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The Death and Life of Gabriel Phillips: A Novel

by Stephen Baldwin

When Officer Andy Myers met Loraine Phillips, he had no interest in her son. And he certainly never dreamed he'd respond to a call, finding that same boy in a pool of blood. Even more alarming was the father standing watch over his son's body. Myers had never seen a man respond to death-particularly the death of a child-in such a way. When the father is charged with murder and sentenced to death, he chooses not to fight but embrace it as God's will. Myers becomes consumed with curiosity for these strange beliefs. What follows is the story of the bond these two men share as they come to terms with the tragedy and the difficult choices each one must make.

The Death and Life of Nicholas Linnear (Shadow Warrior #7)

by Eric Van Lustbader

#1 New York Times bestselling author Eric Van Lustbader returns to the Shadow Warrior series for a new heart-stopping adventure featuring the legendary modern-day ninja Nicholas Linnear. This was to be one of the greatest nights of Nicholas Linnear's life: a crowning achievement. After taking over his family's company and quadrupling its size, he has gambled it all on a liquid natural gas trade with the Chinese, a deal worth untold billions.Is that why he just woke up in a pinewood coffin?Drugged to the brink of death, Linnear reemerges in a desperate attempt to save his business and find the people who tried to bury him alive. The ninja is as deadly as ever, and his blade is just as sharp.'The master of the smart thriller' Nelson DeMille 'Lustbader is at the top of his game' Publishers Weekly

Death And The Maiden: (Liebermann Papers 6) (Liebermann Papers #6)

by Frank Tallis

Vienna, 1903. An operatic diva, Ida Rosenkrantz, is found dead in her luxurious villa. It appears that she has taken an overdose of morphine, but a broken rib, discovered during autopsy, suggests other and more sinister possibilities. Detective Inspector Oskar Rheinhardt seeks the assistance of his young friend, the psychoanalyst Dr Max Liebermann, and they begin their inquiries at Vienna's majestic opera house, where its director, Gustav Mahler, is struggling to maintain a pure artistic vision while threatened on all sides by pompous bureaucrats, vainglorious singers, and a hostile press. When the demagogue Mayor of Vienna, Karl Lueger, becomes the prime suspect - with an election only months away - the Rosenkrantz case becomes politically explosive. The trail leads Rheinhardt and Liebermann, via a social climbing professor of psychiatry, to the Hofburg palace and the mysterious Lord Marshal's office - a shadowy bureau that deals ruthlessly with enemies of the ageing Emperor Franz Josef. As the investigation proceeds, the investigators are placed in great personal danger, as corruption is exposed at the very highest levels. Meanwhile, Liebermann pursues two private obsessions: a coded message in a piece of piano music, and the alluring Englishwoman, Miss Amelia Lydgate. Romance and high drama coincide as the Habsburg Empire teeters on the edge of scandal and ruin.

Death and Mr Pickwick: A Novel

by Stephen Jarvis

Shortlisted for the HWA Goldsboro Debut CrownIt is 31 March 1836. A new monthly periodical is launched entitled The Posthumous Papers of the Pickwick Club. Conceived and created by the artist Robert Seymour, it contains four of his illustrations. The words to accompany them are written by a young journalist, under the pen-name Boz. The journalist's real name is Charles Dickens.The Pickwick Papers soon becomes a phenomenal, unprecedented sensation, read and discussed by the entire British Isles. Before long, its success is worldwide. Stephen Jarvis's novel tells of the dawning of the age of global celebrity. It is a story of colossal triumph and of the depths of tragedy, based on real events - and an expose of how an ambitious young writer stole another man's ideas.

Death And Nightingales

by Eugene McCabe

It is 1883 and against the fearsome beauty of the Fermanagh landscape, the fate of Beth Winters slowly unfolds. Beth is determined to decide her own destiny yet seems doomed to repeat the tragic mistakes of her family.Through the events of the day of her twenty-fifth birthday, decades of pain and betrayal finally build to a devastating climax. In this powerful and gripping novel McCabe creates a lyrical indictment of the tensions that tear both families and nations apart.

Death and Nightingales

by Eugene McCabe

A “deeply moving, powerful, and unforgettable book" (Michael Ondaatje), Death and Nightingales is an epic story of love, deception, betrayal and revenge, set on a single day in the Irish countryside in 1883. Soon to be a major television event starring Matthew Rhys and Jamie Dornan. It is 1883 and the farms of County Fermanagh, on the border of Ulster and what we now know as the Republic of Ireland, are crisscrossed with religious, political, and generational tensions. Through the events of a single day in the life of Elizabeth Winters, we see decades of pain, betrayal, and resentment build to a devastating climax.Against the fearsome beauty of the Fermanagh landscape, the fate of McCabe's heroine, Beth, slowly and suspensefully unfolds. Born to a Catholic mother and an unknown Catholic father, conceived shortly before her mother's marriage to Protestant Billy Winters, Beth has lived a life of silent suffering since her mother's death. Determined to decide her own fate but doomed to repeat the tragic circumstances of her birth, McCabe illuminates her quiet, searing power with the tenderness of a poet, offering up a powerful, lyrical indictment of the tensions that tear families and nations apart.'A masterpiece. Death and Nightingales is a miracle of a novel which combines prose of bleak, unadorned beauty with a plot which keeps you up all night.'-Colm Toibin'A deeply moving, powerful, and unforgettable book' - Michael Ondaatje'Brilliant, richly conceived, and perfectly narrated with the suspense of a good thriller.' -Kirkus Reviews (starred review)

Death and other Happy Endings: A Novel

by Melanie Cantor

Jennifer Cole has just been told that she has a terminal blood disease. She has three months to live -- ninety days to say goodbye to friends and family and put her affairs in order. Trying to focus on the positives (at least she’ll never lose her teeth) Jennifer realises she has one overriding regret: the words she’s left unsaid. Rather than pursuing a frantic bucket list, she chooses to stay put, and write letters to three significant people in her life: her overbearing, selfish sister, her jelly-spined, cheating ex-husband, and her charming, unreliable ex-boyfriend finally telling them the things she’s always wanted to say but never dared. At first, Jennifer feels cleansed by her catharsis. Liberated, even. But once you start telling the truth, it's hard to stop. And, as she soon discovers, the truth isn't always as straightforward as it seems, and death has a way of surprising you ...

Death and Other Lovers

by Jo Bannister

Meet Mickey Flynn. He’s an American by birth, a Londoner by choice, a photo-journalist by trade. Mickey’s sitting pretty, until a fire nearly destroys his home . . . and the woman he loves. According to his girlfriend, two men, Middle Eastern in appearance, broke into the flat, terrorized her, then made their way into the darkroom—which then exploded. Mickey doesn’t doubt that this is a case of premeditated arson. And no wonder. For the past seven years, Flynn’s camera has relentlessly exposed the corrupt and the unscrupulous. It’s a talent that has made him tops in his field, and made him plenty of enemies too—such as Tomas Obregon, a drug kingpin who is as urbane and charming as he is deadly; Peter Loriston, a politician of dubious morality; and Michael Wylie, a cynical solider-for-hire. Not to mention Jamil Fahad, a ruthless high-ranking officer in the Palestinian hierarchy. Each man, snapped by Flynn, has good reason to wreak vengeance upon him; and at least one has attempted to kill him before. Trying to uncover the identity of his malicious antagonist, Flynn finds himself facing constant danger. But this is no ordinary vendetta . . .

Death and Shadows (Blackwater Bay series)

by Paula Gosling

A murdered nurse, disappearing drug supplies, diminishing funds and the sudden death of two apparently healthy patients are just some of the problems confronting Blackwater Bay’s leading private clinic.Laura Brandon, recently arrived physiotherapist and self-appointed sleuth, realises that a lot of people have something to hide. Confronted by tight-lipped colleagues, inter-staff feuds, and strange tales about a shadowy evil that lurks in the woods, Laura begins to believe the theory of a psychotic killer on the loose. Then another, eerily similar, murder occurs and she knows the solution cannot be impersonal.Fast-paced, entertaining and expertly plotted, Paul Gosling’s latest tale from the Great Lakes brilliantly confirms her mastery in the art of the murder mystery.

Death and Tenses: Posthumous Presence in Early Modern France

by Neil Kenny

In what tense should we refer to the dead? The question has long been asked, from Cicero to Julian Barnes. Answering it is partly a matter of grammar and stylistic convention. But the hesitation, annoyance, and even distress that can be caused by the "wrong" tense suggests that more may be at stake—our very relation to the dead. This book, the first to test that hypothesis, investigates how tenses were used in sixteenth and early seventeenth-century France (especially in French but also in Latin) to refer to dead friends, lovers, family members, enemies, colleagues, writers, officials, kings and queens of recent times, and also to those who had died long before, whether Christ, the saints, or the ancient Greeks and Romans who posthumously filled the minds of Renaissance humanists. Did tenses refer to the dead in ways that contributed to granting them differing degrees of presence (and absence)? Did tenses communicate dimensions of posthumous presence (and absence) that partly eluded more concept-based affirmations? The investigation ranges from funerary and devotional writing to Eucharistic theology, from poetry to humanist paratexts, from Rabelais's prose fiction to Montaigne's Essais. Primarily a work of literary and cultural history, it also draws on early modern grammatical thought and on modern linguistics (with its concept of aspect and its questioning of "tense"), while arguing that neither can fully explain the phenomena studied. The book briefly compares early modern usage with tendencies in modern French and English in the West, asking whether changes in belief about posthumous survival have been accompanied by changes in tense-use.

Death and the Brewery Queen: Book 12 in the Kate Shackleton mysteries (Kate Shackleton Mysteries #12)

by Frances Brody

'Frances Brody has made it to the top rank of crime writers' Daily Mail'Brody's writing is like her central character Kate Shackleton: witty, acerbic and very, very perceptive' Ann Cleeves A call for helpIt's the spring of 1930 and Private Investigator Kate Shackleton responds to a call for help from the owner of Barleycorn Brewery in the North Riding of Yorkshire. The brewery's books don't add up, but when the one employee who may know what's really going on meets with a fatal accident, Kate's investigation intensifies.A second bodyOn the day of the brewery garden party, amidst celebrations for the newly crowned Yorkshire Brewery Queen, Kate opens the wrong door and finds herself staring at another body - and in danger of asphyxiation. A secret to die forIt's clear there are secrets somebody would kill to keep buried. And with the Brewey Queen's growing reputation bringing Barlycorn further into the spotlight, Kate's wit, skill and passion for truth are tested to the limits. Whether you've read the whole series, or are discovering the Kate Shackleton mysteries for the first time, this is the perfect page-turner for fans of Agatha Christie, Ann Granger and Jacqueline Winspear.What readers are saying about the Kate Shackleton mysteries:'Kate Shackleton is a splendid heroine' Ann Granger'Delightful' People's Friend'Frances Brody matches a heroine of free and independent spirit with a vivid evocation of time and place . . . a novel to cherish' Barry Turner, Daily Mail'Brody's excellent mystery splendidly captures the conflicts and attitudes of the time with well-developed characters' RT Book Reviews'Kate Shackleton joins Jacqueline Winspear's Maisie Dobbs in a subgroup of young, female amateur detectives who survived and were matured by their wartime experiences' Literary Review

Death and the Chaste Apprentice (Charlie Peace #1)

by Robert Barnard

The Ketterick Festival revolves around the Saracen’s Head, a Jacobean inn with its inn-yard and balconies miraculously preserved intact, due to the sloth of successive landlords. Here in festival time are performed the lesser-known masterpieces of Elizabethan and Jacobean theatre. This year it is The Chaste Apprentice of Bowe (a play of uncertain authorship, since no one owned up at the time). But the actors find that the Saracen’s Head has been transformed by its new landlord – an Australian know-all with an insatiable curiosity and an instinct for power. The loathsome Des’s activities bring him into conflict with actors, committee, even the performers of Adelaide di Birckenhead, the little-known Donizetti opera that is the other lynchpin of the Festival programme. So adept is Des at fomenting friction and ferreting in the undergrowth of private lives that it is not surprising that it all ends in biers. Barnard’s festive romp spares no one in the arts world, and even suggests a solution to a long-felt operatic want, showing once again why he has been called ‘a specialist in snide japery’ (Time Magazine), whose mysteries are ‘among the best’ (New York Times).

Death and the Conjuror

by Tom Mead

An enthralling locked-room murder mystery inspired by crime fiction of the Golden Age, Death and the Conjuror is the debut novel by acclaimed short-story writer Tom Mead.Selected as one of Publishers Weekly's Mysteries of the Year 2022. 1936, London. A celebrity psychiatrist is discovered dead in his locked study. There seems to be no way a killer could have escaped unseen. There are no clues, no witnesses, and no evidence of the murder weapon. Stumped by the confounding scene, Inspector Flint, the Scotland Yard detective on the case, calls on retired stage magician turned part-time sleuth Joseph Spector.Spector has a knack for explaining the inexplicable, but even he finds that there is more to this mystery than meets the eye. As he and the Inspector interview the colourful cast of suspects, they uncover no shortage of dark secrets... or motives for murder. And when a second murder occurs, this time in an impenetrable elevator, they realize the crime wave will become even more deadly unless they can catch the culprit soon.Reviews for Death and the Conjuror:'An intricate "impossible" crime that completely fooled me.' Peter Lovesey 'A sharply drawn period piece with memorable characters.' New York Times 'Mead's debut is a novel to intrigue and delight.' John Connolly 'A true delight for mystery lovers!' Charles Todd 'A witty reconstruction of the classic locked room mystery, Tom Mead's debut is a sheer delight.' Maxim Jakubowski 'Mead maintains suspense throughout, creating a creepy atmosphere en route to satisfying reveals.' Publishers Weekly 'A real treat for mystery fans.' Ragnar Jónasson 'A fiendishly clever puzzle wrapped in a beautiful, dark atmospheric story.' Victoria Dowd

Death and the Dancing Footman: Death And The Dancing Footman - Colour Scheme (The Ngaio Marsh Collection #11)

by Ngaio Marsh

A winter weekend ends in snowbound disaster in a novel which remains a favourite among Marsh readers.

Death and the Devil

by Frank Schätzing

Cologne, 1260. The great cathedral, the most ambitious building in all Christendom, is rising above the city. In its shadow seethes a society in ferment: traumatised Crusaders returning from the Holy Land, religious tensions poised to explode into violence, a burgeoning merchant class that despises the old aristocracy and is determined to seize power.Against this backdrop Jacob the Fox, a flame-haired petty thief, witnesses a murder - the cathedral's architect, pushed to his death from the scaffold by a black-clad assassin. Soon Jacob is on the run, convinced the Angel of Death is on his trail, as the killer pursues him through medieval Cologne's seedy underworld. To survive he must uncover a vengeful conspiracy that threatens to tear the city apart and stain the sacred project with blood.

Death and the Early Modern Englishwoman

by Lucinda M. Becker

This study explores the female experience of death in early modern England. By tracing attitudes towards gender through the occasion of death, it advances our understanding of the construction of femininity in the period. Becker illustrates how dying could be a positive event for a woman, and for her mourners, in terms of how it allowed her to be defined, enabled and elevated. The first part of the book gives a cultural and historical overview of death in early modern England, examining the means by which human mortality was confronted, and how the fear of death and dying could be used to uphold the mores of society. Becker explores particularly the female experience of death, and how women used the deathbed as a place of power from which to bestow dying maternal blessings, or leave instructions and advice for their survivors. The second part of the study looks at 'good' and 'bad' female deaths. The author discusses the motivation behind the reporting of the deaths and the veracity of such accounts, and highlights the ways in which they could be used for religious, political and patriarchal purposes. The third section of the book considers how death could, paradoxically, liberate a woman. In this section Becker evaluates the opportunity for female involvement in dying and posthumous rituals, including funeral rites and sermons, commemorative and autobiographical writing and literary legacies. While accounts of dying women largely underpinned the existing patriarchy, the experience of dying allowed some women to express themselves by allowing them to utilise an established male discourse. This opportunity for expression, along with the power of the deathbed, are the focus for this study.

Death and the Early Modern Englishwoman

by Lucinda M. Becker

This study explores the female experience of death in early modern England. By tracing attitudes towards gender through the occasion of death, it advances our understanding of the construction of femininity in the period. Becker illustrates how dying could be a positive event for a woman, and for her mourners, in terms of how it allowed her to be defined, enabled and elevated. The first part of the book gives a cultural and historical overview of death in early modern England, examining the means by which human mortality was confronted, and how the fear of death and dying could be used to uphold the mores of society. Becker explores particularly the female experience of death, and how women used the deathbed as a place of power from which to bestow dying maternal blessings, or leave instructions and advice for their survivors. The second part of the study looks at 'good' and 'bad' female deaths. The author discusses the motivation behind the reporting of the deaths and the veracity of such accounts, and highlights the ways in which they could be used for religious, political and patriarchal purposes. The third section of the book considers how death could, paradoxically, liberate a woman. In this section Becker evaluates the opportunity for female involvement in dying and posthumous rituals, including funeral rites and sermons, commemorative and autobiographical writing and literary legacies. While accounts of dying women largely underpinned the existing patriarchy, the experience of dying allowed some women to express themselves by allowing them to utilise an established male discourse. This opportunity for expression, along with the power of the deathbed, are the focus for this study.

Death and the Joyful Woman (The Felse Investigations #2)

by Ellis Peters

No case is too strange or too baffling for the policeman George Felse and his son, Dominic. Over 13 instalments and two decades, the Felse Investigations will take them from their home on the Welsh Borders to the southernmost tip of India. Is vulgarity grounds for murder? Alfred Armiger had antagonised many with his greed and crass acquisitiveness. So when the ruthless beer baron is discovered dead, his head beaten in by a magnum of champagne, there is no shortage of suspects. All of Comerford is shocked when Detective George Felse arrests Kitty Norris, the daughter of a rival beer baron, the last person to see Armiger alive, and the main beneficiary of his will. But Kitty, charming and popular, has an unexpected advocate in Felse's young son, Dominic, who is secretly in love with her. Passionately convinced of Kitty's innocence, Dominic sets out to find the true culprit, a hazardous undertaking that might well cost him his life.

Death and the Jubilee (Lord Francis Powerscourt #2)

by David Dickinson

Find a murderer - and save the Queen's Jubilee!It is 1897 and the London is preparing for Queen Victoria's Diamond Jubilee. But a corpse is with no head or hands is dragged out of the Thames. The dead man was old and proserously dressed, but there are no other clues to his identity and the police ask for the discreet assistance of Lord Francis Powerscourt.His investigation leads him to a mysterious mansion in Oxfordshire, with classical temples in the gardens and in the house, a second corpse killed in a fire. On the track of the murderer, Powerscourt realizes that both he and his family are in mortal danger - and the outcome could wreck the Queen's Diamond Jubilee...

Death and the Labyrinth

by Michel Foucault James Faubion Charles Ruas

Death and the Labyrinth is unique, being Foucault's only work on literature. For Foucault this was "by far the book I wrote most easily and with the greatest pleasure". Here, Foucault explores theory, criticism and psychology through the texts of Raymond Roussel, one of the fathers of experimental writing, whose work has been celebrated by the likes of Cocteau, Duchamp, Breton, Robbe Grillet, Gide and Giacometti.This revised edition includes an introduction, chronology and bibliography to Foucault's work by James Faubion, an interview with Foucault, conducted only nine months before his death, and concludes with an essay on Roussel by the poet John Ashbery.

Death and the Lit Chick (The St. Just Mysteries #Bk. 2)

by G.M. Malliet

Wildly successful chick lit mystery writer Kimberlee Kalder is the guest of honour at an exclusive writers’ conference at Dalmorton Castle in Scotland. But the fun ends when Kimberlee is found dead at the bottom of the castle’s bottle dungeon. Who didn’t want to see prima donna Kimberlee brutally extinguished like one of her ill-fated characters? It’s up to Detective Chief Inspector St. Just to track down the true killer in a castle full of cagey mystery connoisseurs who live and breathe malicious murder and artful alibis . . .

Death and the Maiden: A Mrs. Bradley Mystery (Rue Morgue Vintage Mysteries Ser.)

by Gladys Mitchell

A VINTAGE MURDER MYSTERYRediscover Gladys Mitchell – one of the 'Big Three' female crime fiction writers alongside Agatha Christie and Dorothy L. Sayers.When former banana-grower Edris Tidson hears of the possible sighting of a water-naiad he insists that his wife, her aunt Prissie and Prissie's young ward Connie, travel with him to Winchester in search of the nymph. As tensions rise between Connie and Edris, Prissie invites the renowned psychoanalyst, and unrivalled detective, Mrs Bradley to join them and unofficially observe Edris and his growing obsession. Then two young boys are found drowned and speculation mounts that the naiad is luring them to her deaths. Can Mrs Bradley unravel the mysteries hidden within the river?Opinionated, unconventional, unafraid... If you like Poirot and Miss Marple, you’ll love Mrs Bradley.

Death and the Olive Grove: Book Two (Inspector Bordelli #2)

by Marco Vichi

April 1964, but spring hasn't quite sprung. The bad weather seems suited to nothing but bad news. And bad news is coming to the police station.

Death and the Optimistic Prophecy in Vergil's AENEID (PDF)

by James J. O'Hara

Here James O'Hara shows how the deceptive nature of prophecy in the Aeneid complicates assessment of the poem's attitude toward its hero's achievement and toward the future of Rome under Augustus Caesar. This close study of the language and rhetorical context of the prophecies reveals that they regularly suppress discouraging material: the gods send promising messages to Aeneas and others to spur them on in their struggles, but these struggles often lead to untimely deaths or other disasters only darkly hinted at by the prophecies. O'Hara finds in these prophecies a persistent subtext that both stresses the human cost of Aeneas' mission and casts doubt on Jupiter's promise to Venus of an "endless empire" for the Romans. O'Hara considers the major prophecies that look confidently toward Augustus' Rome from the standpoint of Vergil's readers, who, like the characters within the poem, must struggle with the possibility that the optimism of the prophecies of Rome is undercut by darker material partially suppressed. The study shows that Vergil links the deception of his characters to the deceptiveness of Roman oratory, politics, and religion, and to the artifice of poetry itself. In response to recent debates about whether the Aeneid is optimistic or pessimistic, O'Hara argues that Vergil expresses both the Romans' hope for the peace of a Golden Age under Augustus and their fear that this hope might be illusory.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Death and the Penguin: A blackly comic, bittersweet satirical novel about Ukraine (Melville International Crime Ser.)

by Andrey Kurkov

A BBC Two Between the Covers Pick'A tragicomic masterpiece' Daily TelegraphAll that stands between one man and murder by the mafia is a penguin.Viktor is an aspiring writer in Ukraine with only Misha, his pet penguin, for company.Although Viktor would prefer to write short stories, he earns a living composing obituaries for a newspaper. He longs to see his work published, yet the subjects of his obituaries continue to cling to life.But when Viktor opens the newspaper to see his work in print for the first time, his pride swiftly turns to terror. Viktor and Misha have been drawn into a trap from which there appears to be no escape.'A striking portrait of post-Soviet isolation... In this bleak moral landscape Kurkov manages to find ample refuge for his dark humour' New York Times

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