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Samuel Johnson's Lives of the Poets: Ethical Literary Criticism (Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print)
by Edward L. TomarkenThis open access book seeks to explain how the literary commentary of the Lives of the Poets speaks to us today because of its ethical goals. Edward Tomarken elucidates this element of Johnson’s literary criticism by using Ralph Cohen’s genre method, the topic of Chapter One, “Why Genre”. Chapters two to five address the most prevalent genres of the Lives: tragedy, metaphysical poetry, the epic, the pastoral elegy, and the mock epic. Chapter six considers the rise of literary criticism as a genre. Chapter Seven demonstrates how ethical genre criticism relates literature to life. And the final chapter explains why, although Johnson considers ‘moral’ and ‘ethical’ as nearly interchangeable terms, Tomarken prefers ‘ethical’ because it relates genre criticism to present problems in literary and non-literary worlds.
Samuel Pepys and his Books: Reading, Newsgathering, and Sociability, 1660-1703
by Kate LovemanSamuel Pepys was a great collector of books, news, and gossip. This study uses his surviving papers to examine reading practices, collecting, and the exchange of information in the late seventeenth century. Offering the first extensive history of reading during the Restoration, it traces developments in the book trade and news transmission at a time when England was the scene of dramatic political and religious upheavals. The investigation goes beyond Pepys's famous diary of the 1660s, employing a variety of sources to explore the role that reading played in Pepys's life and in the lives of his contemporaries. It begins by examining what it meant to be a reader in Restoration London: the skills, the people, and the places involved. Pepys's wide-ranging interests serve as starting points for considering news exchange and the reception of major literary genres in the Restoration. Particular attention is given to conduct books, histories, religious works, and recreational reading (romances, drama, and novels). The appeal that these works held for readers was not always what we might expect -or, indeed, what the authors and publishers had expected. Additional chapters explore the social interactions surrounding information gathering: the ways people acquired oral and written news in London; the experience of book-buying; and the acquisition of manuscript and print through social networks. Analysed alongside other records, Pepys's papers provide unrivalled insights into literary and cultural developments in the second half of the seventeenth century.
Samuel Richardson: A Man of Letters
by Carol Houlihan FlynnAdding a lively voice to Richardsonian studies, Carol Houlihan Flynn traces the complex workings of a major literary imagination.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Samuel Richardson and the theory of tragedy: <i>Clarissa</i>'s caesuras
by James SmithSamuel Richardson and the theory of tragedy is a bold new interpretation of one of the greatest European novels, Samuel Richardson's Clarissa. It argues that this text needs to be rethought as a dangerous exploration of the ethics of tragedy, on the scale of the great arguments of post-Romantic tragic theory, from Hölderlin to Nietzsche, to Benjamin, Lacan and beyond. Taking the reader through the novel from beginning to end, it also acts as a guidebook for newcomers to Richardson's notoriously massive text, and situates it alongside Richardson's other works and the epistolary novel form in general. Filled with innovative close readings that will provoke scholars, students and general readers of the novel alike, it will also serve as a jumping off point for anyone interested in the way the theory of tragedy continues to be the privileged meeting point between literature and philosophy.
Samuel Richardson, Dress, and Discourse
by K. OliverThis book concerns itself with dress in the novels of Samuel Richardson, and how attire confirms, contributes to, or challenges the characters' fashioning of self and the self as others (characters or readers) perceive it.
Samuel Richardson's Published Commentary on Clarissa, 1747-1765 Vol 1
by Florian Stuber Margaret Anne DoodyThis three-volume set brings together all that Samuel Richardson himself published on the composition, printing and interpretation of "Clarissa". The various short works reveal Richardson's reactions to the concerns and issues raised by contemporary readers.
Samuel Richardson's Published Commentary on Clarissa, 1747-1765 Vol 1
by Florian Stuber Margaret Anne DoodyThis three-volume set brings together all that Samuel Richardson himself published on the composition, printing and interpretation of "Clarissa". The various short works reveal Richardson's reactions to the concerns and issues raised by contemporary readers.
Samuel Richardson's Published Commentary on Clarissa, 1747-1765 Vol 2
by Florian Stuber Margaret Anne DoodyThis three-volume set brings together all that Samuel Richardson himself published on the composition, printing and interpretation of "Clarissa". The various short works reveal Richardson's reactions to the concerns and issues raised by contemporary readers.
Samuel Richardson's Published Commentary on Clarissa, 1747-1765 Vol 2
by Florian Stuber Margaret Anne DoodyThis three-volume set brings together all that Samuel Richardson himself published on the composition, printing and interpretation of "Clarissa". The various short works reveal Richardson's reactions to the concerns and issues raised by contemporary readers.
Samuel Richardson's Published Commentary on Clarissa, 1747-1765 Vol 3
by Florian Stuber Margaret Anne DoodyThis three-volume set brings together all that Samuel Richardson himself published on the composition, printing and interpretation of "Clarissa". The various short works reveal Richardson's reactions to the concerns and issues raised by contemporary readers.
Samuel Richardson's Published Commentary on Clarissa, 1747-1765 Vol 3
by Florian Stuber Margaret Anne DoodyThis three-volume set brings together all that Samuel Richardson himself published on the composition, printing and interpretation of "Clarissa". The various short works reveal Richardson's reactions to the concerns and issues raised by contemporary readers.
Samuel Taylor Coleridge: A Literary Life (Literary Lives)
by W. ChristieThe most sustained criticism and ambitious theory that had ever been attempted in English, the Biographia was Coleridge's major statement to a literary culture in which he sought to define and defend all imaginative life. This book offers a reading of Coleridge in the context of that culture and the institutions that comprised it.
Sanctity and Female Authorship: Birgitta of Sweden & Catherine of Siena (Routledge Studies in Medieval Religion and Culture)
by Unn Falkeid Maria Husabo OenBirgitta of Sweden (Birgitta Birgersdotter, 1302/03-1373) and her younger contemporary Catherine of Siena (Caterina Benincasa, 1347-1380) form the most powerful and influential female duo in European history. Both enjoyed saintly reputations in life, while acting as the charismatic leaders of a considerable group of followers consisting of clergy as well as mighty secular men and women. They are also among the very few women of the Trecento to leave a substantial body of written work which was widely disseminated in their original languages and in translations. Copies of Birgitta’s Liber celestis revelacionum (The Heavenly Book of Revelations) and compilations of Catherine's letters (Le lettere), prayers Le orazioni) and her theological work, Il Dialogo della divina Provvidenza (The Dialogue) found their way into monastic, royal, and humanist libraries all over Europe. After their deaths, Birgitta’s and Catherine’s respective groups of supporters sought to have them formally canonized. In both cases, however, their political and theological outspokenness, orally and in text, and their public authority represented obstacles. In this comparative study, leading scholars from different disciplinary backgrounds offer, for the very first time, a comprehensive exploration of the lives and activities of Birgitta and Catherine in tandem. Particular attention is given to their literary works and the complex process of negotiating their sanctity and authorial roles. Above all, what the chapters reveal is the many points of connections between two of the most influential women of the Trecento, and how they were related to one another by their peers and successors.
Sanctity and Female Authorship: Birgitta of Sweden & Catherine of Siena (Routledge Studies in Medieval Religion and Culture)
by Maria H. Oen Unn FalkeidBirgitta of Sweden (Birgitta Birgersdotter, 1302/03-1373) and her younger contemporary Catherine of Siena (Caterina Benincasa, 1347-1380) form the most powerful and influential female duo in European history. Both enjoyed saintly reputations in life, while acting as the charismatic leaders of a considerable group of followers consisting of clergy as well as mighty secular men and women. They are also among the very few women of the Trecento to leave a substantial body of written work which was widely disseminated in their original languages and in translations. Copies of Birgitta’s Liber celestis revelacionum (The Heavenly Book of Revelations) and compilations of Catherine's letters (Le lettere), prayers Le orazioni) and her theological work, Il Dialogo della divina Provvidenza (The Dialogue) found their way into monastic, royal, and humanist libraries all over Europe. After their deaths, Birgitta’s and Catherine’s respective groups of supporters sought to have them formally canonized. In both cases, however, their political and theological outspokenness, orally and in text, and their public authority represented obstacles. In this comparative study, leading scholars from different disciplinary backgrounds offer, for the very first time, a comprehensive exploration of the lives and activities of Birgitta and Catherine in tandem. Particular attention is given to their literary works and the complex process of negotiating their sanctity and authorial roles. Above all, what the chapters reveal is the many points of connections between two of the most influential women of the Trecento, and how they were related to one another by their peers and successors.
Sanctity as Literature in Late Medieval Britain (Manchester Medieval Literature and Culture)
by Eva Von Contzen Anke BernauThis collection explores some of the many ways in which sanctity was closely intertwined with the development of literary strategies across a range of writings in late medieval Britain. Rather than looking for clues in religious practices in order to explain such changes, or reading literature for information about sanctity, these essays consider the ways in which sanctity - as concept and as theme - allowed writers to articulate and to develop further their 'craft' in specific ways. While scholars in recent years have turned once more to questions of literary form and technique, the kinds of writings considered in this collection - writings that were immensely popular in their own time - have not attracted the same amount of attention as more secular forms. The collection as a whole offers new insights for scholars interested in form, style, poetics, literary history and aesthetics, by considering sanctity first and foremost as literature
Sanctuary (Cape Poetry Ser.)
by Matthew SweeneyIn this, Matthew Sweeney's eighth full-length collection, the disarming fabulist and mythmaker steps out on his own into fresh territory. These are poems from a mapless journey through the backwaters of Europe and the New World - imbued, as always, with the strange, unerring logic of dream, but carrying now a new, fugitive, lyrical note. The sanctuary of the title is fragile and hard-won, and the complexities of the emotional life are written into the architecture of the physical, making for a poetry that is both vulnerable and disturbing. Celebrated for his ability to blend the simple terror of folklore with the more sophisticated anxieties of Kafka and the contemporary, Sweeney moves through this book like a revenant - past monkeys dressed as doormen, through ice-hotels and showers of human hair, towards a scaffold or a lover. Obliquely sinister and wryly engaging, full of fright and grim hilarity, these are rootless poems - unsettled and unsettling, and very far from home.A Poetry Book Society Recommendation.
Sanctuary in the Wilderness: A Critical Introduction to American Hebrew Poetry (Stanford Studies in Jewish History and Culture)
by Alan MintzThe effort to create a serious Hebrew literature in the United States in the years around World War I is one of the best kept secrets of American Jewish history. Hebrew had been revived as a modern literary language in nineteenth-century Russia and then taken to Palestine as part of the Zionist revolution. But the overwhelming majority of Jewish emigrants from Eastern Europe settled in America, and a passionate kernel among them believed that Hebrew provided the vehicle for modernizing the Jewish people while maintaining their connection to Zion. These American Hebraists created schools, journals, newspapers, and, most of all, a high literary culture focused on producing poetry. Sanctuary in the Wilderness is a critical introduction to American Hebrew poetry, focusing on a dozen key poets. This secular poetry began with a preoccupation with the situation of the individual in a disenchanted world and then moved outward to engage American vistas and Jewish fate and hope in midcentury. American Hebrew poets hoped to be read in both Palestine and America, but were disappointed on both scores. Several moved to Israel and connected with the vital literary scene there, but most stayed and persisted in the cause of American Hebraism.
Sandra M. Gilbert and Susan Gubar's The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination (The Macat Library)
by Rebecca PohlThe 1979 publication of Susan Gubar and Sandra M. Gilbert’s ground-breaking study The Madwoman in the Attic marked a founding moment in feminist literary history as much as feminist literary theory. In their extensive study of nineteenth-century women’s writing, Gubar and Gilbert offer radical re-readings of Jane Austen, the Brontës, Emily Dickinson, George Eliot and Mary Shelley tracing a distinctive female literary tradition and female literary aesthetic. Gubar and Gilbert raise questions about canonisation that continue to resonate today, and model the revolutionary importance of re-reading influential texts that may seem all too familiar
Sandra M. Gilbert and Susan Gubar's The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination (The Macat Library)
by Rebecca PohlThe 1979 publication of Susan Gubar and Sandra M. Gilbert’s ground-breaking study The Madwoman in the Attic marked a founding moment in feminist literary history as much as feminist literary theory. In their extensive study of nineteenth-century women’s writing, Gubar and Gilbert offer radical re-readings of Jane Austen, the Brontës, Emily Dickinson, George Eliot and Mary Shelley tracing a distinctive female literary tradition and female literary aesthetic. Gubar and Gilbert raise questions about canonisation that continue to resonate today, and model the revolutionary importance of re-reading influential texts that may seem all too familiar
Sandscapes: Writing the British Seaside
by Jo Carruthers Nour DakkakSandscapes: Writing the British Seaside reflects on the unique topography of sand, sandscapes, and the seaside in British culture and beyond. This book brings together creative and critical writings that explore the ways sand speaks to us of holidays and respite, but also of time and mortality, of plenitude and eternity. Drawing together writers from a range of backgrounds, the volume explores the environmental, social, personal, cultural, and political significance of sand and the seaside towns that have built up around it. The contributions take a variety of forms including fiction and nonfiction and cover topics ranging from sand dunes to sand mining, from seaside stories to shoreline architecture, from sand grains to global sand movements, from narratives of the setting up of bed and breakfasts to stories of seaside decline. Often a symbol of aridity, sand is revealed in this book to be an astonishingly fertile site for cultural meaning.
Sangspruchdichtung: Sammlung Metzler, 293 (Sammlung Metzler)
by Helmut tervoorenFester Bestandteil der Lehrpläne an Gymnasien und Hochschulen ist nach wie vor die Lyrik des Mittelalters. Zu ihr zählt, neben dem Minnesang, die Sangspruchdichtung, die sich politischen und theologischen Inhalten zuwandte. Helmut Tervooren gibt einen Überblick über Themen und Darbietungsformen und behandelt die einzelnen Autoren und Sänger als Repräsentanten der gattungsgeschichtlichen Entwicklung.
Sanskrit Computational Linguistics: First and Second International Symposia Rocquencourt, France, October 29-31, 2007 Providence, RI, USA, May 15-17, 2008, Revised Selected Papers (Lecture Notes in Computer Science #5402)
by Gérard Huet Amba Kulkarni Peter ScharfThis volume constitutes the thoroughly refereed post-conference proceedings of the First and Second International Symposia on Sanskrit Computational Linguistics, held in Rocquencourt, France, in October 2007 and in Providence, RI, USA, in May 2008 respectively. The 11 revised full papers of the first and the 12 revised papers of the second symposium presented with an introduction and a keynote talk were carefully reviewed and selected from the lectures given at both events. The papers address several topics such as the structure of the Paninian grammatical system, computational linguistics, lexicography, lexical databases, formal description of sanskrit grammar, phonology and morphology, machine translation, philology, and OCR.
Sanskrit Computational Linguistics: Third International Symposium, Hyderabad, India, January 15-17, 2009. Proceedings (Lecture Notes in Computer Science #5406)
by Amba Kulkarni Gérard HuetThis volume constitutes the refereed proceedings of the Third International Symposium on Sanskrit Computational Linguistics, held in Hyderabad, India, in January 2009. The 9 revised full papers presented were carefully reviewed and selected from 16 submissions. The papers fall under four broad categories: Four papers deal with the structure of Panini's Astadhyayi. Two of them deal with parsing issues, two with various aspects of machine translation and the last one with the Web concordance of an important Sanskrit text.
Sanskrit Poetics in the Postcolonial Space: Beyond the Canon
by Sreenath V.S.The book positions Sanskrit poetics in a postcolonial context to understand its contemporary relevance and proposes a productive future direction for this system of knowledge.The fundamental argument against Sanskrit poetics in modern literary circles is that it is a system of knowledge that does not have any contemporary relevance, since the idea of literature conceptualised by Sanskrit poetics is incompatible with the modern notion of literature. The general argument is that Sanskrit poetics has only the archaic value of a museum piece.This book which resists such an extremist approach to Sanskrit poetics aims to provide a new direction for Sanskrit poetics to generate new knowledge about this epistemology. The new approach that the author proposes is explicated through three major theoretical positions in Sanskrit poetics, namely dhvani, aucitya and vakrokti.