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Temporalities, Texts, Ideologies: Ancient and Early Modern Perspectives
Temporalities, Texts, Ideologies provides a new analysis of the significance of time in Classical and early modern literature, demonstrating that literary temporality continually intervenes in questions of ontology, hierarchy and politics. Examining a diverse range of texts from Homeric epic to eighteenth-century poems on the Last Judgement, this collection of essays contends that temporality in literature sits at the heart of how authors from antiquity through to the early modern period understood and negotiated the structures that shaped their lives and may shape lives to come.Approaching the topic through four themes, the essays in this volume highlight the ways in which time is construed as relational, contestable and politically inflected. The authors show that variations in temporalities enable texts to critique the interactions or tensions between tradition and change, agency and determinism, social system and individual experience. The result is a refreshing approach to literary figurations of time that responds to the recent 'temporal turn' in the humanities, engages with current critical trends (such as ontological analysis and ecological criticism), and opens up an exciting new direction for future research on the connection between time, text, and context.
Temporality: Universals and Variation (Explorations in Semantics)
by Maria BittnerTemporality surveys the ways in which languages of different types refer to past, present, and future events, through an in-depth examination of four major language types: tense-based English, tense-aspect-based Polish, aspect-based Chinese, and mood-based Kalaallisut. Cutting-edge research on directly compositional dynamic semantics of languages with and without grammatical tense New in-depth analysis of temporal, aspectual, modal, as well as nominal discourse reference Presents a novel logical language for representing linguistic meaning (Update with Centering) Develops a unified theory of tense, aspect, mood, and person as different types of ‘grammatical centering systems’
Temporality: Universals and Variation (Explorations in Semantics)
by Maria BittnerTemporality surveys the ways in which languages of different types refer to past, present, and future events, through an in-depth examination of four major language types: tense-based English, tense-aspect-based Polish, aspect-based Chinese, and mood-based Kalaallisut. Cutting-edge research on directly compositional dynamic semantics of languages with and without grammatical tense New in-depth analysis of temporal, aspectual, modal, as well as nominal discourse reference Presents a novel logical language for representing linguistic meaning (Update with Centering) Develops a unified theory of tense, aspect, mood, and person as different types of ‘grammatical centering systems’
Temporality, Genre and Experience in the Age of Shakespeare: Forms of Time
by Lauren ShohetFocusing on Shakespeare and his contemporaries, these original essays by leading scholars explore how theatrical, aesthetic, and linguistic forms engage early modern experiences of temporality. Encompassing comedy, tragedy, history, and romance, some contributions consider how different models of pastness, presentness, sequentiality, memory, and historical meaning underwrite particular representational practices. Others, conversely, investigate how aesthetic forms afforded diverse ways for early-modern people to understand or experience time - and how this can impact us today.
Temporality, Genre and Experience in the Age of Shakespeare: Forms of Time
by Lauren ShohetFocusing on Shakespeare and his contemporaries, these original essays by leading scholars explore how theatrical, aesthetic, and linguistic forms engage early modern experiences of temporality. Encompassing comedy, tragedy, history, and romance, some contributions consider how different models of pastness, presentness, sequentiality, memory, and historical meaning underwrite particular representational practices. Others, conversely, investigate how aesthetic forms afforded diverse ways for early-modern people to understand or experience time - and how this can impact us today.
Temporality in Life As Seen Through Literature: Contributions to Phenomenology of Life (Analecta Husserliana #86)
by Anna-Teresa TymienieckaWith a wealth of papers in its pages, this book examines that fundamental of human philosophy, the relationship between human beings and time. Having the human subject – the creator – at its center, literature is essentially engaged in temporality whether that of the mind or of the world of life through the creative process of writing, stage directing, or the reader’s and viewer’s reception. This text examines, among others, the work of Proust and Kafka.
The Temporality of Taste in Eighteenth-Century British Writing
by James NoggleIs taste a quick, momentary experience in the individual mind? Or something durable, shaped by slow, historical processes, affecting groups of people at different times and places? British writers in the eighteenth century believed that it was both, and the tension between these temporal poles shaped the meaning of taste in the period and set a course for aesthetics in following centuries. Focusing on works in many genres-Alexander Pope's poems, David Hume's historiography, essays by Hannah More and Anna Barbauld, and novels by Frances Burney and William Beckford-this book sees the divided temporality of taste as an unpredictable force in British writing. The eighteenth century was the age of taste. Writers considered its intense effects on individual minds as especially characteristic of the collective present of British modernity, whilst they also recognized the disturbing tendency of taste's immediacy and its historical roles to interrupt and foreclose on each other. While noting how taste's two temporal flavours may be made to agree in order to consolidate various national, social, and gendered identities, this book also demonstrates that taste's dual temporality makes it more disruptive than scholars usually think. As such, taste models a kind of critical practice that this book itself endeavours to inherit: the insistent testing of the moment of discernment and on-going patterns of thinking and feeling against each other.
A Temporary Future: The Fiction Of David Mitchell
by Patrick O'DonnellHaving emerged as one the leading contemporary British writers, David Mitchell is rapidly taking his place amongst British novelists with the gravitas of an Ishiguro or a McEwan. Written for a wide constituency of readers of contemporary literature, A Temporary Future: The Fiction of David Mitchell explores Mitchell's main concerns-including those of identity, history, language, imperialism, childhood, the environment, and ethnicity-across the six novels published so far, as well as his protean ability to write in multiple and diverse genres. It places Mitchell in the tradition of Murakami, Sebald, and Rushdie-writers whose works explore narrative in an age of globalization and cosmopolitanism. Patrick O'Donnell traces the through-lines of Mitchell's work from ghostwritten to The Bone Clocks and, with a chapter on each of the six novels, charts the evolution of Mitchell's fictional project.
A Temporary Future: The Fiction of David Mitchell
by Patrick O'DonnellHaving emerged as one the leading contemporary British writers, David Mitchell is rapidly taking his place amongst British novelists with the gravitas of an Ishiguro or a McEwan. Written for a wide constituency of readers of contemporary literature, A Temporary Future: The Fiction of David Mitchell explores Mitchell's main concerns-including those of identity, history, language, imperialism, childhood, the environment, and ethnicity-across the six novels published so far, as well as his protean ability to write in multiple and diverse genres. It places Mitchell in the tradition of Murakami, Sebald, and Rushdie-writers whose works explore narrative in an age of globalization and cosmopolitanism. Patrick O'Donnell traces the through-lines of Mitchell's work from ghostwritten to The Bone Clocks and, with a chapter on each of the six novels, charts the evolution of Mitchell's fictional project.
The Temptation of Despair: Tales Of The 1940s
by Werner SollorsIn Germany the end of World War II calls forth images of obliterated cities, hungry refugees, and ghostly monuments to Nazi crimes. Drawing on diaries, photographs, essays, reports, fiction and film, Werner Sollors makes visceral the sorrow and anger, guilt and pride, despondency and resilience of a defeated people--and the paradoxes of occupation.
The Temptation of Despair: Tales Of The 1940s
by Werner SollorsIn Germany the end of World War II calls forth images of obliterated cities, hungry refugees, and ghostly monuments to Nazi crimes. Drawing on diaries, photographs, essays, reports, fiction and film, Werner Sollors makes visceral the sorrow and anger, guilt and pride, despondency and resilience of a defeated people--and the paradoxes of occupation.
Ten Gifts of the Demiurge: Proclus on Plato's Timaeus
by Emilie KutashProclus' commentary on Plato's "Timaeus" is perhaps the most important surviving Neoplatonic commentary. In it Proclus contemplates nature's mysterious origins and at the same time employs the deductive rigour required to address perennial philosophical questions. Nature, for him, is both divine and mathematically transparent. He renders theories of Time, Eternity, Providence, Evil, Soul and Intellect and constructs an elaborate ontology that includes mathematics and astronomy. He gives ample play to pagan theology too, frequently lapsing into the arcane language of the "Chaldaean Oracles". "Ten Gifts of the Demiurge" is an essential companion to this rich but complex and densely wrought text, providing an analysis of its arguments and showing that it, like the cosmos Proclus reveres, is a living coherent whole. The book provides aides to understanding Proclus' work within the complex background of Neoplatonic philosophy, familiarising the reader with the political context of the Athenian school, analysing Proclus' key terminology, and giving background to the philosophical arguments and ancient sciences upon which Proclus draws.Above all, it helps the reader appreciate the varicoloured light that Proclus sheds on the secrets of nature.
Ten Gifts of the Demiurge: Proclus on Plato's Timaeus
by Emilie KutashProclus' commentary on Plato's "Timaeus" is perhaps the most important surviving Neoplatonic commentary. In it Proclus contemplates nature's mysterious origins and at the same time employs the deductive rigour required to address perennial philosophical questions. Nature, for him, is both divine and mathematically transparent. He renders theories of Time, Eternity, Providence, Evil, Soul and Intellect and constructs an elaborate ontology that includes mathematics and astronomy. He gives ample play to pagan theology too, frequently lapsing into the arcane language of the "Chaldaean Oracles". "Ten Gifts of the Demiurge" is an essential companion to this rich but complex and densely wrought text, providing an analysis of its arguments and showing that it, like the cosmos Proclus reveres, is a living coherent whole. The book provides aides to understanding Proclus' work within the complex background of Neoplatonic philosophy, familiarising the reader with the political context of the Athenian school, analysing Proclus' key terminology, and giving background to the philosophical arguments and ancient sciences upon which Proclus draws.Above all, it helps the reader appreciate the varicoloured light that Proclus sheds on the secrets of nature.
Ten Lessons in Theory: An Introduction to Theoretical Writing
by Calvin ThomasAn introduction to literary theory unlike any other, Ten Lessons in Theory engages its readers with three fundamental premises. The first premise is that a genuinely productive understanding of theory depends upon a considerably more sustained encounter with the foundational writings of Hegel, Marx, Nietzsche, and Freud than any reader is likely to get from the introductions to theory that are currently available. The second premise involves what Fredric Jameson describes as "the conviction that of all the writing called theoretical, Lacan's is the richest." Entertaining this conviction, the book pays more (and more careful) attention to the richness of Lacan's writing than does any other introduction to literary theory. The third and most distinctive premise of the book is that literary theory isn't simply theory "about" literature, but that theory fundamentally is literature, after all. Ten Lessons in Theory argues, and even demonstrates, that "theoretical writing" is nothing if not a specific genre of "creative writing," a particular way of engaging in the art of the sentence, the art of making sentences that make trouble-sentences that make, or desire to make, radical changes in the very fabric of social reality. As its title indicates, the book proceeds in the form of ten "lessons," each based on an axiomatic sentence selected from the canon of theoretical writing. Each lesson works by creatively unpacking its featured sentence and exploring the sentence's conditions of possibility and most radical implications. In the course of exploring the conditions and consequences of these troubling sentences, the ten lessons work and play together to articulate the most basic assumptions and motivations supporting theoretical writing, from its earliest stirrings to its most current turbulences. Provided in each lesson is a working glossary: specific critical keywords are boldfaced on their first appearance and defined either in the text or in a footnote. But while each lesson constitutes a precise explication of the working terms and core tenets of theoretical writing, each also attempts to exemplify theory as a "practice of creativity" (Foucault) in itself.
Ten Lessons in Theory: An Introduction to Theoretical Writing
by Calvin ThomasAn introduction to literary theory unlike any other, Ten Lessons in Theory engages its readers with three fundamental premises. The first premise is that a genuinely productive understanding of theory depends upon a considerably more sustained encounter with the foundational writings of Hegel, Marx, Nietzsche, and Freud than any reader is likely to get from the introductions to theory that are currently available. The second premise involves what Fredric Jameson describes as "the conviction that of all the writing called theoretical, Lacan's is the richest." Entertaining this conviction, the book pays more (and more careful) attention to the richness of Lacan's writing than does any other introduction to literary theory. The third and most distinctive premise of the book is that literary theory isn't simply theory "about" literature, but that theory fundamentally is literature, after all. Ten Lessons in Theory argues, and even demonstrates, that "theoretical writing" is nothing if not a specific genre of "creative writing," a particular way of engaging in the art of the sentence, the art of making sentences that make trouble-sentences that make, or desire to make, radical changes in the very fabric of social reality. As its title indicates, the book proceeds in the form of ten "lessons," each based on an axiomatic sentence selected from the canon of theoretical writing. Each lesson works by creatively unpacking its featured sentence and exploring the sentence's conditions of possibility and most radical implications. In the course of exploring the conditions and consequences of these troubling sentences, the ten lessons work and play together to articulate the most basic assumptions and motivations supporting theoretical writing, from its earliest stirrings to its most current turbulences. Provided in each lesson is a working glossary: specific critical keywords are boldfaced on their first appearance and defined either in the text or in a footnote. But while each lesson constitutes a precise explication of the working terms and core tenets of theoretical writing, each also attempts to exemplify theory as a "practice of creativity" (Foucault) in itself.
Ten Lessons in Theory: A New Introduction to Theoretical Writing
by Professor Calvin ThomasA thoroughly updated edition of the witty and engaging exploration of the history, application, and tenets of literary theory. The first edition of Ten Lessons served as a “literary” introduction to theoretical writing, a strong set of pedagogical prose poems unpacking Lacanian psychoanalysis, continental philosophy, Marxism, cultural studies, feminism, gender studies, and queer theory. Here Calvin Thomas returns to these ten “lessons,” each based on an axiomatic sentence selected from the canons of theory, each exploring the basic assumptions and motivations of theoretical writing. But while every lesson explains the working terms and core tenets of theory, each also attempts to exemplify theory as a “liberatory practice” (bell hooks), to liberate theory as a “practice of creativity” (Foucault) in and of itself. The revised, updated, and expanded second edition, featuring 25% new material, still argues for theoretical writing as a genre of creative writing, a way of engaging in the art of the sentence, the art of making sentences that make trouble, that desire to make radical changes in very fabrication of social reality.Features:- Critical keywords bolded for easy reference- Expanded footnotes with detailed discussion of key concepts- Anti-racist overhaul of each lesson in the wake of Trumpism, Black Lives Matter, and #MeToo- Urgent emphasis on Afropessimism, critical race theory, and other developments in postcolonial Black cultural production- Designed to cross-reference with:Adventures in Theory: A Compact Anthology, edited by Calvin ThomasThe Bloomsbury Handbook of Literary and Cultural Theory, edited by Jeffrey R. Di LeoThe Bloomsbury Handbook to 21st Century Feminist Theory, edited by Robin Truth Goodman
Ten Lessons in Theory: A New Introduction to Theoretical Writing
by Professor Calvin ThomasA thoroughly updated edition of the witty and engaging exploration of the history, application, and tenets of literary theory. The first edition of Ten Lessons served as a “literary” introduction to theoretical writing, a strong set of pedagogical prose poems unpacking Lacanian psychoanalysis, continental philosophy, Marxism, cultural studies, feminism, gender studies, and queer theory. Here Calvin Thomas returns to these ten “lessons,” each based on an axiomatic sentence selected from the canons of theory, each exploring the basic assumptions and motivations of theoretical writing. But while every lesson explains the working terms and core tenets of theory, each also attempts to exemplify theory as a “liberatory practice” (bell hooks), to liberate theory as a “practice of creativity” (Foucault) in and of itself. The revised, updated, and expanded second edition, featuring 25% new material, still argues for theoretical writing as a genre of creative writing, a way of engaging in the art of the sentence, the art of making sentences that make trouble, that desire to make radical changes in very fabrication of social reality.Features:- Critical keywords bolded for easy reference- Expanded footnotes with detailed discussion of key concepts- Anti-racist overhaul of each lesson in the wake of Trumpism, Black Lives Matter, and #MeToo- Urgent emphasis on Afropessimism, critical race theory, and other developments in postcolonial Black cultural production- Designed to cross-reference with:Adventures in Theory: A Compact Anthology, edited by Calvin ThomasThe Bloomsbury Handbook of Literary and Cultural Theory, edited by Jeffrey R. Di LeoThe Bloomsbury Handbook to 21st Century Feminist Theory, edited by Robin Truth Goodman
Ten Little Ducklings
by Lucy RowlandThe sun is up, it's a brand new day. Ten little ducklings want to play!There's lots to see and lots to do – let's play a game of PEEK-A-BOO!Get ready to play with ten little ducklings as they set off on an exciting adventure. There's a busy new scene to explore with each turn of the page, from a day at the farm to a hot-air-balloon outing, and from a snowball fight to a birthday party. Can you spot which little duckling is hiding on each page?This irresistible search-and-find book is packed with details for little ones to spot – perfect for reading and sharing together!
Ten Novels And Their Authors
by W. Somerset MaughamMaugham's studies of the lives and masterpieces of ten great novelists are outstanding examples of literary criticism at its finest. Afforded here are some of the formulae of greatness in the genre, as well as the flaws and heresies which enfeeble it. Written by a master of fiction, Ten Novels and Their Authors is a unique and invaluable guide.
Ten Things About Writing: Build Your Story, One Word at a Time
by Joanne HarrisAn indispensable guide to the craft of writing and business of publishing from one of our bestselling and most versatile authors.One-time teacher and bestselling novelist Joanne Harris has been advising and corresponding with aspirational writers for over six years. This collection of pithy and funny lists of advice provides both hard-won wisdom and insider industry help. All aspects of the writing process and story development are covered – as is the thorny issue of how and where to find readers. From Workspaces and Habits to Plot and Dialogue, these are motivating, problem-solving lists from an experienced and widely respected writer.Uniquely, Ten Things About Writing also takes the reader beyond the stage of finished manuscripts and editorial changes – into the territories of rights, publicity and marketing. Whether you havethe urge to write crime fiction or a fantasy novel, literary short stories or blockbuster thrillers Joanne's lists will speak to you.'Joanne is not only master of her craft but has the rare gift of being able to explain that craft and offer peerless advice in the clearest, no-nonsense, practical and entertainingof ways.' Matt Haig'[Joanne Harris's] pithy, often very funny advice demystifies writing and the publishing industry for new and aspiring writers.' Cressida Cowell
Ten Ways of Thinking About Samuel Beckett: The Falsetto of Reason (Diaries, Letters and Essays)
by Enoch BraterBeckett is acknowledged as one of the greatest playwrights and most innovative fiction writers of the twentieth century with an international appeal that bridges both general and more specialist readers. This collection of essays by renowned Beckett scholar Enoch Brater offers a delightfully original, playful and intriguing series of approaches to Beckett's drama, fiction and poetry. Beginning with a chapter entitled 'Things to Ponder While Waiting for Godot', each essay deftly illuminates aspects of Beckett's thinking and craft, making astute and often suprising discoveries along the way. In a series of beguiling discussions such as 'From Dada to Didi: Beckett and the Art of His Century', 'Beckett's Devious Interventions, or Fun with Cube Roots' and 'The Seated Figure on Beckett's Stage', Brater proves the perfect companion and commentator on Beckett's work, helping readers to approach it with fresh eyes and a renewed sense of the author's unique aesthetic.
Ten Ways of Thinking About Samuel Beckett: The Falsetto of Reason (Diaries, Letters and Essays)
by Enoch BraterBeckett is acknowledged as one of the greatest playwrights and most innovative fiction writers of the twentieth century with an international appeal that bridges both general and more specialist readers. This collection of essays by renowned Beckett scholar Enoch Brater offers a delightfully original, playful and intriguing series of approaches to Beckett's drama, fiction and poetry. Beginning with a chapter entitled 'Things to Ponder While Waiting for Godot', each essay deftly illuminates aspects of Beckett's thinking and craft, making astute and often suprising discoveries along the way. In a series of beguiling discussions such as 'From Dada to Didi: Beckett and the Art of His Century', 'Beckett's Devious Interventions, or Fun with Cube Roots' and 'The Seated Figure on Beckett's Stage', Brater proves the perfect companion and commentator on Beckett's work, helping readers to approach it with fresh eyes and a renewed sense of the author's unique aesthetic.
Ten Years of English Learning at School
by Elsa Tragant Carmen MuñozThis book is based on a longitudinal study involving learners of English as a foreign language from their first year in primary education to their last year in compulsory secondary education. Some of the chapters report on the whole sample initially drawn from five primary schools and some are based on a sample of focal learners. These focal learners were followed in secondary school (grades 7 and 10). One of the main aims of the book is capturing change over time regarding the learners’ language perceptions and awareness, oral and written language development, learners’ attitudes and motivation, and their language learning trajectories. The longitudinal nature of the data also allows identification of internal and external factors on learners’ linguistic outcomes. The book draws on a wealth of data sources (self-reported data, classroom observations, institutional data, language tests and tasks), participants (learners, teachers, parents), several testing times and both qualitative and quantitative analyses. The book will be of interest to educators and scholars working on such areas as language pedagogy, language development and awareness as well as individual differences.
Ten Years of Translation: Proceedings of the Fourth Congress of the International Federation of Translators (FIT), Dubrovnik, 1963, Held in Celebration of the Tenth Anniversary of the Federation
by I. J. CitroenTen Years of Translation documents the proceedings of the Fourth Congress of the International Federation of Translators (Fédération Internationale des Traducteurs—FIT) held in Dubrovnik in 1963. This compilation discusses the diversification and development of the translating profession that focuses on the types of translation practiced, great variety of circumstances under which the translation is carried out, and vast number of auxiliary services and aids closely related to the translation proper. This book includes the descriptions of literary, technical, and scientific translations; linguistic aspects of translation; FIT committee reports; progress reports by FIT member societies; and charter of the translator. This publication is beneficial to professional translators, as well as students and researchers conducting work on linguistics.
Tendencies and Tensions of the Information Age: Production and Distribution of Information in the United States
by Jorge Reina SchementThe development of technology and the hunger for information has caused a wave of change in daily life in America. Nearly every American's environment now consists of cable television, video cassette players, answering machines, fax machines, and personal computers. Schement and Curtis argue that the information age has evolved gradually throughout the twentieth century. National focus on the production and distribution of information stems directly from the organizing principles and realities of the market system, not from a revolution sparked by the invention of the computer.Now available in paperback, Tendencies and Tensions of the Information Age, brings together findings from many disciplines, including classical studies, etymology, political sociology, and macroeconomics. This valuable resource will be enjoyed by sociologists, historians, and scholars of communication and information studies.