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Crisis and Contemporary Poetry
by Anne Karhio, Seán Crosson and Charles I. ArmstrongWhat are the means available to poetry to address crisis and how can both poets and critics meet the conflicts and challenges they face? This collection of essays addresses poetic and critical responses to the various crises encountered by contemporary writers and our society, from the Holocaust to the ecological crisis.
Crisis and Legitimacy in Atlantic American Narratives of Piracy: 1678-1865 (Maritime Literature and Culture)
by Alexandra GanserThis Open Access book, Crisis and Legitimacy in Atlantic American Narratives of Piracy: 1678-1865, examines literary and visual representations of piracy beginning with A.O. Exquemelin’s 1678 Buccaneers of America and ending at the onset of the US-American Civil War. Examining both canonical and understudied texts—from Puritan sermons, James Fenimore Cooper’s The Red Rover, and Herman Melville’s “Benito Cereno” to the popular cross-dressing female pirate novelette Fanny Campbell, and satirical decorated Union envelopes, this book argues that piracy acted as a trope to negotiate ideas of legitimacy in the contexts of U.S. colonialism, nationalism, and expansionism. The readings demonstrate how pirates were invoked in transatlantic literary production at times when dominant conceptions of legitimacy, built upon categorizations of race, class, and gender, had come into crisis. As popular and mobile maritime outlaw figures, it is suggested, pirates asked questions about might and right at critical moments of Atlantic history.
Crisis and the US Avant-Garde: Poetry and Real Politics
by Ben HickmanCrisis and the US Avant-Garde examines the politics of poetry through the lens of crisis. A timely commentary on the role poetic culture might play in political struggle going forward into our own various contemporary crises, the book connects major twentieth-century poets and movements, including Allen Ginsberg, Amiri Baraka and Language Poetry, with their various moments of political upheaval. Reading poems as attempted interventions in ‘turning-points’ or ‘moments of decision’ within American culture, Crisis and the US Avant-Garde looks at how poetry seeks to go beyond poetic language, and investigates how experimental American poetry has attempted to responds to imperialism, war, class conflict and capitalism itself.
Crisis and the US Avant-Garde: Poetry and Real Politics
by Ben HickmanCrisis and the US Avant-Garde examines the politics of poetry through the lens of crisis. A timely commentary on the role poetic culture might play in political struggle going forward into our own various contemporary crises, the book connects major twentieth-century poets and movements, including Allen Ginsberg, Amiri Baraka and Language Poetry, with their various moments of political upheaval. Reading poems as attempted interventions in ‘turning-points’ or ‘moments of decision’ within American culture, Crisis and the US Avant-Garde looks at how poetry seeks to go beyond poetic language, and investigates how experimental American poetry has attempted to responds to imperialism, war, class conflict and capitalism itself.
Crisis Four: (Nick Stone Thriller 2) (Nick Stone #2)
by Andy McNabThe bestselling Nick Stone thriller - a heart-stopping novel of violence, betrayal and high-octane suspense.Ex-SAS trooper Nick Stone is extremely highly trained. Clever, ruthless and very effective, it is no surprise that he is hired by British Intelligence. On deniable operations - one of the most dangerous lines of work. Sarah Greenwood is beautiful, intelligent and cunning - and the only woman Stone has ever truly opened up to. But now he has been ordered to hunt her down.Hotly pursued through the American wilderness, Stone finds himself at the centre of a deadly game of cat and mouse. He must get to the heart of a terrifying conspiracy theory to which only Sarah holds the key. But will he manage to before the tension reaches boiling point?'A rollercoaster ride' Guardian
Crisis in the Cotswolds: The secrets of the dead will not stay buried… (Cotswold Mysteries #16)
by Rebecca TopeThe secrets of the dead will not stay buried...Thea Osborne and Drew Slocombe have been married for a year and are settled in the beautiful Cotswold village of Broad Campden, but Thea is chafing at the domestic routines she is expected to devote herself to, missing the novelty and adventure that house-sitting used to bring.When a routine burial exposes the secrets of the deceased, Drew finds himself caught in the middle of a family feud in which he feels he is on the wrong side, and Thea’s inquisitiveness and penchant for solving crimes draws her in too.With another crisis at Drew’s business leaving him with a profound dilemma and Thea struggling against the charismatic charms of a new man, can their marriage survive this latest Cotswold drama?‘As Rebecca Tope tells it, every rural idyll is blighted by underlying menace. Such is her writing skill, I’m inclined to believe her’ Daily Mail‘With beautiful descriptions of the countryside, this excellent thriller marks a compulsive series of rural adventures ... A well-paced mystery with plenty of quirks and plot twists’ Good Book Guide‘The classic English village mystery is alive and well and living in Gloucestershire’ Sherlock Magazine‘Tope is one of the most intelligent and thought-provoking of today’s crime writers’ Mystery Women
Crisis Nation
by Don PendletonWhen American military personnel are found beheaded in the swamps of Puerto Rico, Mack Bolan boards a plane and lands in a political revolution. As the streets of San Juan turn bloody, he suspects someone outside the country is running the show and the gangs behind the military slaughter are simple pawns in a much more complex game.
Crisis of Conscience
by Mary WithallWhen Dr. Hugh Beaton dies of pneumonia, his son Ian decides to leave his new position in Edinburgh to take over his father's medical practice on Eisdalsa. As July 1948 approaches, the remote self-sufficient community of Eisdalsa in Argyll anticipates great changes in the provision of its health services. While it is generally agreed the proposals will be for the common good, the Beaton doctors are faced with significant career changes which threaten the unity of this close knit family.
Crisis Style: The Aesthetics of Repair (Post*45)
by Michael DangoIn this expansive and provocative new work, Michael Dango theorizes how aesthetic style manages crisis—and why taking crisis seriously means taking aesthetics seriously. Detoxing, filtering, bingeing, and ghosting: these are four actions that have come to define how people deal with the stress of living in a world that seems in permanent crisis. As Dango argues, they can also be used to describe contemporary art and literature. Employing what he calls "promiscuous archives," Dango traverses media and re-shuffles literary and art historical genealogies to make his case. The book discusses social media filters alongside the minimalism of Donald Judd and La Monte Young and the television shows The West Wing and True Detective. It reflects on the modernist cuisine of Ferran Adrià and the fashion design of Issey Miyake. And, it dissects writing by Barbara Browning, William S. Burroughs, Raymond Carver, Mark Danielewski, Jennifer Egan, Tao Lin, David Mitchell, Joyce Carol Oates, Mary Robison, and Zadie Smith. Unpacking how the styles of these works detox, filter, binge, or ghost their worlds, Crisis Style is at once a taxonomy of contemporary cultural production and a theorization of action in a world always in need of repair. Ultimately, Dango presents a compelling argument for why we need aesthetic theory to understand what we're doing in our world today.
Crisis Theatre and The Living Newspaper (Elements in Theatre, Performance and the Political)
by null Sarah Jane Mullan null Sarah BartleyCrisis Theatre and The Living Newspapers traces a history of the living newspaper as a theatre of crisis from Soviet Russia (1910s), through the Federal Theatre Project of the Great Depression in America (1930s), to Augusto Boal's teatro jornal in Brazil (1970s), and its resonance with documentary forms deployed in the final years of apartheid in South Africa (1990s), up until the present day in the UK (2020s). Across this Element, the author is interested in what a transnational and transhistorical examination of the living newspaper through the lens of crisis reveals about the ways in which theatre can intervene in our collective social, economic and political life. By holding these diverse examples together, the author asserts the Living Newspaper as a form of Crisis Theatre.
Crispin: At the Edge of the World (Crispin)
by AviIn this riveting sequel to the Newbery-Award winning Crispin: The Cross of Lead--the second book in a planned trilogy--Avi explores themes of war, religion, and family as he continues the adventures of Crispin and Bear.The more I came to know of the world, the more I knew I knew it not.He was a nameless orphan, marked for death by his masters for an unknown crime. Discovering his name- Crispin-only intensified the mystery. Then Crispin met Bear, who helped him learn the secret of his full identity. And in Bear-the enormous, red-bearded juggler, sometime spy, and everyday philosopher-Crispin also found a new father and a new world.Now Crispin and Bear have set off to live their lives as free men. But they don't get far before their past catches up with them: Bear is being pursued by members of the secret brotherhood who believe he is an informer. When Bear is badly wounded, it is up to Crispin to make decisions about their future-where to go, whom to trust. Along the way they become entangled with an extraordinary range of people, each of whom affects Crispin and Bear's journey in unexpected ways. To find freedom and safety, they may have to travel to the edge of the world-even if it means confronting death itself.
Criss Cross: (Alex Cross 27) (Alex Cross #27)
by James Patterson__________________________________'No one gets this big without amazing natural storytelling talent - which is what Jim has, in spades. The Alex Cross series proves it.' LEE CHILD, international bestselling author of the Jack Reacher seriesFrom the author of Sunday Times #1 bestseller The President is Missing__________________________________Could a ghost from his past take everything away from Alex Cross?Mere hours after witnessing the execution of a killer he helped put behind bars, Alex Cross is called to the scene of a copycat murder. A note signed 'M' rests on the corpse: 'You messed up big time, Dr. Cross.'Was an innocent man just put to death? As the executed convict's family launch a vicious campaign against Cross, his abilities as a detective are called into question.The enigmatic 'M' lures Cross out of Washington, DC to the sites of multiple homicides, all marked with distressingly familiar details that conjure up decades-old cases and Cross family secrets.Details that make it clear M is after a prize so dear that – were the killer to attain it – Cross's life would be destroyed.__________________________________'Alex Cross is a legend.' HARLAN COBENEarly readers say it's one of the best Alex Cross books yet:‘I have to say that this is one of my favourite Alex Cross books in a long time!’‘I read this book in one sitting and highly recommend it. I've read every single Alex Cross book and this one didn't disappoint. It has a great mix of new cases linked to old cases for Cross.’ ‘Romped through the latest Alex Cross book! Great read that I just couldn’t put down.’ ‘An intriguing storyline involving the Cross family and enemies from his past. A must read for Patterson fans.’‘As always with James Patterson, he had me from the first page, and kept the pace up to the last.’‘Roll on the next instalment.’‘I absolutely loved this book and once I started reading I just couldn’t put it down. It’s a fast-paced read, no time to take a break or breathe out as the situations and mysteries are on a roll and unstoppable.’‘A great addition to the Cross series by the most known author in the world for mystery thrillers’‘James Patterson is back at the top of his game with this one.’‘I'm a massive fan of the Alex Cross series so I jumped at the chance to review the latest installment, and I'm so pleased it didn't disappoint. It's action-packed right from the start and had me gripped straight away. ‘‘This book is fast paced with lots of twists and turns. My first James Patterson but not my last, really enjoyed and so will you.’‘I have long been a fan of the author and his long running Alex Cross series and this book does not disappoint .’‘I think this one constitutes a must read for fans of Patterson and Dr Cross.’
Crisscrossing Borders in Literature of the American West
by R. Dyck C. ReutterIn one consequential volume, Crisscrossing Borders in Literature of the American West presents the cross-section of a fast-changing and greatly expanded field. Through interdisciplinary essays, this volume on the post-national West challenges the idea of a unified national story sustained by strategic exclusions. Contributors analyze the economic and environmental exploitation depicted in working-class Western literature, emphasize the transnational by approaching both the North/South and cross-Atlantic axes grapple with the role of Mormons, and dissect the new masculinity of "Silicon Gunslingers." Each essay successfully and compellingly models a new and fruitful way of engaging the West.
The Critic: A tantalising cold-case murder mystery (Enzo 2) (The Enzo Files #2)
by Peter May**#1 BESTSELLING AUTHOR: OVER 3 MILLION COPIES SOLD** **THE ENZO FILES: PETER MAY'S ADDICTIVE COLD-CASE SERIES** **'A wonderful protagonist' MYSTERY BOOKS REVIEW** **'Fans of Cold Case will relish The Critic' PUBLISHERS WEEKLY**In the second instalment in the Enzo Files, a murder mystery in a vineyard serves Enzo Macleod a perfectly chilled conundrum.GAILLAC, SOUTH-WEST FRANCE. An unsolved case.Gil Petty, America's most celebrated wine critic, is found strung up in a vineyard, dressed in the ceremonial robes of the Order of the Divine Bottle and pickled in wine. An un-cracked code. For forensic expert Enzo Macleod, the key to this unsolved murder lies in decoding Petty's mysterious reviews - which could make or break a vineyard's reputation. An uncorked criminal.Enzo finds that beneath the tranquil façade of French viticulture lurks a back-stabbing community riddled with rivalry - and someone who is ready to stop him even if they have to kill again.LOVED THE CRITIC? Read book 3 in the series, BLACKLIGHT BLUELOVE PETER MAY? Order his new thriller, A SILENT DEATH
The Critic (New Mermaids)
by Richard Brinsley Sheridan David CraneThe Critic was Sheridan's response to a very specific political andtheatrical situation. In the summer of 1779, a Franco-Spanish invasionseemed imminent and patriotic fervour superseded party divisions andpersonal animosities. The Critic satirises the panic of the summer inthe form of the comically misconceived tragedy 'The Spanish Armada'that is in rehearsal in the second and third acts, but The Critic endswith genuine patriotic feeling. This edition traces both the politicaland the theatrical objects of Sheridan's satire and discusses itsreliance (and improvement) on earlier meta-theatrical burlesques likeThe Duke of Buckingham's Restoration romp The Rehearsal.
The Critic: Or, A Tragedy Rehearsed. A Dramatic Piece Of Three Acts. As Performed At The Theatre-royal In Drury-lane. By Richard Brinsley Sheridan, Es (New Mermaids)
by Richard Brinsley Sheridan David CraneThe Critic was Sheridan's response to a very specific political andtheatrical situation. In the summer of 1779, a Franco-Spanish invasionseemed imminent and patriotic fervour superseded party divisions andpersonal animosities. The Critic satirises the panic of the summer inthe form of the comically misconceived tragedy 'The Spanish Armada'that is in rehearsal in the second and third acts, but The Critic endswith genuine patriotic feeling. This edition traces both the politicaland the theatrical objects of Sheridan's satire and discusses itsreliance (and improvement) on earlier meta-theatrical burlesques likeThe Duke of Buckingham's Restoration romp The Rehearsal.
The Critic as Amateur
by Saikat Majumdar Aarthi VaddeCan the criticism of literature and culture ever be completely professionalized? Does criticism retain an amateur impulse even after it evolves into a highly specialized discipline enshrined in the university? The Critic as Amateur brings leading and emerging scholars together to explore the role of amateurism in literary studies. While untrained reading has always been central to arenas beyond the academy – book clubs, libraries, used bookstores – its role in the making of professional criticism is often disavowed or dismissed. This volume, the first on the critic as amateur, restores the links between expertise, autodidactic learning and hobbyist pleasure by weaving literary criticism in and out of the university. Our contributors take criticism to the airwaves, through the culture of early cinema, the small press, the undergraduate classroom and extracurricular writing groups. Canonical critics are considered alongside feminist publishers and queer intellectuals. The Critic as Amateur is a vital book for readers invested in the disciplinary history of literary studies and the public role of the humanities. It is also a crucial resource for anyone interested in how literary criticism becomes a richly diverse yet shared discourse in the 20th and 21st centuries.
The Critic as Amateur
Can the criticism of literature and culture ever be completely professionalized? Does criticism retain an amateur impulse even after it evolves into a highly specialized discipline enshrined in the university? The Critic as Amateur brings leading and emerging scholars together to explore the role of amateurism in literary studies. While untrained reading has always been central to arenas beyond the academy – book clubs, libraries, used bookstores – its role in the making of professional criticism is often disavowed or dismissed. This volume, the first on the critic as amateur, restores the links between expertise, autodidactic learning and hobbyist pleasure by weaving literary criticism in and out of the university. Our contributors take criticism to the airwaves, through the culture of early cinema, the small press, the undergraduate classroom and extracurricular writing groups. Canonical critics are considered alongside feminist publishers and queer intellectuals. The Critic as Amateur is a vital book for readers invested in the disciplinary history of literary studies and the public role of the humanities. It is also a crucial resource for anyone interested in how literary criticism becomes a richly diverse yet shared discourse in the 20th and 21st centuries.
Critic as Scientist: The modernist poetics of Ezra Pound (Routledge Revivals)
by Ian F. BellFirst published in 1981, Critic as Scientist provides a detailed and scholarly account both of the scientific background and of contemporary artistic issues in its analysis of Ezra Pound’s poetics. During the crucial period of his years in London, Ezra Pound was striving to formulate not only a new system of poetics but also a new language through which he could both define the critic’s procedure and announce his modernity. It was in science that Pound discovered the vocabulary that became his most characteristic gesture during the literary crises of the time. The use of scientific terminology in his ‘propaganda’ for a new ‘renaissance’ belonged, initially, to specifically American modes of aesthetic tradition, as typified by Whistler and aspects of New England transcendentalism. A consideration of popular versions of physics and biology, and of the ‘scientific attitude’ displayed by such contemporaries as Fenollosa, Hulme, Ford and Eliot, reveals that the major terms and practices of Pound’s critical vocabulary were located in the issues of nineteenth and early twentieth-century science. The author has sought to demystify key words in the Poundian vocabulary and has suggested a wider literary and cultural context for the study of Pound’s aesthetic theory. This book will be of interest to students of literature.
Critic as Scientist: The modernist poetics of Ezra Pound (Routledge Revivals)
by Ian F. BellFirst published in 1981, Critic as Scientist provides a detailed and scholarly account both of the scientific background and of contemporary artistic issues in its analysis of Ezra Pound’s poetics. During the crucial period of his years in London, Ezra Pound was striving to formulate not only a new system of poetics but also a new language through which he could both define the critic’s procedure and announce his modernity. It was in science that Pound discovered the vocabulary that became his most characteristic gesture during the literary crises of the time. The use of scientific terminology in his ‘propaganda’ for a new ‘renaissance’ belonged, initially, to specifically American modes of aesthetic tradition, as typified by Whistler and aspects of New England transcendentalism. A consideration of popular versions of physics and biology, and of the ‘scientific attitude’ displayed by such contemporaries as Fenollosa, Hulme, Ford and Eliot, reveals that the major terms and practices of Pound’s critical vocabulary were located in the issues of nineteenth and early twentieth-century science. The author has sought to demystify key words in the Poundian vocabulary and has suggested a wider literary and cultural context for the study of Pound’s aesthetic theory. This book will be of interest to students of literature.
The Critic in the Modern World: Public Criticism from Samuel Johnson to James Wood
by James LeyThe Critic in the Modern World explores the work of six influential literary critics-Samuel Johnson, William Hazlitt, Matthew Arnold, T.S. Eliot, Lionel Trilling and James Wood-each of whom occupies a distinct historical moment. It considers how these representative critics have constructed their public personae, the kinds of arguments they have used, and their core principles and philosophies. Spanning three hundred years of cultural history, The Critic in the Modern World considers the various ways in which literary critics have positioned themselves in relation to the modern tradition of descriptive criticism. In providing a lucid account of each critic's central principles and philosophies, it considers the role of the literary critic as a public figure, interpreting him as someone who is compelled to address the wider issues of individualism and the social implications of the democratising, secularising, liberalising forces of modernity.
The Critic in the Modern World: Public Criticism from Samuel Johnson to James Wood
by James LeyThe Critic in the Modern World explores the work of six influential literary critics-Samuel Johnson, William Hazlitt, Matthew Arnold, T.S. Eliot, Lionel Trilling and James Wood-each of whom occupies a distinct historical moment. It considers how these representative critics have constructed their public personae, the kinds of arguments they have used, and their core principles and philosophies. Spanning three hundred years of cultural history, The Critic in the Modern World considers the various ways in which literary critics have positioned themselves in relation to the modern tradition of descriptive criticism. In providing a lucid account of each critic's central principles and philosophies, it considers the role of the literary critic as a public figure, interpreting him as someone who is compelled to address the wider issues of individualism and the social implications of the democratising, secularising, liberalising forces of modernity.
Crítica de la razón pura
by Immanuel KantEl título de su libro, Crítica de la razón pura, se refiere a los sistemas filosóficos que pretenden alcanzar el conocimiento en ausencia de datos empíricos; una de las frases más conocidas de Kant es: "Los pensamientos sin contenido están vacíos; las intuiciones sin conceptos están ciegas." En donde la palabra "intuición" corresponde más bien a datos sensoriales o a punto de vista (Anschauung). Kant estaba convencido de que los filósofos racionalistas (él los llama "dogmáticos") como Leibniz y Descartes, no habían hecho contribuciones importantes al avance de la ciencia precisamente porque pretendían resolver los problemas por medio de la razón pura. "Me atrevo a afirmar que no queda ni un solo problema metafísico sin resolver o sin que por lo menos ya se haya proporcionado la llave para su solución". Y en el prólogo de la segunda edición señala que ha llevado a cabo una revolución copernicana en la filosofía, al invertir la relación sujeto- objeto del conocimiento
Critical Affair (Code Red #21)
by M.J. RodgersOut of a heavy fog, a private plane smashes through the window of the Grand Hotel. Jennifer Winn's fiance and her best friend are rushed to the E.R. The bride herself isn't hurt, but a few hours later the groom is dead….
Critical Approaches to Comics: Theories and Methods
by Matthew J. Smith Randy DuncanCritical Approaches to Comics offers students a deeper understanding of the artistic and cultural significance of comic books and graphic novels by introducing key theories and critical methods for analyzing comics. Each chapter explains and then demonstrates a critical method or approach, which students can then apply to interrogate and critique the meanings and forms of comic books, graphic novels, and other sequential art. The authors introduce a wide range of critical perspectives on comics, including fandom, genre, intertextuality, adaptation, gender, narrative, formalism, visual culture, and much more. As the first comprehensive introduction to critical methods for studying comics, Critical Approaches to Comics is the ideal textbook for a variety of courses in comics studies. Contributors: Henry Jenkins, David Berona, Joseph Witek, Randy Duncan, Marc Singer, Pascal Lefevre, Andrei Molotiu, Jeff McLaughlin, Amy Kiste Nyberg, Christopher Murray, Mark Rogers, Ian Gordon, Stanford Carpenter, Matthew J. Smith, Brad J. Ricca, Peter Coogan, Leonard Rifas, Jennifer K. Stuller, Ana Merino, Mel Gibson, Jeffrey A. Brown, Brian Swafford