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1914-Goodbye to All That: Writers on the Conflict Between Life and Art
by Ali Smith Ales Steger Jeanette Winterson Elif Shafak NoViolet Bulawayo Colm Toibin Xiaolu Guo Erwin Mortier Kamila Shamsie Daniel KehlmannA wide-ranging collection of reflective essays, to mark the centenary of the conflict that changed the world.In this collection of essays, ten leading writers from different countries consider the conflicts that have informed their own literary lives. 1914-Goodbye to All That borrows its title from Robert Graves's "bitter leave-taking of England" in which he writes not only of the First World War but the questions it raised: how to live, how to live with each other, and how to write.Interpreting this title as broadly and ambiguously as Graves intended, these essays mark the War's centenary by reinvigorating these questions. The book includes Elif Shafak on an inheritance of silence in Turkey, Ali Smith on lost voices in Scotland, Xiaolu Guo on the 100,000 Chinese sent to the Front, Daniel Kehlmann on hypnotism in Berlin, Colm Toibin on Lady Gregory losing her son fighting for Britain as she fought for an independent Ireland, Kamila Shamsie on reimagining Karachi, Erwin Mortier on occupied Belgium's legacy of shame, NoViolet Bulawayo on Zimbabwe and clarity, Ales Steger on resisting history in Slovenia, and Jeanette Winterson on what art is for.Contributors include: ;Ali Smith - Scotland ;Ales Steger - Slovenia ;Jeanette Winterson - England ;Elif Shafak - Turkey ;NoViolet Bulawayo - Zimbabwe ;Colm Toibin - Ireland ;Xiaolu Guo - China ;Erwin Mortier - BelgiumKamila Shamsie - Pakistan ;Daniel Kehlmann - Germany
1917: Stories and Poems from the Russian Revolution (Pushkin Collection)
by Boris DralyukAn exciting new collection of responses to the Revolution, by some of Russia's greatest writers of the twentieth century'This is the last of you, old word - soon we'll smash you to bits.'The passionate voices of radicals, dreamers, workers, aristocrats, satirists and romantics fill these electrifying poems and prose pieces, written between 1917 and 1919 in the full tumult of the Russian Revolution.From apocalyptic visions to heartfelt calls for freedom, from depictions of bloody carnage to an acerbic portrait of Lenin, the writings brought together here are by turns fervent, absurd, disorienting and tragic.Some writers - Bulgakov, Pasternak, Mayakovsky, Akhmatova - are well-known, others all but forgotten; many would not survive what was to come. All speak to us a century later, re-creating the whirlwind of euphoria and terror, hopes and betrayals of that exhilarating, brutal time.Boris Dralyuk is an award-winning translator and the Executive Editor of the Los Angeles Review of Books. He holds a PhD in Slavic Languages and Literatures from UCLA, where he taught Russian literature for a number of years. He is a co-editor of the Penguin Book of Russian Poetry, and has translated Isaac Babel's Red Cavalry/em> and Odessa Stories, both of which are published by Pushkin Press.
1919
by Eve EwingIn 1919, award-winning poet Eve L. Ewing recovers the essentially human stories at the heart of the Chicago Race Riot of 1919: of the people who took part in it, and of the lives that were marked by it.This most intense of the riots of the USA's 'Red Summer' lasted eight days, resulting in thirty-eight deaths and almost 500 injuries; it was a signal and traumatic event which has now shaped the history of the city where it took place for a century. As well as telling the tale of the riot itself and the cruel murder which precipitated it, the poems of 1919 explore its aftermath and bring to vivid life the mass migrations which had set the stage for this violence in the preceding years.Poetically recounting the stories of everyday people trying to survive and thrive in the city, and using speculative and Afrofuturist lenses to reimagine history, the result is a book which unearths the universal at the heart of the particular, and illuminates the fine line between past and present.
1922
by Stephen KingThe chilling novella featured in Stephen King's bestselling collection Full Dark, No Stars, 1922 - about a man who succumbs to the violence within - is now available as a stand-alone publication.I believe there is a man inside every man, a strangerSo writes Wilfred James in his confession. It's 1922. Wilfred owns eighty acres of farmland in Nebraska that have been in the family for generations. His wife, Arlette, owns an adjoining one hundred acres.But if Arlette carries out her threat to sell her land to a pig butcher, Wilfred will be forced to sell too. Worse, he'll have to move to the city. But he has a daring plan. It may work if he can persuade his son. A powerful tale of betrayal, murder, madness and rats, 1922 is a breathtaking exploration into the dark side of human nature from the great American storyteller Stephen King. It was adapted into a film from Netflix.
The 1930s: A Decade of Modern British Fiction (The Decades Series)
by Nick Hubble, Luke Seaber and Elinor TaylorWith austerity biting hard and fascism on the march at home and abroad, the Britain of the 1930s grappled with many problems familiar to us today. Moving beyond the traditional focus on 'the Auden generation', this book surveys the literature of the period in all its diversity, from working class, women, queer and postcolonial writers to popular crime and thriller novels. In this way, the book explores the uneven processes of modernization and cultural democratization that characterized the decade. A major critical re-evaluation of the decade, the book covers such writers as Eric Ambler, Mulk Raj Anand, Katharine Burdekin, Agatha Christie, Lewis Grassic Gibbon, Christopher Isherwood, Storm Jameson, Ethel Mannin, Naomi Mitchison, George Orwell, Christina Stead, Evelyn Waugh and many others.
The 1930s: A Decade of Modern British Fiction (The Decades Series)
With austerity biting hard and fascism on the march at home and abroad, the Britain of the 1930s grappled with many problems familiar to us today. Moving beyond the traditional focus on 'the Auden generation', this book surveys the literature of the period in all its diversity, from working class, women, queer and postcolonial writers to popular crime and thriller novels. In this way, the book explores the uneven processes of modernization and cultural democratization that characterized the decade. A major critical re-evaluation of the decade, the book covers such writers as Eric Ambler, Mulk Raj Anand, Katharine Burdekin, Agatha Christie, Lewis Grassic Gibbon, Christopher Isherwood, Storm Jameson, Ethel Mannin, Naomi Mitchison, George Orwell, Christina Stead, Evelyn Waugh and many others.
1933 Was A Bad Year
by John FanteJohn Fante is a lost gem of American literature and the man who was credited by Charles Bukowski as the inspiration for him to start writing. In a life that spanned 74 years, Fante wrote several great novels, such as Ask the Dust, and numerous screenplays. He died in 1983 from diabetes-related complications. Trapped in a small, poverty-ridden town in 1933, seventeen-year-old Dominic Molise yearns to fulfil his own dreams of becoming an American sports hero. This teenage southpaw aspires to the big leagues, big recognition and big love. He struggles, though, against the reality of his Italian parents, and comes under pressure to go into the family business. Brick-laying is not for Dominic. His father, however, seeks to pre-empt the inevitable road to failure by wanting Dominic to pick up a trowel instead of a pitcher's glove. His mother's response is to pray. At once the story of class and an individual's struggle during hard times in America, 1933 was a Bad Year is a wonderful tale of childhood and its dissipation into adulthood.
1939: The Last Season Of Peace
by Angela LambertFirst published in 1989, this is an account of the oldest of traditions. It was called the London Season, and for three centuries it had been a time of fashionable suppers and brilliant balls that introduced England's most aristocratic and eligible girls to society. Though by 1939 the stately gavottes and minuets had long since given way to waltzes and fox-trots, the cream of young womanhood still curtsied low before the Queen and then went out to dance the night away with the young men they would one day marry.But the Season of 1939 was different: it was to be the last. And like many a finale, it lives on in memory as a lovely, enchanted dream, all the more beautiful for the horror and destruction that would follow so soon.Based on a wealth of first-hand reminiscences, press clippings, and memorabilia, 1939: The Last Season of Peace is a fascinating portrait of this fairy tale about to end. It captures the end of an era as it recreates a world whose inhabitants still believed in empire and tradition. It is a vivid picture of a generation suspended in a brief moment of sunlit summer glory, before the gathering storm of World War II swept it all away.
The 1940s: A Decade of Modern British Fiction (The Decades Series)
by Philip Tew and Glyn WhiteHow did social, cultural and political events concerning Britain during the 1940s reshape modern British fiction? During the Second World War and in its aftermath, British literature experienced and recorded drastic and decisive changes to old certainties. Moving from potential invasion and defeat to victory, the creation of the welfare state and a new Cold war threat, the pace of historical change seemed too rapid and monumental for writers to match. Consequently the 1940s were often side-lined in literary accounts as a dividing line between periods and styles. Drawing on more recent scholarship and research, this volume surveys and analyses this period's fascinating diversity, from novels of the Blitz and the Navy to the rise of important new voices with its contributors exploring the work of influential women, Commonwealth, exiled, genre, avant-garde and queer writers. A major critical re-evaluation of the intriguing decade, this book offers substantial chapters on Elizabeth Bowen, Graham Greene, and George Orwell as well as covering such writers as Jocelyn Brooke, Monica Dickens, James Hadley Chase, Patrick Hamilton, Gerald Kersh, Daphne Du Maurier, Mary Renault, Denton Welch and many others.
The 1940s: A Decade of Modern British Fiction (The Decades Series)
How did social, cultural and political events concerning Britain during the 1940s reshape modern British fiction? During the Second World War and in its aftermath, British literature experienced and recorded drastic and decisive changes to old certainties. Moving from potential invasion and defeat to victory, the creation of the welfare state and a new Cold war threat, the pace of historical change seemed too rapid and monumental for writers to match. Consequently the 1940s were often side-lined in literary accounts as a dividing line between periods and styles. Drawing on more recent scholarship and research, this volume surveys and analyses this period's fascinating diversity, from novels of the Blitz and the Navy to the rise of important new voices with its contributors exploring the work of influential women, Commonwealth, exiled, genre, avant-garde and queer writers. A major critical re-evaluation of the intriguing decade, this book offers substantial chapters on Elizabeth Bowen, Graham Greene, and George Orwell as well as covering such writers as Jocelyn Brooke, Monica Dickens, James Hadley Chase, Patrick Hamilton, Gerald Kersh, Daphne Du Maurier, Mary Renault, Denton Welch and many others.
The 1950s: A Decade of Modern British Fiction (The Decades Series)
by Nick Bentley Alice Ferrebe Nick HubbleHow did social, cultural and political events in Britain during the 1950s shape modern British fiction? As Britain emerged from the shadow of war into the new decade of the 1950s, the seeds of profound social change were being sown. Exploring the full range of fiction in the 1950s, this volume surveys the ways in which these changes were reflected in British culture. Chapters cover the rise of the 'Angry Young Men', an emerging youth culture and vivid new voices from immigrant and feminist writers. A major critical re-evaluation of the decade, the book covers such writers as Margery Allingham, Kingsley Amis, E. R. Braithwaite, Rodney Garland, Martyn Goff, Attia Hosain, George Lamming, Marghanita Laski, Doris Lessing, Colin MacInnes, Naomi Mitchison, V. S. Naipaul, Barbara Pym, Mary Renault, Sam Selvon, Alan Sillitoe, John Sommerfield, Muriel Spark, J. R. R. Tolkien, Angus Wilson and John Wyndham.
The 1950s: A Decade of Modern British Fiction (The Decades Series)
by Nick Bentley Alice Ferrebe Nick HubbleHow did social, cultural and political events in Britain during the 1950s shape modern British fiction? As Britain emerged from the shadow of war into the new decade of the 1950s, the seeds of profound social change were being sown. Exploring the full range of fiction in the 1950s, this volume surveys the ways in which these changes were reflected in British culture. Chapters cover the rise of the 'Angry Young Men', an emerging youth culture and vivid new voices from immigrant and feminist writers. A major critical re-evaluation of the decade, the book covers such writers as Margery Allingham, Kingsley Amis, E. R. Braithwaite, Rodney Garland, Martyn Goff, Attia Hosain, George Lamming, Marghanita Laski, Doris Lessing, Colin MacInnes, Naomi Mitchison, V. S. Naipaul, Barbara Pym, Mary Renault, Sam Selvon, Alan Sillitoe, John Sommerfield, Muriel Spark, J. R. R. Tolkien, Angus Wilson and John Wyndham.
196 Tage auf treibender Eisscholle (Classics To Go)
by Emil BesselsEmil Bessels wurde 2. Juni 1847 in Heidelberg geboren und starb am 30. März 1888 in Stuttgart. Er war ein deutscher Naturforscher und Nordpolfahrer. Bessels studierte Naturwissenschaften und Medizin und trat 1869 seine erste Nordpolfahrt an, um das Östliche Eismeer zwischen Spitzbergen und Nowaja Semlja zu untersuchen und Gillisland zu erforschen. Nur die erste Aufgabe wurde gelöst, da die ungünstigen Eisverhältnisse eine Erforschung von Gillisland nicht zuließen. Indes wurden wichtige hydrographische Arbeiten und eine vollständige Reihe von Seetiefenmessungen vorgenommen sowie zum ersten Mal die Existenz des Golfstroms östlich von Spitzbergen nachgewiesen. 1871 wurde Bessels nach den Vereinigten Staaten berufen, um die wissenschaftliche Leitung der Nordpolexpedition unter Charles Francis Hall zu übernehmen. (Info von Amazon)
The 1960s: A Decade of Modern British Fiction (The Decades Series)
by Philip Tew James Riley Melanie SeddonHow did social, cultural and political events in Britain during and leading up to the 1960s shape modern British fiction? The 1960s were the “swinging decade”: a newly energised youth culture went hand-in-hand with new technologies, expanding educational opportunities, new social attitudes and profound political differences between the generations. This volume explores the ways in which these apparently seismic changes were reflected in British fiction of the decade. Chapters cover feminist writing that fused the personal and the political, gay, lesbian and immigrant voices and the work of visionary experimental and science fiction writers.A major critical re-evaluation of the decade, this volume covers such writers as J.G. Ballard, Anthony Burgess, A.S. Byatt, Angela Carter, John Fowles, Christopher Isherwood, Doris Lessing, Michael Moorcock and V.S. Naipaul.
The 1960s: A Decade of Modern British Fiction (The Decades Series)
by Philip Tew James Riley Melanie SeddonHow did social, cultural and political events in Britain during and leading up to the 1960s shape modern British fiction? The 1960s were the “swinging decade”: a newly energised youth culture went hand-in-hand with new technologies, expanding educational opportunities, new social attitudes and profound political differences between the generations. This volume explores the ways in which these apparently seismic changes were reflected in British fiction of the decade. Chapters cover feminist writing that fused the personal and the political, gay, lesbian and immigrant voices and the work of visionary experimental and science fiction writers.A major critical re-evaluation of the decade, this volume covers such writers as J.G. Ballard, Anthony Burgess, A.S. Byatt, Angela Carter, John Fowles, Christopher Isherwood, Doris Lessing, Michael Moorcock and V.S. Naipaul.
1964, A Year in African American Performance History (ISSN)
by David KrasnerThis book examines the Civil Rights Movement from the perspective of a single year, 1964.The book analyses specific events that occurred in 1964 as benchmarks of the Civil Right Movement, making the case that 1964 was a watershed year. Each chapter considers individually politics, rhetoric, sports, dramatic literature, film, art, and music, breaking down the events and illustrating their importance to the social and political life in the United States in 1964. This study emphasizes 1964 as a nodal point in the history of the Civil Rights Movement, arguing that it was within this single year that the tide against racism and injustice turned markedly.This book will be of great interest to the scholars and students of civil rights, theatre and performance, art history, and drama literature.
1964, A Year in African American Performance History (ISSN)
by David KrasnerThis book examines the Civil Rights Movement from the perspective of a single year, 1964.The book analyses specific events that occurred in 1964 as benchmarks of the Civil Right Movement, making the case that 1964 was a watershed year. Each chapter considers individually politics, rhetoric, sports, dramatic literature, film, art, and music, breaking down the events and illustrating their importance to the social and political life in the United States in 1964. This study emphasizes 1964 as a nodal point in the history of the Civil Rights Movement, arguing that it was within this single year that the tide against racism and injustice turned markedly.This book will be of great interest to the scholars and students of civil rights, theatre and performance, art history, and drama literature.
1970s, The: A Decade Of Contemporary British Fiction (The Decades Series)
by Nick Hubble John McLeod Philip TewHow did social, cultural and political events in Britain during the 1970s shape Contemporary British Fiction? Exploring the impact of events like the Cold War, miners' strikes and Winter of Discontent, this volume charts the transition of British fiction from post-war to contemporary. Chapters outline the decade's diversity of writing, showing how the literature of Ian McEwan and Ian Sinclair interacted with the experimental work of B.S. Johnson. Close contextual readings of Welsh, Scottish, Northern Irish and English novels map the steady break-up of Britain. Tying the popularity of Angela Carter and Fay Weldon to the growth of the Women's Liberation Movement and calling attention to a new interest in documentary modes of autobiographical writing, this volume also examines the rising resonance of the marginal voices: the world of 1970s British Feminist fiction and postcolonial and diasporic writers. Against a backdrop of social tensions, this major critical reassessment of the 1970s defines, explores and better understands the criticism and fiction of a decade marked by the sense of endings.
1970s, The: A Decade Of Contemporary British Fiction (The Decades Series)
by Nick Hubble John McLeod Philip TewHow did social, cultural and political events in Britain during the 1970s shape Contemporary British Fiction?Exploring the impact of events like the Cold War, miners' strikes and Winter of Discontent, this volume charts the transition of British fiction from post-war to contemporary.Chapters outline the decade's diversity of writing, showing how the literature of Ian McEwan and Ian Sinclair interacted with the experimental work of B.S. Johnson. Close contextual readings of Welsh, Scottish, Northern Irish and English novels map the steady break-up of Britain. Tying the popularity of Angela Carter and Fay Weldon to the growth of the Women's Liberation Movement and calling attention to a new interest in documentary modes of autobiographical writing, this volume also examines the rising resonance of the marginal voices: the world of 1970s British Feminist fiction and postcolonial and diasporic writers.Against a backdrop of social tensions, this major critical reassessment of the 1970s defines, explores and better understands the criticism and fiction of a decade marked by the sense of endings.
1979: The unmissable first thriller in an electrifying, brand-new series from the Queen of Crime (Allie Burns)
by Val McDermidTHE FIRST IN A THRILLING NEW SERIES FROM THE QUEEN OF CRIMEThe shadows hide a deadly story . . .1979. It is the winter of discontent, and reporter Allie Burns is chasing her first big scoop. There are few women in the newsroom and she needs something explosive for the boys' club to take her seriously.Soon Allie and fellow journalist Danny Sullivan are exposing the criminal underbelly of respectable Scotland. They risk making powerful enemies - and Allie won't stop there.When she discovers a home-grown terrorist threat, Allie comes up with a plan to infiltrate the group and make her name. But she's a woman in a man's world . . . and putting a foot wrong could be fatal.__________'A brilliant novel by a supremo of the genre at the height of her powers. A cast of engaging new characters promise to make this an unmissable new series' PETER JAMES'Remarkable and compelling . . . the Queen of Crime has delivered another masterpiece' DAVID BALDACCI'Val McDermid is the absolute QUEEN. Allie is a fabulous character, I'll go wherever she takes me and I'm dying to see what she does next' MARIAN KEYES'Packed full of Val McDermid's trademark brilliance, 1979 is a thrilling snapshot of a fascinating era' JANE HARPER'Unrivalled. Unmissable. Unforgettable. 1979 is Val McDermid at her nail-biting, heart-rending best' CHRIS WHITAKER'McDermid was a newshound at the time and it shows . . . Her best book in years' THE TIMES, BOOK OF THE MONTH'Allie Burns is off to a flying start, and well worth following down the decades' THE SCOTSMAN'A brilliant thriller, as well as a perfect snapshot of the social and political issues of the time' LINWOOD BARCLAY'A new series from Val McDermid promises to be an event - and 1979 delivers. Full of wit, thrills and incisive social observation and features a marvellous new character to follow through the years to come' MICK HERRON'Absolutely fantastic. I have been reading Val McDermid for twenty-five years, so I am really saying something when I tell you I enjoyed this novel the most' CHRIS BROOKMYRE'Brilliant characters, masterful plotting and a pitch-perfect evocation of the heyday of newspapers. I loved it' CHRIS HAMMER'A gratifyingly multi-faceted character' FINANCIAL TIMES'The work of a writer at the peak of her powers' HERALD'The fast-paced storytelling flows irresistibly' IRISH TIMES
1980s, The: A Decade Of Contemporary British Fiction (The Decades Series)
by Philip Tew Emily Horton Leigh WilsonHow did social, cultural and political events in Britain during the 1980s shape contemporary British fiction? Setting the fiction squarely within the context of Conservative politics and questions about culture and national identity, this volume reveals how the decade associated with Thatcherism frames the work of Kazuo Ishiguro, Martin Amis, and Graham Swift, of Scottish novelists and new diasporic writers. How and why 1980s fiction is a response to particular psychological, social and economic pressures is explored in detail. Drawing on the rise of individualism and the birth of neo-liberalism, contributors reflect on the tense relations between 1980s politics and realism, and between elegy and satire. Noting the creation of a 'heritage industry' during the decade, the rise of the historical novel is also considered against broader cultural changes. Viewed from the perspective of more recent theorisations of crisis following both 9/11 and the 21st-century financial crash, this study makes sense of why and how writers of the 1980s constructed fictions in response to this decade's own set of fundamental crises.
1980s, The: A Decade Of Contemporary British Fiction (The Decades Series)
by Philip Tew Emily Horton Leigh WilsonHow did social, cultural and political events in Britain during the 1980s shape contemporary British fiction? Setting the fiction squarely within the context of Conservative politics and questions about culture and national identity, this volume reveals how the decade associated with Thatcherism frames the work of Kazuo Ishiguro, Martin Amis, and Graham Swift, of Scottish novelists and new diasporic writers. How and why 1980s fiction is a response to particular psychological, social and economic pressures is explored in detail. Drawing on the rise of individualism and the birth of neo-liberalism, contributors reflect on the tense relations between 1980s politics and realism, and between elegy and satire. Noting the creation of a 'heritage industry' during the decade, the rise of the historical novel is also considered against broader cultural changes. Viewed from the perspective of more recent theorisations of crisis following both 9/11 and the 21st-century financial crash, this study makes sense of why and how writers of the 1980s constructed fictions in response to this decade's own set of fundamental crises.
1982, Janine (Canons #111)
by Alasdair GrayAn unforgettably challenging book about power and powerlessness, men and women, masters and servants, small countries and big countries, Alasdair Gray's exploration of the politics of pornography has lost none of its power to shock. 1982, Janine is a searing portrait of male need and inadequacy, as explored via the lonely sexual fantasies of Jock McLeish, failed husband, lover and businessman. Yet there is hope here, and the humour (if black) and the imaginative and textual energy of the narrative achieves its own kind of redemption in the end.
1984 (Classics To Go)
by George OrwellNineteen Eighty-Four, often published as 1984, is a dystopian novel published in 1949 by English author George Orwell. The novel is set in the year 1984 when most of the world population have become victims of perpetual war, omnipresent government surveillance and propaganda. (Wikipedia)
1984 (Llibres A Ma Ser.)
by George OrwellTHE AUTHORATITIVE TEXT "It was a bright cold day in April, and the clocks were striking thirteen."The year is 1984. War and revolution have left the world unrecognisable. Great Britain, now known as Airstrip One, is ruled by the Party, led by Big Brother. Mass surveillance is everything and The Thought Police ensure no individual thinking is allowed. Winston Smith works at The Ministry of Truth, carefully rewriting history. But Winston dreams of freedom, and of rebellion. It is here that he falls in love with Julia, and starts a secret, forbidden affair with her - but in this world nothing can be kept secret, and they are forced to face consequences more terrifying than either of them could have ever imagined.A dystopian masterpiece, this is the powerful and prophetic novel that defined the twentieth century. WITH AN INTRODUCTION BY ROBERT HARRIS