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Eleanor Davies: Printed Writings 1500–1640: Series I, Part Two, Volume 3 (The Early Modern Englishwoman: A Facsimile Library of Essential Works & Printed Writings, 1500-1640: Series I, Part Two)
by Teresa FeroliLittle is known of the upbringing of Lady Eleanor Davies, what is known is that her life was mired in both flamboyant personal conflict and in the notoriety of the Castlehaven scandal (resulting in the execution of her brother), and that her writings were embroiled in political affairs. Married in 1609 to Sir John Davies, her husband tried to discourage her prophetic writing and burned her early treatises. Her second husband, Sir Archibald Douglas was equally critical. Once free from the censorship of her husbands, her prophetic career spanned the years between 1625 and 1652. During that time she published some 69 treatises, spent years in prison, and some time in Bedlam, and made astonishing predictions on a wide range of subjects. Viewed as both an inspired seer and a mad ’ladie’ by her contemporaries, Lady Eleanor has received a great deal of scholarly attention, not least of all because of her densely allusive and complex prose style. Reproduced here is the 1625 treatise A Warning to the Dragon and all his Angels which is a classic example of the kind of apocalyptic writing that predominates in late-sixteenth- and early-seventeenth-century England. All the kings of the earth shall prayse thee (1633) is one of three texts that Lady Eleanor had printed in Amsterdam and is an exegetical treatise on the visions of Daniel. Woe to the House (1633) is the first of Lady Eleanor’s four treatises that defended the innocence of her brother, Mervin Touchet.
Eleanor Davies, Writings 1641–1646: Printed Writings, 1641–1700: Series II, Part Four, Volume 5 (The Early Modern Englishwoman: A Facsimile Library of Essential Works & Printed Writings, 1641-1700: Series II, Part Four)
by Teresa FeroliIn 1625 Lady Eleanor Davies' life took a dramatic turn when, by her account in 1641, a "Heavenly voice" told her "There is Ninteene yeares and a halfe to the day of Judgement, and you as the meek Virgin". That same year she published her first treatise, A Warning to the Dragon, initiating her controversial career as a writer of prophetic tracts. Between 1641 and 1652 she would produce some 66 of them, using the Bible to gauge the cosmic significance of events, great and small, taking place in her nation and in her personal life. They focus on a complex of personal and political events that Lady Eleanor thought indicated the fast approach of the "last days" foretold by the biblical prophets Daniel and John of Patmos. A complement to Teresa Feroli's facsimile edition of Eleanor Davies' pre-1640 texts (Ashgate, 2000), this pair of volumes reproduces 60 texts from the corpus of 66 printed between 1641 and 1652.
Eleanor Davies, Writings 1641–1646: Printed Writings, 1641–1700: Series II, Part Four, Volume 5 (The Early Modern Englishwoman: A Facsimile Library of Essential Works & Printed Writings, 1641-1700: Series II, Part Four)
by Teresa FeroliIn 1625 Lady Eleanor Davies' life took a dramatic turn when, by her account in 1641, a "Heavenly voice" told her "There is Ninteene yeares and a halfe to the day of Judgement, and you as the meek Virgin". That same year she published her first treatise, A Warning to the Dragon, initiating her controversial career as a writer of prophetic tracts. Between 1641 and 1652 she would produce some 66 of them, using the Bible to gauge the cosmic significance of events, great and small, taking place in her nation and in her personal life. They focus on a complex of personal and political events that Lady Eleanor thought indicated the fast approach of the "last days" foretold by the biblical prophets Daniel and John of Patmos. A complement to Teresa Feroli's facsimile edition of Eleanor Davies' pre-1640 texts (Ashgate, 2000), this pair of volumes reproduces 60 texts from the corpus of 66 printed between 1641 and 1652.
Eleanor Davies, Writings 1647–1652: Printed Writings, 1641–1700: Series II, Part Four, Volume 6 (The Early Modern Englishwoman: A Facsimile Library of Essential Works & Printed Writings, 1641-1700: Series II, Part Four)
by Teresa FeroliIn 1625 Lady Eleanor Davies' life took a dramatic turn when, by her account in 1641, a "Heavenly voice" told her "There is Ninteene yeares and a halfe to the day of Judgement, and you as the meek Virgin". That same year she published her first treatise, A Warning to the Dragon, initiating her controversial career as a writer of prophetic tracts. Between 1641 and 1652 she would produce some 66 of them, using the Bible to gauge the cosmic significance of events, great and small, taking place in her nation and in her personal life. They focus on a complex of personal and political events that Lady Eleanor thought indicated the fast approach of the "last days" foretold by the biblical prophets Daniel and John of Patmos. A complement to Teresa Feroli's facsimile edition of Eleanor Davies' pre-1640 texts (Ashgate, 2000), this pair of volumes reproduces 60 texts from the corpus of 66 printed between 1641 and 1652.
Eleanor Davies, Writings 1647–1652: Printed Writings, 1641–1700: Series II, Part Four, Volume 6 (The Early Modern Englishwoman: A Facsimile Library of Essential Works & Printed Writings, 1641-1700: Series II, Part Four)
by Teresa FeroliIn 1625 Lady Eleanor Davies' life took a dramatic turn when, by her account in 1641, a "Heavenly voice" told her "There is Ninteene yeares and a halfe to the day of Judgement, and you as the meek Virgin". That same year she published her first treatise, A Warning to the Dragon, initiating her controversial career as a writer of prophetic tracts. Between 1641 and 1652 she would produce some 66 of them, using the Bible to gauge the cosmic significance of events, great and small, taking place in her nation and in her personal life. They focus on a complex of personal and political events that Lady Eleanor thought indicated the fast approach of the "last days" foretold by the biblical prophets Daniel and John of Patmos. A complement to Teresa Feroli's facsimile edition of Eleanor Davies' pre-1640 texts (Ashgate, 2000), this pair of volumes reproduces 60 texts from the corpus of 66 printed between 1641 and 1652.
Eleanor Marx: Life, Work, Contacts (The Nineteenth Century Series)
by John StokesKarl Marx's youngest daughter Eleanor (1855-98) is one of the most significant figures in the cultural politics of the late nineteenth century. As a feminist and radical socialist she never flinched from confrontation; as an aspiring actress, working journalist and literary translator she advanced contemporary understanding of Flaubert, Ibsen and Shakespeare. This collection of newly commissioned essays helps to establish the full extent of her outstanding achievements.
Eleanor Marx: Life, Work, Contacts (The Nineteenth Century Series)
by John StokesKarl Marx's youngest daughter Eleanor (1855-98) is one of the most significant figures in the cultural politics of the late nineteenth century. As a feminist and radical socialist she never flinched from confrontation; as an aspiring actress, working journalist and literary translator she advanced contemporary understanding of Flaubert, Ibsen and Shakespeare. This collection of newly commissioned essays helps to establish the full extent of her outstanding achievements.
Eleanor of Aquitaine: Lord and Lady (The New Middle Ages)
by B. Wheeler John C. ParsonsEleanor's patrilineal descent, from a lineage already prestigious enough to have produced an empress in the eleventh century, gave her the lordship of Aquitaine. But marriage re-emphasized her sex which, in the medieval scheme of gender-power relations relegated her to the position of Lady in relation to her Lordly husbands. In this collection, essays provide a context for Eleanor's life and further an evolving understanding of Eleanor's multifaceted career. A valuable collection on the greatest heiress of the medieval period.
Eleanor Oliphant is Completely Fine: A Novel
by Gail HoneymanOver 2.5 million copies sold ‘Funny, touching and unpredictable’ Jojo Moyes ‘Heartwrenching and wonderful’ Nina Stibbe Winner of Costa First Novel Award, a No.1 Sunday Times bestseller and the Book of the Year
Eleanor & Park: Exclusive Special Edition
by Rainbow Rowell'Reminded me not just what it's like to be young and in love, but what it's like to be young and in love with a book' John Green, author of The Fault in our StarsEleanor is the new girl in town, and she's never felt more alone. All mismatched clothes, mad red hair and chaotic home life, she couldn't stick out more if she tried.Park is the boy at the back of the bus, Black T-shirts, headphones, head in a book - he thinks he's made himself invisible. But not to Eleanor...never to Eleanor. Slowly, steadily, through late-night conversations and an ever-growing stack of mix tapes, Eleanor and Park fall in love. They fall in love the way you do the first time, when you're 16, and you have nothing and everything to lose.Set over the course of one school year in 1986, Eleanor & Park is funny, sad, shocking and true - an exquisite nostalgia trip for anyone who has never forgotten their first love.
Eleanor Rigby
by Douglas CouplandFollowing the hugely acclaimed bestseller Hey Nostradamus! comes a major novel from Douglas Coupland: the wonderfully warm, funny, life-affirming story of Liz Dunn, a woman who has spent her whole life alone and lonely – until now… This is a brilliant work of commercial literary fiction from an author who just gets better and better.
Eleanor Rigby: A Novel (Narrativa (milan, Italy) Ser. #Vol. 312)
by Douglas CouplandEleanor Rigby is the story of Liz, a self-described drab, overweight, crabby, and friendless middle-aged woman, and her unlikely reunion with the charming and strange son she gave up for adoption. His arrival changes everything, and sets in motion a rapid-fire plot with all the twists and turns we expect of Coupland. By turns funny and heartbreaking, Eleanor Rigby is a fast-paced read and a haunting exploration of the ways in which loneliness affects us all.
Eleanor the Snow White Fairy: The Fairytale Fairies Book 2 (Rainbow Magic #2)
by Daisy MeadowsGet ready for an exciting fairy adventure with the no. 1 bestselling series for girls aged 5 and up. Kirsty and Rachel are having a wonderful time at the Fairytale Festival. But Jack Frost has stolen Fairytale Fairies' magical objects, and now Fairytale characters are lost in the human world! Can Rachel and Kirsty help find them and keep fairytales everywhere magical? 'These stories are magic; they turn children into readers!' ReadingZone.com Read all four fairy adventures in the Fairytale Fairies set! Julia the Sleeping Beauty Fairy; Eleanor the Snow White Fairy; Faith the Cinderella Fairy; Lacey the Little Mermaid Fairy. If you like Rainbow Magic, check out Daisy Meadows' other series: Magic Animal Friends and Unicorn Magic!
Eleanor's Secret
by Caroline BeechamCan Eleanor follow her heart in troubled times?Eleanor Roy is determined to do her bit for the war effort after being recruited by the War Artist Advisory Committee. When she meets handsome artist Jack Valante, her dreams seem to be finally coming true when Jack promises to help her pursue her ambition of becoming an artist. But after a whirlwind romance, Eleanor is devastated when Jack is posted overseas.When Eleanor receives some unexpected news she desperately tries to find Jack. But with the young couple torn apart by war, will they be reunited and find happiness at last?A heartwarming wartime saga perfect for fans of Ellie Dean and Nancy Revell.
Elect (Eagle Elite #2)
by Rachel Van DykenWould you die for the one you love?Nixon Abandonato made his choice. And now he has to pay the price. Tracey is the love of his life, but being with him has made her a target of his family's enemies. The only way to keep Trace alive is convince the world she means nothing to him. Trace Rooks has fallen irrevocably in love with the son of her family's sworn rival, and she knows in her bones nothing can tear them apart. Until Nix suddenly pushes her away and into the arms of his best friend... But Trace isn't ready to give up on a future with Nix--and if he won't fight for them, she will. In the end, a sacrifice must be made. A life for a life. For what better way to cover a multitude of sins than with the blood of a sinner . . .
The Elected Member
by Bernice RubensNorman is the clever one of a close-knit Jewish family in the East End of London. Infant prodigy; brilliant barrister; the apple of his parents' eyes . . . until at forty-one he becomes a drug addict, confined to his bedroom, at the mercy of his hallucinations and paranoia.For Norman, his committal to a mental hospital represents the ultimate act of betrayal. For Rbbi Zweck, Norman's father, his son's deterioration is a bitter reminder of his own guilt and failure. Only Bella, the unmarried sister, still in her childhood white ankle socks, can reach across the abyss of pain to bring father and son the elusive peace which they both desperately crave.
Election
by Tom PerrottaA brilliantly funny novel from the author of ‘The Abstinence Teacher’ and ‘Little Children’, made into an acclaimed film starring Reece Witherspoon and Matthew Broderick.
Elective Affinities: A Novel (classic Reprint) (Penguin Classics Series)
by R. J. Hollingdale Johann Wolfgang GoetheEduard and Charlotte are an aristocratic couple who live a harmonious but idle life in their estate. But the peace of their existence is thrown into chaos when two visitors - Eduard's friend the Captain and Charlotte's passionate young ward Ottilie - provoke unexpected attraction and forbidden love. Taking its title from the principle of elective affinities - the theory that certain chemicals are naturally drawn to one another - this is a penetrating study of marriage and adultery. Inspired by Goethe's own conflicting loyalties as he battled to maintain his relationship with his wife and control his feelings for a younger woman, Elective Affinities is one of the greatest works of the romance era: a rich exploration of love, conflict, and the inescapable force of fate.
Electra: Graece Et Latine Recensuit Prosper Petronius (Dian Classical Texts Ser. #Vol. 5)
by Nick PayneWhen a young Electra’s father is murdered by her mother, her world changes irrevocably. Ten years on, bound by grief and unwilling to forgive, Electra surrenders to an all-consuming desire for revenge that propels her towards a bloody and terrifying conclusion. This is a haunting new version by Nick Payne of Sophocles’ tragic masterpiece, Electra.‘Nick Payne’s urgent new version of Sophocles' Electra is another in a long line of boundary breaking offerings…. Payne [is] one of our brightest new playwrights… Electra-fying’ - The Evening Standard ‘Poised and punchy’ – The Arts Desk
Electra
by SophoclesMasterpiece of drama concerns the revenge Electra takes on her mother for the murder of her father. One of the best-known heroines of all drama and a towering figure of Greek tragedy.
Electra (Greek Tragedy in New Translations)
by SophoclesBased on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the general editorship of Peter Burian and Alan Shapiro, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the play. Although it has been at times overshadowed by his more famous Oedipus Tyrannus and Antigone, Sophocles' Electra is remarkable for its extreme emotions and taut drama. Electra recounts the murders of Clytemnestra and Aegisthus by Clytemnestra's son Orestes, to avenge their murder of his father Agamemnon, commander of the Greeks at Troy, upon his return home. Sophocles' version is presented from the viewpoint of Electra, Orestes' sister, who laments her father, bears witness to her mother's crime, and for years endures her mother's scorn. Despite her overwhelming passion for just revenge, Electra admits that her own actions are shameful. When Orestes arrives at last, her mood shifts from grief to joy, as Orestes carries out the bloody vengeance. Sophocles presents this story as a savage though necessary act of vengeance, vividly depicting Electra's grief, anger, and exultation. This translation equals the original in ferocity of expression, and leaves intact the inarticulate cries of suffering and joy that fill the play.
Electra (Greek Tragedy in New Translations)
by SophoclesBased on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the general editorship of Peter Burian and Alan Shapiro, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the play. Although it has been at times overshadowed by his more famous Oedipus Tyrannus and Antigone, Sophocles' Electra is remarkable for its extreme emotions and taut drama. Electra recounts the murders of Clytemnestra and Aegisthus by Clytemnestra's son Orestes, to avenge their murder of his father Agamemnon, commander of the Greeks at Troy, upon his return home. Sophocles' version is presented from the viewpoint of Electra, Orestes' sister, who laments her father, bears witness to her mother's crime, and for years endures her mother's scorn. Despite her overwhelming passion for just revenge, Electra admits that her own actions are shameful. When Orestes arrives at last, her mood shifts from grief to joy, as Orestes carries out the bloody vengeance. Sophocles presents this story as a savage though necessary act of vengeance, vividly depicting Electra's grief, anger, and exultation. This translation equals the original in ferocity of expression, and leaves intact the inarticulate cries of suffering and joy that fill the play.
ELECTRA (Oberon Modern Plays)
by John WardDumbWise Theatre presents ELECTRA by Sophocles in a new version by John Ward.A Mother clings to power whilst her Daughter screams murder.An estranged Son is coming home.A bloody family saga sprawling decades is about to reach its conclusion.Everything is about to change.A Queen masterminds the murder of her Husband and takes the throne with her new lover. Her Daughter, Electra, grows up in the grip of a cruel regime, swearing revenge. Her Son Orestes, exiled as a boy and raised in the arms of the rebels, waits to embark on a holy mission to reclaim his country.Two decades later a twist of fate brings Brother and Sister together; united by hate but divided by faith. With the country on the brink of civil war, the most powerful family in the Kingdom are torn apart from the inside as their dark past once again becomes the present.The revolution will be televised, but are The Gods watching?DumbWise reinvent the murderous Greek myth of power and prophecy as a lyrical modern epic with a live punk-rock score.
Electra and Other Plays: Electra And Other Plays (Penguin Classics Series)
by Sophocles David Raeburn Pat EasterlingSophocles’ innovative plays transformed Greek myths into dramas featuring complex human characters, through which he explored profound moral issues. Electra portrays the grief of a young woman for her father Agamemnon, who has been killed by her mother’s lover. Aeschylus and Euripides also dramatized this story, but the objectivity and humanity of Sophocles’ version provides a new perspective. Depicting the fall of a great hero, Ajax examines the enigma of power and weakness combined in one being, while the Women of Trachis portrays the tragic love and error of Heracles’ deserted wife Deianeira, and Philoctetes deals with the conflict between physical force and moral strength.
Electra and the Empty Urn: Metatheater and Role Playing in Sophocles
by Mark RingerMetatheater, or "theater within theater," is a critical approach often used in studies of Shakespearian or modern drama. Breaking new ground in the study of ancient Greek tragedy, Mark Ringer applies the concept of metatheatricality to the work of Sophocles. His innovative analysis sheds light on Sophocles' technical ingenuity and reveals previously unrecognized facets of fifth-century performative irony. Ringer analyzes the layers of theatrical self-awareness in all sevenSophoclean tragedies, giving special attention to Electra, theplaywright's most metatheatrical work. He focuses on plays within plays,characters who appear to be in rivalry with their playwright in "scripting"their dramas, and the various roles that characters assume in their attempts to deceive other characters or even themselves. Ringer also examines instances of literal role playing, exploring the implications of the Greek convention of sharing multiple roles among only three actors.Sophocles has long been praised as one of the masters of dramaticirony. Awareness of Sophoclean metatheater, Ringer shows, deepens our appreciation of that irony and reveals the playwright's keen awareness of his art.Originally published in 1998.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.