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Romanticism: Keywords (Keywords in Literature and Culture (KILC).)

Compiles 70 of the key terms most frequently used or discussed by authors of the Romantic period – and most often deliberated by critics and literary historians of the era. Offers an indispensable resource for understanding the ideas and differing interpretations that shaped the Romantic period Includes keywords spanning Abolition and Allegory, through Madness and Monsters, to Vision and Vampires Features in-depth descriptions of each entry’s direct meaning and connotations in relation to its usage and thought in literary culture Provides deep insights into the political, social, and cultural climate of one of the most expressive periods of Western literary history Draws on the author’s extensive experience of teaching, lecturing, and writing on Romantic literature

Romanticism: A Literary and Cultural History

The Romantic period coincided with revolutionary transformations of traditional political and human rights discourses, as well as witnessing rapid advances in technology and a primitivist return to nature. As a broad global movement, Romanticism strongly impacted on the literature and arts of the late eighteenth and early nineteenth centuries in ways that are still being debated and negotiated today. Examining the poetry, fiction, non-fiction, drama, and the arts of the period, this book considers: Important propositions and landmark ideas in the Romantic period; Key debates and critical approaches to Romantic studies; New and revisionary approaches to Romantic literature and art; The ways in which Romantic writing interacts with broader trends in history, politics, and aesthetics; European and Global Romanticism; The legacies of Romanticism in the twentieth and twenty-first centuries. Containing useful, reader-friendly features such as explanatory case studies, chapter summaries, and suggestions for further reading, this clear and engaging book is an invaluable resource for anyone who intends to study and research the complexity and diversity of the Romantic period, as well as the historical conditions which produced it.

Romanticism: A Literary and Cultural History

The Romantic period coincided with revolutionary transformations of traditional political and human rights discourses, as well as witnessing rapid advances in technology and a primitivist return to nature. As a broad global movement, Romanticism strongly impacted on the literature and arts of the late eighteenth and early nineteenth centuries in ways that are still being debated and negotiated today. Examining the poetry, fiction, non-fiction, drama, and the arts of the period, this book considers: Important propositions and landmark ideas in the Romantic period; Key debates and critical approaches to Romantic studies; New and revisionary approaches to Romantic literature and art; The ways in which Romantic writing interacts with broader trends in history, politics, and aesthetics; European and Global Romanticism; The legacies of Romanticism in the twentieth and twenty-first centuries. Containing useful, reader-friendly features such as explanatory case studies, chapter summaries, and suggestions for further reading, this clear and engaging book is an invaluable resource for anyone who intends to study and research the complexity and diversity of the Romantic period, as well as the historical conditions which produced it.

Romanticism

The essays in this volume have all been carefully chosen by Cynthia Chase to exemplify the most important strands in contemporary critical thought on Romantic literature, in particular the best of recent feminist, deconstructive, and new historicist writing. They include contributions from critics such as Paul de Man, Mary Jacobus, Marjorie Levinson and Jerome Christensen. The collection, with its substantial introduction and judicious selection of key work, explains the significance of recent critical debate by relating it to fundamental critical questions that define Romanticism. Through the course of their analyses the essays offer answers to perhaps the most essential question posed by the Romantic period: what is the role of language in history?

Romanticism

The essays in this volume have all been carefully chosen by Cynthia Chase to exemplify the most important strands in contemporary critical thought on Romantic literature, in particular the best of recent feminist, deconstructive, and new historicist writing. They include contributions from critics such as Paul de Man, Mary Jacobus, Marjorie Levinson and Jerome Christensen. The collection, with its substantial introduction and judicious selection of key work, explains the significance of recent critical debate by relating it to fundamental critical questions that define Romanticism. Through the course of their analyses the essays offer answers to perhaps the most essential question posed by the Romantic period: what is the role of language in history?

Romanticism: Comparative Discourses

Exploring how discourse is figured in the texts of key European Romantic authors such as Wackenroder, Coleridge, Byron, and Hugo, this volume offers nuanced readings of the under-explored syntactic, semantic, and ideological structures of Romantic works. Rather than proposing a new theoretical position on the issue of what constitutes Romantic discourse studies, the editors have commissioned essays that seek to capture aspects of this discursive field, building on previous scholarship to offer fresh ways of seeing how Romantic discourse matrices work. The volume is organized into three sections: Language and Romantic Discourse Systems; Women Writers and Romantic Constructions of Power; and Varieties of Revisionist Discourse in Romanticism. Each section features individual essays providing critical re-readings of nine Romantic texts and four Romantic topoi. Whether writing on Charlotte Smith's The Old Manor House or Anne Brontë's Agnes Grey, on rescue operas or criminal drama, the contributors, who include Marjean Purinton, Kari Lokke, Rodney Farnsworth, and Jeffrey Cass, expand our understanding of Romantic modes of argumentation.

Romanticism: Comparative Discourses

Exploring how discourse is figured in the texts of key European Romantic authors such as Wackenroder, Coleridge, Byron, and Hugo, this volume offers nuanced readings of the under-explored syntactic, semantic, and ideological structures of Romantic works. Rather than proposing a new theoretical position on the issue of what constitutes Romantic discourse studies, the editors have commissioned essays that seek to capture aspects of this discursive field, building on previous scholarship to offer fresh ways of seeing how Romantic discourse matrices work. The volume is organized into three sections: Language and Romantic Discourse Systems; Women Writers and Romantic Constructions of Power; and Varieties of Revisionist Discourse in Romanticism. Each section features individual essays providing critical re-readings of nine Romantic texts and four Romantic topoi. Whether writing on Charlotte Smith's The Old Manor House or Anne Brontë's Agnes Grey, on rescue operas or criminal drama, the contributors, who include Marjean Purinton, Kari Lokke, Rodney Farnsworth, and Jeffrey Cass, expand our understanding of Romantic modes of argumentation.

Romanticism: Comparative Discourses (Routledge Library Editions: Romanticism)

First published in 2006. Exploring how discourse is figured in the texts of key European Romantic authors such as Wackenroder, Coleridge, Byron and Hugo, this volume offers nuanced readings of the under-explored syntactic, semantic, and ideological structures of Romantic works. Rather than proposing a new theoretical position on the issue of what constitutes Romantic discourse studies, the editors have commissioned essays that seek to capture aspects of this discursive field, building on previous scholarship to offer fresh ways of seeing how Romantic discourse matrices work. The volume is organized into three sections: Language and Romantic Discourse Systems; Women Writers and Romantic Constructions of Power; and Varieties of Revisionist Discourse in Romanticism. This title aims to expand the readers understand of Romantic modes of argumentation, and will be of interest to students of literature.

Romanticism: A Structural Analysis (Studies In Romanticism Ser. #2)

Romanticism: Comparative Discourses (Routledge Library Editions: Romanticism)

First published in 2006. Exploring how discourse is figured in the texts of key European Romantic authors such as Wackenroder, Coleridge, Byron and Hugo, this volume offers nuanced readings of the under-explored syntactic, semantic, and ideological structures of Romantic works. Rather than proposing a new theoretical position on the issue of what constitutes Romantic discourse studies, the editors have commissioned essays that seek to capture aspects of this discursive field, building on previous scholarship to offer fresh ways of seeing how Romantic discourse matrices work. The volume is organized into three sections: Language and Romantic Discourse Systems; Women Writers and Romantic Constructions of Power; and Varieties of Revisionist Discourse in Romanticism. This title aims to expand the readers understand of Romantic modes of argumentation, and will be of interest to students of literature.

Romanticism: An Oxford Guide (PDF)

This book is a comprehensive guide to the richness and diversity of the Romantic field. It includes 46 specially commissioned chapters by an international team of leading scholars and combines chapters offering background and contextual information with detailed readings of Romantic texts. The volume is divided into four parts - 'Romantic Orientations', 'Reading Romanticism', 'Romantic Forms' and 'Romantic Afterlives'.

Romanticism: An Anthology (Blackwell Anthologies #5)

This new edition of the groundbreaking Romanticism: An Anthology is the only book of its kind to contain complete texts of a wide range of Romantic works, including Blake's Songs of Innocence and of Experience, The Marriage of Heaven and Hell, and Urizen; Wordsworth and Coleridge's Lyrical Ballads (1798); Wordsworth's Two-Part Prelude; early and revised versions of Coleridge's 'The Eolian Harp', 'This Lime-Tree Bower my Prison', 'Frost at Midnight', and 'The Ancient Mariner'; Shelley's Prometheus Unbound, Epipsychidion and Adonais; Byron's Childe Harold's Pilgrimage Canto III and Don Juan Dedication and Cantos I and II; and Keats's Odes, the two Hyperions, Lamia, Isabella and The Eve of St Agnes. It also carries explanatory annotations and author headnotes. Updated to incorporate the latest scholarly findings, it remains the essential text on Romanticism. Don Juan Dedication and Cantos I and II; and Keats's Odes, the two Hyperions, Lamia, Isabella and The Eve of St Agnes. It also carries explanatory annotations and author headnotes. Updated to incorporate the latest scholarly findings, it remains the essential text on Romanticism. Includes all texts from the third edition, with the addition of Keats's Isabella and Shelley's Epipsychidion, as well as a selection of the poems of Walter Scott Includes a wider and deeper selection of texts by the Big Six male poets (Blake, Wordsworth, Coleridge, Keats, Byron and Shelley) than any competing volume Includes a generous range of texts by female Romantic poets All editorial materials, including annotations, author headnotes, and prefatory materials, have been revised for the new edition The only book to contain complete texts, edited for this volume from manuscript and early printed sources by Wu, along with explanatory annotations and author headnotes Contains everything teachers and students require for an in-depth survey of the principal writings to emerge from the British Romantic period The most widely-used teaching anthology in the field in the UK Companion website features a dynamic timeline detailing significant events of the romantic period and providing images, suggestions for further reading and useful links to other online resources: www.romanticismanthology.com

Romanticism: An Anthology (Blackwell Anthologies #4)

This new edition of the groundbreaking Romanticism: An Anthology is the only book of its kind to contain complete texts of a wide range of Romantic works, including Blake's Songs of Innocence and of Experience, The Marriage of Heaven and Hell, and Urizen; Wordsworth and Coleridge's Lyrical Ballads (1798); Wordsworth's Two-Part Prelude; early and revised versions of Coleridge's 'The Eolian Harp', 'This Lime-Tree Bower my Prison', 'Frost at Midnight', and 'The Ancient Mariner'; Shelley's Prometheus Unbound, Epipsychidion and Adonais; Byron's Childe Harold's Pilgrimage Canto III and Don Juan Dedication and Cantos I and II; and Keats's Odes, the two Hyperions, Lamia, Isabella and The Eve of St Agnes. It also carries explanatory annotations and author headnotes. Updated to incorporate the latest scholarly findings, it remains the essential text on Romanticism. Don Juan Dedication and Cantos I and II; and Keats's Odes, the two Hyperions, Lamia, Isabella and The Eve of St Agnes. It also carries explanatory annotations and author headnotes. Updated to incorporate the latest scholarly findings, it remains the essential text on Romanticism. Includes all texts from the third edition, with the addition of Keats's Isabella and Shelley's Epipsychidion, as well as a selection of the poems of Walter Scott Includes a wider and deeper selection of texts by the Big Six male poets (Blake, Wordsworth, Coleridge, Keats, Byron and Shelley) than any competing volume Includes a generous range of texts by female Romantic poets All editorial materials, including annotations, author headnotes, and prefatory materials, have been revised for the new edition The only book to contain complete texts, edited for this volume from manuscript and early printed sources by Wu, along with explanatory annotations and author headnotes Contains everything teachers and students require for an in-depth survey of the principal writings to emerge from the British Romantic period The most widely-used teaching anthology in the field in the UK Companion website features a dynamic timeline detailing significant events of the romantic period and providing images, suggestions for further reading and useful links to other online resources: www.romanticismanthology.com

Romanticism: An Anthology

The essential work on Romanticism, revised and condensed for student convenience Standing as the essential work on Romanticism, Duncan Wu’s Romanticism: An Anthology has been appreciated by thousands of literature students and their teachers across the globe since its first appearance in 1994. This Fifth Edition has been revised to reduce the size of the book and the burden of carrying it around a university campus. It includes the six canonical authors: Blake, Wordsworth, Coleridge, Keats, Byron, and Shelley. The Fourth Edition of the anthology, with complete and uncut texts of a wealth of Romantic authors, is available to all readers of the Fifth Edition via online access. Authors are introduced successively by their dates of birth; works are placed in order of composition where known and, when not known, by date of publication. Except for works in dialect or in which archaic effects were deliberately sought, punctuation and orthography are normalized, pervasive initial capitals and italics removed, and contractions expanded except where they are of metrical significance. Texts are edited for this volume from both manuscript and early printed sources. Romanticism: An Anthology contains everything a teacher needs for full coverage of the canonical poets, with illustrations and a chronological timeline to provide readers with important historical context.

Romanticism: An Anthology (Blackwell Anthologies Ser. #5)

The essential work on Romanticism, revised and condensed for student convenience Standing as the essential work on Romanticism, Duncan Wu’s Romanticism: An Anthology has been appreciated by thousands of literature students and their teachers across the globe since its first appearance in 1994. This Fifth Edition has been revised to reduce the size of the book and the burden of carrying it around a university campus. It includes the six canonical authors: Blake, Wordsworth, Coleridge, Keats, Byron, and Shelley. The Fourth Edition of the anthology, with complete and uncut texts of a wealth of Romantic authors, is available to all readers of the Fifth Edition via online access. Authors are introduced successively by their dates of birth; works are placed in order of composition where known and, when not known, by date of publication. Except for works in dialect or in which archaic effects were deliberately sought, punctuation and orthography are normalized, pervasive initial capitals and italics removed, and contractions expanded except where they are of metrical significance. Texts are edited for this volume from both manuscript and early printed sources. Romanticism: An Anthology contains everything a teacher needs for full coverage of the canonical poets, with illustrations and a chronological timeline to provide readers with important historical context.

Romanticism and Aesthetic Life in Postcolonial Writing

This book explores Romanticism as a force that exerts an insistent but critically neglected pressure on the postcolonial imagination. From the decolonizing poetics of the Caribbean to the white writing of South Africa, from the aesthetics of post-imperial disappointment to postcolonial theory itself, it develops an account of the textual and philosophical interpenetration of postcolonial aesthetics with Romantic ideas about sense, history and world.What emerges is a reading of Romantic/postcolonial co-involvement that moves beyond well-worn models of intercanonical antagonism and the historicizing biases of conventional literary history. Caught somewhere between the effects of reanimation and estrangement, Romanticism appears here not as a stable textual repository prior to the postcolonial, but as echo, spectre, self-interruption, or vital force, that can yet only emerge in the guise of the afterlife, its agency mediated — but never exhausted — by postcolonial writing.

Romanticism and Aesthetic Life in Postcolonial Writing

This book explores Romanticism as a force that exerts an insistent but critically neglected pressure on the postcolonial imagination. From the decolonizing poetics of the Caribbean to the white writing of South Africa, from the aesthetics of post-imperial disappointment to postcolonial theory itself, it develops an account of the textual and philosophical interpenetration of postcolonial aesthetics with Romantic ideas about sense, history and world.What emerges is a reading of Romantic/postcolonial co-involvement that moves beyond well-worn models of intercanonical antagonism and the historicizing biases of conventional literary history. Caught somewhere between the effects of reanimation and estrangement, Romanticism appears here not as a stable textual repository prior to the postcolonial, but as echo, spectre, self-interruption, or vital force, that can yet only emerge in the guise of the afterlife, its agency mediated — but never exhausted — by postcolonial writing.

Romanticism and Blackwood's Magazine: 'An Unprecedented Phenomenon' (Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print)

This collection of essays throws vast new light on the most significant literary-political journal of the Romantic age. Its chapters analyze Blackwood's wide-ranging contributions on some of the most topical issues in Romantic studies, including celebrity, British versus Scottish nationalism, and the rise of terror and detective fiction.

Romanticism and Colonial Disease (Medicine and Culture)

Colonial experience was profoundly structured by disease, as expansion brought people into contact with new and deadly maladies. Pathogens were exchanged on a scale far greater than ever before. Native populations were decimated by wave after wave of Old World diseases. In turn, colonists suffered disease and mortality rates much higher than in their home countries. Not only disease, but the idea of disease, and the response to it, deeply affected both colonizers and those colonized.In Romanticism and Colonial Disease, Alan Bewell focuses on the British response to colonial disease as medical and literary writers, in a period roughly from the end of the eighteenth century to the middle of the nineteenth century, grappled to understand this new world of disease. Bewell finds this literature characterized by increasing anxiety about the global dimensions of disease and the epidemiological cost of empire. Colonialism infiltrated the heart of Romantic literature, affecting not only the Romantics' framing of disease but also their understanding of England's position in the colonial world.The first major study of the massive impact of colonial disease on British culture during the Romantic period, Romanticism and Colonial Disease charts the emergence of the idea of the colonial world as a pathogenic space in need of a cure, and examines the role of disease in the making and unmaking of national identities.

Romanticism and Form

This book offers new analyzes of canonical texts, contextualizations of Romantic forms in relation to war, nationalism and empire, reassessments of neglected and marginalized writers and explorations of the relationship between form and reader. It showcases a range of new approaches that are informed by deconstruction, theology and new technology.

Romanticism and Gender

Taking twenty women writers of the Romantic period, Romanticism and Gender explores a neglected period of the female literary tradition, and for the first time gives a broad overview of Romantic literature from a feminist perspective.

Romanticism and Gender

Taking twenty women writers of the Romantic period, Romanticism and Gender explores a neglected period of the female literary tradition, and for the first time gives a broad overview of Romantic literature from a feminist perspective.

Romanticism and Ideology: Studies in English Writing 1765-1830 (Routledge Library Editions: Romanticism)

First published in 1981.The primary purpose of this book is to serve as an introduction to writing in the late eighteenth and early nineteenth centuries. In addition to major Romantic poets – Blake, Wordsworth, Coleridge and Shelly – the authors discuss writers such as Austen, Hazlitt and Burke, who are usually studied in a different context, and genres such as fiction and political writing, which are often cut off from the central body of poetry. An original and highly stimulated study, this book will appeal to all those who are dissatisfied with the conventional categories into which writers and literary movements are usually placed. .

Romanticism and Ideology: Studies in English Writing 1765-1830 (Routledge Library Editions: Romanticism)

First published in 1981.The primary purpose of this book is to serve as an introduction to writing in the late eighteenth and early nineteenth centuries. In addition to major Romantic poets – Blake, Wordsworth, Coleridge and Shelly – the authors discuss writers such as Austen, Hazlitt and Burke, who are usually studied in a different context, and genres such as fiction and political writing, which are often cut off from the central body of poetry. An original and highly stimulated study, this book will appeal to all those who are dissatisfied with the conventional categories into which writers and literary movements are usually placed. .

Romanticism and Linguistic Theory: William Hazlitt, Language, and Literature

This innovative and ground-breaking study explores the complex relationship between linguistic theory and literature during the Romantic period, focusing particularly on William Hazlitt's writings about linguistic theory and also considering figures such as Leigh Hunt, Percy Shelley, Samuel Taylor Coleridge, and Thomas De Quincey.