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Travel, Translation and Transmedia Aesthetics: Franco-Chinese Literature and Visual Arts in a Global Age
by Shuangyi LiThis book examines the works of four contemporary first-generation Chinese migrant writer-artists in France: François CHENG, GAO Xingjian, DAI Sijie, and SHAN Sa. They were all born in China, moved to France in their adulthood to pursue their literary and artistic ambitions, and have enjoyed the highest French and Western institutional recognitions, from the Grand Prix de la Francophonie to the Nobel Prize in Literature. They have established themselves not only as writers, but also as translators, calligraphers, painters, playwrights, and filmmakers mainly in their host country. French has become their dominant—but not only—language of literary creation (except for Gao); yet, linguistic idioms, poetic imagery, and classical thought from Chinese cultural heritage permeate their French texts and visual artworks, reflecting a strong translingual and transmedial sensibility. The book provides not only distinctive literary and artistic examples beyond existing studies of intercultural encounter, French postcolonial, and Chinese diasporic enquiries; more importantly, it formulates a theoretical model that captures the creative dynamics between the French/francophone and Chinese/sinophone spaces of articulation, thereby contributing to contemporary debates about literary and artistic production, interpretation, and circulation in the global development of comparative/world literature, as well as intermediality studies.
Travel, Travel Writing, and British Political Economy: “Instructions for Travellers,” circa 1750–1850 (Routledge Research in Travel Writing)
by Brian P. CooperThe book draws on the history of economics, literary theory, and the history of science to explore how European travelers like Alexander von Humboldt and their readers, circa 1750–1850, adapted the work of British political economists, such as Adam Smith, to help organize their observations, and, in turn, how political economists used travelers’ observations in their own analyses. Cooper examines journals, letters, books, art, and critical reviews to cast in sharp relief questions raised about political economy by contemporaries over the status of facts and evidence, whether its principles admitted of universal application, and the determination of wealth, value, and happiness in different societies. Travelers citing T.R. Malthus’s population principle blurred the gendered boundaries between domestic economy and British political economy, as embodied in the idealized subjects: domestic woman and economic man. The book opens new realms in the histories of science in its analyses of debates about gender in social scientific observation: Maria Edgeworth, Maria Graham, and Harriet Martineau both observe a role associated with women and methodically interpret what they observe, an act reserved, in theory, by men.
Travel, Travel Writing, and British Political Economy: “Instructions for Travellers,” circa 1750–1850 (Routledge Research in Travel Writing)
by Brian P. CooperThe book draws on the history of economics, literary theory, and the history of science to explore how European travelers like Alexander von Humboldt and their readers, circa 1750–1850, adapted the work of British political economists, such as Adam Smith, to help organize their observations, and, in turn, how political economists used travelers’ observations in their own analyses. Cooper examines journals, letters, books, art, and critical reviews to cast in sharp relief questions raised about political economy by contemporaries over the status of facts and evidence, whether its principles admitted of universal application, and the determination of wealth, value, and happiness in different societies. Travelers citing T.R. Malthus’s population principle blurred the gendered boundaries between domestic economy and British political economy, as embodied in the idealized subjects: domestic woman and economic man. The book opens new realms in the histories of science in its analyses of debates about gender in social scientific observation: Maria Edgeworth, Maria Graham, and Harriet Martineau both observe a role associated with women and methodically interpret what they observe, an act reserved, in theory, by men.
Travel Writing
by Casey BlantonBlanton follows the development of travel writing from classical times to the present, focusing in particular on Anglo-American travel writing since the eighteenth century. He identifies significant theoretical and critical contributions to the field, and also examines key texts by James Boswell, Mary Kingsley, Graham Greene, Peter Mathiessen, V.S. Naipaul, and Bruce Chatwin.
Travel Writing (Genres In Context Ser.)
by Casey BlantonBlanton follows the development of travel writing from classical times to the present, focusing in particular on Anglo-American travel writing since the eighteenth century. He identifies significant theoretical and critical contributions to the field, and also examines key texts by James Boswell, Mary Kingsley, Graham Greene, Peter Mathiessen, V.S. Naipaul, and Bruce Chatwin.
Travel Writing and Ireland, 1760-1860: Culture, History, Politics
by G. HooperTravel Writing and Ireland, 1760-1860 examines a range of mainly British travel and travel-writing material from the period 1760 to 1860. Beginning with an analysis of the Home Tour and Ireland's function within it, the book then considers the role of the Post-Union traveller, followed by an analysis of the impressions formed by Famine writers; the book then concludes with an assessment of those who journeyed to Ireland in the immediate aftermath of Famine. Following a chronological structure, Travel Writing and Ireland, 1760-1860 offers readings of hitherto under-researched material from a significant period in Irish history.
Travel Writing and Re-Enactment: Echotourism (Routledge Research in Travel Writing)
by Lucas TromlyTravel Writing and Re-Enactment: Echotourism explores the popular subgenre of travel narratives that re-enact historically prominent journeys. Drawing on philosopher Walter Benjamin, this monograph reads such re-enactments as quests for aura in which travellers seek to capture a sense of distinction and historical profundity. Travel Writing and Re-Enactment frames the re-enactment of past journeys in a number of contexts, including Benjamin’s writing on mechanical reproduction, Judith Butler’s work on gender performance, and postmodern parody. Echotourist journeys are surprisingly contingent and precarious, and force travellers to navigate historical changes involving empire, gender, and travel practice in densely performative ways. Through close readings of contemporary travel narratives, this monograph considers the legacies of Lord Byron, Charles Darwin, Graham Greene, Mary Kingsley, and Ernest Shackleton, among others. Travel Writing and Re-Enactment examines the way literary re-enactment expresses, and sometimes confounds, the desire to find meaning through travel in the contemporary world.
Travel Writing and Re-Enactment: Echotourism (Routledge Research in Travel Writing)
by Lucas TromlyTravel Writing and Re-Enactment: Echotourism explores the popular subgenre of travel narratives that re-enact historically prominent journeys. Drawing on philosopher Walter Benjamin, this monograph reads such re-enactments as quests for aura in which travellers seek to capture a sense of distinction and historical profundity. Travel Writing and Re-Enactment frames the re-enactment of past journeys in a number of contexts, including Benjamin’s writing on mechanical reproduction, Judith Butler’s work on gender performance, and postmodern parody. Echotourist journeys are surprisingly contingent and precarious, and force travellers to navigate historical changes involving empire, gender, and travel practice in densely performative ways. Through close readings of contemporary travel narratives, this monograph considers the legacies of Lord Byron, Charles Darwin, Graham Greene, Mary Kingsley, and Ernest Shackleton, among others. Travel Writing and Re-Enactment examines the way literary re-enactment expresses, and sometimes confounds, the desire to find meaning through travel in the contemporary world.
Travel Writing and the Natural World, 1768-1840
by P. SmethurstTaking as a starting point the parallel occurrence of Cook's Pacific voyages, the development of natural history, scenic tourism in Britain, and romantic travel in Europe, this book argues that the effect of these practices was the production of nature as an abstract space and that the genre of travel writing had a central role in reproducing it.
Travel Writing and the Transnational Author
by S. KnowlesTravel Writing and the Transnational Author explores the travel writing and transnational literature of four authors from the 'postcolonial canon': Michael Ondaatje, Vikram Seth, Amitav Ghosh, and Salman Rushdie.
Travel Writing and Tourism in Britain and Ireland
by Benjamin ColbertFrom the mid-eighteenth century to the twentieth, tourism became established as a leisure industry and travel writing as a popular genre. In this collection of essays, leading international historians and travel writing experts examine the role of home tourism in the UK and Ireland in the development of national identities and commercial culture.
Travel Writing from Black Australia: Utopia, Melancholia, and Aboriginality (Routledge Research in Travel Writing)
by Robert ClarkeOver the past thirty years the Australian travel experience has been ‘Aboriginalized’. Aboriginality has been appropriated to furnish the Australian nation with a unique and identifiable tourist brand. This is deeply ironic given the realities of life for many Aboriginal people in Australian society. On the one hand, Aboriginality in the form of artworks, literature, performances, landscapes, sport, and famous individuals is celebrated for the way it blends exoticism, mysticism, multiculturalism, nationalism, and reconciliation. On the other hand, in the media, cinema, and travel writing, Aboriginality in the form of the lived experiences of Aboriginal people has been exploited in the service of moral panic, patronized in the name of white benevolence, or simply ignored. For many travel writers, this irony - the clash between different regimes of valuing Aboriginality - is one of the great challenges to travelling in Australia. Travel Writing from Black Australia examines the ambivalence of contemporary travelers’ engagements with Aboriginality. Concentrating on a period marked by the rise of discourses on Aboriginality championing indigenous empowerment, self-determination, and reconciliation, the author analyses how travel to Black Australia has become, for many travelers, a means of discovering ‘new’—and potentially transformative—styles of interracial engagement.
Travel Writing from Black Australia: Utopia, Melancholia, and Aboriginality (Routledge Research in Travel Writing)
by Robert ClarkeOver the past thirty years the Australian travel experience has been ‘Aboriginalized’. Aboriginality has been appropriated to furnish the Australian nation with a unique and identifiable tourist brand. This is deeply ironic given the realities of life for many Aboriginal people in Australian society. On the one hand, Aboriginality in the form of artworks, literature, performances, landscapes, sport, and famous individuals is celebrated for the way it blends exoticism, mysticism, multiculturalism, nationalism, and reconciliation. On the other hand, in the media, cinema, and travel writing, Aboriginality in the form of the lived experiences of Aboriginal people has been exploited in the service of moral panic, patronized in the name of white benevolence, or simply ignored. For many travel writers, this irony - the clash between different regimes of valuing Aboriginality - is one of the great challenges to travelling in Australia. Travel Writing from Black Australia examines the ambivalence of contemporary travelers’ engagements with Aboriginality. Concentrating on a period marked by the rise of discourses on Aboriginality championing indigenous empowerment, self-determination, and reconciliation, the author analyses how travel to Black Australia has become, for many travelers, a means of discovering ‘new’—and potentially transformative—styles of interracial engagement.
Travel Writing in Dutch and German, 1790-1930: Modernity, Regionality, Mobility (Routledge Research in Travel Writing)
by Alison E. Martin Lut Missinne Beatrix Van DamThis volume focuses on how travel writing contributed to cultural and intellectual exchange in and between the Dutch- and German-speaking regions from the 1790s to the twentieth-century interwar period. Drawing on a hitherto largely overlooked body of travelers whose work ranges across what is now Germany and Austria, the Netherlands and Dutch-speaking Belgium, the Dutch East Indies and Suriname, the contributors highlight the interrelations between the regional and the global and the role alterity plays in both spheres. They therefore offer a transnational and transcultural perspective on the ways in which the foreign was mediated to audiences back home. By combining a narrative perspective on travel writing with a socio-historically contextualized approach, essays emphasize the importance of textuality in travel literature as well as the self-positioning of such accounts in their individual historical and political environments. The first sustained analysis to focus specifically on these neighboring cultural and linguistic areas, this collection demonstrates how topographies of knowledge were forged across these regions by an astonishingly diverse range of travelling individuals from professional scholars and writers to art dealers, soldiers, (female) explorers, and scientific collectors. The contributors address cultural, aesthetic, political, and gendered aspects of travel writing, drawing productively on other disciplines and areas of scholarly research that encompass German Studies, Low Countries Studies, comparative literature, aesthetics, the history of science, literary geography, and the history of publishing.
Travel Writing in Dutch and German, 1790-1930: Modernity, Regionality, Mobility (Routledge Research in Travel Writing)
This volume focuses on how travel writing contributed to cultural and intellectual exchange in and between the Dutch- and German-speaking regions from the 1790s to the twentieth-century interwar period. Drawing on a hitherto largely overlooked body of travelers whose work ranges across what is now Germany and Austria, the Netherlands and Dutch-speaking Belgium, the Dutch East Indies and Suriname, the contributors highlight the interrelations between the regional and the global and the role alterity plays in both spheres. They therefore offer a transnational and transcultural perspective on the ways in which the foreign was mediated to audiences back home. By combining a narrative perspective on travel writing with a socio-historically contextualized approach, essays emphasize the importance of textuality in travel literature as well as the self-positioning of such accounts in their individual historical and political environments. The first sustained analysis to focus specifically on these neighboring cultural and linguistic areas, this collection demonstrates how topographies of knowledge were forged across these regions by an astonishingly diverse range of travelling individuals from professional scholars and writers to art dealers, soldiers, (female) explorers, and scientific collectors. The contributors address cultural, aesthetic, political, and gendered aspects of travel writing, drawing productively on other disciplines and areas of scholarly research that encompass German Studies, Low Countries Studies, comparative literature, aesthetics, the history of science, literary geography, and the history of publishing.
Travel Writing, Visual Culture, and Form, 1760-1900 (Palgrave Studies in Nineteenth-Century Writing and Culture)
by Mary HenesThis collection reveals the variety of literary forms and visual media through which travel records were conveyed in the long nineteenth century, bringing together a group of leading researchers from a range of disciplines to explore the relationship between travel writing, visual representation and formal innovation.
The Travel Writings of John Moore Vol 1 (The\pickering Masters Ser.)
by Ben P RobertsonJohn Moore was a Scottish physician who travelled extensively and wrote immensely popular accounts of these, which brought him international fame. Despite this, his travel writings have not been available since 1820. This collection will be the first in almost two centuries to present his Travel Writings to historians and literary scholars.
The Travel Writings of John Moore Vol 1
by Ben P RobertsonJohn Moore was a Scottish physician who travelled extensively and wrote immensely popular accounts of these, which brought him international fame. Despite this, his travel writings have not been available since 1820. This collection will be the first in almost two centuries to present his Travel Writings to historians and literary scholars.
The Travel Writings of John Moore Vol 2
by Ben P RobertsonJohn Moore was a Scottish physician who travelled extensively and wrote immensely popular accounts of these, which brought him international fame. Despite this, his travel writings have not been available since 1820. This collection will be the first in almost two centuries to present his Travel Writings to historians and literary scholars.
The Travel Writings of John Moore Vol 2 (The\pickering Masters Ser.)
by Ben P RobertsonJohn Moore was a Scottish physician who travelled extensively and wrote immensely popular accounts of these, which brought him international fame. Despite this, his travel writings have not been available since 1820. This collection will be the first in almost two centuries to present his Travel Writings to historians and literary scholars.
The Travel Writings of John Moore Vol 3
by Ben P RobertsonJohn Moore was a Scottish physician who travelled extensively and wrote immensely popular accounts of these, which brought him international fame. Despite this, his travel writings have not been available since 1820. This collection will be the first in almost two centuries to present his Travel Writings to historians and literary scholars.
The Travel Writings of John Moore Vol 3 (The\pickering Masters Ser.)
by Ben P RobertsonJohn Moore was a Scottish physician who travelled extensively and wrote immensely popular accounts of these, which brought him international fame. Despite this, his travel writings have not been available since 1820. This collection will be the first in almost two centuries to present his Travel Writings to historians and literary scholars.
The Travel Writings of John Moore Vol 4
by Ben P RobertsonJohn Moore was a Scottish physician who travelled extensively and wrote immensely popular accounts of these, which brought him international fame. Despite this, his travel writings have not been available since 1820. This collection will be the first in almost two centuries to present his Travel Writings to historians and literary scholars.
The Travel Writings of John Moore Vol 4 (The\pickering Masters Ser.)
by Ben P RobertsonJohn Moore was a Scottish physician who travelled extensively and wrote immensely popular accounts of these, which brought him international fame. Despite this, his travel writings have not been available since 1820. This collection will be the first in almost two centuries to present his Travel Writings to historians and literary scholars.
Traveling Bodies: Interdisciplinary Perspectives on Traveling as an Embodied Practice (Routledge Research in Travel Writing)
by Nicole Maruo-Schröder Sarah Schäfer-Althaus Uta SchaffersTraveling Bodies: Interdisciplinary Perspectives on Traveling as an Embodied Practice explores the central role the body has in and for traveling and thus complements and expands upon existing research in travel studies with new perspectives on and insights in the entanglement of bodies and traveling. The case studies assembled in this volume discuss a variety of traveling practices, experiences, and media with chapters featuring Asian, American, and European historical and contemporary perspectives. Truly interdisciplinary in its approach, the volume identifies and examines diverse literary, historical and cultural texts, contexts, and modes in which traveling and the body intersect, including ‘classic’ travelogues, (new) media (e.g., film, digital travel apps), surf culture, and travel-inspired tattoos. The contributions offer various avenues for further research, not only for scholars working with body theory and travel (writing), but also for anyone interested in the intersections of literature, culture, media, and embodied practices of traveling.