- Table View
- List View
War Horse (Oxford Playscripts Ser.)
by Nick StaffordI want you to do yourself proud, Joey. You go and drive those Germans back where they've come from, and then come home to me. At the outbreak of World War one, Joey, young Albert's beloved horse, is sold to the cavalry and shipped to France. Caught up in enemy fire, fate takes Joey on an extraordinary odyssey, serving on both sides before finding himself alone in no man's land. But Albert cannot forget Joey and, still not old enough to enlist, he embarks on a treacherous mission to find him and bring him home. Nick Stafford's adaptation for the stage of the celebrated novel by the Children's Laureate (2003-05) Michael Morpurgo leads us on a gripping journey through history. War Horse premiered at the National Theatre, London, in October 2007.
War Isn't the Only Hell: A New Reading of World War I American Literature
by Keith GandalAmerican World War I literature has long been interpreted as an alienated outcry against modern warfare and government propaganda. This prevailing reading ignores the US army;€™s unprecedented attempt during World War I to assign men;¢;‚¬;€?except, notoriously, African Americans;¢;‚¬;€?to positions and ranks based on merit. And it misses the fact that the culture granted masculinity only to combatants, while the noncombatant majority of doughboys experienced a different alienation: that of shame.Drawing on military archives, current research by social-military historians, and his own readings of thirteen major writers, Keith Gandal seeks to put American literature written after the Great War in its proper context;¢;‚¬;€?as a response to the shocks of war and meritocracy. The supposedly antiwar texts of noncombatant Lost Generation authors Dos Passos, Hemingway, Fitzgerald, Cummings, and Faulkner addressed;¢;‚¬;€?often in coded ways;¢;‚¬;€?the noncombatant failure to measure up. Gandal also examines combat-soldier writers William March, Thomas Boyd, Laurence Stallings, and Hervey Allen. Their works are considered straight-forward antiwar narratives, but they are in addition shaped by experiences of meritocratic recognition, especially meaningful for socially disadvantaged men. Gandal furthermore contextualizes the sole World War I novel by an African American veteran, Victor Daly, revealing a complex experience of both army discrimination and empowerment among the French. Finally, Gandal explores three women writers;¢;‚¬;€?Katherine Anne Porter, Willa Cather, and Ellen La Motte;¢;‚¬;€?who saw the war create frontline opportunities for women while allowing them to be arbiters of masculinity at home. Ultimately, War Isn;€™t the Only Hell shows how American World War I literature registered the profound ways in which new military practices and a foreign war unsettled traditional American hierarchies of class, ethnicity, gender, and even race.
War Isn't the Only Hell: A New Reading of World War I American Literature
by Keith GandalAmerican World War I literature has long been interpreted as an alienated outcry against modern warfare and government propaganda. This prevailing reading ignores the US army;€™s unprecedented attempt during World War I to assign men;¢;‚¬;€?except, notoriously, African Americans;¢;‚¬;€?to positions and ranks based on merit. And it misses the fact that the culture granted masculinity only to combatants, while the noncombatant majority of doughboys experienced a different alienation: that of shame.Drawing on military archives, current research by social-military historians, and his own readings of thirteen major writers, Keith Gandal seeks to put American literature written after the Great War in its proper context;¢;‚¬;€?as a response to the shocks of war and meritocracy. The supposedly antiwar texts of noncombatant Lost Generation authors Dos Passos, Hemingway, Fitzgerald, Cummings, and Faulkner addressed;¢;‚¬;€?often in coded ways;¢;‚¬;€?the noncombatant failure to measure up. Gandal also examines combat-soldier writers William March, Thomas Boyd, Laurence Stallings, and Hervey Allen. Their works are considered straight-forward antiwar narratives, but they are in addition shaped by experiences of meritocratic recognition, especially meaningful for socially disadvantaged men. Gandal furthermore contextualizes the sole World War I novel by an African American veteran, Victor Daly, revealing a complex experience of both army discrimination and empowerment among the French. Finally, Gandal explores three women writers;¢;‚¬;€?Katherine Anne Porter, Willa Cather, and Ellen La Motte;¢;‚¬;€?who saw the war create frontline opportunities for women while allowing them to be arbiters of masculinity at home. Ultimately, War Isn;€™t the Only Hell shows how American World War I literature registered the profound ways in which new military practices and a foreign war unsettled traditional American hierarchies of class, ethnicity, gender, and even race.
War Memory and East Asian Conflicts, 1930–1945 (Entangled Memories in the Global South)
by Eveline Buchheim Jennifer CoatesThis book explores how narratives, exhibitions, media representations, and cultural heritage sites that communicate memories of conflicts in East Asia between 1930 and 1945 spread, interact, and are re-packaged for post-war audiences across national divisions. The contributors examine individual case studies of grassroots engagement with war memory, and collectively demonstrate the necessity of remaining aware of the researcher as participating in another kind of engagement with war memory. Contributions showcase a number of ways of doing research on war memory, alongside case studies from diverse regions of the world. Taken together, they bring a fresh perspective to scholarship on war memory, which has tended to focus on space, text, exhibition, or personal narrative, rather than bringing these elements into dialogue with one another.
War, Myths, and Fairy Tales
by Sara Buttsworth Maartje AbbenhuisThis exciting new collection examines the relationships between warfare, myths, and fairy tales, and explores the connections and contradictions between the narratives of war and magic that dominate the ways in which people live and have lived, survived, considered and described their world. Presenting original contributions and critical reflections that explore fairy tales, fantasy and wars, be they "real" or imagined, past or present, this book looks at creative works in popular culture, stories of resistance, the history and representation of global and local conflicts, the Holocaust, across multiple media. It offers a timely and important overview of the latest research in the field, including contributions from academics, story-tellers and artists, thereby transcending the traditional boundaries of the disciplines, extending the parameters of war studies beyond the battlefield.
War, Myths, and Fairy Tales
by Sara Buttsworth Maartje AbbenhuisThis exciting new collection examines the relationships between warfare, myths, and fairy tales, and explores the connections and contradictions between the narratives of war and magic that dominate the ways in which people live and have lived, survived, considered and described their world. Presenting original contributions and critical reflections that explore fairy tales, fantasy and wars, be they "real" or imagined, past or present, this book looks at creative works in popular culture, stories of resistance, the history and representation of global and local conflicts, the Holocaust, across multiple media. It offers a timely and important overview of the latest research in the field, including contributions from academics, story-tellers and artists, thereby transcending the traditional boundaries of the disciplines, extending the parameters of war studies beyond the battlefield.
War, Nation and Europe in the Novels of Storm Jameson
by Katherine CooperThe novels of Storm Jameson and their depictions of Britain's relationship to Europe around the Second World War represent a crucial departure from the work of her contemporaries. As the first female President of English PEN, Jameson led her country's wartime literary community through turbulent times in history by focusing on European – rather than pointedly British – experiences of war.War, Nation and Europe in the Novels of Storm Jameson is a timely critique situated within the historical and theoretical contexts so fundamental to understanding her work. Presenting previously unpublished archival material that documents her work as an ambassador for British writers during a time of national upheaval, Katherine Cooper reveals how the novelist's pacifism and evolving attitudes to war and peace were underpinned by her overarching vision for the post-war world. Drawing comparisons to the works of Virginia Woolf, Arthur Koestler, Graham Greene and others, this study shows how Jameson's novels gesture towards prevalent internationalist perspectives and reshapes how we view the literary history of the period.
War, Nation and Europe in the Novels of Storm Jameson
by Katherine CooperThe novels of Storm Jameson and their depictions of Britain's relationship to Europe around the Second World War represent a crucial departure from the work of her contemporaries. As the first female President of English PEN, Jameson led her country's wartime literary community through turbulent times in history by focusing on European – rather than pointedly British – experiences of war.War, Nation and Europe in the Novels of Storm Jameson is a timely critique situated within the historical and theoretical contexts so fundamental to understanding her work. Presenting previously unpublished archival material that documents her work as an ambassador for British writers during a time of national upheaval, Katherine Cooper reveals how the novelist's pacifism and evolving attitudes to war and peace were underpinned by her overarching vision for the post-war world. Drawing comparisons to the works of Virginia Woolf, Arthur Koestler, Graham Greene and others, this study shows how Jameson's novels gesture towards prevalent internationalist perspectives and reshapes how we view the literary history of the period.
War News in India: The Punjabi Press During World War I
by Andrew Tait JarboeThe Punjab region of India sent more than 600,000 combatants to assist the British war effort during World War I. Their families back home, thousands of miles from the major scenes of battle, were desperate for war news, and newspapers provided daily reports to keep the local population up-to-date with developments on the Western Front. This book presents the first English-language translations of hundreds of articles published during World War I in the newsapers of the Punjab region. They offer a lens into the anxieties and aspirations of Punjabis, a population that committed resources, food, labour as well as combatants to the British war effort. Amidst a steadily growing field of studies on World War I that examine the effects of the war on colonial populations, War News in India makes a unique and timely contribution.
War of No Pity: The Indian Mutiny and Victorian Trauma
by Christopher HerbertOn May 11, 1857, Hindu and Muslim sepoys massacred British residents and native Christians in Delhi, setting off both the whirlwind of similar violence that engulfed Bengal in the following months and an answering wave of rhetorical violence in Britain, where the uprising against British rule in India was often portrayed as a clash of civilization and barbarity demanding merciless retribution. Although by twentieth-century standards the number of victims was small, the Victorian public saw "the Indian Mutiny" of 1857-59 as an epochal event. In this provocative book, Christopher Herbert seeks to discover why. He offers a view of this episode--and of Victorian imperialist culture more generally--sharply at odds with the standard formulations of postcolonial scholarship. Drawing on a wealth of largely overlooked and often mesmerizing nineteenth-century texts, including memoirs, histories, letters, works of journalism, and novels, War of No Pity shows that the startling ferocity of the conflict in India provoked a crisis of national conscience and a series of searing if often painfully ambivalent condemnations of British actions in India both prior to and during the war. Bringing to light the dissident, disillusioned, antipatriotic strain of Victorian "mutiny writing," Herbert locates in it key forerunners of modern-day antiwar literature and the modern critique of racism.
War of the Fantasy Worlds: C.S. Lewis and J.R.R. Tolkien on Art and Imagination (Non-ser.)
by Martha C. SammonsThis investigation focuses on C.S. Lewis's and J.R.R. Tolkien's contrasting views of art and imagination, which are key to understanding and interpreting their fantasy works, providing insight into their goals, themes, and techniques, as well as an appreciation of the value and impact of their mythologies.Most scholarship about J.R.R. Tolkien and C. S. Lewis describes their shared faith and academic interests or analyzes each writer's fantasy works. War of the Fantasy Worlds: C.S. Lewis and J.R.R. Tolkien on Art and Imagination is the first to focus solely on their contrasting concepts of fantasy. The authors' views of art and imagination, the book shows, are not only central to understanding the themes, value, and relevance of their fantasy fiction, but are also strikingly different. Understanding the authors' thoughts about fantasy helps us better understand and appreciate their works. Yet, this book is not a critical analysis of The Lord of the Rings or The Chronicles of Narnia. Rather, it examines only elements of Tolkien's and Lewis's books that relate to their views about art, fantasy, and creativity, or the implementation of their theories. The result is a unique and altogether fascinating perspective on two of the most revered fantasy authors of all time.
The War of the Gods: The Social Code in Indo-European Mythology (Routledge Library Editions: Myth)
by Jarich G. OostenThis structural analysis of myth, first published in 1985, focuses on social and political problems of Indo-European mythology. Dr Jarich Oosten tells how the ancient Indo-European gods competed for supreme power and the exclusive possession of the sacred potion of wisdom and immortality. In examining the social code of the wars of the gods, he reveals that there are remarkably consistent patterns in time and space: paternal relatives, equals at first, prove unable to share power, magic goods, etc; while some gods retain their divine status as an exclusive prerogative, their brothers or paternal cousins are transformed into demons; relatives by marriage, however, who are unequal at first, succeed in sharing power and magic goods, and thus become equal partners in the pantheon. Dr Oosten describes how the ancient mythological cycles were broken down and transformed into heroic sagas and epics, and shows how many traditionally related themes – the severed head, the magic cauldron – were preserved. Gradually the political problems of kingship came to overshadow the social problems of kinship, as in the development of the myths of King Arthur. Dr Oosten argues that the social code remains basically the same, and his analysis of this code gives a fascinating perspective on the development of Indo-European mythology from the oldest written sources to the comparatively recent faitytales.
The War of the Gods: The Social Code in Indo-European Mythology (Routledge Library Editions: Myth #4)
by Jarich G. OostenThis structural analysis of myth, first published in 1985, focuses on social and political problems of Indo-European mythology. Dr Jarich Oosten tells how the ancient Indo-European gods competed for supreme power and the exclusive possession of the sacred potion of wisdom and immortality. In examining the social code of the wars of the gods, he reveals that there are remarkably consistent patterns in time and space: paternal relatives, equals at first, prove unable to share power, magic goods, etc; while some gods retain their divine status as an exclusive prerogative, their brothers or paternal cousins are transformed into demons; relatives by marriage, however, who are unequal at first, succeed in sharing power and magic goods, and thus become equal partners in the pantheon. Dr Oosten describes how the ancient mythological cycles were broken down and transformed into heroic sagas and epics, and shows how many traditionally related themes – the severed head, the magic cauldron – were preserved. Gradually the political problems of kingship came to overshadow the social problems of kinship, as in the development of the myths of King Arthur. Dr Oosten argues that the social code remains basically the same, and his analysis of this code gives a fascinating perspective on the development of Indo-European mythology from the oldest written sources to the comparatively recent faitytales.
The War of the Worlds: From H. G. Wells to Orson Welles, Jeff Wayne, Steven Spielberg and Beyond
by Peter J. BeckFirst published in 1897, H.G. Wells's alien invasion narrative The War of the Worlds was a landmark work of science fiction and one that continues to be adapted and referenced in the 21st century. Chronicling the novel's contexts, its origins and its many multi-media adaptations, this book is a complete biography of the life – and the afterlives – of The War of the Worlds. Exploring the original text's compelling sense of place and vivid recreation of Wells's Woking home and the concerns of fin-de-siécle Britain, the book goes on to chart the novel's immediate international impact. Starting with the initial serialisations in US newspapers, Peter Beck goes on to examine Orson Welles's legendary 1938 radio adaptation, TV and film adaptations from George Pal to Steven Spielberg, Jeff Wayne's rock opera and the numerous other works that have taken their inspiration from Wells's original. Drawing on new archival research, this is a comprehensive account of the continuing impact of The War of the Worlds.
The War of the Worlds: From H. G. Wells to Orson Welles, Jeff Wayne, Steven Spielberg and Beyond
by Peter J. BeckFirst published in 1897, H.G. Wells's alien invasion narrative The War of the Worlds was a landmark work of science fiction and one that continues to be adapted and referenced in the 21st century. Chronicling the novel's contexts, its origins and its many multi-media adaptations, this book is a complete biography of the life – and the afterlives – of The War of the Worlds. Exploring the original text's compelling sense of place and vivid recreation of Wells's Woking home and the concerns of fin-de-siécle Britain, the book goes on to chart the novel's immediate international impact. Starting with the initial serialisations in US newspapers, Peter Beck goes on to examine Orson Welles's legendary 1938 radio adaptation, TV and film adaptations from George Pal to Steven Spielberg, Jeff Wayne's rock opera and the numerous other works that have taken their inspiration from Wells's original. Drawing on new archival research, this is a comprehensive account of the continuing impact of The War of the Worlds.
War of Words: Language, Politics and 9/11
by Sandra SilbersteinIn a media age, wars are waged not only with bombs and planes but also with video and sound bites. War of Words is an incisive report from the linguistic battlefields, probing the tales told about September 11th to show how Americans created consensus in the face of terror. Capturing the campaigns for America's hearts, minds, wallets and votes, Silberstein traces the key cultural conflicts that surfaced after the attacks and beyond: the attacks on critical intellectuals for their perceived 'blame America first' attitude the symbiotic relationship between terrorists and the media (mis)representations of Al Qaeda and the Taliban used to justify military action the commercialisation of September 11th news as 'entertainment' when covering tragic events. Now featuring a new chapter on the Second Anniversary and Beyond, including: the war in Iraq, the backlash against former 'heroes' and accusations of presidential mendacity.A perceptive and disturbing account, War of Words reveals the role of the media in manufacturing events and illuminates the shifting sands of American collective identity in the post September 11th world.
War of Words: Language, Politics and 9/11
by Sandra SilbersteinIn a media age, wars are waged not only with bombs and planes but also with video and sound bites. War of Words is an incisive report from the linguistic battlefields, probing the tales told about September 11th to show how Americans created consensus in the face of terror. Capturing the campaigns for America's hearts, minds, wallets and votes, Silberstein traces the key cultural conflicts that surfaced after the attacks and beyond: the attacks on critical intellectuals for their perceived 'blame America first' attitude the symbiotic relationship between terrorists and the media (mis)representations of Al Qaeda and the Taliban used to justify military action the commercialisation of September 11th news as 'entertainment' when covering tragic events. Now featuring a new chapter on the Second Anniversary and Beyond, including: the war in Iraq, the backlash against former 'heroes' and accusations of presidential mendacity.A perceptive and disturbing account, War of Words reveals the role of the media in manufacturing events and illuminates the shifting sands of American collective identity in the post September 11th world.
The "War on Terror" Narrative: Discourse and Intertextuality in the Construction and Contestation of Sociopolitical Reality (Oxford Studies in Sociolinguistics)
by Adam HodgesThe War on Terror Narrative analyzes three types of data--presidential speeches, U.S. media discourse, and focus group interviews--to provide a longitudinal and holistic study of the formation, circulation, and contestation of the Bush administration's narrative about the "war on terror." The narrative sustains, in Foucault's terms, a "regime of truth" by placing boundaries around what can meaningfully be said and understood about the subject. Adam Hodges illustrates that even as social actors resist the narrative and the policy it entails, they appropriate its language to be heard and understood. While this often works to strengthen the narrative, discourse is inevitably reshaped as it enters into new contexts. This recontextualization allows for the introduction of new meanings, and therein lies the potential for resistance and social transformation. Hodges argues that applying ideas on intertextuality to the analysis of political discourse is central to understanding the way micro-level discursive action contributes to macro-level cultural narratives like the Bush "War on Terror" narrative.
The War on Words: Slavery, Race, and Free Speech in American Literature
by Michael T. GilmoreHow did slavery and race impact American literature in the nineteenth century? In this ambitious book, Michael T. Gilmore argues that they were the carriers of linguistic restriction, and writers from Frederick Douglass to Stephen Crane wrestled with the demands for silence and circumspection that accompanied the antebellum fear of disunion and the postwar reconciliation between the North and South. Proposing a radical new interpretation of nineteenth-century American literature, The War on Words examines struggles over permissible and impermissible utterance in works ranging from Thoreau’s “Civil Disobedience” to Henry James’s The Bostonians. Combining historical knowledge with groundbreaking readings of some of the classic texts of the American past, The War on Words places Lincoln’s Cooper Union address in the same constellation as Margaret Fuller’s feminism and Thomas Dixon’s defense of lynching. Arguing that slavery and race exerted coercive pressure on freedom of expression, Gilmore offers here a transformative study that alters our understanding of nineteenth-century literary culture and its fraught engagement with the right to speak.
The War on Words: Slavery, Race, and Free Speech in American Literature
by Michael T. GilmoreHow did slavery and race impact American literature in the nineteenth century? In this ambitious book, Michael T. Gilmore argues that they were the carriers of linguistic restriction, and writers from Frederick Douglass to Stephen Crane wrestled with the demands for silence and circumspection that accompanied the antebellum fear of disunion and the postwar reconciliation between the North and South. Proposing a radical new interpretation of nineteenth-century American literature, The War on Words examines struggles over permissible and impermissible utterance in works ranging from Thoreau’s “Civil Disobedience” to Henry James’s The Bostonians. Combining historical knowledge with groundbreaking readings of some of the classic texts of the American past, The War on Words places Lincoln’s Cooper Union address in the same constellation as Margaret Fuller’s feminism and Thomas Dixon’s defense of lynching. Arguing that slavery and race exerted coercive pressure on freedom of expression, Gilmore offers here a transformative study that alters our understanding of nineteenth-century literary culture and its fraught engagement with the right to speak.
The War on Words: Slavery, Race, and Free Speech in American Literature
by Michael T. GilmoreHow did slavery and race impact American literature in the nineteenth century? In this ambitious book, Michael T. Gilmore argues that they were the carriers of linguistic restriction, and writers from Frederick Douglass to Stephen Crane wrestled with the demands for silence and circumspection that accompanied the antebellum fear of disunion and the postwar reconciliation between the North and South. Proposing a radical new interpretation of nineteenth-century American literature, The War on Words examines struggles over permissible and impermissible utterance in works ranging from Thoreau’s “Civil Disobedience” to Henry James’s The Bostonians. Combining historical knowledge with groundbreaking readings of some of the classic texts of the American past, The War on Words places Lincoln’s Cooper Union address in the same constellation as Margaret Fuller’s feminism and Thomas Dixon’s defense of lynching. Arguing that slavery and race exerted coercive pressure on freedom of expression, Gilmore offers here a transformative study that alters our understanding of nineteenth-century literary culture and its fraught engagement with the right to speak.
War on Words: Who Should Protect Journalists?
by Joanne M. Lisosky Jennifer R. HenrichsenThis unprecedented book provides a comprehensive examination of the issue of protecting journalists in conflict situations from both a practical and humanitarian law perspective.Violent criminals and corrupt governmental officials harass, co-opt, and kill local and foreign journalists in countries from Mexico to Afghanistan, to Russia and the Philippines. Staggeringly, there has been little or no prosecution in 89 percent of journalist murders worldwide. Such widespread impunity is arguably one of the greatest threats to press freedom. A number of international organizations and advocates have developed efforts to mitigate this problem, but belligerents continue to act with few restraints and little, if any, accountability. War on Words: Who Should Protect Journalists? is an examination of the deteriorating and dangerous environment facing journalists and what stakeholders are doing to address this serious problem threatening democracy worldwide. The authors explore the peril facing journalists, delve into the legal and practical history of press protection, evaluate current safety strategies for journalists, and gather opinions from an array of local and international correspondents and practitioners on how to improve this untenable situation.
War, Peace, and Populist Discourse in Ukraine (Routledge Focus on Communication Studies)
by Olga BayshaThis book explores the detrimental effects on global peace of populism’s tendency to present complex social issues in simplistic "good versus evil" terms. Analyzing the civilizational discourse of Ukrainian President Volodymyr Zelensky with respect to the ongoing war between Russia and Ukraine—with his division of the world into "civilized us" versus "barbarian them"—the book argues that such a one-dimensional representation of complex social reality leaves no space for understanding the conflict and has little, if any, potential to bring about peace.To deconstruct the "civilization versus barbarism" discourse propagated by Zelensky, the book incorporates into its analysis alternative articulations of the crisis by oppositional voices. The author looks at the writing of several popular Ukrainian journalists and bloggers who have been excluded from the field of political representation within Ukraine, where all oppositional media are currently banned. Drawing on the discourse theory of Ernesto Laclau and Chantal Mouffe, the author argues that the incorporation of alternative perspectives, and silenced voices, is vitally important for understanding the complexity of all international conflicts, including the current one between Russia and Ukraine.This timely and important study will be relevant for all students and scholars of media and communication studies, populist rhetoric, political communication, journalism, area studies, international relations, linguistics, discourse analysis, propaganda, and peace studies.
War, Peace, and Populist Discourse in Ukraine (Routledge Focus on Communication Studies)
by Olga BayshaThis book explores the detrimental effects on global peace of populism’s tendency to present complex social issues in simplistic "good versus evil" terms. Analyzing the civilizational discourse of Ukrainian President Volodymyr Zelensky with respect to the ongoing war between Russia and Ukraine—with his division of the world into "civilized us" versus "barbarian them"—the book argues that such a one-dimensional representation of complex social reality leaves no space for understanding the conflict and has little, if any, potential to bring about peace.To deconstruct the "civilization versus barbarism" discourse propagated by Zelensky, the book incorporates into its analysis alternative articulations of the crisis by oppositional voices. The author looks at the writing of several popular Ukrainian journalists and bloggers who have been excluded from the field of political representation within Ukraine, where all oppositional media are currently banned. Drawing on the discourse theory of Ernesto Laclau and Chantal Mouffe, the author argues that the incorporation of alternative perspectives, and silenced voices, is vitally important for understanding the complexity of all international conflicts, including the current one between Russia and Ukraine.This timely and important study will be relevant for all students and scholars of media and communication studies, populist rhetoric, political communication, journalism, area studies, international relations, linguistics, discourse analysis, propaganda, and peace studies.
The War Poems Of Wilfred Owen
by Wilfred OwenWilfred Owen was the greatest poet of the First World War, and his death in battle, a few days before Armistice, was a disastrous loss to English letters. This volume gathers together the poems for which he is best known, and which represent his most important contribution to poetry in the twentieth century. Taken from the definitive edition of Owen’s work, and containing material unavailable to other editions, this selection has been edited by Professor Jon Stallworthy, who has written an illuminating and authoritative introduction.