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British Fiction Today
by Rod Mengham Philip TewBritish Fiction Today provides students and readers with a critical introduction to key authors and novels since 1990 and provides the latest critical perspectives on current British fiction. It offers comprehensive and up-to-date coverage of a broad range of selected contemporary authors, drawing together both established and emerging literary voices reflecting the scope of the new British writing. The book is organised around common themes - Modern Lives, Contemporary Living; Dreamtime; States of Identity and Histories. Each section begins with a short introductory essay and ends with a guide to further reading. Introducing key works, writers and major themes including post-colonialism, pluralism, gender and history, this book is the ideal guide to British fiction today. Includes discussion of Martin Amis, Julian Barnes, Jonathan Coe, Alan Hollinghurst, Peter Ackroyd, Jenny Diski, Ben Okri, Salman Rushdie, Toby Litt, Ian McEwan, Zadie Smith, Jeanetter Winterson, Pat Barker, A S Byatt, Adam Thorpe and Sarah Waters.
British Fiction Today
by Rod Mengham Philip TewBritish Fiction Today provides students and readers with a critical introduction to key authors and novels since 1990 and provides the latest critical perspectives on current British fiction. It offers comprehensive and up-to-date coverage of a broad range of selected contemporary authors, drawing together both established and emerging literary voices reflecting the scope of the new British writing. The book is organised around common themes - Modern Lives, Contemporary Living; Dreamtime; States of Identity and Histories. Each section begins with a short introductory essay and ends with a guide to further reading. Introducing key works, writers and major themes including post-colonialism, pluralism, gender and history, this book is the ideal guide to British fiction today. Includes discussion of Martin Amis, Julian Barnes, Jonathan Coe, Alan Hollinghurst, Peter Ackroyd, Jenny Diski, Ben Okri, Salman Rushdie, Toby Litt, Ian McEwan, Zadie Smith, Jeanetter Winterson, Pat Barker, A S Byatt, Adam Thorpe and Sarah Waters.
British Fictions of the Sixties: The Making of the Swinging Decade
by Sebastian GroesBritish Fictions of the Sixties focuses on the major socio-political changes that marked the sixties in relationship to the development of literature over the decade. This book is the first critical study to acknowledge that the 1960s can only be understood if, next to its contemporary socio-political history, its fictions and mythologies are acknowledged as a vital constituent in the understanding of the decade. Groes uncovers a major epistemological shift, and presents a powerful meta-narrative about post-war literature in the UK, and beyond. British Fictions of the Sixties offers a re-examination of canonical writers such as Iris Murdoch, Angela Carter, Muriel Spark and John Fowles. It also pays critical attention to avant-garde writers including Ann Quinn, Bridget Brophy, Eva Figes, Christine Brooke-Rose, and J. G. Ballard, presenting a comprehensive insight into the continuing power the decade exerts on the contemporary imagination.
British Fictions of the Sixties: The Making of the Swinging Decade
by Sebastian GroesBritish Fictions of the Sixties focuses on the major socio-political changes that marked the sixties in relationship to the development of literature over the decade. This book is the first critical study to acknowledge that the 1960s can only be understood if, next to its contemporary socio-political history, its fictions and mythologies are acknowledged as a vital constituent in the understanding of the decade. Groes uncovers a major epistemological shift, and presents a powerful meta-narrative about post-war literature in the UK, and beyond. British Fictions of the Sixties offers a re-examination of canonical writers such as Iris Murdoch, Angela Carter, Muriel Spark and John Fowles. It also pays critical attention to avant-garde writers including Ann Quinn, Bridget Brophy, Eva Figes, Christine Brooke-Rose, and J. G. Ballard, presenting a comprehensive insight into the continuing power the decade exerts on the contemporary imagination.
British films of the 1970s
by Paul NewlandBritish films of the 1970s offers highly detailed and insightful critical analysis of a range of individual films of the period. This analysis draws upon an innovative range of critical methodologies which place the film texts within a rich variety of historical contexts. The book sets out to examine British films of the 1970s in order to get a clearer understanding of two things – the fragmentary state of the filmmaking culture of the period, and the fragmentary nature of the nation that these films represent. It argues that there is no singular narrative to be drawn about British filmmaking in the 1970s, other than the fact that these films offer evidence of a Britain (and ideas of Britishness) characterised by vicissitudes. While this was a period of struggle and instability, it was also a period of openings, of experiment, and of new ideas. Newland looks at many films, including Carry On Girls, O Lucky Man!, That'll be the Day, The Shout, and The Long Good Friday.
British films of the 1970s (PDF)
by Paul NewlandBritish films of the 1970s offers highly detailed and insightful critical analysis of a range of individual films of the period. This analysis draws upon an innovative range of critical methodologies which place the film texts within a rich variety of historical contexts. The book sets out to examine British films of the 1970s in order to get a clearer understanding of two things – the fragmentary state of the filmmaking culture of the period, and the fragmentary nature of the nation that these films represent. It argues that there is no singular narrative to be drawn about British filmmaking in the 1970s, other than the fact that these films offer evidence of a Britain (and ideas of Britishness) characterised by vicissitudes. While this was a period of struggle and instability, it was also a period of openings, of experiment, and of new ideas. Newland looks at many films, including Carry On Girls, O Lucky Man!, That'll be the Day, The Shout, and The Long Good Friday.
British Future Fiction, 1700-1914, Volume 1
by I F ClarkeThis set of eight volumes presents the reader with selected primary texts in the genre now generally known as future fiction. The chosen texts are designed to explore the dominant characteristics of the genre and examine how it changed over the 18th and 19th centuries.
British Future Fiction, 1700-1914, Volume 1
by I F ClarkeThis set of eight volumes presents the reader with selected primary texts in the genre now generally known as future fiction. The chosen texts are designed to explore the dominant characteristics of the genre and examine how it changed over the 18th and 19th centuries.
British Future Fiction, 1700-1914, Volume 2
by I F ClarkeThis set of eight volumes presents the reader with selected primary texts in the genre now generally known as future fiction. The chosen texts are designed to explore the dominant characteristics of the genre and examine how it changed over the 18th and 19th centuries.
British Future Fiction, 1700-1914, Volume 2
by I F ClarkeThis set of eight volumes presents the reader with selected primary texts in the genre now generally known as future fiction. The chosen texts are designed to explore the dominant characteristics of the genre and examine how it changed over the 18th and 19th centuries.
British Future Fiction, 1700-1914, Volume 3
by I F ClarkeThis set of eight volumes presents the reader with selected primary texts in the genre now generally known as future fiction. The chosen texts are designed to explore the dominant characteristics of the genre and examine how it changed over the 18th and 19th centuries.
British Future Fiction, 1700-1914, Volume 3
by I F ClarkeThis set of eight volumes presents the reader with selected primary texts in the genre now generally known as future fiction. The chosen texts are designed to explore the dominant characteristics of the genre and examine how it changed over the 18th and 19th centuries.
British Future Fiction, 1700-1914, Volume 4
by I F ClarkeThis set of eight volumes presents the reader with selected primary texts in the genre now generally known as future fiction. The chosen texts are designed to explore the dominant characteristics of the genre and examine how it changed over the 18th and 19th centuries.
British Future Fiction, 1700-1914, Volume 4
by I F ClarkeThis set of eight volumes presents the reader with selected primary texts in the genre now generally known as future fiction. The chosen texts are designed to explore the dominant characteristics of the genre and examine how it changed over the 18th and 19th centuries.
British Future Fiction, 1700-1914, Volume 5
by I F ClarkeThis set of eight volumes presents the reader with selected primary texts in the genre now generally known as future fiction. The chosen texts are designed to explore the dominant characteristics of the genre and examine how it changed over the 18th and 19th centuries.
British Future Fiction, 1700-1914, Volume 5
by I F ClarkeThis set of eight volumes presents the reader with selected primary texts in the genre now generally known as future fiction. The chosen texts are designed to explore the dominant characteristics of the genre and examine how it changed over the 18th and 19th centuries.
British Future Fiction, 1700-1914, Volume 6
by I F ClarkeThis set of eight volumes presents the reader with selected primary texts in the genre now generally known as future fiction. The chosen texts are designed to explore the dominant characteristics of the genre and examine how it changed over the 18th and 19th centuries.
British Future Fiction, 1700-1914, Volume 6
by I F ClarkeThis set of eight volumes presents the reader with selected primary texts in the genre now generally known as future fiction. The chosen texts are designed to explore the dominant characteristics of the genre and examine how it changed over the 18th and 19th centuries.
British Future Fiction, 1700-1914, Volume 7
by I F ClarkeThis set of eight volumes presents the reader with selected primary texts in the genre now generally known as future fiction. The chosen texts are designed to explore the dominant characteristics of the genre and examine how it changed over the 18th and 19th centuries. This is Volume 7. Disasters-to-Come.
British Future Fiction, 1700-1914, Volume 7
by I F ClarkeThis set of eight volumes presents the reader with selected primary texts in the genre now generally known as future fiction. The chosen texts are designed to explore the dominant characteristics of the genre and examine how it changed over the 18th and 19th centuries. This is Volume 7. Disasters-to-Come.
British Future Fiction, 1700-1914, Volume 8
by I F ClarkeThis set of eight volumes presents the reader with selected primary texts in the genre now generally known as future fiction. The chosen texts are designed to explore the dominant characteristics of the genre and examine how it changed over the 18th and 19th centuries.
British Future Fiction, 1700-1914, Volume 8
by I F ClarkeThis set of eight volumes presents the reader with selected primary texts in the genre now generally known as future fiction. The chosen texts are designed to explore the dominant characteristics of the genre and examine how it changed over the 18th and 19th centuries.
British Hispanism and the Challenge of Literary Theory (Aris & Phillips Hispanic Classics)
by Barry Jordan William Chester JordanThese five articles, collected from journals not widely known in the Hispanic field, deal with issues of literary and cultural theory in relation to British Hispanism. The first three items in this collection consider some basic questions of literary and cultural theory and critical practice: questions such as, what is literature? what is the nature of the criticism which supports and legitimises it? how far is the literary text a secure ontological object? where does meaning lie? does it lie in the text or the processes by which the text is consumed and reproduced? what is literary value? what sort of values and purposes does the academic institution exist to serve? what is the role of literary studies within it? The last two essays adopt a more applied, pedagogical approach and attempt to survey the practices around literary studies within the modern language arena, especially in relation to British Hispanism. Here the author concerns himself with the nature of the discipline as presently constituted, its assumptions and major practices and asks how it constructs its versions of the foreign culture.
British Historians and National Identity: From Hume to Churchill
by Anthony Leon BrundageTwo eminent scholars of historiography examine the concept of national identity through the key multi-volume histories of the last two hundred years. Starting with Hume’s History of England (1754–62), they explore the work of British historians whose work had a popular readership and an influence on succeeding generations of British children.
British Historians and National Identity: From Hume to Churchill
by Anthony Leon BrundageTwo eminent scholars of historiography examine the concept of national identity through the key multi-volume histories of the last two hundred years. Starting with Hume’s History of England (1754–62), they explore the work of British historians whose work had a popular readership and an influence on succeeding generations of British children.