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Chernobyl Prayer: A Chronicle of the Future
by Svetlana Alexievich Anna Gunin Arch TaitA startling history of the Chernobyl disaster by Svetlana Alexievich, the winner of the Nobel prize in literature 2015 On 26 April 1986, at 1.23am, a series of explosions shook the Chernobyl nuclear reactor. Flames lit up the sky and radiation escaped to contaminate the land and poison the people for years to come. While officials tried to hush up the accident, Svetlana Alexievich spent years collecting testimonies from survivors - clean-up workers, residents, firefighters, resettlers, widows, orphans - crafting their voices into a haunting oral history of fear, anger and uncertainty, but also dark humour and love. A chronicle of the past and a warning for our nuclear future, Chernobyl Prayer shows what it is like to bear witness, and remember in a world that wants you to forget.
Cherry Jezebel (Modern Plays)
by Jonathan LarkinThe party ain't over yet! As long as that music keeps playing, I'll keep dancing!Raw, rude and raucous, Cherry Jezebel is a dazzling new drama. Hilarious and heartbreaking, it's a champagne blowout and the hangover from hell, a spin under the glitterball that lands in the gutter.The bass is pounding, the audience are cheering, and Cherry Brandy is blinking back tears. Tonight's the night she's finally recognised as the Queen she is, with the crown to prove it. Is this the triumphant moment she's always dreamed of?Behind the mascara, the wigs and the six-inch stiletto heels, all that glitters isn't gold. At least she's always got her best mate Heidi. But growing up queer in Liverpool is grim, and the queer family they've forged is about to slip through Cherry's nicotine-stained fingers.From the boudoirs to the bathrooms of Liverpool's gloriously gobby drag scene, Cherry Jezebel is a riot of lipstick and split lips, of bitching and bruises. It's a play that celebrates queerness while spilling the tea on the pain behind the polish.
Cherry Jezebel (Modern Plays)
by Jonathan LarkinThe party ain't over yet! As long as that music keeps playing, I'll keep dancing!Raw, rude and raucous, Cherry Jezebel is a dazzling new drama. Hilarious and heartbreaking, it's a champagne blowout and the hangover from hell, a spin under the glitterball that lands in the gutter.The bass is pounding, the audience are cheering, and Cherry Brandy is blinking back tears. Tonight's the night she's finally recognised as the Queen she is, with the crown to prove it. Is this the triumphant moment she's always dreamed of?Behind the mascara, the wigs and the six-inch stiletto heels, all that glitters isn't gold. At least she's always got her best mate Heidi. But growing up queer in Liverpool is grim, and the queer family they've forged is about to slip through Cherry's nicotine-stained fingers.From the boudoirs to the bathrooms of Liverpool's gloriously gobby drag scene, Cherry Jezebel is a riot of lipstick and split lips, of bitching and bruises. It's a play that celebrates queerness while spilling the tea on the pain behind the polish.
The Cherry Orchard: A Comedy In Four Acts (Modern Plays)
by Anton ChekhovA civilised and complacent culture is on the brink of collapse...The tide of change is coming. Madam Ranyevskaya's liberal world of privilege and pleasure is beginning to show cracks, but she and her family live on in denial.Lopakhin wants to rescue Ranyevskaya. The hard-working son of one of her family's serfs, his new-found wealth can offer shelter and security to the woman he has loved since boyhood, but it will come at a high price.Meanwhile, revolution hangs in the air, the poor and hungry are pushing at the doors, and the tutor Trofimov predicts a tumultuous change for everybody.Chekhov's final masterpiece is full of wild humour and piercing sadness in this fresh, funny and honest new translation by award-winning playwright and Russian speaker Rory Mullarkey. A portrait of changing times, it maps the building tensions between the desperate longing to hold onto what is familiar and the restless lure of the new.
The Cherry Orchard: A Comedy In Four Acts (Student Editions Ser.)
by Anton ChekhovHear what I have to say about the cherry orchard, because it is mine. I say bring it down, tear it down. Smash it down and tear it down. Watch, watch. Just you watch. I will build holiday villas, as far as the eye can see. I will build a place for everyone to come and enjoy. For the future. And this will be the future. A new life. A new way of life. Here! Come now and play. Play. Play! Get the band to play.Ranyevskaya returns more or less bankrupt after ten years abroad. Luxuriating in her fading moneyed world and regardless of the increasingly hostile forces outside, she and her brother snub the lucrative scheme of Lopakhin, a peasant turned entrepreneur, to save the family estate. In so doing, they put up their lives to auction and seal the fate of the beloved orchard. Set at the very start of the twentieth century, The Cherry Orchard captures a poignant moment in Russia's history as the country rolls inexorably towards 1917. The Cherry Orchard by Anton Chekhov in a version by Andrew Upton, premiered at the National Theatre, London, in May 2011.
The Cherry Orchard: in a new English version
by Anton ChekhovLiubov Ranevskya, a widowed landowner returns home more or less insolvent after five years abroad. Everything appears just as she remembers it but hers is a diminishing world. The vast and beautiful cherry orchard is soon to be sold off against her mounting debts.The insistent warnings of Lopakhin, a peasant's son turned wealthy businessman, go unheeded, and more than the family estate is sacrificed:as Trofimov, the "eternal student" who hopes to inherit the future, tells her, "The whole of Russia is our orchard".Chekhov's last play (1904) is a poignant snapshot of the great, slow-rolling change that came to a head with the Russian revolution in 1917. Tom Stoppard's English version of Chekhov's The Cherry Orchard had its first New York performance at the Harvey Theater, Brooklyn in January 2009, and its first London performance at the Old Vic Theatre in May 2009.
The Cherry Orchard: A Comedy In Four Acts (Classic Plays Ser.)
by Anton Chekhov Peter GillFirst performed at the Moscow Art Theatre in 1904, directed by Konstantin Stanislavski, The Cherry Orchard remains a classic of the theatre. Completed less than a year before his death at the age of forty-four, Chekhov’s last ‘comedy’ still ranks supreme as a human tragedy of dispossession with audiences and actors alike. Peter Gill’s luminous version brings the psychological realism of Chekhov’s characters into sharp focus; fragile souls poised on the brink of happiness which never comes, or trapped in a void between the old world and the new.
The Cherry Orchard (Modern Plays)
by Anton Chekhov Rory MullarkeyA civilised and complacent culture is on the brink of collapse...The tide of change is coming. Madam Ranyevskaya's liberal world of privilege and pleasure is beginning to show cracks, but she and her family live on in denial.Lopakhin wants to rescue Ranyevskaya. The hard-working son of one of her family's serfs, his new-found wealth can offer shelter and security to the woman he has loved since boyhood, but it will come at a high price.Meanwhile, revolution hangs in the air, the poor and hungry are pushing at the doors, and the tutor Trofimov predicts a tumultuous change for everybody.Chekhov's final masterpiece is full of wild humour and piercing sadness in this fresh, funny and honest new translation by award-winning playwright and Russian speaker Rory Mullarkey. A portrait of changing times, it maps the building tensions between the desperate longing to hold onto what is familiar and the restless lure of the new.
The Cherry Orchard (Modern Plays)
by Anton Chekhov Vinay PatelWeird isn't it. Years of the same old thing and then suddenly, without warning, tomorrow is a stranger.An old starship. Far from Earth. Prema Ramesh, the ship's grieving commander, seeks solace in the sacred mission of her ancestors:leading the remnants of humanity towards the Destination. A bountiful world on which their descendants will one day thrive. But after centuries in the void, the creaking vessel is falling apart, its crew is suffering. What good is a promised paradise when the present is unbearable?So when rumour spreads of another viable, much closer planet, the crew begin to dream of different possibilities. It could all end now. A new future beckons. But first the old structures must crumble. They won't fall without a fight.A playful adaptation of Chekhov's tragicomic final work. Joy in the infinite, loss on a galactic scale, small lives and great ambitions adrift in the cosmos. This edition is published to coincide with the world premiere at the Yard Theatre, London, in September 2022.A The Yard Theatre, ETT and HOME Manchester production, co-commissioned by The Yard Theatre and ETT.
The Cherry Orchard (Modern Plays)
by Anton Chekhov Vinay PatelWeird isn't it. Years of the same old thing and then suddenly, without warning, tomorrow is a stranger.An old starship. Far from Earth. Prema Ramesh, the ship's grieving commander, seeks solace in the sacred mission of her ancestors:leading the remnants of humanity towards the Destination. A bountiful world on which their descendants will one day thrive. But after centuries in the void, the creaking vessel is falling apart, its crew is suffering. What good is a promised paradise when the present is unbearable?So when rumour spreads of another viable, much closer planet, the crew begin to dream of different possibilities. It could all end now. A new future beckons. But first the old structures must crumble. They won't fall without a fight.A playful adaptation of Chekhov's tragicomic final work. Joy in the infinite, loss on a galactic scale, small lives and great ambitions adrift in the cosmos. This edition is published to coincide with the world premiere at the Yard Theatre, London, in September 2022.A The Yard Theatre, ETT and HOME Manchester production, co-commissioned by The Yard Theatre and ETT.
The Cherry Orchard (Modern Plays)
by Anton Chekhov Simon StephensThe funny thing is the harder I work the more clearly I understand things. When I'm worn out after a day's work then it's like my brain relaxes. And sometimes then I get it. The meaning of my life. My purpose on this earth. How many people ever get to say that? And you know what? It doesn't matter. Doesn't change anything. It is not important. In Chekhov's tragi-comedy - arguably his most popular play - the Gayev family is torn by powerful forces deeply rooted in history and the society in which they live. Their estate is hopelessly in debt. Urged to cut down their beautiful cherry orchard and sell the land for holiday cottages, the family struggles to act decisively. Vigorous and profound, this new version of Chekhov's classic play by Olivier award-winner Simon Stephens, from a literal translation by Helen Rappaport, is an anguished and heartbreaking love letter to a society in violent transition. It received its world premiere at the Young Vic, London, on 10 October 2014.
The Cherry Orchard: A Comedy In Four Acts (Modern Plays)
by Anton Chekhov Simon StephensThe funny thing is the harder I work the more clearly I understand things. When I'm worn out after a day's work then it's like my brain relaxes. And sometimes then I get it. The meaning of my life. My purpose on this earth. How many people ever get to say that? And you know what? It doesn't matter. Doesn't change anything. It is not important. In Chekhov's tragi-comedy - arguably his most popular play - the Gayev family is torn by powerful forces deeply rooted in history and the society in which they live. Their estate is hopelessly in debt. Urged to cut down their beautiful cherry orchard and sell the land for holiday cottages, the family struggles to act decisively. Vigorous and profound, this new version of Chekhov's classic play by Olivier award-winner Simon Stephens, from a literal translation by Helen Rappaport, is an anguished and heartbreaking love letter to a society in violent transition. It received its world premiere at the Young Vic, London, on 10 October 2014.
The Chester Mystery Cycle: A Casebook (Medieval Casebooks Series)
by Kevin J. HartyFirst published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
The Chester Mystery Cycle: A Casebook (Medieval Casebooks Series #6)
by Kevin J. HartyFirst published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
Chesterton and Tolkien as Theologians
by Alison MilbankThis book takes Chesterton's 'natural theology' through fairytales seriously as a theological project appropriate to an intellectual attempt to return to faith in a secular age. It argues that Tolkien's fiction makes sense also as the work of a Catholic writer steeped in Chestertonian ideas and sharing his literary-theological poetics. While much writing on religious fantasy moves quickly to talk about wonder, Milbank shows that this has to be hard won and that Chesterton is more akin to the modernist writers of the early twentieth-century who felt quite dislocated from the past. His favoured tropes of paradox, defamiliarization and the grotesque have much in common with writers like T. S. Eliot, Ezra Pound and James Joyce and their use of the demotic as well as the 'mythic method'. Using Chesterton's literary rhetoric as a frame, the book sets out to chart a redemptive poetics that first decentres the reader from his habitual perception of the world, then dramatizes his self-alienation through the grotesque, before finding in that very alienation a sort of pharmakon through paradox and an embrace of difference. The next step is to change one's vision of the world beyond the self through magic which, paradoxically, is the means by which one can reconnect with the physical world and remove the fetishism and commodification of the object. Chesterton's theology of gift is the means in which this magic becomes real and people and things enter into reciprocal relations that reconnect them with the divine.
Cheyenne: An Analysis of Clause Linkage (Routledge World Languages)
by Avelino Corral EstebanCheyenne: An Analysis of Clause Linkage provides a detailed description of Cheyenne syntax, semantics, and pragmatics, notably on its nominal and verbal system and in both simple and complex sentences. Based on fieldwork conducted on the Northern Cheyenne reservation, this book, which seeks to address descriptive and theoretical issues involving complex sentences, has three major aims: i) to present a morpho-syntactic, semantic, and discourse-pragmatic description of complex sentences in Cheyenne; ii) to investigate the relationship between the semantic and syntactic dimensions of complex sentences; and iii) to contribute to the research, preservation, and revitalization of this ancestral language spoken in the United States of America. This book will be informative for scholars interested in language typology, comparative linguistics, theoretical linguistics, and language documentation, as well as those interested in Cheyenne learning and teaching.
Cheyenne: An Analysis of Clause Linkage (Routledge World Languages)
by Avelino Corral EstebanCheyenne: An Analysis of Clause Linkage provides a detailed description of Cheyenne syntax, semantics, and pragmatics, notably on its nominal and verbal system and in both simple and complex sentences. Based on fieldwork conducted on the Northern Cheyenne reservation, this book, which seeks to address descriptive and theoretical issues involving complex sentences, has three major aims: i) to present a morpho-syntactic, semantic, and discourse-pragmatic description of complex sentences in Cheyenne; ii) to investigate the relationship between the semantic and syntactic dimensions of complex sentences; and iii) to contribute to the research, preservation, and revitalization of this ancestral language spoken in the United States of America. This book will be informative for scholars interested in language typology, comparative linguistics, theoretical linguistics, and language documentation, as well as those interested in Cheyenne learning and teaching.
Chiasmus and Culture (Studies in Rhetoric and Culture #6)
by Boris Wiseman Anthony PaulAnyone who has heard of chiasmus is likely to think of it as no more than a piece of rhetorical playfulness, at times challenging, though useful for supplying a memorable sententious note or for performing a pirouette of syntax and thought. Going beyond traditional rhetoric, this volume is concerned with the possibility of using the figure of chiasmus to model a broad array of phenomena, from human relations to artistic creation. In the process, it provides the first book-length study not of chiasmus, the rhetorical figure, but of chiastic thought. The contributors are concerned with chiastic inversion and its place in social interactions, cultural creation, and more generally human thought and experience.They explore from a variety of angles what the unsettling logic of chiasmus (from the Greek meaning “cross-wise”), has to tell us about the world, human relations, cultural patterns, psychology, and artistic and poetic creation.
Chiasmus in the New Testament: A Study in Formgeschichte
by Nils Wilhelm LundThis study is devoted to the tracing of the Hebrew literary influence of the Greek text of the New Testament. It discusses specifically one form, the extensive use of the inverted order called chiasmus, a form that seems to be a part of Hebrew thought itself, whether in poetry or in prose. Originally published in 1942.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Chiastic Designs in English Literature from Sidney to Shakespeare
by William E. EngelPaying special attention to Sidney's Arcadia, Spenser's Faerie Queene, and Shakespeare's romances, this study engages in sustained examination of chiasmus in early modern English literature. The author's approach leads to the recovery of hidden designs which are shown to animate important works of literature; along the way Engel offers fresh and more comprehensive interpretations of seemingly shopworn conventions such as memento mori conceits, echo poems, and the staging of deus ex machina. The study, grounded in the philosophy of symbolic forms (following Ernst Cassirer), will be a valuable resource for readers interested in intellectual history and symbol theory, classical mythology and Renaissance iconography. Chiastic Designs affords a glimpse into the transformative power of allegory during the English Renaissance by addressing patterns that were part and parcel of early modern "mnemonic culture."
Chiastic Designs in English Literature from Sidney to Shakespeare
by William E. EngelPaying special attention to Sidney's Arcadia, Spenser's Faerie Queene, and Shakespeare's romances, this study engages in sustained examination of chiasmus in early modern English literature. The author's approach leads to the recovery of hidden designs which are shown to animate important works of literature; along the way Engel offers fresh and more comprehensive interpretations of seemingly shopworn conventions such as memento mori conceits, echo poems, and the staging of deus ex machina. The study, grounded in the philosophy of symbolic forms (following Ernst Cassirer), will be a valuable resource for readers interested in intellectual history and symbol theory, classical mythology and Renaissance iconography. Chiastic Designs affords a glimpse into the transformative power of allegory during the English Renaissance by addressing patterns that were part and parcel of early modern "mnemonic culture."
Chic Ironic Bitterness
by R. Jay MagillA brilliant and timely reflection on irony in contemporary American culture “This book is a powerful and persuasive defense of sophisticated irony and subtle humor that contributes to the possibility of a genuine civic trust and democratic life. R. Jay Magill deserves our congratulations for a superb job!” —Cornel West, University Professor, Princeton University “A well-written, well-argued assessment of the importance of irony in contemporary American social life, along with the nature of recent misguided attacks and, happily, a deep conviction that irony is too important in our lives to succumb. The book reflects wide reading, varied experience, and real analytical prowess.” —Peter Stearns, Provost, George Mason University “Somehow, Americans—a pragmatic and colloquial lot, for the most part—are now supposed to speak the Word, without ironic embellishment, in order to rebuild the civic culture. So irony’s critics decide it has become ‘worthy of moral condemnation.’ Magill pushes back against this new conventional wisdom, eloquently defending a much livelier American sensibility than the many apologists for a somber ‘civic culture’ could ever acknowledge." —William Chaloupka, Chair and Professor, Department of Political Science, Colorado State University The events of 9/11 had many pundits on the left and right scrambling to declare an end to the Age of Irony. But six years on, we're as ironic as ever. From The Simpsons and Borat to The Daily Show and The Colbert Report, the ironic worldview measures out a certain cosmopolitan distance, keeping hypocrisy and threats to personal integrity at bay. Chic Ironic Bitterness is a defense of this detachment, an attitude that helps us preserve values such as authenticity, sincerity, and seriousness that might otherwise be lost in a world filled with spin, marketing, and jargon. And it is an effective counterweight to the prevailing conservative view that irony is the first step toward cynicism and the breakdown of Western culture. R. Jay Magill, Jr., is a writer and illustrator whose work has appeared in American Prospect, American Interest, Atlantic Monthly, Foreign Policy, International Herald Tribune, New York Times, Wall Street Journal, and Print, amongother periodicals and books. A former Harvard Teaching Fellow and Executive Editor of DoubleTake, he holds a Ph.D. in American Studies from the University of Hamburg in Germany. This is his first book.
Chicago and the Making of American Modernism: Cather, Hemingway, Faulkner, and Fitzgerald in Conflict (Historicizing Modernism)
by Michelle E. MooreChicago and the Making of American Modernism is the first full-length study of the vexed relationship between America's great modernist writers and the nation's “second city.” Michelle E. Moore explores the ways in which the defining writers of the era-Willa Cather, Ernest Hemingway, William Faulkner and F. Scott Fitzgerald-engaged with the city and reacted against the commercial styles of "Chicago realism" to pursue their own, European-influenced mode of modernist art. Drawing on local archives to illuminate the literary culture of early 20th-century Chicago, this book reveals an important new dimension to the rise of American modernism.
Chicago and the Making of American Modernism: Cather, Hemingway, Faulkner, and Fitzgerald in Conflict (Historicizing Modernism)
by Michelle E. MooreChicago and the Making of American Modernism is the first full-length study of the vexed relationship between America's great modernist writers and the nation's “second city.” Michelle E. Moore explores the ways in which the defining writers of the era-Willa Cather, Ernest Hemingway, William Faulkner and F. Scott Fitzgerald-engaged with the city and reacted against the commercial styles of "Chicago realism" to pursue their own, European-influenced mode of modernist art. Drawing on local archives to illuminate the literary culture of early 20th-century Chicago, this book reveals an important new dimension to the rise of American modernism.
Chicago by the Book: 101 Publications That Shaped the City and Its Image
by Caxton ClubDespite its rough-and-tumble image, Chicago has long been identified as a city where books take center stage. In fact, a volume by A. J. Liebling gave the Second City its nickname. Upton Sinclair’s The Jungle arose from the midwestern capital’s most infamous industry. The great Chicago Fire led to the founding of the Chicago Public Library. The city has fostered writers such as Nelson Algren, Saul Bellow, and Gwendolyn Brooks. Chicago’s literary magazines The Little Review and Poetry introduced the world to Eliot, Hemingway, Joyce, and Pound. The city’s robust commercial printing industry supported a flourishing culture of the book. With this beautifully produced collection, Chicago’s rich literary tradition finally gets its due. Chicago by the Book profiles 101 landmark publications about Chicago from the past 170 years that have helped define the city and its image. Each title—carefully selected by the Caxton Club, a venerable Chicago bibliophilic organization—is the focus of an illustrated essay by a leading scholar, writer, or bibliophile. Arranged chronologically to show the history of both the city and its books, the essays can be read in order from Mrs. John H. Kinzie’s 1844 Narrative of the Massacre of Chicago to Sara Paretsky’s 2015 crime novel Brush Back. Or one can dip in and out, savoring reflections on the arts, sports, crime, race relations, urban planning, politics, and even Mrs. O’Leary’s legendary cow. The selections do not shy from the underside of the city, recognizing that its grit and graft have as much a place in the written imagination as soaring odes and boosterism. As Neil Harris observes in his introduction, “Even when Chicagoans celebrate their hearth and home, they do so while acknowledging deep-seated flaws.” At the same time, this collection heartily reminds us all of what makes Chicago, as Norman Mailer called it, the “great American city.” With essays from, among others, Ira Berkow, Thomas Dyja, Ann Durkin Keating, Alex Kotlowitz, Toni Preckwinkle, Frank Rich, Don Share, Carl Smith, Regina Taylor, Garry Wills, and William Julius Wilson; and featuring works by Saul Bellow, Gwendolyn Brooks, Sandra Cisneros, Clarence Darrow, Erik Larson, David Mamet, Studs Terkel, Ida B. Wells-Barnett, Frank Lloyd Wright, and many more.