thought.
Romantic Victorians: English Literature, 1824-1840
by R. CroninCovering a wide range of authors, among them Carlyle, Tennyson, Browning, Clare, Mary Shelley and Disraeli, Cronin brings light and order to one of the murkiest quarters in recent British literary history. Brimming with intelligent and original perceptions about authors of works that have fallen through literary-historical cracks, Romantic Victorians offers shrewd assessments of their formal and tactical designs.
Romantic Visualities: Landscape, Gender and Romanticism
by J. LabbeRomantic Visualities offers a culturally informed understanding of the literary significance of landscape in the Romantic period. Labbe argues that the Romantic period associated the prospect view with the masculine ideal, simultaneously fashioning the detailed point of view as feminised. An interdisciplinary study, it discusses the cultural construction of gender as defined through landscape viewing, and investigates property law, aesthetic tracts, conduct books, travel narratives, artistic theory, and the work of Wordsworth, Keats, Coleridge, Charlotte Smith, Ann Francis, Dorothy Wordsworth and others.
Romantic Women Writers and Arthurian Legend: The Quest for Knowledge
by Katie GarnerThis book reveals the breadth and depth of women’s engagements with Arthurian romance in the late eighteenth and early nineteenth centuries. Tracing the variety of women’s responses to the medieval revival through Gothic literature, travel writing, scholarship, and decorative gift books, it argues that differences in the kinds of Arthurian materials read by and prepared for women produced a distinct female tradition in Arthurian writing. Examining the Arthurian interests of the best-selling female poets of the day, Felicia Hemans and Letitia Elizabeth Landon, and uncovering those of many of their contemporaries, the Arthurian myth in the Romantic period is a vibrant location for debates about the function of romance, the role of the imagination, and women’s place in literary history.
Romantic Women Writers Reviewed, Part I
by Ann R HawkinsThis multi-volume reset collection will addresses significant shortfall in scholarly work, offering contemporary reviews of the work of Romantic women writers to a wider audience.