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Scars of Conquest/Masks of Resistance: The Invention of Cultural Identities in African, African-American, and Caribbean Drama
by Tejumola OlaniyanThis original work redefines and broadens our understanding of the drama of the English-speaking African diaspora. Looking closely at the work of Amiri Baraka, Nobel prize-winners Wole Soyinka and Derek Walcott, and Ntozake Shange, the author contends that the refashioning of the collective cultural self in black drama originates from the complex intersection of three discourses: Eurocentric, Afrocentric, and Post-Afrocentric. From blackface minstrelsy to the Trinidad Carnival, from the Black Aesthetic to the South African Black Consciousness theatres and the scholarly debate on the (non)existence of African drama, Olaniyan cogently maps the terrains of a cultural struggle and underscores a peculiar situation in which the inferiorization of black performance forms is most often a shorthand for subordinating black culture and corporeality. Drawing on insights from contemporary theory and cultural studies, and offering detailed readings of the above writers, Olaniyan shows how they occupy the interface between the Afrocentric and a liberating Post-Afrocentric space where black theatrical-cultural difference could be envisioned as a site of multiple articulations: race, class, gender, genre, and language.
Scary, Gross, and Enlightening Books for Boys Grades 3–12
by Deborah B. FordFinally, a book to help educators promote sure-fire reading pleasers to boy readers in grades 3–12!Scary, Gross, and Enlightening: Books for Boys Grades 3-12 is the helpful new reference handbook for educators looking for just the right books to captivate the imaginations of boys in a way that makes reading fun as well as effective. In chapters than span the full range of categories and genres, Scary, Gross, and Enlightening surveys the latest and greatest titles aimed at boys in the primary and secondary grades, including nonfiction, graphic novels, mystery and adventure, sports, sci-fi and fantasy, humor, history, books that were made into movies, read-aloud titles, and classic works that have stood the test of time. Each chapter suggests a number of appropriate and delightful titles on a specific theme and includes listings of corresponding websites, reproducible lessons, and activities. The book also provides lists of professional titles to support each chapter's theme, as well as research-based strategies for teaching with the suggested books.
The Scene of Harlem Cabaret: Race, Sexuality, Performance
by Shane VogelHarlem’s nightclubs in the 1920s and ’30s were a crucible for testing society’s racial and sexual limits. Normally tacit divisions were there made spectacularly public in the vibrant, but often fraught, relationship between performer and audience. The cabaret scene, Shane Vogel contends, also played a key role in the Harlem Renaissance by offering an alternative to the politics of sexual respectability and racial uplift that sought to dictate the proper subject matter for black arts and letters. Individually and collectively, luminaries such as Duke Ellington, Lena Horne, Langston Hughes, Claude McKay, Wallace Thurman, and Ethel Waters expanded the possibilities of blackness and sexuality in America, resulting in a queer nightlife that flourished in music, in print, and on stage. Deftly combining performance theory, literary criticism, historical research, and biographical study, The Scene of Harlem Cabaret brings this rich moment in history to life, while exploring the role of nightlife performance as a definitive touchstone for understanding the racial and sexual politics of the early twentieth century.
Scene-writing for Film and TV
by Simon van der BorghFocusing on an integral aspect of screenplays, this book takes students and writers at all levels through the process of understanding and writing better scenes. It interrogates the functions of a scene and how writers can then apply this knowledge to their own film and television scripts. Author Simon van der Borgh familiarises the screenwriter with the fundamental aspects of a scene, looking at what a scene is, the characters involved, the action depicted, dialogue, setting, and style. Featuring original scenes which show the practice of scene-writing and the application of ideas and approaches alongside in-depth analysis and critique, the book explores the process and approach to scene-writing and how to learn and improve methods of telling dynamic, engaging and moving stories of diverse types and formats on screen. With a strong focus on practice-based advice, the book includes exercises at every step to enable writers to build on and extend their knowledge and skills with confidence and clarity chapter by chapter. Exploring the film and TV scene with its different types, forms, and functions, it is the ideal book for aspiring screenwriters and students of screenwriting and filmmaking at all levels, as well as directors, producers and actors looking to better understand the contextual and sub-textual motivations intended by the writer.
Scene-writing for Film and TV
by Simon van der BorghFocusing on an integral aspect of screenplays, this book takes students and writers at all levels through the process of understanding and writing better scenes. It interrogates the functions of a scene and how writers can then apply this knowledge to their own film and television scripts. Author Simon van der Borgh familiarises the screenwriter with the fundamental aspects of a scene, looking at what a scene is, the characters involved, the action depicted, dialogue, setting, and style. Featuring original scenes which show the practice of scene-writing and the application of ideas and approaches alongside in-depth analysis and critique, the book explores the process and approach to scene-writing and how to learn and improve methods of telling dynamic, engaging and moving stories of diverse types and formats on screen. With a strong focus on practice-based advice, the book includes exercises at every step to enable writers to build on and extend their knowledge and skills with confidence and clarity chapter by chapter. Exploring the film and TV scene with its different types, forms, and functions, it is the ideal book for aspiring screenwriters and students of screenwriting and filmmaking at all levels, as well as directors, producers and actors looking to better understand the contextual and sub-textual motivations intended by the writer.
Scenes from 68* Years (Modern Plays)
by Hannah KhalilWhat are we doing then? Come on, lets go – all of us, lets tell everyone in the street, its too late we've lost, all the years of hardship, being murdered, imprisoned, having your homes taken, your jobs, your fields, your olives, your ability to move from one place to another – everything you have endured has been for nothing. They'vewon. So let's just leave it to them, disappear. It's what they want. You are doing what they want. You are an educated young Palestinian man. We need you here. Stay.Scenes from 68* Years is a selection of intertwined vignettes telling the story of ordinary Palestinians at a very human level with mischievous humour. It offers snapshots of the routine of life in the shadow of occupation: we look into an Israeli household with a rebellious pro-Palestinian teenager, join a tediously long queue at an Israeli check point, and get swept into an absurd act of civil disobedience by Palestinian civilians in a desperate attempt to get worldwide media attention. Scenes from 68* Years was selected from 100 scripts by the Arcola Theatre and the play received its world premiere at the Arcola Theatre on 5 April 2016 in a production by Sandpit Arts.
Scenes from 68* Years (Modern Plays)
by Hannah KhalilWhat are we doing then? Come on, lets go – all of us, lets tell everyone in the street, its too late we've lost, all the years of hardship, being murdered, imprisoned, having your homes taken, your jobs, your fields, your olives, your ability to move from one place to another – everything you have endured has been for nothing. They'vewon. So let's just leave it to them, disappear. It's what they want. You are doing what they want. You are an educated young Palestinian man. We need you here. Stay.Scenes from 68 Years is a selection of intertwined vignettes telling the story of ordinary Palestinians at a very human level with mischievous humour. It offers snapshots of the routine of life in the shadow of occupation: we look into an Israeli household with a rebellious pro-Palestinian teenager, join a tediously long queue at an Israeli check point, and get swept into an absurd act of civil disobedience by Palestinian civilians in a desperate attempt to get worldwide media attention. Scenes from 68 Years was selected from 100 scripts by the Arcola Theatre and the play received its world premiere at the Arcola Theatre on 5 April 2016 in a production by Sandpit Arts.
Scenes from Shakespeare (Comparative Literature and Cultural Studies)
by Harry LevinFirst published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Scenes from Shakespeare (Comparative Literature and Cultural Studies #7)
by Harry LevinFirst published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Scenes of Instruction in Renaissance Romance
by Jeff DolvenWe take it for granted today that the study of poetry belongs in school—but in sixteenth-century England, making Ovid or Virgil into pillars of the curriculum was a revolution. Scenes of Instruction in Renaissance Romance explores how poets reacted to the new authority of humanist pedagogy, and how they transformed a genre to express their most radical doubts. Jeff Dolven investigates what it meant for a book to teach as he traces the rivalry between poet and schoolmaster in the works of John Lyly, Philip Sydney, Edmund Spenser, and John Milton. Drawing deeply on the era’s pedagogical literature, Dolven explores the links between humanist strategies of instruction and romance narrative, rethinking such concepts as experience, sententiousness, example, method, punishment, lessons, and endings. In scrutinizing this pivotal moment in the ancient, intimate contest between art and education, Scenes of Instruction in Renaissance Romance offers a new view of one of the most unconsidered—yet fundamental—problems in literary criticism: poetry’s power to please and instruct.
Scenes of Instruction in Renaissance Romance
by Jeff DolvenWe take it for granted today that the study of poetry belongs in school—but in sixteenth-century England, making Ovid or Virgil into pillars of the curriculum was a revolution. Scenes of Instruction in Renaissance Romance explores how poets reacted to the new authority of humanist pedagogy, and how they transformed a genre to express their most radical doubts. Jeff Dolven investigates what it meant for a book to teach as he traces the rivalry between poet and schoolmaster in the works of John Lyly, Philip Sydney, Edmund Spenser, and John Milton. Drawing deeply on the era’s pedagogical literature, Dolven explores the links between humanist strategies of instruction and romance narrative, rethinking such concepts as experience, sententiousness, example, method, punishment, lessons, and endings. In scrutinizing this pivotal moment in the ancient, intimate contest between art and education, Scenes of Instruction in Renaissance Romance offers a new view of one of the most unconsidered—yet fundamental—problems in literary criticism: poetry’s power to please and instruct.
Scenes of Intimacy: Reading, Writing and Theorizing Contemporary Literature
by Jennifer CookeScenes of Intimacy analyzes the representation of acts and relationships of intimacy in contemporary literature, the effect this has upon readers, and the ways these representations resonate with, complement, and challenge the concerns of contemporary theory. Opening with an in-depth interview with literary critic, Derridean, and novelist Professor Nicholas Royle, the volume contains eleven further essays that move from intimate scenes of familial and pedagogic legacy, on to representations of love, of sex, and finally to scenes of death and dying. The essays are textually attentive to how literary techniques create intimacy, and draw upon new and notable theoretical positions and critics from queer theory, affect studies, psychoanalysis, poststructualism and deconstruction to ask difficult and uncomfortable questions about intimacy and its representation. Across the genres of poetry, autobiography, journals, love letters, short stories and novels, Scenes of Intimacy shows that contemporary literature poses new possibilities and questions about our intimate relationalities, their failures and their futures.
Scenes of Intimacy: Reading, Writing and Theorizing Contemporary Literature
by Jennifer CookeScenes of Intimacy analyzes the representation of acts and relationships of intimacy in contemporary literature, the effect this has upon readers, and the ways these representations resonate with, complement, and challenge the concerns of contemporary theory. Opening with an in-depth interview with literary critic, Derridean, and novelist Professor Nicholas Royle, the volume contains eleven further essays that move from intimate scenes of familial and pedagogic legacy, on to representations of love, of sex, and finally to scenes of death and dying. The essays are textually attentive to how literary techniques create intimacy, and draw upon new and notable theoretical positions and critics from queer theory, affect studies, psychoanalysis, poststructualism and deconstruction to ask difficult and uncomfortable questions about intimacy and its representation. Across the genres of poetry, autobiography, journals, love letters, short stories and novels, Scenes of Intimacy shows that contemporary literature poses new possibilities and questions about our intimate relationalities, their failures and their futures.
Scenes of Sympathy: Identity and Representation in Victorian Fiction
by Audrey JaffeIn Scenes of Sympathy, Audrey Jaffe argues that representations of sympathy in Victorian fiction both reveal and unsettle Victorian ideologies of identity. Situating these representations within the context of Victorian visual culture, and offering new readings of key works by Charles Dickens, Elizabeth Gaskell, Ellen Wood, George Eliot, Oscar Wilde, and Arthur Conan Doyle, Jaffe shows how mid-Victorian spectacles of social difference construct the middle-class self, and how late-Victorian narratives of feeling pave the way for the sympathetic affinities of contemporary identity politics. Perceptive and elegantly written, Scenes of Sympathy is the first detailed examination of the place of sympathy in Victorian fiction and ideology. It will redirect the current critical conversation about sympathy and refocus discussions of late-Victorian fictions of identity.
Scenes, Semiotics and The New Real: Exploring the Value of Originality and Difference
by Chris BrownThis book provides a semiotic analysis of 'scenes', powerful vehicles for introducing new ideas, perspectives and behaviours, as a concept. In particular, it examines the types of scene that exist; explores their effectiveness in spreading new ideas; and considers their vital role in introducing originality and difference in modern society.
SceneWriting: The Missing Manual for Screenwriters
by Chris Perry Eric Henry SandersYou've got an idea for the next great screenplay. Maybe you're just getting started or perhaps you've spent time with other screenwriting books, and you have your hero's journey, plot twists, reversals, and cat-saving moments all planned out. Either way, what stands between you and an amazing finished script are the blank pages that you must fill with engaging and unforgettable scenes. So how the heck do you do that?SceneWriting will show you.
SceneWriting: The Missing Manual for Screenwriters
by Chris Perry Eric Henry SandersYou've got an idea for the next great screenplay. Maybe you're just getting started or perhaps you've spent time with other screenwriting books, and you have your hero's journey, plot twists, reversals, and cat-saving moments all planned out. Either way, what stands between you and an amazing finished script are the blank pages that you must fill with engaging and unforgettable scenes. So how the heck do you do that?SceneWriting will show you.
The Scent of Ancient Magic
by Britta K. AgerMagic was a fundamental part of the Greco-Roman world. Curses, erotic spells, healing charms, divination, and other supernatural methods of trying to change the universe were everyday methods of coping with the difficulties of life in antiquity. While ancient magic is most often studied through texts like surviving Greco-Egyptian spellbooks and artifacts like lead curse tablets, for a Greek or Roman magician a ritual was a rich sensual experience full of unusual tastes, smells, textures, and sounds, bright colors, and sensations like fasting and sleeplessness. Greco-Roman magical rituals were particularly dominated by the sense of smell, both fragrant smells and foul odors. Ritual practitioners surrounded themselves with clouds of fragrant incense and perfume to create a sweet and inviting atmosphere for contact with the divine and to alter their own perceptions; they also used odors as an instrumental weapon to attack enemies and command the gods. Elsewhere, odiferous herbs were used equally as medical cures and magical ingredients. In literature, scent and magic became intertwined as metaphors, with fragrant spells representing the dangers of sensual perfumes and conversely, smells acting as a visceral way of envisioning the mysterious action of magic. The Scent of Ancient Magic explores the complex interconnection of scent and magic in the Greco-Roman world between 800 BCE and CE 600, drawing on ancient literature and the modern study of the senses to examine the sensory depth and richness of ancient magic. Author Britta K. Ager looks at how ancient magicians used scents as part of their spells, to put themselves in the right mindset for an encounter with a god or to attack their enemies through scent. Ager also examines the magicians who appear in ancient fiction, like Medea and Circe, and the more metaphorical ways in which their spells are confused with perfumes and herbs. This book brings together recent scholarship on ancient magic from classical studies and on scent from the interdisciplinary field of sensory studies in order to examine how practicing ancient magicians used scents for ritual purposes, how scent and magic were conceptually related in ancient literature and culture, and how the assumption that strong scents convey powerful effects of various sorts was also found in related areas like ancient medical practices and normative religious ritual.
The Scent of Roses
by Zinnie HarrisYou'd be surprised how a simple thing like locking up your husband in the same room as you, makes you aware of something. Of being alive.The Scent of Roses begins with a wife who takes her husband hostage in order to have an honest conversation. This simple, transgressive act, and her demand for a straight answer, sparks a chain of conversations, interrogations, obfuscations and revelations, as they and those around them try to discover what is real and who they can trust in a post-truth world.Zinnie Harris's The Scent of Roses premieres at the Royal Lyceum Theatre, Edinburgh, in February 2022.
The Scent of the Father: Essay on the Limits of Life and Science in sub-Saharan Africa (Critical South)
by Valentin-Yves MudimbeValentin-Yves Mudimbe is a Congolese philosopher, novelist, poet, essayist, and academic, widely considered to be one of the most important African thinkers of his generation. The ideas and arguments he has developed in his writings since the 1970s, including The Invention of Africa, have been hugely influential across many disciplines and established his reputation as one of the essential postcolonial thinkers of our time. In The Scent of the Father, Mudimbe set himself the task of shedding light on the complex links that bind Africa to the West and determine the exercise of thought and knowledge practices, particularly in relation to the social sciences. For Africa to escape the West, says Mudimbe, it must become aware of what remains Western in the very concepts and forms of thought that allow it to think against the West, and be alert to the possibility that the recourse against the West might be just another ruse that the West uses for its own ends. Africa must elucidate the modalities of the integration of Africans into the myths of the West, while at the same time aiming at the readaptation of the African psyche in the wake of the violence it has suffered. This seminal work by a leading African thinker will be of great interest to anyone concerned with the legacies of colonialism and the debates on decolonization and decoloniality in the social and human sciences.
The Scent of the Father: Essay on the Limits of Life and Science in sub-Saharan Africa (Critical South)
by Valentin-Yves MudimbeValentin-Yves Mudimbe is a Congolese philosopher, novelist, poet, essayist, and academic, widely considered to be one of the most important African thinkers of his generation. The ideas and arguments he has developed in his writings since the 1970s, including The Invention of Africa, have been hugely influential across many disciplines and established his reputation as one of the essential postcolonial thinkers of our time. In The Scent of the Father, Mudimbe set himself the task of shedding light on the complex links that bind Africa to the West and determine the exercise of thought and knowledge practices, particularly in relation to the social sciences. For Africa to escape the West, says Mudimbe, it must become aware of what remains Western in the very concepts and forms of thought that allow it to think against the West, and be alert to the possibility that the recourse against the West might be just another ruse that the West uses for its own ends. Africa must elucidate the modalities of the integration of Africans into the myths of the West, while at the same time aiming at the readaptation of the African psyche in the wake of the violence it has suffered. This seminal work by a leading African thinker will be of great interest to anyone concerned with the legacies of colonialism and the debates on decolonization and decoloniality in the social and human sciences.
Scepticism and belief in English witchcraft drama, 1538–1681 (Lund University Press)
by Eric PudneyWinner of the 2019 Warburg Prize from the Royal Swedish Academy of Letters, History and Antiquities for an outstanding work of literary history This is a study of the representation of witches in early modern English drama, organised around the themes of scepticism and belief. It covers the entire early modern period, including the Restoration, and pays particular attention to three plays in which witchcraft is central: The Witch of Edmonton (1621), The Late Lancashire Witches (1634) and The Lancashire Witches (1681). Always a controversial issue, witchcraft has traditionally been seen in terms of a debate between ‘sceptics’ and ‘believers’. This book argues instead that, while the concepts of scepticism and belief are central to an understanding of early modern witchcraft, they are more fruitfully understood not as static and mutually exclusive positions within the witchcraft debate, but as rhetorical tools used by both sides.
Scepticism and belief in English witchcraft drama, 1538–1681 (Lund University Press)
by Eric PudneyWinner of the 2019 Warburg Prize from the Royal Swedish Academy of Letters, History and Antiquities for an outstanding work of literary historyThis is a study of the representation of witches in early modern English drama, organised around the themes of scepticism and belief. It covers the entire early modern period, including the Restoration, and pays particular attention to three plays in which witchcraft is central: The Witch of Edmonton (1621), The Late Lancashire Witches (1634) and The Lancashire Witches (1681). Always a controversial issue, witchcraft has traditionally been seen in terms of a debate between ‘sceptics’ and ‘believers’. This book argues instead that, while the concepts of scepticism and belief are central to an understanding of early modern witchcraft, they are more fruitfully understood not as static and mutually exclusive positions within the witchcraft debate, but as rhetorical tools used by both sides.
Sceptics of Islam: Revisionist Religion, Agnosticism and Disbelief in the Modern Arab World (Library of Modern Middle East Studies #20180226)
by Ralph M. CouryArab debates about the critical relationship between religion and modernity began in the early nineteenth century. Such debates are now integral to the struggle for power between a variety of political groups and their opponents, and are vital to understanding the modern Middle East. This unique volume introduces the writings of the Muslim and Arab Christian revisionist 'free-thinkers' who have tried to redefine the relationship. It challenges the deeply entrenched idea that the contemporary Islamic world has been impermeable to a critique of religious ideas and practices. Authors from the nineteenth century to the present are included. Some are avowed believers, even if they adopt positions many might regard as heretical; others are openly agnostic and atheistic. Despite their differences, all have been united in disputing the fundamentalist idea that life should conform to a system of values and law based on the Quran. They have also rejected the religious 'liberalism' that has been the chief opposition to traditionalism. The book's originality lies in its evaluation of the social and cultural impact of these radical thinkers.