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Walter Scott and Contemporary Theory

A bestselling author in his own time and long after, Sir Walter Scott was not only a writer of thrilling tales of romance and adventure but also an insightful historical thinker and literary craftsman. Over the last two decades, scholars have come to see him as an important figure in Romantic-period literature, Scottish literature and the development of the historical novel. Walter Scott and Contemporary Theory builds on this renewed appreciation of Scott's importance by viewing his most significant novels - from Waverley and Rob Royto Ivanhoe,Redgauntlet, and beyond - through the lens of contemporary critical theory. By juxtaposing pairings of Scott's early and later novels with major contemporary theoretical concepts and the work of such thinkers as Alain Badiou, Judith Butler, Jacques Derrida and Slavoj Žižek, this book uses theory to illuminate the complexities of Scott's fictions, while simultaneously using Scott's fictions to explain and explore the state of contemporary theory.

Walter Scott and Contemporary Theory

A bestselling author in his own time and long after, Sir Walter Scott was not only a writer of thrilling tales of romance and adventure but also an insightful historical thinker and literary craftsman. Over the last two decades, scholars have come to see him as an important figure in Romantic-period literature, Scottish literature and the development of the historical novel. Walter Scott and Contemporary Theory builds on this renewed appreciation of Scott's importance by viewing his most significant novels - from Waverley and Rob Royto Ivanhoe,Redgauntlet, and beyond - through the lens of contemporary critical theory. By juxtaposing pairings of Scott's early and later novels with major contemporary theoretical concepts and the work of such thinkers as Alain Badiou, Judith Butler, Jacques Derrida and Slavoj Žižek, this book uses theory to illuminate the complexities of Scott's fictions, while simultaneously using Scott's fictions to explain and explore the state of contemporary theory.

Walter Scott and Scotland

This is a stimulating introduction to Sir Walter Scott. It is a succinct and penetrating study of the influences on him of both classical and enlightened Edinburgh and of Border and Jacobite tradition. In his famous book in 1936 Edwin Muir raised, but did not satisfactorily answer, the questions of what Scotland had done for Scott and what he had done for Scotland. This book offers new and more deeply considered answers. It throws light both on Sir Walter Scott and on the dilemma which faced Scotland then and which faces it still.

Walter Scott and the Border Minstrelsy

Walter Scott and the Historical Imagination (Routledge Library Editions: The Nineteenth-Century Novel)

First published in 1979. This study explores the main critical issues that arise out of a modern reading of Scott’s work, and treats the major novels in detail. It tackles the questions of Scott’s place in literary history and his problems in pioneering the historical novel. As well as examining the greater novels of the Scottish series, the author also deals with the relation between historical fiction and reality, with reference to the Waverley Novels, and Scott’s own attitude to history. Also discussed are some of the possible reasons for Scott’s failure to depict conflicts in his contemporary society. This book would be of interest to students of literature.

Walter Scott and the Historical Imagination (Routledge Library Editions: The Nineteenth-Century Novel)

First published in 1979. This study explores the main critical issues that arise out of a modern reading of Scott’s work, and treats the major novels in detail. It tackles the questions of Scott’s place in literary history and his problems in pioneering the historical novel. As well as examining the greater novels of the Scottish series, the author also deals with the relation between historical fiction and reality, with reference to the Waverley Novels, and Scott’s own attitude to history. Also discussed are some of the possible reasons for Scott’s failure to depict conflicts in his contemporary society. This book would be of interest to students of literature.

Walter Scott and the Limits of Language

Scott's startlingly contemporary approach to theories of language and the creative impact of this on his work are explored in this new study.

Walter Scott's Books: Reading the Waverley Novels (Routledge Studies in Nineteenth Century Literature)

Scott's Books is an approachable introduction to the Waverley Novels. Drawing on substantial research in Scott's intertextual sources, it offers a fresh approach to the existing readings where the thematic and theoretical are the norm. Avoiding jargon, and moving briskly, it tackles the vexed question of Scott's 'circumbendibus' style head on, suggesting that it is actually one of the most exciting aspects of his fiction: indeed, what Ian Duncan has called the 'elaborately literary narrative', at first sight a barrier, is in a sense what the novels are primarily 'about'. The book aims to show how inventive, witty, and entertaining Scott's richly allusive style is; how he keeps his varied readership on board with his own inexhaustible variety; and how he allows proponents of a wide range of positions to have their say, using a detached, ironic, but never cynical narrative voice to undermine the more rigid and inhumane rhetoric. The Introduction outlines this approach and sets the book in the context of earlier and current Scott criticism. It also deals with some practical issues, including forms of reference and the distinctive use of the term 'Authorial'. The four chapters are designed to zoom in progressively from the general to the particular. 'Resources' explores the printed material available to Scott in his library and gives an overview of the way he uses it in his fiction. 'Style' confronts objections to the 'circumbendibus' Scott and shows how his Ciceronian style with its penchant for polysyllables enables him to embrace a wide range of rhetoric relayed in a detached but not cynical Authorial voice. 'Strategies' explores how he keeps his very wide audience on board by a complex bonding between characters, readers, and Author, and stresses the extraordinary variety of exuberant inventiveness with which he handles intertextual allusions. 'Mottoes' examines the most remarkable of Scott's intertextual devices, the chapter epigraphs, bringing into play the approaches developed in the previous chapters. The brief concluding 'Envoi' moves out again to the widest possible perspective, suggesting how readers should now be able to move on to, or return to, the novels and the critical conversation, with an appreciation of the central importance of the ludic for an appreciation of Scott in a world once again threatened by inhumane and humorless rigidities.

Walter Scott's Books: Reading the Waverley Novels (Routledge Studies in Nineteenth Century Literature)

Scott's Books is an approachable introduction to the Waverley Novels. Drawing on substantial research in Scott's intertextual sources, it offers a fresh approach to the existing readings where the thematic and theoretical are the norm. Avoiding jargon, and moving briskly, it tackles the vexed question of Scott's 'circumbendibus' style head on, suggesting that it is actually one of the most exciting aspects of his fiction: indeed, what Ian Duncan has called the 'elaborately literary narrative', at first sight a barrier, is in a sense what the novels are primarily 'about'. The book aims to show how inventive, witty, and entertaining Scott's richly allusive style is; how he keeps his varied readership on board with his own inexhaustible variety; and how he allows proponents of a wide range of positions to have their say, using a detached, ironic, but never cynical narrative voice to undermine the more rigid and inhumane rhetoric. The Introduction outlines this approach and sets the book in the context of earlier and current Scott criticism. It also deals with some practical issues, including forms of reference and the distinctive use of the term 'Authorial'. The four chapters are designed to zoom in progressively from the general to the particular. 'Resources' explores the printed material available to Scott in his library and gives an overview of the way he uses it in his fiction. 'Style' confronts objections to the 'circumbendibus' Scott and shows how his Ciceronian style with its penchant for polysyllables enables him to embrace a wide range of rhetoric relayed in a detached but not cynical Authorial voice. 'Strategies' explores how he keeps his very wide audience on board by a complex bonding between characters, readers, and Author, and stresses the extraordinary variety of exuberant inventiveness with which he handles intertextual allusions. 'Mottoes' examines the most remarkable of Scott's intertextual devices, the chapter epigraphs, bringing into play the approaches developed in the previous chapters. The brief concluding 'Envoi' moves out again to the widest possible perspective, suggesting how readers should now be able to move on to, or return to, the novels and the critical conversation, with an appreciation of the central importance of the ludic for an appreciation of Scott in a world once again threatened by inhumane and humorless rigidities.

Walther von der Vogelweide: Sammlung Metzler, 40 (Sammlung Metzler)

Walther von der Vogelweide (Sammlung Metzler)

Für alle Germanisten und Mediävisten. Befreit von starren Interpretationsmustern stellt der Autor die Werke Walthers von der Vogelweide vor und informiert über die historischen und politischen Hintergründe.

Walther von der Vogelweide (Sammlung Metzler)

Diese Einführung in Leben, Werk und Wirkung Walthers von der Vogelweide stellt die neuere Forschung dar, die sich frei macht von überkommenen Klischees und eingefahrene Interpretationsbahnen verläßt.

Wandel der Interpretation: Kafkas, Vor dem Gesetz‘ im Spiegel der Literaturwissenschaft (Konzeption Empirische Literaturwissenschaft #27)

6 der Hermeneutik und der Literaturtheorie mit denen der empirischen Forschung verbindet. Es hat mich gefreut, daß die Herausgeber bereit waren, das Buch in die Reihe "Konzeption Empirische Literaturwissenschaft" aufzunehmen. Erkenntlich bin ich ihnen auch für ihre kritische Durchsicht des Manuskriptes. Reinhold Viehoff möchte ich ganz besonders für seine sprachlichen und stilistischen Korrekturen, die sehr viel zur Lesbarkeit beigetragen haben, danken. Auch Tilmann Vetter hat manches zur sprachlichen Verbesserung beigesteuert. Lilo Roskam besorgte mit viel Geduld die Endgestaltung des Manuskriptes. Und nicht zuletzt möchte ich meinen Kollegen der Utrechter Fachgruppe Literaturwissenschaft danken für das freundliche Arbeitsklima. Wassenaar, im Januar 1994 INHALTSVERZEICHNIS 1. Skizzierung des Problem feldes: Wandel des IiteraturwissenschaftIichen Interpretierens 9 2. Vorgehensweise und Material . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 2. 1. Ausgangspunkte für eine empirische Studie . . . . . . . . . . . . . . 13 . . 2. 2. Zu Kafkas 'Vor dem Gesetz' . . . . . . . . . . . . . . . . . . . . . . . . . . 16 2. 3. Die Interpretationen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 3. Theorie der Interpretation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 3. 1. Ermittlung von Bedeutung und Sinn im Verstehensprozeß . . . . . . 26 3. 1. 1. Formen der Bezugnahme . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 3. 1. 2. Wechsel der Rahmentheorien in der modernen Literaturwissenschaft . . . . . . . . . . . . . . . . . . . 39 3. 2. Vermittlung von Bedeutung und Sinn . . . . . . . . . . . . . . . . . . . . 51 3. 3. Interpretation und "Fortschritt" . . . . . . . . . . . . . . . . . . . . . . . . 63 4. Kontinuität im interpretativen Diskurs: Referenzstrukturen und Zitate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70 5. Inhaltliche Analyse des Materials . . . . . . . . . . . . . . . . . . . . . . . . . . . 81 5. 1. Die Periode 1950-1967 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86 5. 1. 1. Religionsphilosophie, Existenzphilosophie oder die Autonomie des Werkes? . . . . . . . . . . . . . . . . . . . . . . 88 5. 1. 2. Zwischenbilanz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100 5. 2. Entwicklungen seit 1967 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107 5. 2. 1. Ergebnisse der Quellenforschung: Jüdische Vorlagen und die Frage der "Anti-Formen" . . . . . . . . . . 108 5. 2. 2.

The Wanderer: Elegies, Epics, Riddles (Legends From The Ancient North Ser.)

Part of a new series Legends from the Ancient North, The Wanderer tells the classic tales that influenced JRR Tolkien's The Hobbit and The Lord of the Rings'So the company of men led a careless life,All was well with them: until One beganTo encompass evil, an enemy from hell.Grendel they called this cruel spirit...'J.R.R. Tolkien spent much of his life studying, translating and teaching the great epic stories of northern Europe, filled with heroes, dragons, trolls, dwarves and magic. He was hugely influential for his advocacy of Beowulf as a great work of literature and, even if he had never written The Hobbit and The Lord of the Rings, would be recognised today as a significant figure in the rediscovery of these extraordinary tales.Legends from the Ancient North brings together from Penguin Classics five of the key works behind Tolkien's fiction.They are startling, brutal, strange pieces of writing, with an elemental power brilliantly preserved in these translations.They plunge the reader into a world of treachery, quests, chivalry, trials of strength.They are the most ancient narratives that exist from northern Europe and bring us as near as we will ever get to the origins of the magical landscape of Middle-earth (Midgard) which Tolkien remade in the 20th century.

Wanderer und Seefahrer im Rahmen der Altenglischen Odoaker-Dichtung

Wanderers: Literature, Culture and the Open Road (Routledge Focus on Literature)

This book introduces the idea and experience of wandering, as reflected in cultural texts from popular songs to philosophical analysis, providing both a fascinating informal history and a necessary vantage point for understanding - in our era - the emergence of new wanderers. Wanderers offers a fast-paced, wide-ranging, and compelling introduction to this significant and recurrent theme in literary history. David Brown Morris argues that wandering, as a primal and recurrent human experience, is basic to the understanding of certain literary texts. In turn, certain prominent literary and cultural texts (from Paradise Lost to pop songs, from Wordsworth to the blues, from the Wandering Jew to the film Nomadland) demonstrate how representations of wandering have changed across cultures, times, and genres. Wanderers provides an initial overview necessary to grasp the importance of wandering both as a perennial human experience and as a changing historical event, including contemporary forms such as homelessness and climate migration that make urgent claims upon us. Wanderers takes you on a thoroughly enjoyable and informative stroll through a significant concept that will be of interest to those studying or researching literature, cultural studies, and philosophy.

Wanderers: Literature, Culture and the Open Road (Routledge Focus on Literature)

This book introduces the idea and experience of wandering, as reflected in cultural texts from popular songs to philosophical analysis, providing both a fascinating informal history and a necessary vantage point for understanding - in our era - the emergence of new wanderers. Wanderers offers a fast-paced, wide-ranging, and compelling introduction to this significant and recurrent theme in literary history. David Brown Morris argues that wandering, as a primal and recurrent human experience, is basic to the understanding of certain literary texts. In turn, certain prominent literary and cultural texts (from Paradise Lost to pop songs, from Wordsworth to the blues, from the Wandering Jew to the film Nomadland) demonstrate how representations of wandering have changed across cultures, times, and genres. Wanderers provides an initial overview necessary to grasp the importance of wandering both as a perennial human experience and as a changing historical event, including contemporary forms such as homelessness and climate migration that make urgent claims upon us. Wanderers takes you on a thoroughly enjoyable and informative stroll through a significant concept that will be of interest to those studying or researching literature, cultural studies, and philosophy.

The Wanderers (Modern Plays)

Esther and Schmuli are Orthodox Jews embarking on an arranged marriage, despite barely knowing each other. Abe and Julia are high-profile celebrities embarking on a dangerously flirtatious correspondence, despite being married to other people. On the surface, the lives of these two couples couldn't be more different. But Anna Ziegler's funny, insightful, and mysterious new drama explores the hidden connections between seemingly disparate people, drawing audiences into an intriguing puzzle and a deeply sympathetic look at modern love.This edition was published to coincide with the New York premiere at Roundabout Theatre Company in February 2023, starring Katie Holmes.

The Wanderers (Modern Plays)

Esther and Schmuli are Orthodox Jews embarking on an arranged marriage, despite barely knowing each other. Abe and Julia are high-profile celebrities embarking on a dangerously flirtatious correspondence, despite being married to other people. On the surface, the lives of these two couples couldn't be more different. But Anna Ziegler's funny, insightful, and mysterious new drama explores the hidden connections between seemingly disparate people, drawing audiences into an intriguing puzzle and a deeply sympathetic look at modern love.This edition was published to coincide with the New York premiere at Roundabout Theatre Company in February 2023, starring Katie Holmes.

Wanderers Across Language: Exile in Irish and Polish Literature of the Twentieth Century

"Exile has become a potent symbol of Polish and Irish cultures. Historical, political and cultural predicaments of both countries have branded them as diasporic nations: but, in Adorno's dictum, for an exile writing becomes home. Olszewska offers a multifaceted picture of the figure of exile in postwar Poland and Ireland, juxtaposing politics and culture: whereas Irish exile appears more in an economic and cultural context, the essence of Polish exile is political. This comparative study of works by Polish and Irish authors - Stanislaw Baranczak, Adam Zagajewski, Marek Hlasko, Kazimierz Brandys, Brian Moore, Desmond Hogan and Paul Muldoon - shows a literature which not only depicts the experience of exile, but which uses exile as a literary device."

Wanderers Across Language: Exile in Irish and Polish Literature of the Twentieth Century

"Exile has become a potent symbol of Polish and Irish cultures. Historical, political and cultural predicaments of both countries have branded them as diasporic nations: but, in Adorno's dictum, for an exile writing becomes home. Olszewska offers a multifaceted picture of the figure of exile in postwar Poland and Ireland, juxtaposing politics and culture: whereas Irish exile appears more in an economic and cultural context, the essence of Polish exile is political. This comparative study of works by Polish and Irish authors - Stanislaw Baranczak, Adam Zagajewski, Marek Hlasko, Kazimierz Brandys, Brian Moore, Desmond Hogan and Paul Muldoon - shows a literature which not only depicts the experience of exile, but which uses exile as a literary device."

Wandering and Return in "Finnegans Wake": An Integrative Approach to Joyce's Fictions

Guiding readers through the disorienting dreamworld of James Joyce's last work, Kimberly Devlin examines Finnegans Wake as an uncanny text, one that is both strange and familiar. In light of Freud's description of the uncanny as a haunting awareness of earlier, repressed phases of the self, Devlin finds the uncanniness of the Wake rooted in Joyce's rewritings of literary fictions from his earlier artistic periods. She demonstrates the notion of psychological return as she traces the obsessions, scenarios, and images from Joyce's "waking" fictions that resurface in his final dreamtext in uncanny forms, transformed yet discernible, often to uncover hidden, unconscious truths. Drawing on psychoanalytic arguments and recent feminist theory, Devlin maps intertextual connections that reveal many of Joyce's most deeply felt imaginative and intellectual concerns, such as the self in its decentered relationship to language, the elusive nature of human identity, the anxieties implicit in mortal selfhood, the male subject in its opposition to the female sexual "other." She suggests that the Wake records Joyce's implicit interest in the psychological counterpart to Vico's theory of historical repetition: Freud's theory of the insistent internal return of earlier narratives.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Wandering Poets and Other Essays on Late Greek Literature and Philosophy

This book presents a substantially revised version of some of the most important and innovative articles published by Alan Cameron in the field of late antique Greek poetry and philosophy. Much new material has been added to the account of the "Wandering Poets" from early Byzantine Egypt, and earlier judgment on their paganism is nuanced. The story of Cyrus of Panopolis and the empress Eudocia takes into account important recent work on the poetry of Eudocia. Several chapters discuss the date and identity of the influential poet Nonnus. The longest chapter reviews the celebrated story of the so-called closing of the Academy of Athens and the trip of its seven remaining philosophers to the court of the Persian king Chosroes, rejecting the fashionable current idea that they set up a new school at Harran on the Persian border. An entirely new chapter discusses a recently published papyrus containing poems of the Alexandrian epigrammatist Palladas, rejecting the editor's claim that Palladas wrote almost a century earlier than hitherto believed. A concluding chapter, never before published, reinvestigates the evidence for paganism in sixth-century Byzantium. Boldly and persuasively argued, and drawing on a profound knowledge of the period, the volume as a whole deepens our knowledge of the rich intellectual traditions of the late antique Hellenic world.

Wandering Poets and Other Essays on Late Greek Literature and Philosophy

This book presents a substantially revised version of some of the most important and innovative articles published by Alan Cameron in the field of late antique Greek poetry and philosophy. Much new material has been added to the account of the "Wandering Poets" from early Byzantine Egypt, and earlier judgment on their paganism is nuanced. The story of Cyrus of Panopolis and the empress Eudocia takes into account important recent work on the poetry of Eudocia. Several chapters discuss the date and identity of the influential poet Nonnus. The longest chapter reviews the celebrated story of the so-called closing of the Academy of Athens and the trip of its seven remaining philosophers to the court of the Persian king Chosroes, rejecting the fashionable current idea that they set up a new school at Harran on the Persian border. An entirely new chapter discusses a recently published papyrus containing poems of the Alexandrian epigrammatist Palladas, rejecting the editor's claim that Palladas wrote almost a century earlier than hitherto believed. A concluding chapter, never before published, reinvestigates the evidence for paganism in sixth-century Byzantium. Boldly and persuasively argued, and drawing on a profound knowledge of the period, the volume as a whole deepens our knowledge of the rich intellectual traditions of the late antique Hellenic world.

Wandering Women in French Film and Literature: A Study of Narrative Drift

How and when can a narrative agent or voice be considered unreliable? What happens when narrative authority fails and, just as importantly, why does it? As a means to answering these questions, Wandering Women in French Film and Literature examines the phenomenon of 'narrative drift' through in-depth analysis of twentieth-century novels and films.