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Rosalind: A Biography Of Shakespeare's Immortal Heroine
by Angela ThirlwellInto the spotlight steps Rosalind, the actor-manager of As You Like It. She’s alive. She’s modern. She’s also a fiction. Played by a boy actor in 1599, she’s a girl who gets into men’s clothes to investigate the truth about love. Both male and female, imaginary and real, her intriguing duality gives her a special role. What is a man? What is a woman? We are all Rosalind now. This book is for everyone who has ever loved Shakespeare. In April 2016, his quatercentenary makes Shakespeare more alive than at any time since his death in 1616. Like Rosalind, his most innovative heroine, he can never die. She too is timeless. There is no clock in the Forest of Arden where Rosalind finds herself and applies her mercurial wit to teach her lover, Orlando, how to become her perfect partner, issues which consume men and women today. This highly original ‘biography’ of Rosalind contains exclusive new interviews with Adrian Lester, Ronald Pickup, Juliet Rylance, Sally Scott, Janet Suzman, Juliet Stevenson, Michelle Terry and award-winning director Blanche McIntyre, as well as insights from Michael Attenborough, Michael Billington, Michael Boyd, Kenneth Branagh, Alan Cumming, Greg Doran, Ian McKellen, Jodie McNee, Pippa Nixon, Vanessa Redgrave, Fiona Shaw, Meera Syal and Harriet Walter. Angela Thirlwell explores the fictitious life and the many after-lives of Rosalind, Shakespeare’s progressive new heroine, and her perennial influence on drama, fiction and art. The book ranges widely across Tudor history, theatre history, sexual politics, autobiography, art history and filmography.
Rosamond Lehmann: A Life
by Selina HastingsThe life of Rosamond Lehmann was as romantic and harrowing as that of any of her fictional heroines. Her first novel, the shocking Dusty Answer, became wildly successful launching her career as a novelist and, just as her novels depicted the tempestuous lives of her heroines, Rosamond's personal life would be full of heartbreaking affairs and lost loves. Escaping from a disastrous early marriage Rosamond moved right into the heart of Bloomsbury society with Wogan Philipps. Later on she would embark on the most important love affair of her life, with the poet Cecil Day Lewis; nine years later he abandoned her for a young actress - a betrayal from which she would never recover. Selina Hastings masterfully creates a portrait of a woman whose dramatic life, work and relationships criss-crossed the cultural, literary and political landscape of England in the middle of the twentieth century.
Rosamond Lehmann (Modern Novelists)
by Judy SimonsRosamond Lehmann is normally seen as a romantic novelist, whose gift lies in her delicate analysis of the emotional fabric of women's lives. This study challenges this view of Lehmann by placing her work within the modernist tradition of literary experiment and its associated questioning of gender. Through close readings of the novels, Judy Simons shows how Lehmann continually re-writes traditional narratives in order to demolish the myth of romance, while yet admitting its seductive power. '... an affectionate ... incisive ... stimulating read'. Yorkshire Post
Rose: Cracks; Bent; Messiah; Rose (Modern Plays)
by Martin ShermanThis powerful one-woman play is a moving reminder of some of the harrowing events that shaped the century and remains sadly relevant today with racial tensions and allegations of antisemitism continuing to dominate the news.Blending the personal with the political, this sharply drawn portrait of a feisty Jewish woman traces Rose's story from the devastation of Nazi-ruled Europe to conquering the American dream. Rose reflects on what it means to be a survivor. Her remarkable life began in a tiny Ukrainian village, took her to Warsaw's ghettos and a ship called The Exodus, and finally to the boardwalks of Atlantic City, the Arizona canyons, and salsa-flavoured nights in Miami beach.This revised edition was published to coincide with the new production at London's Park Theatre starring Maureen Lipman as Rose.
Rose (Modern Plays)
by Martin ShermanThis powerful one-woman play is a moving reminder of some of the harrowing events that shaped the century and remains sadly relevant today with racial tensions and allegations of antisemitism continuing to dominate the news.Blending the personal with the political, this sharply drawn portrait of a feisty Jewish woman traces Rose's story from the devastation of Nazi-ruled Europe to conquering the American dream. Rose reflects on what it means to be a survivor. Her remarkable life began in a tiny Ukrainian village, took her to Warsaw's ghettos and a ship called The Exodus, and finally to the boardwalks of Atlantic City, the Arizona canyons, and salsa-flavoured nights in Miami beach.This revised edition was published to coincide with the new production at London's Park Theatre starring Maureen Lipman as Rose.
Rose Elizabeth Cleveland: First Lady And Literary Scholar
by S. SaleniusRose Elizabeth Cleveland was the First Lady of the United States when she assisted her brother, Grover Cleveland. She was also a literary scholar, novelist, and a poet who published work that empowered women. This book positions Cleveland in the historical context of the early twentieth century, when she helped shape female subjectivity and agency.
Rose Macaulay, Gender, and Modernity (Gender and Genre)
by Kate MacdonaldThis book is the first collection on the British author Rose Macaulay (1881-1958). The essays establish connections in her work between modernism and the middlebrow, show Macaulay’s attentiveness to reformulating contemporary depictions of gender in her fiction, and explore how her writing transcended and celebrated the characteristics of genre, reflecting Macaulay’s responses to modernity. The book’s focus moves from the interiorized self and the psyche’s relations with the body, to gender identity, to the role of women in society, followed by how women, and Macaulay, use language in their strategies for generic self-expression, and the environment in which Macaulay herself and her characters lived and worked. Macaulay was a particularly modern writer, embracing technology enthusiastically, and the evidence of her treatment of gender and genre reflect Macaulay’s responses to modernism, the historical novel, ruins and the relationships of history and structure, ageing, and the narrative of travel. By presenting a wide range of approaches, this book shows how Macaulay’s fiction is integral to modern British literature, by its aesthetic concerns, its technical experimentation, her concern for the autonomy of the individual, and for the financial and professional independence of the modern woman. There are manifold connections shown between her writing and contemporary theology, popular culture, the newspaper industry, pacifist thinking, feminist rage, the literature of sophistication, the condition of ‘inclusionary’ cosmopolitanism, and a haunted post-war understanding of ruin in life and history. This rich and interdisciplinary combination will set a new agenda for international scholarship on Macaulay’s works, and reformulate contemporary ideas about gender and genre in twentieth-century British literature.
Rose Macaulay, Gender, and Modernity (Gender and Genre)
by Kate MacdonaldThis book is the first collection on the British author Rose Macaulay (1881-1958). The essays establish connections in her work between modernism and the middlebrow, show Macaulay’s attentiveness to reformulating contemporary depictions of gender in her fiction, and explore how her writing transcended and celebrated the characteristics of genre, reflecting Macaulay’s responses to modernity. The book’s focus moves from the interiorized self and the psyche’s relations with the body, to gender identity, to the role of women in society, followed by how women, and Macaulay, use language in their strategies for generic self-expression, and the environment in which Macaulay herself and her characters lived and worked. Macaulay was a particularly modern writer, embracing technology enthusiastically, and the evidence of her treatment of gender and genre reflect Macaulay’s responses to modernism, the historical novel, ruins and the relationships of history and structure, ageing, and the narrative of travel. By presenting a wide range of approaches, this book shows how Macaulay’s fiction is integral to modern British literature, by its aesthetic concerns, its technical experimentation, her concern for the autonomy of the individual, and for the financial and professional independence of the modern woman. There are manifold connections shown between her writing and contemporary theology, popular culture, the newspaper industry, pacifist thinking, feminist rage, the literature of sophistication, the condition of ‘inclusionary’ cosmopolitanism, and a haunted post-war understanding of ruin in life and history. This rich and interdisciplinary combination will set a new agenda for international scholarship on Macaulay’s works, and reformulate contemporary ideas about gender and genre in twentieth-century British literature.
Rose Tremain: A Critical Introduction
by Emilie WalezakThis comprehensive chronological introduction offers a detailed analysis of Rose Tremain’s novels and examines the critical reception of her work. It situates Tremain – listed by Granta magazine as one of the twenty most promising young British novelists in 1983 – in the landscape of contemporary British literature by demonstrating how the variety of her work touches upon major concerns of contemporary fiction. The book aims to satisfy the needs of students by providing an extensive reading of Tremain’s novels based on critical discussions of key notions in contemporary literary theory and cultural studies. It includes a comprehensive bibliography and overview of Tremain’s critical reception. It points up the suitability of Tremain’s novels as practical illustrations of major concepts in contemporary literary debates.
Rose Tremain: A Critical Introduction
by Emilie WalezakThis comprehensive chronological introduction offers a detailed analysis of Rose Tremain’s novels and examines the critical reception of her work. It situates Tremain – listed by Granta magazine as one of the twenty most promising young British novelists in 1983 – in the landscape of contemporary British literature by demonstrating how the variety of her work touches upon major concerns of contemporary fiction. The book aims to satisfy the needs of students by providing an extensive reading of Tremain’s novels based on critical discussions of key notions in contemporary literary theory and cultural studies. It includes a comprehensive bibliography and overview of Tremain’s critical reception. It points up the suitability of Tremain’s novels as practical illustrations of major concepts in contemporary literary debates.
Rosella, or Modern Occurrences: by Mary Charlton (Chawton House Library: Women's Novels)
by Natalie NeillMary Charlton's 1799 Rosella, or Modern Occurrences is a fascinating novel that brokers between conservative and feminist ideas, humour and horror, and indulgence in and ridicule of sentimental tropes. Written in imitation of Cervantes’s Don Quixote (1615) and Lennox’s The Female Quixote (1752), Rosella belongs to a large class of comic works in which female readers and novelists are satirized. This edition not only addresses the gap in knowledge about Charlton’s work, but will be of particular interest to scholars working on the Romantic literary market of the 1790s, especially Minerva Press publications. The book engages with many of the themes explored in eighteenth-century and Romantic literature, from women’s writing and female education to popular fiction and sensibility. Accompanied by a new introduction by Professor Natalie Neill, this title will be of great interest to students and scholars of literary history.
Rosella, or Modern Occurrences: by Mary Charlton (Chawton House Library: Women's Novels)
Mary Charlton's 1799 Rosella, or Modern Occurrences is a fascinating novel that brokers between conservative and feminist ideas, humour and horror, and indulgence in and ridicule of sentimental tropes. Written in imitation of Cervantes’s Don Quixote (1615) and Lennox’s The Female Quixote (1752), Rosella belongs to a large class of comic works in which female readers and novelists are satirized. This edition not only addresses the gap in knowledge about Charlton’s work, but will be of particular interest to scholars working on the Romantic literary market of the 1790s, especially Minerva Press publications. The book engages with many of the themes explored in eighteenth-century and Romantic literature, from women’s writing and female education to popular fiction and sensibility. Accompanied by a new introduction by Professor Natalie Neill, this title will be of great interest to students and scholars of literary history.
Rosencrantz and Guildenstern Are Dead: Downloadable Response Journal (Tom Stoppard Ser.)
by Tom StoppardRosencrantz and Guildenstern Are Dead is a play which, as it were, takes place in the wings of Hamlet, and finds both humour and poignancy in the situation of the ill-fated attendant lords. The National Theatre production in April 1967 made Tom Stoppard's reputation virtually overnight. Its wit, stagecraft and verbal verve remain as exhilarating as they were then and the play has become a contemporary classic.'One of the most original and engaging of post-war plays.' Daily Telegraph
Rosencrantz and Guildenstern are Dead, Jumpers, and The Real Thing: Text and Performance (Text and Performance)
by Robert GordonVery few modern plays have generated as much excitement in the theatre as Rosencrantz and Guildenstern Are Dead, Jumpers and The Real Thing. Are they merely witty entertainments or do they demand consideration as serious works of dramatic art? The metatheatrical form of each of the plays is shown to reflect Stoppard's view that the human race has suffered an irreversible fall from grace. Part I analyses how philosophical themes are articulated through the travesty of clichd literary and theatrical forms. Part II evokes a sense of the dazzling comic experience created by the first performance of each play.
Rosen’s Almanac: Weird and wonderful words for every day of the year
by Michael RosenDiscover the poetry of the people.What are words? They're the beginning of our stories: portals to treasured memories, to the strange sayings that seem to be unique to our own families and the beloved people that say them to us. So, what was your gran's favourite word for a time-waster? How did your dad answer the question 'What's the time?'? And just how many responses are there to the daily query 'What's for dinner?' Even better, how do these words change as they travel across our regions?In a joyful journey through a year of weird words and fantastic phrases, one of the nation's favourite wordsmiths takes a tour of the British Isles and all its vernacular idiosyncrasies, as well as reflecting on the joys of English, in a delightful book for anyone who loves language - whether following its rules or breaking them!
Rosmersholm (Oberon Modern Plays)
by Henrik Ibsen Duncan MacmillanDuncan Macmillan's stunning and resonant adaptation of Henrik Ibsen’s Rosmersholm. This revival of a masterpiece charts love, politics, past and future, with plenty of twists thrown in for good measure. Rosmersholm is positioned against the backdrop of a looming election, an atmosphere of uncertainty and a bloodthirsty press. In the grand house of an influential dynasty, John Rosmer holds the future in his hands. As he wanders the line between idealism and a painful past, he finds himself ever more torn.Award-winning writer and director Duncan Macmillan has a glittering resume of stage works to his name, including the highly acclaimed People Places and Things and Every Brilliant Thing. He has accrued an array of awards throughout his career and has twice been nominated for an Olivier Award for Best New Play.
A Rossetti Family Chronology (Author Chronologies Series)
by A. Chapman J. MeacockThis book focuses on Christina and Dante Gabriel Rossetti, it demonstrates the interconnectedness of their friendships and creativity, giving information about literary composition and artistic output, publication and exhibition, and details literary and artistic influences. It draws on many unpublished sources, including letters and diaries.
Roth and Trauma: The Problem of History in the Later Works (1995-2010)
by Aimee PozorskiRoth and Trauma: The Problem of History in the Later Works (1995-2010) moves beyond a critical reception of Philip Roth's recent fiction that has focused primarily on an interest in post WWII America. By contrast, Aimee Pozorski argues that these novels grapple more comprehensively with US history in their fascination with America's "traumatic beginnings" and the legacy of the American Revolution. Drawing on close readings and trauma theory, Roth and Trauma reveals the problem of history in Roth's later works to be the unexpected and repeated appearance of historical trauma that links the still-unfinished American dream with the nightmarish quality of our recent history.
Roth and Trauma: The Problem of History in the Later Works (1995-2010)
by Aimee PozorskiRoth and Trauma: The Problem of History in the Later Works (1995-2010) moves beyond a critical reception of Philip Roth's recent fiction that has focused primarily on an interest in post WWII America. By contrast, Aimee Pozorski argues that these novels grapple more comprehensively with US history in their fascination with America's "traumatic beginnings" and the legacy of the American Revolution. Drawing on close readings and trauma theory, Roth and Trauma reveals the problem of history in Roth's later works to be the unexpected and repeated appearance of historical trauma that links the still-unfinished American dream with the nightmarish quality of our recent history.
Rotterdam (Student Editions)
by Jon BrittainNo, Alice, I don't want to become a man, I just want to stop trying to be a woman.It's New Year in Rotterdam, and Alice has finally plucked up the courage to email her parents and tell them she's gay. But before she can hit send, her girlfriend reveals that he has always identified as a man and now wants to start living as one.Now Alice must face a question she never thought she'd ask . . . does this mean she's straight?A bittersweet comedy about gender, sexuality and being a long way from home.Rotterdam received its world premiere at Theatre503, London, in October 2015, before transferring to Trafalgar Studios, London, in May 2016. This volume contains introductory commentary and notes by Stephen Farrier from the Royal Central School of Speech and Drama, London. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. As well as the complete text of the play itself, this volume contains:- an introduction outlining the plays themes, context and performance history- the full text of the play- extensive textual notes- questions for further study.
Rotterdam (Student Editions)
by Jon BrittainNo, Alice, I don't want to become a man, I just want to stop trying to be a woman.It's New Year in Rotterdam, and Alice has finally plucked up the courage to email her parents and tell them she's gay. But before she can hit send, her girlfriend reveals that he has always identified as a man and now wants to start living as one.Now Alice must face a question she never thought she'd ask . . . does this mean she's straight?A bittersweet comedy about gender, sexuality and being a long way from home.Rotterdam received its world premiere at Theatre503, London, in October 2015, before transferring to Trafalgar Studios, London, in May 2016. This volume contains introductory commentary and notes by Stephen Farrier from the Royal Central School of Speech and Drama, London. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. As well as the complete text of the play itself, this volume contains:- an introduction outlining the plays themes, context and performance history- the full text of the play- extensive textual notes- questions for further study.
Rough Girls (Modern Plays)
by Tara Lynne O'Neil'Football is all very well as a game for Rough Girls but it is hardly suitable for delicate boys.' Oscar Wilde The making of Belfast's first all-female football team.This is the untold story of the Belfast women who stepped onto a pitch in society-shocking shorts and footie boots, a ball at their feet and a point to prove. They were the suffragettes of soccer. Rebels with a ball, who kept kicking their way through the outraged defence of a male-dominated game to raise thousands for those returning from war. Set in Belfast 1917 – 1921 in a city divided by war but still united by sport, the play chronicles the courage and determination of those girls.This original Belfast story based on true events will resonate with the history of the city and chime with the recent equality movements across the sports industry and the cultural sector. This ambitious, large-scale play features an impressive eleven strong female ensemble with live music creating the heartbeat of the city at the time. This edition was published to coincide with the world premiere at Belfast's Lyric Theatre in September 2021.
Rough Girls (Modern Plays)
by Tara Lynne O'Neil'Football is all very well as a game for Rough Girls but it is hardly suitable for delicate boys.' Oscar Wilde The making of Belfast's first all-female football team.This is the untold story of the Belfast women who stepped onto a pitch in society-shocking shorts and footie boots, a ball at their feet and a point to prove. They were the suffragettes of soccer. Rebels with a ball, who kept kicking their way through the outraged defence of a male-dominated game to raise thousands for those returning from war. Set in Belfast 1917 – 1921 in a city divided by war but still united by sport, the play chronicles the courage and determination of those girls.This original Belfast story based on true events will resonate with the history of the city and chime with the recent equality movements across the sports industry and the cultural sector. This ambitious, large-scale play features an impressive eleven strong female ensemble with live music creating the heartbeat of the city at the time. This edition was published to coincide with the world premiere at Belfast's Lyric Theatre in September 2021.
Rough Magic Theatre Company: New Irish Plays and Adaptations, 2010-2018
by Hilary Fannin Arthur Riordan Sonya Kelly Shane Mac Bhaird Morna Regan Ellen CranitchCelebrating the work of one of Ireland's most daring theatre companies, this anthology gathers five plays by established and emerging playwrights. They include vibrant new adaptations of the world classics Peer Gynt and Phaedra alongside vital new dramas that explore issues of urgent contemporary concern, such as sex and sexuality, emigration and climate change. With contributions from Hilary Fannin and Ellen Cranitch, Arthur Riordan, Sonya Kelly, Morna Regan, and Shane Mac an Bhaird – as well as a foreword from Booker Prize-winning novelist Anne Enright - this book is an exciting snapshot of contemporary Irish playwriting. The book operates as a showcase of outstanding new Irish playwriting, blending work by established and emerging playwrights, and also acts as a celebration of one of Ireland's most important theatre companies. And it includes new plays that demonstrate Rough Magic's consistent willingness to push the boundaries of Irish theatre, both formally and thematically, in plays that cover such topics as sex and sexuality, emigration and climate change.
Rough Magic Theatre Company: New Irish Plays and Adaptations, 2010-2018
by Hilary Fannin Arthur Riordan Sonya Kelly Shane Mac Bhaird Morna Regan Ellen CranitchCelebrating the work of one of Ireland's most daring theatre companies, this anthology gathers five plays by established and emerging playwrights. They include vibrant new adaptations of the world classics Peer Gynt and Phaedra alongside vital new dramas that explore issues of urgent contemporary concern, such as sex and sexuality, emigration and climate change. With contributions from Hilary Fannin and Ellen Cranitch, Arthur Riordan, Sonya Kelly, Morna Regan, and Shane Mac an Bhaird – as well as a foreword from Booker Prize-winning novelist Anne Enright - this book is an exciting snapshot of contemporary Irish playwriting. The book operates as a showcase of outstanding new Irish playwriting, blending work by established and emerging playwrights, and also acts as a celebration of one of Ireland's most important theatre companies. And it includes new plays that demonstrate Rough Magic's consistent willingness to push the boundaries of Irish theatre, both formally and thematically, in plays that cover such topics as sex and sexuality, emigration and climate change.