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Transporting Chaucer (Manchester Medieval Literature and Culture)

This book draws on the work of the British sculptor Antony Gormley alongside more traditional literary scholarship to argue for new relationships between Chaucer’s poetry and works by others. Chaucer’s playfulness with textual history and chronology anticipates how his own work is figured in later (and earlier) texts. Conventional models of source and analogue study are re-energised to reveal unexpected, and sometimes unsettling, literary cohabitations and re-placements. The author presents innovative readings of relationships between medieval texts and early modern drama, and between literary texts and material culture. Associations between medieval architecture, pilgrim practice, manuscript illustration and the soundscapes of dramatic performance reposition how we read Chaucer’s oeuvre and what gets made of it. An invaluable resource for scholars and students of all levels with an interest in medieval English literary studies and early modern drama, Transporting Chaucer offers a new approach to how we encounter texts through time.

Transporting Chaucer (Manchester Medieval Literature and Culture)

This book draws on the work of the British sculptor Antony Gormley alongside more traditional literary scholarship to argue for new relationships between Chaucer’s poetry and works by others. Chaucer’s playfulness with textual history and chronology anticipates how his own work is figured in later (and earlier) texts. Conventional models of source and analogue study are re-energised to reveal unexpected, and sometimes unsettling, literary cohabitations and re-placements. The author presents innovative readings of relationships between medieval texts and early modern drama, and between literary texts and material culture. Associations between medieval architecture, pilgrim practice, manuscript illustration and the soundscapes of dramatic performance reposition how we read Chaucer’s oeuvre and what gets made of it. An invaluable resource for scholars and students of all levels with an interest in medieval English literary studies and early modern drama, Transporting Chaucer offers a new approach to how we encounter texts through time.

Transposing Drama: Studies in Representation (New Directions in Theatre)

What happens when a play is transposed from one medium or mode of presentation to another? What occurs, for example, when a drama intended for readers in one language is translated into another, or when a play written for the stage is adapted for radio, television or film? Egil Trnqvist examines these questions in relation to Shakespeare's Macbeth, Ibsen's A Doll's House, Strindberg's The Ghost Sonata and Pinter's The Homecoming and discusses interpretive transformations achieved by Peter Hall, Ingmar Bergman and Roman Polanski.

Transpositions: Migration, Translation, Music (Contemporary French and Francophone Cultures #79)

This publication benefited from the support of the Institute for Scholarship in the Liberal Arts at the University of Notre Dame.This collective volume concentrates on the concept of transposition, exploring its potential as a lens through which to examine recent Francophone literary, cinematic, theatrical, musical, and artistic creations that reveal multilingual and multicultural realities. The chapters are composed by leading scholars in French and Francophone Studies who engage in interdisciplinary reflections on the ways transcontinental movement has influenced diverse genres. It begins with the premise that an attentiveness to migration has inspired writers, artists, filmmakers, playwrights and musicians to engage in new forms of translation in their work. Their own diverse backgrounds combine with their awareness of the itineraries of others to have an impact on the innovative languages that emerge in their creative production. These contemporary figures realize that migratory actualities must be transposed into different linguistic and cultural contexts in order to be legible and audible, in order to be perceptible—either for the reader, the listener, or the viewer. The novels, films, plays, works of art and musical pieces that exemplify such transpositions adopt inventive elements that push the limits of formal composition in French. This work is therefore often inspiring as it points in evocative ways toward fluid influences and a plurality of interactions that render impossible any static conception of being or belonging.

Transrealist Fiction: Writing in the Slipstream of Science (Contributions to the Study of Science Fiction and Fantasy)

Transrealist writing treats immediate perceptions in a fantastic way, according to science fiction writer and mathematician Rudy Rucker, who originated the term. In the expanded sense argued in this book, it also intensifies imaginative fiction by writing the fantastic from the standpoint of richly personalized experience. Transrealism is also related to slipstream writing, another category introduced into studies of speculative fiction to account for texts that seem to follow trajectories mapped by the huge body of science fiction accumulated in the last century, while retaining a central interest in traditional literary strategies.This book examines a variety of work from the transrealist perspective, something that has not been done previously. It emphasizes the texts of Philip K. Dick and Rucker himself, while it additionally engages the texts of such slipstream writers as Kurt Vonnegut, J.G. Ballard, and John Barth. It places its argument against the antihumanist trend in science fiction and builds comparisons with more traditional varieties of science fiction works.

Transversal Enterprises in the Drama of Shakespeare and his Contemporaries: Fugitive Explorations

This study expands on Reynolds' 'transversal poetics' - the theory, methodology, and aesthetics developed in response to the need for an approach that fosters agency, creativity and conscientious scholarship and pedagogy. It offers new readings of plays by, amongst others, Shakespeare, Marlowe, Middleton, Webster and Greene.

Transversal Subjects: From Montaigne to Deleuze after Derrida

Transversal Subjects, now in paperback, proposes a combined theory of consciousness, subjectivity and agency stemming from analyses of junctures in Western philosophical and critical discourses that have greatly influenced the development of present-day understandings of perception, identity, desire, mimesis, aesthetics, education and human rights.

Transvestism, Masculinity, and Latin American Literature: Genders Share Flesh

This book is about transvestism and the performance of gender in Latin American literature and culture. Ben. Sifuentes-Jáuregui explores the figure of the transvestite and his/her relation to the body through a series of canonical Latin American texts. By analyzing works by Alejo Carpentier, José Donoso, Severo Sarduy and Manuel Puig (author of Kiss of the Spiderwoma n), alongside critical works in gender studies and queer theory, Sifuentes-Jáuregui shows how transvestism operates not only to destabilize, but often to affirm sexual, gender, national and political identities.

Transzendenz für ein Zeitalter der Immanenz: Die romantische Neuerfindung der Religion (Neue Romantikforschung #3)

Die Frühromantik versuchte, auf ein umfassendes Gefühl der geistigen Krise zu reagieren, das das späte 18. Jahrhundert prägte. Indem sie den postkantischen Idealismus und den platonisch-christlichen Realismus kombiniert, entwickelte sie einen Religionsbegriff, der sich nicht durch Theologie oder Philosophie, sondern durch Ästhetik ausdrückte – einen Religionsbegriff, der die Möglichkeit der gesamten Schöpfung, das Göttliche zu enthüllen, anerkannte. In der Erläuterung der religiösen Vision der Frühromantik bietet dieses Buch eine neue historische Würdigung der Bewegung und zeigt darüber hinaus ihre Bedeutung für unser heutiges Religionsverständnis.

Trash Talk: The Only Book About Destroying Your Rivals That Isn't Total Garbage

&“You&’re mad at me, but I am killing you.&”—NBA star Gary Payton&“Find the hate.&”—NFL star Warren Sapp&“Why can&’t you be more like Rafi Kohan?&”—your mom, probably Whether in basketball, football, or MMA, athletes talk trash to each other—and sometimes to fans—like it&’s their job. And in some ways, it is: sports only matter if we decide to care about them. And insulting your opponent, or playing the heel, is probably the fastest route to making someone care. Talking smack is as old as the bible; it&’s perhaps the original sport. But until now, there&’s never been a book about it. In this lively, often hilarious history, Rafi Kohan interviews some of the world&’s top competitors—on the petty rivalries and mind games that fuel them. He talks to point guards and soccer strikers, cricketers and insult comedians, forming a theory along the way about the surprising and influential role that name-calling plays in our world. Brilliantly original and wide-ranging, Trash Talk is a book for sports fans, culture mavens, or anyone looking to get an edge.

Trask's Historical Linguistics

Trask’s Historical Linguistics provides an accessible introduction to historical linguistics – the study of language change over time. This engaging book is illustrated with language examples from all six continents, and covers the fundamental concepts of language change, methods for historical linguistics, linguistic reconstruction, sociolinguistic aspects of language change, language contact, the birth and death of languages, language and prehistory, and the issue of very remote relations. The fourth edition of this renowned textbook is fully revised and updated and covers the most recent developments in historical linguistics, including: A thorough reworking of sections on morphological and syntactic change, incorporating progress in areas such as grammaticalization and the discussion of the Indo-European ‘homeland’ Discussion and analysis of ‘folk’ historical linguistics and its connection with some of the more eccentric views of professional linguists An expanded discussion of language contact, historical sociolinguistics, and language planning, including a discussion of contemporary competing views on the genesis and nature of creoles, and their importance in our understanding of radical linguistic change Updated support material including suggestions for essay questions and a larger number of supporting examples of the phenomena described in the book Trask’s Historical Linguistics is essential reading for advanced undergraduate and postgraduate students of historical linguistics as well as any student looking for a grounded introduction to the English language.

Trask's Historical Linguistics

Trask’s Historical Linguistics provides an accessible introduction to historical linguistics – the study of language change over time. This engaging book is illustrated with language examples from all six continents, and covers the fundamental concepts of language change, methods for historical linguistics, linguistic reconstruction, sociolinguistic aspects of language change, language contact, the birth and death of languages, language and prehistory, and the issue of very remote relations. The fourth edition of this renowned textbook is fully revised and updated and covers the most recent developments in historical linguistics, including: A thorough reworking of sections on morphological and syntactic change, incorporating progress in areas such as grammaticalization and the discussion of the Indo-European ‘homeland’ Discussion and analysis of ‘folk’ historical linguistics and its connection with some of the more eccentric views of professional linguists An expanded discussion of language contact, historical sociolinguistics, and language planning, including a discussion of contemporary competing views on the genesis and nature of creoles, and their importance in our understanding of radical linguistic change Updated support material including suggestions for essay questions and a larger number of supporting examples of the phenomena described in the book Trask’s Historical Linguistics is essential reading for advanced undergraduate and postgraduate students of historical linguistics as well as any student looking for a grounded introduction to the English language.

Trask's Historical Linguistics

Trask’s Historical Linguistics, Third Edition, is an accessible introduction to historical linguistics – the study of language change over time. This engaging book is illustrated with language examples from all six continents, and covers the fundamental concepts of language change, methods for historical linguistics, linguistic reconstruction, sociolinguistic aspects of language change, language contact, the birth and death of languages, language and prehistory and the issue of very remote relations. This third edition of the renowned Trask’s Historical Linguistics is fully revised and updated and covers the most recent developments in historical linguistics, including: more detail on morphological change including cutting-edge discussions of iconization coverage of recent developments in sociolinguistic explanations of variation and change new case studies focusing on Germanic languages and American and New Zealand English, and updated exercises covering each of the topics within the book a brand new companion website featuring material for both professors and students, including discussion questions and further exercises as well as commentaries on the exercises within the book. Trask’s Historical Linguistics is essential reading for all students of language, linguistics and related disciplines. The accompanying website can be found at www.routledge.com/cw/trask

Trask's Historical Linguistics

Trask’s Historical Linguistics, Third Edition, is an accessible introduction to historical linguistics – the study of language change over time. This engaging book is illustrated with language examples from all six continents, and covers the fundamental concepts of language change, methods for historical linguistics, linguistic reconstruction, sociolinguistic aspects of language change, language contact, the birth and death of languages, language and prehistory and the issue of very remote relations. This third edition of the renowned Trask’s Historical Linguistics is fully revised and updated and covers the most recent developments in historical linguistics, including: more detail on morphological change including cutting-edge discussions of iconization coverage of recent developments in sociolinguistic explanations of variation and change new case studies focusing on Germanic languages and American and New Zealand English, and updated exercises covering each of the topics within the book a brand new companion website featuring material for both professors and students, including discussion questions and further exercises as well as commentaries on the exercises within the book. Trask’s Historical Linguistics is essential reading for all students of language, linguistics and related disciplines. The accompanying website can be found at www.routledge.com/cw/trask

Trattamento riabilitativo della componente semantica: TRICS (Metodologie Riabilitative in Logopedia #17)

La ricerca neuropsicologica degli ultimi trenta anni ci ha fornito molte nuove informazioni sulla rappresentazione delle competenze semantiche nel cervello e sugli effetti di una loro compromissione conseguente a un danno cerebrale. Tali effetti si manifestano non solo nella capacità del soggetto di utilizzare il linguaggio ma anche in numerose attività intelligenti extraverbali come l’interazione con oggetti di uso quotidiano. Conoscere il funzionamento fisiologico e la compromissione patologica della memoria semantica ci ha messo in grado di costruire alcuni esercizi riabilitativi mirati e scientificamente fondati per far fronte alle esigenze del soggetto con disturbo semantico. Il presente strumento propone tre diversi esercizi riabilitativi, tutti basati sul modello componenziale delle rappresentazioni semantiche, che a nostro avviso è quello che ha goduto del maggior numero di conferme sperimentali dalla ricerca neuropsicologica. Nell’esercizio Seleziona, al soggetto è richiesto di selezionare gli items target tra un certo numero di distrattori in base a un particolare tratto semantico (p.es. cerca quelli con le ali). Nell’esercizio Vero/ Falso, al soggetto è richiesto di verificare l’occorrenza di un singolo tratto nella rappresentazione semantica del concetto target (p. es. il coltello si usa per tagliare?). Nell’esercizio Ordina, al soggetto è richiesto di ordinare gli esemplari di concetti diversi in base a una data dimensione, come la grandezza o la velocità. Oltre che rappresentare uno strumento mirato e scientificamente fondato il nostro programma riabilitativo ha il merito di aver affrontato il problema della ripetitività degli esercizi preconfezionati che, come è noto, rischia di limitare la generalizzazione degli apprendimenti da parte del paziente. Per ovviare a questo problema si è puntato su l’inserimento di un alto numero di concetti e di tratti nel database del programma e su una procedura casuale di abbinamento per la confezione dei singoli stimoli di ogni esercizio in modo da minimizzare l’occorrenza di situazioni uguali.

Traum und Trauma. Vom Schlaf der Vernunft: Spanien zwischen Tradition und Moderne und die Gegenwelt Francisco Goyas. Romanistische Abhandlungen, Band 8

Die Autorin thematisiert die spanische Geschichte vor dem Hintergrund von Aufklärung, ökonomischer Reform und politischer Revolution des Bürgertums und ihre Artikulation im Werk Francisco Goyas. Die drei großen Radierungsserien des Künstlers werden als Auseinandersetzung mit den verdrängten Seiten des am französischen Absolutismus orientierten Modernisierungsprozesses verstanden. Goyas Kunst wird zur universalen Sprache, indem sie ihre Aufmerksamkeit auf die Gegenwart und auf die nie ganz verheilten Wunden der spanischen Geschichte konzentriert.

Traum von Juanita: Roman

Trauma (The New Critical Idiom)

Trauma has become a catchword of our time and a central category in contemporary theory and criticism. In this illuminating and accessible volume, Lucy Bond and Stef Craps: provide an account of the history of the concept of trauma from the late nineteenth century to the present day examine debates around the term in their historical and cultural contexts trace the origins and growth of literary trauma theory introduce the reader to key thinkers in the field explore important issues and tensions in the study of trauma as a cultural phenomenon outline and assess recent critiques and revisions of cultural trauma research Trauma is an essential guide to a rich and vibrant area of literary and cultural inquiry.

Trauma (The New Critical Idiom)

Trauma has become a catchword of our time and a central category in contemporary theory and criticism. In this illuminating and accessible volume, Lucy Bond and Stef Craps: provide an account of the history of the concept of trauma from the late nineteenth century to the present day examine debates around the term in their historical and cultural contexts trace the origins and growth of literary trauma theory introduce the reader to key thinkers in the field explore important issues and tensions in the study of trauma as a cultural phenomenon outline and assess recent critiques and revisions of cultural trauma research Trauma is an essential guide to a rich and vibrant area of literary and cultural inquiry.

Trauma – Literatur – Moderne: Poetische Diskurse zum Komplex des Psychotraumas seit der Spätaufklärung

In diesem Buch beschreibt Helmut Grugger, wie poetische Texte hochgradig reflektierte Auseinandersetzungen mit dem Komplex des Psychotraumas erzeugen, und zeigt so, dass gerade Literatur hoher Qualität für die unterschiedlichen Diskurse zum Thema Trauma von höchstem Interesse ist. Das wichtige transdisziplinäre Thema wird anhand exemplarischer Einzelanalysen behandelt – zum ersten Mal in einer größeren, die verschiedenen Ansätze überblickenden und literarhistorisch fundierten Arbeit. Während Theoretiker die Eröffnungskapitel und Praktiker die Ergebnisse des Schlussteils besonders aufschlussreich finden, können alle literarisch Interessierten an jedem Knotenpunkt der zweihundertjährigen Textgeschichte einsteigen.​

Trauma and Fictions of the "War on Terror": Disrupting Memory (Routledge Research in American Literature and Culture)

This book explores the ways in which transnational fiction in the post-9/11 era can intervene in discourse surrounding the "war on terror" to advocate for marginalised perspectives. Trauma and Fictions of the "War on Terror" conceptualises global political discourse about the "war on terror" as incongruous, with transnational memory frames instituted in Western nations centralising 9/11 as uniquely traumatic, excluding the historical and present-day experiences of Afghans under Western—specifically American—hegemonic violence. Recent developments in trauma studies explain how dominant Western trauma theory participates in this exclusion, failing to account for the ongoing suffering common to non-Western, colonial, and postcolonial contexts. O’Brien explores how Khaled Hosseini (The Kite Runner), Nadeem Aslam (The Wasted Vigil, The Blind Man’s Garden), and Kamila Shamsie (Burnt Shadows) represent marginalised perspectives in the context of the "war on terror".

Trauma and Fictions of the "War on Terror": Disrupting Memory (Routledge Research in American Literature and Culture)

This book explores the ways in which transnational fiction in the post-9/11 era can intervene in discourse surrounding the "war on terror" to advocate for marginalised perspectives. Trauma and Fictions of the "War on Terror" conceptualises global political discourse about the "war on terror" as incongruous, with transnational memory frames instituted in Western nations centralising 9/11 as uniquely traumatic, excluding the historical and present-day experiences of Afghans under Western—specifically American—hegemonic violence. Recent developments in trauma studies explain how dominant Western trauma theory participates in this exclusion, failing to account for the ongoing suffering common to non-Western, colonial, and postcolonial contexts. O’Brien explores how Khaled Hosseini (The Kite Runner), Nadeem Aslam (The Wasted Vigil, The Blind Man’s Garden), and Kamila Shamsie (Burnt Shadows) represent marginalised perspectives in the context of the "war on terror".

Trauma and Its Representations: The Social Life of Mimesis in Post-Revolutionary France

Mimesis has been addressed frequently in terms of literary or visual representation, in which the work of art mirrors, or fails to mirror, life. Most often, mimesis has been critiqued as a simple attempt to bridge the distance between reality and its representations. In Trauma and Its Representations: The Social Life of Mimesis in Post-Revolutionary France, Deborah Jenson argues instead that mimesis not only denotes the representation of reality but is also a crucial concept for understanding the production of social meaning within specific historical contexts. Examining the idea of mimesis in the French Revolution and post-Revolutionary Romanticism, Jenson builds on recent work in trauma studies to develop her own notion of traumatic mimesis. Through innovative readings of museum catalogs, the writings of Benjamin Constant, the novels of George Sand and Gustave Flaubert, and other works, Jenson demonstrates how mimesis functions as a form of symbolic wounding in French Romanticism.

Trauma and Literature in an Age of Globalization

While globalization is often associated with economic and social progress, it has also brought new forms of terrorism, permanent states of emergency, demographic displacement, climate change, and other "natural" disasters. Given these contemporary concerns, one might also view the current time as an age of traumatism. Yet what—or how—does the traumatic event mean in an age of global catastrophe? This volume explores trauma theory in an age of globalization by means of the practice of comparative literature. The essays and interviews in this volume ask how literary studies and the literary anticipate, imagine, or theorize the current global climate, especially in an age when the links between violence, amorphous traumatic events, and economic concerns are felt increasingly in everyday experience. Trauma and Literature in an Age of Globalization turns a literary perspective upon the most urgent issues of globalization—problems of borders, language, inequality, and institutionalized violence—and considers from a variety of perspectives how such events impact our lived experience and its representation in language and literature.

Trauma and Literature in an Age of Globalization

While globalization is often associated with economic and social progress, it has also brought new forms of terrorism, permanent states of emergency, demographic displacement, climate change, and other "natural" disasters. Given these contemporary concerns, one might also view the current time as an age of traumatism. Yet what—or how—does the traumatic event mean in an age of global catastrophe? This volume explores trauma theory in an age of globalization by means of the practice of comparative literature. The essays and interviews in this volume ask how literary studies and the literary anticipate, imagine, or theorize the current global climate, especially in an age when the links between violence, amorphous traumatic events, and economic concerns are felt increasingly in everyday experience. Trauma and Literature in an Age of Globalization turns a literary perspective upon the most urgent issues of globalization—problems of borders, language, inequality, and institutionalized violence—and considers from a variety of perspectives how such events impact our lived experience and its representation in language and literature.