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Zirkuläre Positionen 3: Organisation, Management und Beratung
by Theodor M. Bardmann Torsten GrothAn Organisationen und ihr Management werden wie selbstverständlich gesteigerte Rationalitätsansprüche gestellt. Doch können sie leisten, was man ihnen zumutet? Systemtheoretische Ansätze haben für eine Desillusionierung überzogener Ansprüche und für eine Neuorientierung in Theorie, Management und Beratung gesorgt. Organisationen sind keine verfügbaren Instrumente in den Händen eines rational entscheidenden Managers, sondern eigensinnige, komplexe, selbstorganisierende Systeme, die sich einer direkten, ziel- und zweckorientierten Einflussnahme entziehen. Was heißt Management in derartigen Systemen? Welche Aufgabe übernimmt Beratung? Welche Rolle spielt die Organisationstheorie? Führende Vertreter systemischer Denk- und Handlungskonzepte geben im vorliegenden dritten Band der "Zirkulären Positionen" Antworten auf diese Fragen. Neben den Klassikern J.G. March und K.E. Weick kommen Wissenschaftler zu Wort wie D. Baecker, A. Kieser und G. Ortmann, aber auch Grenzgänger, die sich sowohl in der Wissenschaft als auch in der Praxis profilieren: H. Geißlinger, P. Gomez, F. Malik, G. Probst, S. Sackmann, F.B. Simon, R.K. Sprenger, H. Willke und R. Wimmer. En passant werden neueste Erfahrungen zu den zentralen Managementthemen Unternehmenskultur, Lernende Organisationen, Wissensmanagement, Führung, Motivation und Selbstverantwortung präsentiert. Kommentierende Begleittexte runden die Interviewbeiträge ab und verorten sie auf dem weiten Feld systemtheoretischer, konstruktivistischer, kybernetischer oder ganzheitlicher Konzepte.
Zizek: A Guide for the Perplexed (Guides for the Perplexed)
by Sean SheehanOne of the most widely-read thinkers writing today, Slavoj Žižek's work can be both thrilling and perplexing in equal measure. Žižek: A Guide for the Perplexed is the most up-to-date guide available for readers struggling to master the ideas of this hugely influential thinker. Unpacking the philosophical references that fill Žižek's writings, the book explores his influences, including Lacan, Kant, Hegel and Marx. From there, a chapter on 'Reading Žižek' guides the reader through the ways that he applies these core theoretical concepts in key texts like Tarrying With the Negative, The Ticklish Subject and The Parrallax View and in his books about popular culture like Looking Awry and Enjoy Your Symptom! Major secondary writings and films featuring Žižek are also covered.
Zizek: A Guide for the Perplexed (Guides for the Perplexed)
by Sean SheehanOne of the most widely-read thinkers writing today, Slavoj Žižek's work can be both thrilling and perplexing in equal measure. Žižek: A Guide for the Perplexed is the most up-to-date guide available for readers struggling to master the ideas of this hugely influential thinker. Unpacking the philosophical references that fill Žižek's writings, the book explores his influences, including Lacan, Kant, Hegel and Marx. From there, a chapter on 'Reading Žižek' guides the reader through the ways that he applies these core theoretical concepts in key texts like Tarrying With the Negative, The Ticklish Subject and The Parrallax View and in his books about popular culture like Looking Awry and Enjoy Your Symptom! Major secondary writings and films featuring Žižek are also covered.
Zoë Wicomb & the Translocal: Writing Scotland & South Africa (Routledge Research in Postcolonial Literatures)
by Kai Easton Derek AttridgeThis is the first book on the fiction of Zoë Wicomb, a writer long at the forefront of the South African canon and whose international stature was firmly secured with the award of an inaugural Windham Campbell prize at Yale in 2013. It brings together interdisciplinary essays from the UK, USA, South Africa, and Australia, demonstrating Wicomb’s importance as a novelist, short-story writer, and critic. The central focus of the volume is the translocal, a term that navigates the complex and shifting relations between disparate localities, respecting the situatedness of each locality within its immediate geopolitical context, while investigating the connections and contrasts that operate between them. In Wicomb’s case, her work stems from a dual allegiance to two localities, both in her fiction as in her life: South Africa’s Western Cape and the west of Scotland. In tracking the relations, contemporary and historical, between these sites, her fiction reveals a consistent interest in and interrogation of home and belonging, space and place; it also offers telling insights into questions of race and gender. The historical processes of colonization and migration that have produced translocal connections of this kind are central to postcolonial studies, to which this book makes a significant contribution. Exploring the visual and cartographical, and extending debates on the transnational and cosmopolitan that are currently taking place across disciplines, including literary studies, geography, history, politics, and anthropology, the collection covers the range of Wicomb’s work. It also features an unanthologised essay by Wicomb herself, an interview, and a suite of photographs by Sophia Klaase, whose images of Namaqualand inspired Wicomb’s most recent novel, October.
Zoë Wicomb & the Translocal: Writing Scotland & South Africa (Routledge Research in Postcolonial Literatures)
by Kai Easton Derek AttridgeThis is the first book on the fiction of Zoë Wicomb, a writer long at the forefront of the South African canon and whose international stature was firmly secured with the award of an inaugural Windham Campbell prize at Yale in 2013. It brings together interdisciplinary essays from the UK, USA, South Africa, and Australia, demonstrating Wicomb’s importance as a novelist, short-story writer, and critic. The central focus of the volume is the translocal, a term that navigates the complex and shifting relations between disparate localities, respecting the situatedness of each locality within its immediate geopolitical context, while investigating the connections and contrasts that operate between them. In Wicomb’s case, her work stems from a dual allegiance to two localities, both in her fiction as in her life: South Africa’s Western Cape and the west of Scotland. In tracking the relations, contemporary and historical, between these sites, her fiction reveals a consistent interest in and interrogation of home and belonging, space and place; it also offers telling insights into questions of race and gender. The historical processes of colonization and migration that have produced translocal connections of this kind are central to postcolonial studies, to which this book makes a significant contribution. Exploring the visual and cartographical, and extending debates on the transnational and cosmopolitan that are currently taking place across disciplines, including literary studies, geography, history, politics, and anthropology, the collection covers the range of Wicomb’s work. It also features an unanthologised essay by Wicomb herself, an interview, and a suite of photographs by Sophia Klaase, whose images of Namaqualand inspired Wicomb’s most recent novel, October.
Zola (Routledge Library Editions: The Nineteenth-Century Novel)
by Phillip WalkerIn the novels of Emile Zola, the pain and horror of working class life was pushed into the drawing rooms of polite society. Zola set out to shock and to question the assumptions of fiction and of comfortable, settled lives. The impact of his writing was far wider than France, and his attacks on the pillars of society gave him an international reputation. First published in 1985, this biography of Zola does much more than simply describe Zola as a writer, and his literary impact. It brings together the many strands of Zola’s life and creates an impression of a remarkable, if often exasperating individualist. This book will be of interest to those studying the works of Emile Zola and more broadly nineteenth-century and French literature.
Zola (Routledge Library Editions: The Nineteenth-Century Novel)
by Phillip WalkerIn the novels of Emile Zola, the pain and horror of working class life was pushed into the drawing rooms of polite society. Zola set out to shock and to question the assumptions of fiction and of comfortable, settled lives. The impact of his writing was far wider than France, and his attacks on the pillars of society gave him an international reputation. First published in 1985, this biography of Zola does much more than simply describe Zola as a writer, and his literary impact. It brings together the many strands of Zola’s life and creates an impression of a remarkable, if often exasperating individualist. This book will be of interest to those studying the works of Emile Zola and more broadly nineteenth-century and French literature.
Zola, The Body Modern: Pressures and Prospects of Representation
by Susan HarrowEmile Zola's reputation as a landmark European novelist is undisputed. His monumental achievement, the novel cycle Les Rougon-Macquart: Histoire sociale et naturelle d'une famille sous le Second Empire (1871-1893), fixed his status as a major writer in the naturalist tradition. Is there any more to be said? Susan Harrow answers boldly in the affirmative, challenging the commonplace view that Zola's writing is predictable, prolix and transparent (what Barthes called 'readerly', for which read 'tedious'). Harrow exposes the modernist and postmodernist strategies which surface in the Rougon-Macquart novels, and reveals Zola's innovatory representation of the body captured here at work, at war, at play, at rest, and in arresting abstraction. Informed by critical thought from Barthes and Deleuze to Michel de Certeau and Anthony Giddens, Zola, the Body Modern offers a model for how we can revitalize our understanding of the canonical nineteenth-century European novel, and learn to travel more flexibly between parameters of century, style and aesthetics.
Zola, The Body Modern: Pressures and Prospects of Representation
by Susan HarrowEmile Zola's reputation as a landmark European novelist is undisputed. His monumental achievement, the novel cycle Les Rougon-Macquart: Histoire sociale et naturelle d'une famille sous le Second Empire (1871-1893), fixed his status as a major writer in the naturalist tradition. Is there any more to be said? Susan Harrow answers boldly in the affirmative, challenging the commonplace view that Zola's writing is predictable, prolix and transparent (what Barthes called 'readerly', for which read 'tedious'). Harrow exposes the modernist and postmodernist strategies which surface in the Rougon-Macquart novels, and reveals Zola's innovatory representation of the body captured here at work, at war, at play, at rest, and in arresting abstraction. Informed by critical thought from Barthes and Deleuze to Michel de Certeau and Anthony Giddens, Zola, the Body Modern offers a model for how we can revitalize our understanding of the canonical nineteenth-century European novel, and learn to travel more flexibly between parameters of century, style and aesthetics.
Zombie History: Lies About Our Past that Refuse to Die
by Peter Charles HofferFake history is not a harmless mistake of fact or interpretation. It is a mistake that conceals prejudice; a mistake that discriminates against certain kinds of people; a mistake held despite a preponderance of evidence; a mistake that harms us. Fake history is like the Zombies we see in mass media, for the fake fact, like the fictional Zombie, lives by turning real events and people into monstrous perversions of fact and interpretation. Its pervasiveness reveals that prejudice remains its chief appeal to those who believe it. Its effect is insidious, because we cannot or will not destroy those mischievous lies. Zombie history is almost impossible to kill. Some Zombie history was and is political, a genre of what Hannah Arendt called “organizational lying” about the past. Its makers designed the Zombie to create a basis in the false past for particular discriminatory policies. Other history Zombies are cultural. They encapsulate and empower prejudice and stereotyping. Still other popular history Zombies do not look disfigured, but like Zombies walk among us without our realizing how devastating their impact can be. Zombie History argues that, whatever their purpose, whatever the venue in which they appear, history Zombies undermine the very foundations of disinterested study of the past.
The Zombie in Contemporary French Caribbean Fiction (Contemporary French and Francophone Cultures #90)
by Lucy SwansonBelieved to have emerged in the French Caribbean based on African spirit beliefs, the zombie represents not merely the walking dead, but also a walking embodiment of the region’s history and culture. In Haiti today, the zombie serves as an enduring memory of enslavement: it is defined as a reanimated body robbed of part of its soul, forced to work in sugarcane fields. In Martinique and Guadeloupe, the zombie takes the form of a shape-shifting evil spirit, and represents the dangers posed to the maroon or “freedom runner.” The Zombie in Contemporary French Caribbean Fiction is the first book-length study of the literary zombie in recent fiction from the region. It examines how this symbol of the enslaved (and of the evil spirits that threaten them) is used to represent and critique new socio-political situations in the Caribbean. It also offers a comprehensive and focused examination of the ways contemporary authors from Haiti and the French Antilles contribute to the global zombie imaginary, identifying four “avatars” of the zombie—the slave, the trauma victim, the horde, and the popular zombie—that appear frequently in fiction and anthropology, exploring how works by celebrated and popular authors reimagine these archetypes.
Zones of Instability: Literature, Postcolonialism, and the Nation
by Imre SzemanAttempts by writers and intellectuals in former colonies to create unique national cultures are often thwarted by a context of global modernity, which discourages particularity and uniqueness. In describing unstable social and political cultures, such "third-world intellectuals" often find themselves torn between the competing literary requirements of the "local" culture of the colony and the cosmopolitan, "world" culture introduced by Western civilization.In Zones of Instability, Imre Szeman examines the complex relationship between literature and politics by exploring the production of nationalist literature in the former British empire. Taking as his case studies the regions of the British Caribbean, Nigeria, and Canada, Szeman analyzes the work of authors for whom the idea of the"nation" and literature are inexorably entwined, such as Chinua Achebe, Wole Soyinka, C.L.R. James, Frantz Fanon, and V.S. Naipaul. Szeman focuses on literature created in the two decades after World War II, decades in which the future prospects for many colonies went from extreme political optimism to extreme political disappointment. He finds that the "nation" can be read as that space in which literature is thought to be able to conjoin two things that history has separated—the writer and the people.
Zoologica Poetica: Tiergedichte
by Kai R. CasparDieses Buch richtet sich an Menschen, die Tiere und Gedichte lieben. Die Gedichtauswahl umfasst sowohl Werke namhafter Lyrikerinnen und Lyriker als auch weniger bekannte Dichtung und bislang unveröffentlichte Werke. Bei den rund 80 Gedichten stehen die zoologischen Aspekte im Vordergrund. Die Herausgeberinnen des vorliegenden Bandes, beide Zoologie-Professorinnen, haben viele der Gedichte mit kurzen erläuternden Anmerkungen zu zoologischen Details versehen, die zum inhaltlichen Verständnis beitragen. Den Leserinnen und Lesern wird somit ganz nebenbei Hintergrundwissen vermittelt, ohne ein weiteres Lehrbuch zur Hand nehmen zu müssen. Dabei nehmen die Herausgeberinnen oftmals Bezug auf die systematische Stellung des Tiers oder der Tiergruppe und klären etwa biologische, häufig auch parasitologische Zusammenhänge.
Zoom Deutsch. 1 Foundation Workbook (PDF)
by Vincent Everett Oliver GrayZoom Deutsch is an inspiring two-part German course offering fresh, exciting material and a fully-integrated video drama for the full ability range at Grades 6-9. There is a clear route through for students following both two-year and three-year courses so students and teachers know exactlyhow much material needs to be covered. Zoom Deutsch delivers the revised Grade 6-8 Programme of Study, PLTS and the Renewed Framework. The Zoom Deutsch course has a full suite of differentiated resources to support your needs: Student Books, Teacher Books, Foundation and Higher Workbooks, Audio CDs, Interactive OxBox CD-ROM and Assessment OxBox CD-ROM. This Zoom Deutsch 1 Foundation Workbook is full of extra listening, reading, writing and speaking material to reinforce and support the grammar, topics and skills learnt in the Student Book. It is ideal for homework and further practice either during or outside of lesson time. 9780199128105
Zoom Español, Level 1 (PDF)
by Isabel Alonso de Sudea María Isabel Isern Vivancos Abigail HardwickZoom espanol is an inspiring two-part Spanish course offering fresh, exciting material and a fully-integrated video drama for the full ability range at Grades 6-8. There is a clear route through for students following both two-year and three-year courses so students and teachers know exactlyhow much material needs to be covered. Zoom espanol delivers the revised Grade 6-8 Programme of Study, PLTS and the Renewed Framework. The Zoom espanol course has a full suite of differentiated resources to support your needs: Student Books, Teacher Books, Foundation and Higher Workbooks, Audio CDs, Interactive OxBox CD-ROM and Assessment OxBox CD-ROM. The Zoom espanol 1 Student Book is full of inspiring activities to suit all learner types. Each unit links to a video clip and video-blog of four teenagers from Barcelona providing students with a real insight into Spanish-speaking people and their life. As well as plenty of engaging activities tosupport listening, reading, speaking and writing there are also pages in every unit dedicated to grammar, study skills and pronunciation support. Further cultural reading material is provided for every unit so that students can learn about life in Spain and Spanish-speaking countries.
Zöopedagogies: Creatures as Teachers in Middle English Romance
by Bonnie J. ErwinThe human protagonists of medieval romance are works in progress. They are learners, taught by an unexpected set of teachers: non-human animals including horses, hawks, lions, and the various quarry of the hunt. These "creature teachers" show humans how to be more perfectly human—how to love, fight, survive, and live according to medieval culture’s highest ideals. Zöopedagogies explores the pedagogical role of animals in medieval romance, a genre whose fantastical elements enable animal characters to behave in ways inspired by, but not limited to their real-world actions. Situated at the intersection of animal studies and medieval studies, Zöopedagogies claims medieval roots for posthumanism by telling a new story about the role of animals in constructing Western culture. Bonnie Erwin brings together a diverse array of texts, including chivalric romances like Sir Gawain and the Green Knight and popular romances like Bevis of Hampton and Richard Coer de Lyon. She puts these into conversation with medieval texts on natural science, horsemanship, hawking, and hunting that inform the representation of creatures who teach. In so doing, she reveals a rich and nuanced sense of animals as participants in interspecies collaborative culture-making.
Zöopedagogies: Creatures as Teachers in Middle English Romance
by Bonnie J. ErwinThe human protagonists of medieval romance are works in progress. They are learners, taught by an unexpected set of teachers: non-human animals including horses, hawks, lions, and the various quarry of the hunt. These "creature teachers" show humans how to be more perfectly human—how to love, fight, survive, and live according to medieval culture’s highest ideals. Zöopedagogies explores the pedagogical role of animals in medieval romance, a genre whose fantastical elements enable animal characters to behave in ways inspired by, but not limited to their real-world actions. Situated at the intersection of animal studies and medieval studies, Zöopedagogies claims medieval roots for posthumanism by telling a new story about the role of animals in constructing Western culture. Bonnie Erwin brings together a diverse array of texts, including chivalric romances like Sir Gawain and the Green Knight and popular romances like Bevis of Hampton and Richard Coer de Lyon. She puts these into conversation with medieval texts on natural science, horsemanship, hawking, and hunting that inform the representation of creatures who teach. In so doing, she reveals a rich and nuanced sense of animals as participants in interspecies collaborative culture-making.
Zora Neale Hurston: An Annotated Bibliography and Reference Guide (Bibliographies and Indexes in Afro-American and African Studies)
by Rose P. DavisZora Neale Hurston (1891-1960) is one of 20th-century America's foremost fiction and folklore writers. Though she was criticized by some of her contemporaries, including Richard Wright and Ralph Ellison, her works are now frequently taught in literature courses and are widely admired for their style and substance. This reference book is a comprehensive guide to the large body of work written about her in the last 75 years. Included are annotated entries for books, dissertations, and theses written about Hurston's life and literary career. The volume also looks at hundreds of articles, book chapters, conference papers, reviews, children's books, and web sites. The bibliography additionally points the reader to guides and biographical sources and to anthologies where her works are collected. Finally, an exhaustive list of works by Hurston is provided, along with a catalog of the special collections where her manuscripts, correspondence, and ephemera are stored.Zora Neale Hurston (1891-1960) is one of 20th-century America's foremost fiction and folklore writers. One of the most important authors of the Harlem Renaissance and one of the first black anthropologists, she received little recognition during her lifetime. She was criticized by some of her contemporaries, including Richard Wright and Ralph Ellison, and her works were largely neglected until the early 1970s. Her works are now frequently taught in literature courses and are widely admired for their style and substance. Her anthropological study,IMules and Men (1935), is a pioneering examination of Voodoo and related folklore. As a novelist, she is best known as the author of Jonah's Gourd Vine (1934) and Their Eyes Were Watching God (1937). In addition, she was a prolific journalist who contributed to the most popular magazines and newspapers of her time.Though long neglected, Hurston has become firmly established in the literary canon, and scores of books and articles have been written about her. This reference book is a comprehensive guide to the large body of work written about her in the last 75 years. Included are annotated entries for books, dissertations, and theses written about Hurston's life and literary career. The volume also looks at hundreds of articles, book chapters, conference papers, reviews, children's books, and web sites. The bibliography additionally points the reader to guides and biographical sources and to anthologies where her works are collected. Finally, an exhaustive list of works by Hurston is provided, along with a catalog of the special collections where her manuscripts, correspondence, and ephemera are stored.
Zora Neale Hurston: A Biography of the Spirit (Women Writers of Color)
by Deborah G. PlantThis new biography takes into account the whole woman—not just the prolific author of such great works as Their Eyes Were Watching God , Moses, Man of the Mountain, Jonah's Gourd Vine, Mules and Men, as well as essays, folklore, short stories, and poetry—but the philosopher and the spiritual soul, examining how each is reflected in her career, fiction and nonfiction publications, social and political activity, and, ultimately, her death.When we ask what animated the woman who achieved all that she did, we must necessarily probe further. Not one of the other existing biographies discusses or analyzes Hurston's spirituality in any sustained sense, even though this spirituality played a significant role in her life and works. As author Deborah G. Plant shows, Zora Neale Hurston's ability to achieve and to endure all she did came from the courage of her convictions—a belief in self that was profoundly centered and anchored in spirituality.
Zu Gast in Deiner Wirklichkeit: Empathie als Schlüssel gelungener Kommunikation
by Peter Michael BakMit Scharfsinn, Humor und auf der Basis neuer wissenschaftlicher Erkenntnisse wird in diesem Sachbuch das alte Thema Kommunikation ganz neu beleuchtet. Das Thema Empathie steht dabei als Voraussetzung erfolgreicher Kommunikation im Mittelpunkt. Was aber ist Empathie ganz konkret? Wie funktioniert sie? Können wir den anderen wirklich verstehen? Wie können wir überhaupt empathisch sein? Gibt es Empathie auch im Internet? Wie hängen Empathie und Moral zusammen? Wie entstehen Konflikte und warum führt Empathie zur Selbsterkenntnis? Psychologieprofessor Peter Michael Bak gibt anhand zahlreicher Beispiele und auf der Grundlage aktueller psychologischer Forschungsergebnisse anregende und teilweise überraschende Antworten auf diese Fragen. Das Buch setzt dabei keinerlei Vor- oder Fachwissen voraus, sondern wendet sich an alle interessierten Leserinnen und Leser, die wissen möchten, warum es überhaupt Missverständnisse gibt und warum das Miteinander reden manchmal so schwierig sein kann. Den Leser erwarten dabei nicht nur interessante Einblicke zur gelingenden Kommunikation, sondern auch spannende Einsichten über sich selbst.
The Zukofsky Era: Modernity, Margins, and the Avant-Garde (Hopkins Studies in Modernism)
by Ruth JennisonInaugurated in 1931 by Louis Zukofsky, Objectivist poetry gave expression to the complex contours of culture and politics in America during the Great Depression. This study of Zukofsky and two others in the Objectivist constellation, George Oppen and Lorine Niedecker, elaborates the dialectic between the formal experimental features of their poetry and their progressive commitments to the radical potentials of modernity.Mixing textual analysis, archival research, and historiography, Ruth Jennison shows how Zukofsky, Oppen, and Niedecker braided their experiences as working-class Jews, political activists, and feminists into radical, canon-challenging poetic forms. Using the tools of critical geography, Jennison offers an account of the relationship between the uneven spatial landscapes of capitalism in crisis and the Objectivists’ paratactical textscapes. In a rethinking of the overall terms in which poetic modernism is described, she identifies and assesses the key characteristics of the Objectivist avant-garde, including its formal recognition of proliferating commodity cultures, its solidarity with global anticapitalist movements, and its imperative to develop poetics that nurtured revolutionary literacy. The resulting narrative is a historically sensitive, thorough, and innovative account of Objectivism’s Depression-era modernism.A rich analysis of American avant-garde poetic forms and politics, The Zukofsky Era convincingly situates Objectivist poetry as a politically radical movement comprising a crucial chapter in American literary history. Scholars and students of modernism will find much to discuss in Jennison’s theoretical study.
The Zukofsky Era: Modernity, Margins, and the Avant-Garde (Hopkins Studies in Modernism)
by Ruth JennisonInaugurated in 1931 by Louis Zukofsky, Objectivist poetry gave expression to the complex contours of culture and politics in America during the Great Depression. This study of Zukofsky and two others in the Objectivist constellation, George Oppen and Lorine Niedecker, elaborates the dialectic between the formal experimental features of their poetry and their progressive commitments to the radical potentials of modernity.Mixing textual analysis, archival research, and historiography, Ruth Jennison shows how Zukofsky, Oppen, and Niedecker braided their experiences as working-class Jews, political activists, and feminists into radical, canon-challenging poetic forms. Using the tools of critical geography, Jennison offers an account of the relationship between the uneven spatial landscapes of capitalism in crisis and the Objectivists’ paratactical textscapes. In a rethinking of the overall terms in which poetic modernism is described, she identifies and assesses the key characteristics of the Objectivist avant-garde, including its formal recognition of proliferating commodity cultures, its solidarity with global anticapitalist movements, and its imperative to develop poetics that nurtured revolutionary literacy. The resulting narrative is a historically sensitive, thorough, and innovative account of Objectivism’s Depression-era modernism.A rich analysis of American avant-garde poetic forms and politics, The Zukofsky Era convincingly situates Objectivist poetry as a politically radical movement comprising a crucial chapter in American literary history. Scholars and students of modernism will find much to discuss in Jennison’s theoretical study.