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By Steppe, Desert, and Ocean: The Birth of Eurasia

By Steppe, Desert, and Ocean is nothing less than the story of how humans first started building the globalized world we know today. Set on a huge continental stage, from Europe to China, it is a tale covering over 10,000 years, from the origins of farming around 9000 BC to the expansion of the Mongols in the thirteenth century AD. An unashamedly 'big history', it charts the development of European, Near Eastern, and Chinese civilizations and the growing links between them by way of the Indian Ocean, the silk Roads, and the great steppe corridor (which crucially allowed horse riders to travel from Mongolia to the Great Hungarian Plain within a year). Along the way, it is also the story of the rise and fall of empires, the development of maritime trade, and the shattering impact of predatory nomads on their urban neighbours. Above all, as this immense historical panorama unfolds, we begin to see in clearer focus those basic underlying factors - the acquisitive nature of humanity, the differing environments in which people live, and the dislocating effect of even slight climatic variation - which have driven change throughout the ages, and which help us better understand our world today.

By the Sweat of the Brow: Literature and Labor in Antebellum America

The spread of industrialism, the emergence of professionalism, and the challenge to slavery fueled an anxious debate about the meaning and value of work in antebellum America. In chapters on Thoreau, Melville, Hawthorne, Rebecca Harding Davis, Susan Warner, Harriet Beecher Stowe, and Frederick Douglass, Nicholas Bromell argues that American writers generally sensed a deep affinity between the mental labor of writing and such bodily labors as blacksmithing, house building, housework, mothering, and farming. Combining literary and social history, canonical and noncanonical texts, primary source material, and contemporary theory, Bromell establishes work as an important subject of cultural criticism.

By Words Alone: The Holocaust in Literature

The creative literature that evolved from the Holocaust constitutes an unprecedented encounter between art and life. Those who wrote about the Holocaust were forced to extend the limits of their imaginations to encompass unspeakably violent extremes of human behavior. The result, as Ezrahi shows in By Words Alone, is a body of literature that transcends national and cultural boundaries and shares a spectrum of attitudes toward the concentration camps and the world beyond, toward the past and the future.

Bye Bye Baby: My Tragic Love Affair With The Bay City Rollers

Over four hot summers from 1975 to 1979, teenager Caroline Sullivan and her friends criss-crossed the USA in the Rollers' wake. They staked out airports and hotels, tricking airline clerks and wheedling information out of PR companies.

The Byelorussian Tristan (Routledge Revivals)

Originally published in 1988, this book is a complete translation of The Byelorussian Tristan, alongside textual notes.

The Byelorussian Tristan (Routledge Revivals)

Originally published in 1988, this book is a complete translation of The Byelorussian Tristan, alongside textual notes.

Bylines in Despair: Herbert Hoover, the Great Depression, and the U.S. News Media

Through a long public life and short presidency, Herbert Hoover carefully cultivated reporters and media owners as he rose from a relief administrator to president of the United States. During his service to government, he held the conviction that journalists were to be manipulated and mistrusted. When the nation fell into economic disaster, Hoover's misconceptions about the press and press relations exacerbated a national calamity. This book traces the entire history of Hoover's relationship with magazines, newspapers, newsreel organizations, and radio, and demonstrates how an attitude toward the U.S. press can help or hinder a public figure throughout his career. The book draws upon diaries of Hoover aides, oral histories from journalists and other media figures, newspaper and magazine clippings, radio broadcasts, newsreels, public documents, archival manuscripts, and a plethora of published secondary books and articles. This may be the most complete and best-documented study of a single president and the media.

Byromania: Portraits of the Artist in Nineteenth- and Twentieth-Century Culture

This collection of essays by leading Byronists explores the development of the myth of Byron and the Byronic from the poet's self-representations to his various appearances in nineteenth- and twentieth-century literature and in drama, film and portraiture. Byromania (as Annabella Milbanke named the frenzied reaction to Byron's poetry and personality) looks at the phenomena of Byronism through a variety of critical perspectives, and it is designed to appeal to both an academic and a popular readership alike.

Byron: Selected Poetry and Prose

Donald Low's collection contains Byron's most subversive, spirited and playful poetry as well as his outspoken prose. With helpful and informative annotation and a full bibliography this is an essential study aid for students.

Byron: Selected Poetry and Prose

Donald Low's collection contains Byron's most subversive, spirited and playful poetry as well as his outspoken prose. With helpful and informative annotation and a full bibliography this is an essential study aid for students.

Byron: A Symposium

Byron (Routledge Library Editions: Lord Byron)

First published in 1972. John D. Jump, a leading authority on Byron and the Romantic period, here gives an account of Byron’s literary achievement in relation to the age of revolutions in which he lived and in relation to his own character and personal circumstances. Professor Jump focuses upon the major poems and also discusses Byron’s prose, principally his letters and journals. In doing so he covers all of the important aspects of Byron’s work.

Byron (Routledge Library Editions: Lord Byron)

First published in 1972. John D. Jump, a leading authority on Byron and the Romantic period, here gives an account of Byron’s literary achievement in relation to the age of revolutions in which he lived and in relation to his own character and personal circumstances. Professor Jump focuses upon the major poems and also discusses Byron’s prose, principally his letters and journals. In doing so he covers all of the important aspects of Byron’s work.

Byron: A Portrait (Byron's Letters And Journals #Vol. Vi)

It is his clear-sightedness, his candour, his steely strength of will, the immediacy of his writing, his insolence and cynicism, his love of liberty, his hatred of hypocrisy, his originality, his rational enlightened toughness which attached Byron to the present age as much as to his own. Leslie Marchand's profound knowledge of his subject is unrivalled. His superb biography gives us an engrossing and utterly convincing portrait of a genius - a man who more than any other, fulfilled in his brillance, passion and creativity, the ideal of the Romantic Hero. One cannot but be won over by the sensitive, infinitely complex which Leslie Marchand uncovers. . . he gives us the essential Byron. . The spell of this strange, unquiet, blazingly honest and infinitely endearing man, is powerful ' Selina Hastings. Daily Telegraph

Byron: Interviews and Recollections (Interviews and Recollections)

Byron: The Poetry Of Politics And The Politics Of Poetry (Publications of the Centre for Hellenic Studies, King's College London #18)

'It is no great matter, supposing that Italy could be liberated, who or what is sacrificed. It is a grand object - the very poetry of politics. Only think - a free Italy!!! Why, there has been nothing like it since the days of Augustus.' So wrote Lord Byron in his journal, in February 1821, only days before the outbreak of revolution in Greece, where three years later he would die in the service of the revolutionary cause. For a poet whose life and work are interlaced with action of multiple sorts, surprisingly little attention has been devoted to Byron's engagement with issues of politics. This volume brings together the work of eminent Byronists from seven European countries and the USA to re-assess the evidence. What did Byron mean by the 'poetry of politics'? Was he, in any sense, a 'political animal'? Can his final, fateful involvement in Greece be understood as the culmination of earlier, more deeply rooted quests? The first part of the book examines the implications of reading and writing as themselves political acts; the second interrogates the politics inherent or implied in Byron's poems and plays; the third follows the trajectory of his political engagement (or non-engagement), from his abortive early career in the British House of Lords, via the Peninsular War in Spain to his involvement in revolutionary politics abroad.

Byron (Longman Critical Readers)

Often seen as the exception to generalisations about Romanticism, Byron's poetry - and its intricate relationship with a brilliant, scandalous life - has remained a source of controversy throughout the twentieth century. This book brings together recent work on Byron by leading British and American scholars and critics, guiding undergraduate students and sixth-form pupils through the different ways in which new literary theory has enriched readings of Byron's work, and showing how his poetry offers a rewarding focus for questions about the relationship between historical contexts and literary form in the Romantic period.Diverse and fresh perspectives on canonical texts such as Don Juan, Childe Harold's Pilgrimage and Manfred are included together with stimulating analyses of less well-known narrative poems, lyrics and dramas. A clearly structured introduction traces key developments in Byron criticism and locates the essays within wider debates in Romantic studies. Detailed headnotes to each essay and a guide to further reading help to orientate the reader and offer pointers for further discussion.The collection will enable students of English literature, Romantic studies and nineteenth-century cultural studies to assess the contribution that different critical methodologies have made to our understanding of individual poems by Byron, as well as concepts like the Byronic hero and evolving definitions of Romanticism.

Byron (Longman Critical Readers)

Often seen as the exception to generalisations about Romanticism, Byron's poetry - and its intricate relationship with a brilliant, scandalous life - has remained a source of controversy throughout the twentieth century. This book brings together recent work on Byron by leading British and American scholars and critics, guiding undergraduate students and sixth-form pupils through the different ways in which new literary theory has enriched readings of Byron's work, and showing how his poetry offers a rewarding focus for questions about the relationship between historical contexts and literary form in the Romantic period.Diverse and fresh perspectives on canonical texts such as Don Juan, Childe Harold's Pilgrimage and Manfred are included together with stimulating analyses of less well-known narrative poems, lyrics and dramas. A clearly structured introduction traces key developments in Byron criticism and locates the essays within wider debates in Romantic studies. Detailed headnotes to each essay and a guide to further reading help to orientate the reader and offer pointers for further discussion.The collection will enable students of English literature, Romantic studies and nineteenth-century cultural studies to assess the contribution that different critical methodologies have made to our understanding of individual poems by Byron, as well as concepts like the Byronic hero and evolving definitions of Romanticism.

Byron: The Italian Literary Influence

Byron: Heritage and Legacy (Nineteenth-Century Major Lives and Letters)

This exciting collection represents a range of scholarly approaches and include close textual study, comparative readings, and broad cultural analysis. Contributors to this collection include Bernard Beatty, Peter Cochran, Marilyn Gaull, Charles E. Robinson, Andrew Stauffer, and Timothy Webb.

Byron and Italy

Winner of the Elma Dangerfield Prize 2018Byron in Italy – Venetian debauchery, Roman sight-seeing, revolution, horse-riding and swimming, sword-brandishing and pistol-shooting, the poet’s ‘last attachment’ – forms part of the fabric of Romantic mythology. Yet Byron’s time in Italy was crucial to his development as a writer, to Italy’s sense of itself as a nation, to Europe’s perceptions of national identity and to the evolution of Romanticism across Europe. In this volume, Byron scholars from Britain, Europe and beyond re-assess the topic of ‘Byron and Italy’ in all its richness and complexity. They consider Byron’s relationship to Italian literature, people, geography, art, religion and politics, and discuss his navigations between British and Italian identities.

Byron and Italy (G - Reference, Information and Interdisciplinary Subjects)

Winner of the Elma Dangerfield Prize 2018Byron in Italy – Venetian debauchery, Roman sight-seeing, revolution, horse-riding and swimming, sword-brandishing and pistol-shooting, the poet’s ‘last attachment’ – forms part of the fabric of Romantic mythology. Yet Byron’s time in Italy was crucial to his development as a writer, to Italy’s sense of itself as a nation, to Europe’s perceptions of national identity and to the evolution of Romanticism across Europe. In this volume, Byron scholars from Britain, Europe and beyond re-assess the topic of ‘Byron and Italy’ in all its richness and complexity. They consider Byron’s relationship to Italian literature, people, geography, art, religion and politics, and discuss his navigations between British and Italian identities.

Byron and John Murray: A Poet and His Publisher (Liverpool English Texts and Studies #64)

Byron and John Murray: A Poet and His Publisher is the first comprehensive account of the relationship between Byron and the man who published his poetry for over ten years. It is commonly seen as a paradox of Byron’s literary career that the liberal poet was published by a conservative publishing house. It is less of a paradox when, as this book illustrates, we see John Murray as a competitive, innovative publisher who understood how to deal with his most famous author. The book begins by charting the early years of Murray’s success prior to the publication of Childe Harold’s Pilgrimage, and describes Byron’s early engagement with the literary marketplace. The book describes in detail how Byron became one of Murray’s authors, before documenting the success of their commercial association and the eventual and protracted disintegration of their relationship. Byron wrote more letters to John Murray than anyone else and their correspondence represents a fascinating dialogue on the nature of Byron’s poetry, and particularly the nature of his fame. It is the central argument of this book that Byron’s ambivalent attitude towards professional writing and popular literature can be illuminated through an understanding of his relationship with John Murray.

Byron and Marginality

Brings Ben Jonson to the twenty-first century by reading Volpone through psychoanalysis, poststructuralism and Marxism

Byron and Marginality

Outlines a new critical paradigm for reading children’s Gothic literature and film