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Thirty Years of Literacies Testing at the University of Cape Town: A Critical Reflection on the Work and its Impact
by Alan CliffThis book delves into extensive research regarding the identification and characterization of academic literacies constructs, encompassing academic literacy, quantitative literacy, mathematics comprehension, and reasoning skills, with a specific focus on their relevance within South African educational contexts. The volume provides an in-depth exploration of the research behind the design and creation of assessments aimed at gauging these crucial literacies. It also delves into theoretical aspects of developmental work while shedding light on historical and contemporary inequalities in the South African educational landscape. Emphasising the practical implications of this research, the book underscores the pivotal role that assessing academic literacies can play in the equitable selection of students, particularly those hailing from educationally disadvantaged backgrounds. Additionally, it highlights how such assessments can inform higher education responsiveness, curriculum development, programme implementation, and the provision of support services for students, ultimately aiding in informed student placement decisions.
This Contentious Storm: An Ecocritical and Performance History of King Lear (Environmental Cultures)
by Jennifer Mae HamiltonFrom providential apocalypticism to climate change, this ground-breaking ecocritical study traces the performance history of the storm scene in King Lear to explore our shifting, fraught and deeply ideological relationship with stormy weather across time. This Contentious Storm offers a new ecocritical reading of Shakespeare's classic play, illustrating how the storm has been read as a sign of the providential, cosmological, meteorological, psychological, neurological, emotional, political, sublime, maternal, feminine, heroic and chaotic at different points in history. The big ecocritical history charted here reveals the unstable significance of the weather and mobilises details of the play's dramatic narrative to figure the weather as a force within self, society and planet.
This Craft of Verse (The Charles Eliot Norton lectures ; #2024)
by Jorge Luis BorgesThrough a twist of fate that the author of Labyrinths himself would have relished, these lost lectures given in English at Harvard in 1967–1968 by Jorge Luis Borges return to us now, a recovered tale of a life-long love affair with literature and the English language. Transcribed from tapes only recently discovered, This Craft of Verse captures the cadences, candor, wit, and remarkable erudition of one of the most extraordinary and enduring literary voices of the twentieth century. In its wide-ranging commentary and exquisite insights, the book stands as a deeply personal yet far-reaching introduction to the pleasures of the word, and as a first-hand testimony to the life of literature.Though his avowed topic is poetry, Borges explores subjects ranging from prose forms (especially the novel), literary history, and translation theory to philosophical aspects of literature in particular and communication in general. Probably the best-read citizen of the globe in his day, he draws on a wealth of examples from literature in modern and medieval English, Spanish, French, Italian, German, Greek, Latin, Arabic, Hebrew, and Chinese, speaking with characteristic eloquence on Plato, the Norse kenningar, Byron, Poe, Chesterton, Joyce, and Frost, as well as on translations of Homer, the Bible, and the Rubáiyát of Omar Khayyám.Whether discussing metaphor, epic poetry, the origins of verse, poetic meaning, or his own “poetic creed,” Borges gives a performance as entertaining as it is intellectually engaging. A lesson in the love of literature and in the making of a unique literary sensibility, this is a sustained encounter with one of the writers by whom the twentieth century will be long remembered.
This England, That Shakespeare: New Angles on Englishness and the Bard
by Margaret Tudeau-ClaytonIs Shakespeare English, British, neither or both? Addressing from various angles the relation of the figure of the national poet/dramatist to constructions of England and Englishness this collection of essays probes the complex issues raised by this question, first through explorations of his plays, principally though not exclusively the histories (Part One), then through discussion of a range of subsequent appropriations and reorientations of Shakespeare and 'his' England (Part Two). If Shakespeare has been taken to stand for Britain as well as England, as if the two were interchangeable, this double identity has come under increasing strain with the break-up - or shake-up - of Britain through devolution and the end of Empire. Essays in Part One examine how the fissure between English and British identities is probed in Shakespeare's own work, which straddles a vital juncture when an England newly independent from Rome was negotiating its place as part of an emerging British state and empire. Essays in Part Two then explore the vexed relations of 'Shakespeare' to constructions of authorial identity as well as national, class, gender and ethnic identities. At this crucial historical moment, between the restless interrogations of the tercentenary celebrations of the Union of Scotland and England in 2007 and the quatercentenary celebrations of the death of the bard in 2016, amid an increasing clamour for a separate English parliament, when the end of Britain is being foretold and when flags and feelings are running high, this collection has a topicality that makes it of interest not only to students and scholars of Shakespeare studies and Renaissance literature, but to readers inside and outside the academy interested in the drama of national identities in a time of transition.
This England, That Shakespeare: New Angles on Englishness and the Bard
by Margaret Tudeau-ClaytonIs Shakespeare English, British, neither or both? Addressing from various angles the relation of the figure of the national poet/dramatist to constructions of England and Englishness this collection of essays probes the complex issues raised by this question, first through explorations of his plays, principally though not exclusively the histories (Part One), then through discussion of a range of subsequent appropriations and reorientations of Shakespeare and 'his' England (Part Two). If Shakespeare has been taken to stand for Britain as well as England, as if the two were interchangeable, this double identity has come under increasing strain with the break-up - or shake-up - of Britain through devolution and the end of Empire. Essays in Part One examine how the fissure between English and British identities is probed in Shakespeare's own work, which straddles a vital juncture when an England newly independent from Rome was negotiating its place as part of an emerging British state and empire. Essays in Part Two then explore the vexed relations of 'Shakespeare' to constructions of authorial identity as well as national, class, gender and ethnic identities. At this crucial historical moment, between the restless interrogations of the tercentenary celebrations of the Union of Scotland and England in 2007 and the quatercentenary celebrations of the death of the bard in 2016, amid an increasing clamour for a separate English parliament, when the end of Britain is being foretold and when flags and feelings are running high, this collection has a topicality that makes it of interest not only to students and scholars of Shakespeare studies and Renaissance literature, but to readers inside and outside the academy interested in the drama of national identities in a time of transition.
This Horrible Uncertainty: A German Woman Writes War, 1939-1948 (Spektrum: Publications of the German Studies Association #32)
by Erika QuinnThrough the diaries and personal papers of a German woman, Vera Conrad, this book documents her wartime experiences and deepens our understanding of the complex experiences of trauma and grief that National Socialist supporters experienced. Building on scholarship about mourning and widowhood that largely focuses on state policies and public discourses, This Horrible Uncertainty provides an interpretive framework of people’s perceptions of events and their capacity to respond to them. Using a history of emotions approach, Erika Quinn establishes that keeping the diary allowed Conrad to develop different selves in response to her responsibilities, fear, and grief after her husband was declared missing in 1943.
This Horrible Uncertainty: A German Woman Writes War, 1939-1948 (Spektrum: Publications of the German Studies Association #32)
by Erika QuinnThrough the diaries and personal papers of a German woman, Vera Conrad, this book documents her wartime experiences and deepens our understanding of the complex experiences of trauma and grief that National Socialist supporters experienced. Building on scholarship about mourning and widowhood that largely focuses on state policies and public discourses, This Horrible Uncertainty provides an interpretive framework of people’s perceptions of events and their capacity to respond to them. Using a history of emotions approach, Erika Quinn establishes that keeping the diary allowed Conrad to develop different selves in response to her responsibilities, fear, and grief after her husband was declared missing in 1943.
This Horrible Uncertainty: A German Woman Writes War, 1939-1948 (Spektrum: Publications of the German Studies Association #32)
by Erika QuinnThrough the diaries and personal papers of a German woman, Vera Conrad, this book documents her wartime experiences and deepens our understanding of the complex experiences of trauma and grief that National Socialist supporters experienced. Building on scholarship about mourning and widowhood that largely focuses on state policies and public discourses, This Horrible Uncertainty provides an interpretive framework of people’s perceptions of events and their capacity to respond to them. Using a history of emotions approach, Erika Quinn establishes that keeping the diary allowed Conrad to develop different selves in response to her responsibilities, fear, and grief after her husband was declared missing in 1943.
This House (Student Editions)
by James GrahamFor the first time, this play - first performed in 2012 at the National Theatre - is published in the Methuen Drama Student Edition series. It features commentary & notes by Nicholas Holden, Lecturer in Drama at the University of Greenwich, UK, that help the student unpack the play's social, political and cultural context, as well as its themes, language, structure and production history.In tough times, the British do what we have always done. We muddle through.This House is a razor-sharp political comedy exploring Westminster and the 1974 British hung parliament, which provides a timely historical correlative to the current political climate. It's the play that secured the then-30-year-old James Graham's reputation as one of the UK's most important and revered dramatists, gaining critical acclaim, enjoying a sell-out run at the National Theatre's Olivier in 2013 and being revived in the West End in 2017, when it was Olivier-nominated. With well-paced, witty and waspish dialogue, it explores the childish digs and chauvinistic attitudes that have riddled political life both then and continue to do so now.
This House (Student Editions)
by James GrahamFor the first time, this play - first performed in 2012 at the National Theatre - is published in the Methuen Drama Student Edition series. It features commentary & notes by Nicholas Holden, Lecturer in Drama at the University of Greenwich, UK, that help the student unpack the play's social, political and cultural context, as well as its themes, language, structure and production history.In tough times, the British do what we have always done. We muddle through.This House is a razor-sharp political comedy exploring Westminster and the 1974 British hung parliament, which provides a timely historical correlative to the current political climate. It's the play that secured the then-30-year-old James Graham's reputation as one of the UK's most important and revered dramatists, gaining critical acclaim, enjoying a sell-out run at the National Theatre's Olivier in 2013 and being revived in the West End in 2017, when it was Olivier-nominated. With well-paced, witty and waspish dialogue, it explores the childish digs and chauvinistic attitudes that have riddled political life both then and continue to do so now.
This I Believe: An A-Z of a Writer's Life
by Carlos FuentesCarlos Fuentes is Mexico's most admired novelist, and this is his manifesto, and memoir, offering a rare and wonderful insight into the mind of a great writer. This I Believe is an A to Z of the things that he loves and believes in. In a series of inspired meditations and polemics, he embraces his subjects such as 'Balzac' and 'Beauty' and 'Sex' and 'Shakespeare'. The essays are woven together with the familiar Fuentes themes of politics, time and language, and through them runs the vein of his personal journey, his views on love, sex, women, friendship and family. From 'Amor' to 'Zürich', this is a collection of thoughts that is both witty and profoundly searching.
This Is a Classic: Translators on Making Writers Global (Literatures, Cultures, Translation)
by Regina GalassoThis Is a Classic illuminates the overlooked networks that contribute to the making of literary classics through the voices of multiple translators, without whom writers would have a difficult time reaching a global audience. It presents the work of some of today's most accomplished literary translators who translate classics into English or who work closely with translation in the US context and magnifies translators' knowledge, skills, creativity, and relationships with the literary texts they translate, the authors whose works they translate, and the translations they make. The volume presents translators' expertise and insight on how classics get defined according to language pairs and contexts. It advocates for careful attention to the role of translation and translators in reading choices and practices, especially regarding literary classics.
This Is a Classic: Translators on Making Writers Global (Literatures, Cultures, Translation)
This Is a Classic illuminates the overlooked networks that contribute to the making of literary classics through the voices of multiple translators, without whom writers would have a difficult time reaching a global audience. It presents the work of some of today's most accomplished literary translators who translate classics into English or who work closely with translation in the US context and magnifies translators' knowledge, skills, creativity, and relationships with the literary texts they translate, the authors whose works they translate, and the translations they make. The volume presents translators' expertise and insight on how classics get defined according to language pairs and contexts. It advocates for careful attention to the role of translation and translators in reading choices and practices, especially regarding literary classics.
This is Dyslexia: The definitive guide to the untapped power of dyslexic thinking and its vital role in our future
by Kate GriggsThe future needs Dyslexic Thinking! British social entrepreneur, founder and CEO of charity Made By Dyslexia, Kate Griggs has been shifting the narrative on dyslexia and educating people on its strengths since 2004. Having been surrounded by an extraordinary 'smorgasbord of Dyslexic Thinking' her whole life, Griggs knows the superpower of dyslexia all too well. With a forward from Sir Richard Branson, This is Dyslexia covers everything you need to understand, value and support Dyslexic Thinking. From offering practical advice on how to support the dyslexics in your life to breaking down the 6 Dyslexic Thinking skills in adults, Griggs shares her knowledge in an easily digestible guide. This is Dyslexia redefines and reshapes what it means to be dyslexic. It explores how it has shaped our past and how harnessing its powers and strengths is vital to our future.
This Is Dyslexia: The Definitive Guide To The Untapped Power Of Dyslexic Thinking And Its Vital Role In Our Future
by Kate GriggsThe future needs Dyslexic Thinking!British social entrepreneur, founder and CEO of charity Made By Dyslexia, Kate Griggs has been shifting the narrative on dyslexia and educating people on its strengths since 2004. Having been surrounded by an extraordinary 'smorgasbord of Dyslexic Thinking' her whole life, Griggs knows the superpower of dyslexia all too well.Revised and updated, with new research and a forward from Sir Richard Branson, This is Dyslexia covers everything you need to understand, value and support Dyslexic Thinking. From offering practical advice on how to support the dyslexics in your life to breaking down the 6 Dyslexic Thinking skills in adults, Griggs shares her knowledge in an easily digestible guide.This is Dyslexia redefines and reshapes what it means to be dyslexic. It explores how it has shaped our past and how harnessing its powers and strengths is vital to our future.
This Is Enlightenment
by Clifford Siskin William WarnerDebates about the nature of the Enlightenment date to the eighteenth century, when Imanual Kant himself addressed the question, “What is Enlightenment?” The contributors to this ambitious book offer a paradigm-shifting answer to that now-famous query: Enlightenment is an event in the history of mediation. Enlightenment, they argue, needs to be engaged within the newly broad sense of mediation introduced here—not only oral, visual, written, and printed media, but everything that intervenes, enables, supplements, or is simply in between. With essays addressing infrastructure and genres, associational practices and protocols, this volume establishes mediation as the condition of possibility for enlightenment. In so doing, it not only answers Kant’s query; it also poses its own broader question: how would foregrounding mediation change the kinds and areas of inquiry in our own epoch? This Is Enlightenment is a landmark volumewith the polemical force and archival depth to start a conversation that extends across the disciplines that the Enlightenment itself first configured.
This Is Enlightenment
by Clifford Siskin William WarnerDebates about the nature of the Enlightenment date to the eighteenth century, when Imanual Kant himself addressed the question, “What is Enlightenment?” The contributors to this ambitious book offer a paradigm-shifting answer to that now-famous query: Enlightenment is an event in the history of mediation. Enlightenment, they argue, needs to be engaged within the newly broad sense of mediation introduced here—not only oral, visual, written, and printed media, but everything that intervenes, enables, supplements, or is simply in between. With essays addressing infrastructure and genres, associational practices and protocols, this volume establishes mediation as the condition of possibility for enlightenment. In so doing, it not only answers Kant’s query; it also poses its own broader question: how would foregrounding mediation change the kinds and areas of inquiry in our own epoch? This Is Enlightenment is a landmark volumewith the polemical force and archival depth to start a conversation that extends across the disciplines that the Enlightenment itself first configured.
This Is Enlightenment
by Clifford Siskin William WarnerDebates about the nature of the Enlightenment date to the eighteenth century, when Imanual Kant himself addressed the question, “What is Enlightenment?” The contributors to this ambitious book offer a paradigm-shifting answer to that now-famous query: Enlightenment is an event in the history of mediation. Enlightenment, they argue, needs to be engaged within the newly broad sense of mediation introduced here—not only oral, visual, written, and printed media, but everything that intervenes, enables, supplements, or is simply in between. With essays addressing infrastructure and genres, associational practices and protocols, this volume establishes mediation as the condition of possibility for enlightenment. In so doing, it not only answers Kant’s query; it also poses its own broader question: how would foregrounding mediation change the kinds and areas of inquiry in our own epoch? This Is Enlightenment is a landmark volumewith the polemical force and archival depth to start a conversation that extends across the disciplines that the Enlightenment itself first configured.
This Is How We Die (Oberon Modern Plays)
by Christopher Brett Baileya motor-mouthed collage of spoken word and storytelling. tales of paranoia, young love and ultra-violence… from the desk of christopher brett bailey comes a spiraling odyssey of pitch-black humour and nightmarish prose. THIS IS HOW WE DIE is a prime slice of surrealist trash, an Americana death trip and a dizzying exorcism for a world convinced it is dying…
This is London: Life and Death in the World City
by Ben Judah'Judah grabs hold of London and shakes out its secrets' The EconomistThis is London in the eyes of its beggars, bankers, coppers, gangsters, carers, witch-doctors and sex workers. This is London in the voices of Arabs, Afghans, Nigerians, Poles, Romanians and Russians.This is London as you've never seen it before.'An eye-opening investigation into the hidden immigrant life of the city' Sunday Times'Full of nuggets of unexpected information about the lives of others . . . It recalls the journalism of Orwell' Financial Times
This Is Me, Full Stop.: The Art, Pleasures, and Playfulness of Punctuation
by Caz Hildebrand Philip CowellFrom the cutting-edge London design agency Here Design - writer and poet Philip Cowell, and award-winning designer Caz Hildebrand, author of The Herbarium, this playful, original, beautifully designed book brings to life the punctuation marks we use every day, including:The dashing dash - So-called "quotation marks"The colon: and on and on.The shouty exclamation!The three dots of...(Not forgetting the brackets)And even more
This Is My Body: Representational Practices in the Early Middle Ages
by Michal Andrzej KobialkaThe recipient of the annual Award for Outstanding Book in Theatre Practice and Pedagogy from the Association for Theatre in Higher Education, This Is My Body realigns representational practices in the early Middle Ages with current debates on the nature of representation. Michal Kobialkai's study views the medieval concept of representation as having been in flux and crossed by different modes of seeing, until it was stabilized by the constitutions of the Fourth Lateran Council in 1215. Kobialka argues that the concept of representation in the early Middle Ages had little to do with the tradition that considers representation in terms of Aristotle or Plato; rather, it was enshrined in the interpretation of Hoc est corpus meum [This is my body] -- the words spoken by Christ to the apostles at the Last Supper -- and in establishing the visibility of the body of Christ that had disappeared from view. Michal Kobialka is Professor in the Department of Theatre Arts and Dance at the University of Minnesota.
This Is Not a Copy: Writing at the Iterative Turn
by Kaja MarczewskaIn This Is Not a Copy, Kaja Marczewska identifies a characteristic 'copy-paste' tendency in contemporary culture-a shift in attitude that allows reproduction and plagiarizing to become a norm in cultural production. This inclination can be observed in literature and non-literary forms of writing at an unprecedented level, as experiments with text redefine the nature of creativity. Responding to these transformations, Marczewska argues that we must radically rethink our conceptions of artistic practice and proposes a move away from the familiar categories of copying and originality, creativity and plagiarism in favour of the notion of iteration.Developing the new concept of the Iterative Turn, This Is Not a Copy identifies and theorizes the turn toward ubiquitous iteration as a condition of text-based creative practices as they emerge in response to contemporary technologies. Conceiving of writing as iterative invites us to address a set of new, critical questions about contemporary culture. Combining discussion of literature, experimental and electronic writing, mainstream and independent publishing with debates in 20th- and 21st-century art, contemporary media culture, transforming technologies and copyright laws, This Is Not a Copy offers a timely and urgently needed argument, introducing a unique new perspective on practices that permeate our contemporary culture.
This Is Not a Copy: Writing at the Iterative Turn
by Kaja MarczewskaIn This Is Not a Copy, Kaja Marczewska identifies a characteristic 'copy-paste' tendency in contemporary culture-a shift in attitude that allows reproduction and plagiarizing to become a norm in cultural production. This inclination can be observed in literature and non-literary forms of writing at an unprecedented level, as experiments with text redefine the nature of creativity. Responding to these transformations, Marczewska argues that we must radically rethink our conceptions of artistic practice and proposes a move away from the familiar categories of copying and originality, creativity and plagiarism in favour of the notion of iteration.Developing the new concept of the Iterative Turn, This Is Not a Copy identifies and theorizes the turn toward ubiquitous iteration as a condition of text-based creative practices as they emerge in response to contemporary technologies. Conceiving of writing as iterative invites us to address a set of new, critical questions about contemporary culture. Combining discussion of literature, experimental and electronic writing, mainstream and independent publishing with debates in 20th- and 21st-century art, contemporary media culture, transforming technologies and copyright laws, This Is Not a Copy offers a timely and urgently needed argument, introducing a unique new perspective on practices that permeate our contemporary culture.
This is Paradise
by Michael John O'NeillI feel so fucking sillybut I thought they meant real peacefucking hell KateyI thought they meant that even my bodyit might stopbreakingNorthern Ireland, 1998. The Good Friday Agreement has just been signed, politicians are shaking hands and declaring peace in our time, when Kate receives an urgent phone call. As she travels to the coastal town of Portbenoney to confront an old lover, dark memories of their time together rise in her like a river.This is Paradise by Michael John O'Neill speaks in a fierce and powerful voice. With brutal lyricism, it examines the legacy of violence and asks how we can begin to mend in its wake. The play opened at the Traverse Theatre, Edinburgh, in July 2022.