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Element Of Risk (Mills And Boon Vintage 90s Modern Ser.)

"I thought I was rid of you - why the hell did you have to come back?" It was eleven years - two lifetimes ago - since Perdita Gladstone and Luke Dennison had met last. Now the legacy of their shared past required another encounter. Perdita was no longer a gawky girl, but an assured woman with an international career.

Elemental: An Elementals Novella #0.5 (Elementals Ser. #4)

As an air Elemental, 17-year-old Emily Morgan doesn’t have much power. That’s okay—she knows what happens to kids who do.Like Michael Merrick. He’s an earth Elemental, one with enough power to level cities. Which makes him sexy, dangerous, and completely off limits. At least according to Emily’s family.But her summer job puts her in close contact with Michael, and neither of them can help the attraction they feel. When forces of nature like theirs collide, one misstep could get someone killed. Because Emily’s family doesn’t just want her to stay away from him.They want him dead.

Elemental Desire (Mills And Boon Nocturne Cravings Ser.)

Only one woman can bring him to his knees…

The Elemental Dialectic of Light and Darkness: The Passions of the Soul in the Onto-Poiesis of Life (Analecta Husserliana #38)

The dialectic of light and darkness studied in this collection of essays reveals itself as a primal factor of life as well as the essential element of the specifically human world. From its borderline position between physis and psyche, natural growth and techne, bios and ethos, it functions as the essential factor in all the sectors of life at large. We see its crucial role in all sectors of life while, prompted by man's creative imagination, it enhances and spurs his vital as well as societal and spiritual life. This rare collection contains studies by Thomas Ryba, Krystina Górniak-Kocikowska, Lois Oppenheim, Sydney Feshback, Eldon van Lieve, Sitansu Ray, Theodore Litman, Peter Morgan, Colette Michael, Christopher Lalonde, L. Findlay, Christopher Eykman, Beverly Schlack Randles, Jorge García-Gómez, William Haney, Sherilyn Abdoo, David Brottman, Alan Pratt, Hans Rudnick, George Scheper, Freema Gottlieb, Marlies Kronegger.

Elemental Island

*Silver medal winner in the 'Middle Grades Fiction' category of the Nautilus Book Awards 2015* Astie has always been different. Her 12th birthday is looming and she still has not decided on her thesis. All the Learners at the Hub picked theirs years ago. If it wasn't for her cousin, Jakob, life would be unbearable on Elemental Island. On the verge of being diagnosed with Social Syndrome, she stumbles upon Danny who has landed in a forbidden flight machine. To protect him, Astie persuades Jakob to tamper with the Overseer's memory. On the run from the Monitors together, Astie calls on her unique qualities to forge a friendship with the stranger and discover his reason for coming to the island. What she finds will shake the foundations of the place she calls home. Set on a secretive island utopia where science and logic rule, this intriguing novel explores and celebrates differences in people from an alternative perspective. It is engaging reading for children aged 8-13.

Elemental Island (PDF)

*Silver medal winner in the 'Middle Grades Fiction' category of the Nautilus Book Awards 2015* Astie has always been different. Her 12th birthday is looming and she still has not decided on her thesis. All the Learners at the Hub picked theirs years ago. If it wasn't for her cousin, Jakob, life would be unbearable on Elemental Island. On the verge of being diagnosed with Social Syndrome, she stumbles upon Danny who has landed in a forbidden flight machine. To protect him, Astie persuades Jakob to tamper with the Overseer's memory. On the run from the Monitors together, Astie calls on her unique qualities to forge a friendship with the stranger and discover his reason for coming to the island. What she finds will shake the foundations of the place she calls home. Set on a secretive island utopia where science and logic rule, this intriguing novel explores and celebrates differences in people from an alternative perspective. It is engaging reading for children aged 8-13.

The Elemental Passion for Place in the Ontopoiesis of Life: Passions of the Soul in the Imaginatio Creatrix (Analecta Husserliana #44)

Elemental Passions

First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.

Elemental Passions (European Thought Ser.)

First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.

Elementals: Stories of Fire and Ice (Vintage International Series)

In the same delectable format as The Matisse Stories, this collection deals with betrayal and loyalty, quests and longings, loneliness and passion - the mysterious absences at the heart of the fullest lives. A scholar pursues an elusive biographer, stumbling upon buried fragments of distant lives; a woman walks out of her previous existence and encounters an ice-blond stranger from a secretive world; a schoolgirl draws a blood-filled picture of jael; a swimming pool reveals a beauteous monster in its depths. The settings range from the heart of Provence in summer to the cold forests of Scandinavia, form chalk-strewn classrooms to herbscented hillsides, from suburban streets to rocky wilds.

Elementals: Water

Six fabulous tales - vividly imagined and powerfully told.The shriek of the wind, calling the waters to rebel - and a silver man from the sea with a voice like the roar of a seashell . . .A long-told story of the sea people and their song - and a golden eye, glittering in a pool at the edge of a desert . . .A ferocious serpent, its body as think as the trunk of a huge tree - and the immense, unknowable Kraken, dark beyond black, cold beyond ice, waking on the ocean floor . . .Immerse yourself in this mesmorising collection of short stories inspired buy the element of Water - and be swept away by the supurb storytelling skills of two major award-winning authors.

Elementary Murder (Lancashire Detective)

Secrets, salvation and a schooling in murder . . .1894, Wigan. Miss Dorothea Gadsworth is dismissed as candidate for a teaching position at George Street Elementary School. On Monday morning, the caretaker discovers her body in a locked classroom alongside a note. DS Michael Brennan is called in to investigate what appears to be a straightforward suicide, but his instincts tell him there is more going on than meets the eye. With a missing student and staff members with plenty to hide, DS Brennan, aided by the scowling Constable Jaggery, wrestles with the case. As the duo unravel the twisted web of secrets and lies, the death is linked to a terrible accident fifteen years ago that changed the lives of all involved.‘THE CHARACTERISATION IS EXCELLENT, THE PLOT IS CLEVER AND INTRICATELY INTERWOVEN AND THE PERIOD DETAIL IS SUPERB’ MYSTERY PEOPLE

Elements of Chance: A Novel

A woman of desire, a legacy of deceit, a fortune worth killing for. An opulent intricate, sizzling novel, Elements of Chance fulfils ever woman’s fantasy.

Elements of Surprise: Our Mental Limits and the Satisfactions of Plot

Why do some surprises delight—the endings of Agatha Christie novels, films like The Sixth Sense, the flash awareness that Pip’s benefactor is not (and never was!) Miss Havisham? Writing at the intersection of cognitive science and narrative pleasure, Vera Tobin explains how our brains conspire with stories to produce those revelatory plots that define a “well-made surprise.” By tracing the prevalence of surprise endings in both literary fiction and popular literature and showing how they exploit our mental limits, Tobin upends two common beliefs. The first is cognitive science’s tendency to consider biases a form of moral weakness and failure. The second is certain critics’ presumption that surprise endings are mere shallow gimmicks. The latter is simply not true, and the former tells at best half the story. Tobin shows that building a good plot twist is a complex art that reflects a sophisticated understanding of the human mind. Reading classic, popular, and obscure literature alongside the latest research in cognitive science, Tobin argues that a good surprise works by taking advantage of our mental limits. Elements of Surprise describes how cognitive biases, mental shortcuts, and quirks of memory conspire with stories to produce wondrous illusions, and also provides a sophisticated how-to guide for writers. In Tobin’s hands, the interactions of plot and cognition reveal the interdependencies of surprise, sympathy, and sense-making. The result is a new appreciation of the pleasures of being had.

Elements of Surprise: Our Mental Limits and the Satisfactions of Plot

Why do some surprises delight—the endings of Agatha Christie novels, films like The Sixth Sense, the flash awareness that Pip’s benefactor is not (and never was!) Miss Havisham? Writing at the intersection of cognitive science and narrative pleasure, Vera Tobin explains how our brains conspire with stories to produce those revelatory plots that define a “well-made surprise.” By tracing the prevalence of surprise endings in both literary fiction and popular literature and showing how they exploit our mental limits, Tobin upends two common beliefs. The first is cognitive science’s tendency to consider biases a form of moral weakness and failure. The second is certain critics’ presumption that surprise endings are mere shallow gimmicks. The latter is simply not true, and the former tells at best half the story. Tobin shows that building a good plot twist is a complex art that reflects a sophisticated understanding of the human mind. Reading classic, popular, and obscure literature alongside the latest research in cognitive science, Tobin argues that a good surprise works by taking advantage of our mental limits. Elements of Surprise describes how cognitive biases, mental shortcuts, and quirks of memory conspire with stories to produce wondrous illusions, and also provides a sophisticated how-to guide for writers. In Tobin’s hands, the interactions of plot and cognition reveal the interdependencies of surprise, sympathy, and sense-making. The result is a new appreciation of the pleasures of being had.

Elena Ferrante as World Literature (Literatures as World Literature)

Elena Ferrante as World Literature is the first English-language monograph on Italian writer Elena Ferrante, whose four Neapolitan Novels (2011-2014) became a global phenomenon. The book proposes that Ferrante constructs a theory of feminine experience which serves as the scaffolding for her own literary practice. Drawing on the writer's entire textual corpus to date, Stiliana Milkova examines the linguistic, psychical, and corporeal-spatial realities that constitute the female subjects Ferrante has theorized. At stake in Ferrante's theory/practice is the articulation of a feminine subjectivity that emerges from the structures of patriarchal oppression and that resists, bypasses, or subverts these very structures. Milkova's inquiry proceeds from Ferrante's theory of frantumaglia and smarginatura to explore mechanisms for controlling and containing the female body and mind, forms of female authorship and creativity, and corporeal negotiations of urban topography and patriarchal space. Elena Ferrante as World Literature sets forth an interdisciplinary framework for understanding Ferrante's texts and offers an account of her literary and cultural significance today.

Elena Ferrante as World Literature (Literatures as World Literature)

Elena Ferrante as World Literature is the first English-language monograph on Italian writer Elena Ferrante, whose four Neapolitan Novels (2011-2014) became a global phenomenon. The book proposes that Ferrante constructs a theory of feminine experience which serves as the scaffolding for her own literary practice. Drawing on the writer's entire textual corpus to date, Stiliana Milkova examines the linguistic, psychical, and corporeal-spatial realities that constitute the female subjects Ferrante has theorized. At stake in Ferrante's theory/practice is the articulation of a feminine subjectivity that emerges from the structures of patriarchal oppression and that resists, bypasses, or subverts these very structures. Milkova's inquiry proceeds from Ferrante's theory of frantumaglia and smarginatura to explore mechanisms for controlling and containing the female body and mind, forms of female authorship and creativity, and corporeal negotiations of urban topography and patriarchal space. Elena Ferrante as World Literature sets forth an interdisciplinary framework for understanding Ferrante's texts and offers an account of her literary and cultural significance today.

Elena Ferrante?s Key Words

“I greatly admire the work of Tiziana de Rogatis. She is a reader of deep refinement. Often I think that she knows my books better than I. So, I read her with admiration and remain silent.” —Elena Ferrante, in the magazine, San Lian Sheng HuoZhou KanFerrante’s four-volume novel cycle known in English as the Neapolitan quartet has become a global success, with over ten million readers in close to fifty countries. Her readers recount feeling “addicted” to the novels; they describe a pleasure in reading that is as rare as it is irresistible, a compulsion that leads them either to devour the books or to ration them so as to prolong the pleasure.De Rogatis here addresses that same transnational, diverse, transversal audience. Keywords is conceived as a lighted path made of luminous key words that synthesise the multiform aspects of Ferrante’s writing and guide us through the labyrinth of her global success.

Elen's Island

When Elen is sent to stay with her gran on a remote Welsh island for the summer she is furious. But then she finds a friend, a puffin and a treasure map and the holidays start to look up.

Elephant (Oberon Modern Plays)

Gurpreet Kaur Bhatti's return following the award-winning Behzti (Dishonour) and smash-hit Khandan (Family).“This is family. Real flesh and blood, not out of a catalogue or an Oxo advert.”Vira hasn't seen her sister Deesh for years. Deesh's kids, Amy and Bill, want to know why but nobody's telling them anything.When Deesh invites her sister to Amy's flashy party, Vira reckons it's time to come home and move on. Time to stop watching the telly, get out of her council flat, stick on a glitzy sari and embrace her nearest and dearest.But is it possible to forgive and forget? And when a family is built on lies, will it be destroyed by the truth?

The Elephant

'A beautiful book - not just heartwarming but heart healing' Chris RiddellA big grey elephant is following Olive's father around. It leaves with him for work and trails behind him when he comes home, keeping him heavy and sad. Every day, Olive wishes it would disappear.When she is asked to bring something old and wonderful to show her class, Olive immediately wants to bring her old bike - but she will need her father's help to fix it. Teaming up with her cheery grandad and best friend Arthur, she sets out to chase the elephant away.

Elephant

These seven stories were the last that Carver wrote. Among them is one of his longest, 'Errand', in which he imagines the death of Chekhov, a writer Carver hugely admired and to whose work his own was often compared. This fine story suggests that the greatest of modern short-story writers may, in the year before his untimely death, have been flexing his muscles for a longer work.

Elephant (Modern Plays)

'The men with the Piano look up the narrow staircase of our little flat and they turn to Dad, light their fags, and say; “We might have to take the windows out”.'A piano came through the sky and landed in Lylah's council flat, just for her. As she pours over the keys and sound floods into all the rooms, Lylah falls in love.At school, Lylah can't ask questions – she's got to be good, good, good or else she'll lose her scholarship. At home she can't ask questions; her cousins say she talks weird, and her parents are distracted. So she asks her piano: Where did you come from? Why are you here? And their shared history tumbles into the light. Part gig, part piano lesson, part journey through Empire – Elephant is a powerful new play from Anoushka Lucas. This edition is published to coincide with the world premiere at the Bush Theatre, London, in October 2022.

Elephant (Modern Plays)

'The men with the Piano look up the narrow staircase of our little flat and they turn to Dad, light their fags, and say; “We might have to take the windows out”.'A piano came through the sky and landed in Lylah's council flat, just for her. As she pours over the keys and sound floods into all the rooms, Lylah falls in love.At school, Lylah can't ask questions – she's got to be good, good, good or else she'll lose her scholarship. At home she can't ask questions; her cousins say she talks weird, and her parents are distracted. So she asks her piano: Where did you come from? Why are you here? And their shared history tumbles into the light. Part gig, part piano lesson, part journey through Empire – Elephant is a powerful new play from Anoushka Lucas. This edition is published to coincide with the world premiere at the Bush Theatre, London, in October 2022.

Elephant (Modern Plays)

Winner of Best Writer at The Stage Debut Awards 2023"The men with the Piano look up the narrow staircase of our little flat and they turn to Dad, light their fags, and say; “We might have to take the windows out". A piano came through the sky and landed in Lylah's council flat, just for her. As she pours over the keys and sound floods into all the rooms, Lylah falls in love.At school, Lylah can't ask questions – she's got to be good, good, good or else she'll lose her scholarship. At home she can't ask questions; her cousins say she talks weird, and her parents are distracted. So she asks her piano: Where did you come from? Why are you here? And their shared history tumbles into the light.Part gig, part musical love story, part journey through Empire, this all-new expanded production of Olivier Award nominee Anoushka Lucas' “exquisite” (Evening Standard) Elephant transferred to the Bush Theatre's main house. This revised and expanded edition of the play accompanies the new 2023 production.