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Edward Said: A Critical Introduction (Key Contemporary Thinkers)
by Valerie KennedyEdward Said is one of the foremost thinkers writing today. His work as a literary and cultural critic, a political commentator, and the champion of the cause of Palestinian rights has given him a unique position in western intellectual life. This new book is a major exploration and assessment of his writings in all these main areas. Focusing on Said's insistence on the connection between literature, politics and culture, Kennedy offers an overview and assessment of the main strands of Said's work, drawing out the links and contradictions between each area. The book begins with an examination of Orientalism, one of the founding texts of post-colonial studies. Kennedy looks at the book in detail, probing both its strengths and weaknesses, and linking it to its sequel, Culture and Imperialism. She then examines Said's work on the Palestinian people, with his emphasis on the need for a Palestinian narrative to counter pro-Israeli accounts of the Middle East, and his searing criticisms of US, Israeli, and even Arab governments. The book closes with an examination of Said's importance in the field of post-colonial studies, notably colonial discourse analysis and post-colonial theory, and his significance as a public intellectual. This book will be of great interest to anyone studying post-colonialism, literary theory, politics, and the Middle East, as well as anyone interested in Said's writings.
Edward Said and the Authority of Literary Criticism
by Nicolas VandeviverThis book examines the earliest writings of Edward Said and the foundations of what came to be known as postcolonial criticism, in order to reveal how the groundbreaking author of Orientalism turned literary criticism into a form of political intervention. Tracing Said’s shifting conceptions of ‘literature’ and ‘agency’ in relation to the history of (American) literary studies in the thirty years or so between the end of World War II and the last quarter of the twentieth century, this book offers a rich and novel understanding of the critical practice of this indispensable figure and the institutional context from which it emerged. By combining broad-scale literary history with granular attention to the vocabulary of criticism, Nicolas Vandeviver brings to light the harmonizing of methodological conflicts that informs Said’s approach to literature; and argues that Said’s enduring political significance is grounded in his practice as a literary critic.
Edward Said and the Question of Subjectivity
by Pannian PrasadEdward Said and the Question of Subjectivity explores the notion of subjectivity implicated in and articulated by Said in his writings. Analyzing several of his major works, Pannian argues that there is a shift in Said's intellectual trajectory that takes place after the composition of Orientalism. In so doing, Said forthrightly attempts to retrieve a theoretical and political humanism, as Pannian identifies, despite the difficult and sanguinary aspects of its past. He elaborates upon Said's understanding that only after recognising the structures of violence and coming to discern strategies of interpellation, may the individual subject effectively resist them. Pannian also explores Said's ideas on exilic subjectivity, the role of intellectuals, acts of memory, critical secularism, affiliation and solidarity before dwelling on his interface with Marxist thinkers such as Antonio Gramsci, Theodor Adorno, and Raymond Williams. This engagement marks Said's own subject formation, and shapes his self-reflexive mode of knowledge production.
Edward Said's Concept of Exile: Identity and Cultural Migration in the Middle East (Written Culture and Identity)
by Rehnuma SazzadEdward Said was an exiled individual – the 'out of place' Palestinian in the USA. He saw the consequences of the 1948 dismantling of Palestine and the establishment of Israel through his parents' experiences and through the collective statelessness imposed on the Palestinians. His own personal experience of exile intensified when he moved to the USA. Yet despite the significance of exile to Said's lifeand work, no scholarship has yet focused on this theme in his writings or traced its ongoing applicability and importance. Rehnuma Sazzad fulfils this pressing need in literary and cultural research by providing the first comprehensive definition of Said's theory of exile and reveals its legacy in relation to five Middle Eastern intellectuals: Naguib Mahfouz, Mahmoud Darwish, Leila Ahmed, Nawal El Saadawi and Youssef Chahine. By selecting a novelist, poet, feminist, filmmaker and essayist, Sazzad shows how, for Said, the ideal intellectual is a metaphorical exile, demonstrating a willing homelessness. This book creates a portrait of redoubtable intellectual practice and in the twenty-first-century context, when the frontiers of belonging are being constantly redrawn, Edward Said's Concept of Exile adds new depths to discourses of resistance, home and identity.
Edward the Conqueror (A Roald Dahl Short Story)
by Roald DahlEdward the Conqueror is a brilliant gem of a short story from Roald Dahl, the master of the sting in the tail.In Edward the Conqueror, Roald Dahl, one of the world's favourite authors, tells a sinister story about the darker side of human nature. Here, a cat's curious behaviour comes between a husband and his wife . . .Edward the Conqueror is taken from the short story collection Kiss Kiss, which includes ten other devious and shocking stories, featuring the wife who pawns the mink coat from her lover with unexpected results; the priceless piece of furniture that is the subject of a deceitful bargain; a wronged woman taking revenge on her dead husband, and others.'Unnerving bedtime stories, subtle, proficient, hair-raising and done to a turn.' (San Francisco Chronicle )This story is also available as a Penguin digital audio download read by Juliet Stevenson.Roald Dahl, the brilliant and worldwide acclaimed author of Charlie and the Chocolate Factory, James and the Giant Peach, Matilda, and many more classics for children, also wrote scores of short stories for adults. These delightfully disturbing tales have often been filmed and were most recently the inspiration for the West End play, Roald Dahl's Twisted Tales by Jeremy Dyson. Roald Dahl's stories continue to make readers shiver today.
Edward Thomas: A Biography
by Dr Jean Moorcroft WilsonAlong with Sassoon and Wilfred Owen, Edward Thomas is by any reckoning a major first world war poet. A war poet is not one who chooses to commemorate or celebrate a war, but one who reacts against having a war thrust upon him. His great friend Robert Frost wrote 'his poetry is so very brave, so unconsciously brave.' Apart from a most illuminating understanding of his poetry, Dr Wilson shows how Thomas' life alone makes for absorbing reading: his early marriage, his dependence on laudanum, his friendships with Joseph Conrad, Edward Garnett, Rupert Brooke and Hilaire Belloc among others. The novelist Eleanor Farjeon entered into a curious menage a trois with him and his wife. He died in France in 1917, on the first day of the Battle of Arras. This is the stuff of which myths are made and posterity has been quick to oblige. But this has tended to obscure his true worth as a writer, as Dr Wilson argues.Edward Thomas's poems were not published until some months after his death, but they have never since been out of print. Described by Ted Hughes as 'the father of us all', Thomas's distinctively modern sensibility is probably the one most in tune with our twenty-first century outlook. He occupies a crucial place in the development of twentieth century poetry. This is the extraordinary life of a poetic genius.
Edward Thomas: A Biography
by Jean Moorcroft WilsonAlong with Sassoon and Wilfred Owen, Edward Thomas is by any reckoning a major first world war poet. A war poet is not one who chooses to commemorate or celebrate a war, but one who reacts against having a war thrust upon him. His great friend Robert Frost wrote 'his poetry is so very brave, so unconsciously brave.' Apart from a most illuminating understanding of his poetry, Dr Wilson shows how Thomas' life alone makes for absorbing reading: his early marriage, his dependence on laudanum, his friendships with Joseph Conrad, Edward Garnett, Rupert Brooke and Hilaire Belloc among others. The novelist Eleanor Farjeon entered into a curious menage a trois with him and his wife. He died in France in 1917, on the first day of the Battle of Arras. This is the stuff of which myths are made and posterity has been quick to oblige. But this has tended to obscure his true worth as a writer, as Dr Wilson argues.Edward Thomas's poems were not published until some months after his death, but they have never since been out of print. Described by Ted Hughes as 'the father of us all', Thomas's distinctively modern sensibility is probably the one most in tune with our twenty-first century outlook. He occupies a crucial place in the development of twentieth century poetry. This is the extraordinary life of a poetic genius.
Edward Thomas: Volume IV: Writings on Poetry (Edward Thomas Prose Writing Selected Edition)
Edward Thomas can be seen as the most important poetry critic in the early twentieth century. Thomas was a prose-writer before he was a poet. The Selected Edition of his prose, and especially this volume, shows that he was also a critic before he was a poet. His unusual literary career opens up key questions about the relation between poetry and criticism, as well as between poetry and prose. Thomas wrote books about poetry, but his criticism mainly took the form of reviews. He reviewed collections, editions, and studies of poetry, most regularly, for the Daily Chronicle and the Morning Post. These reviews amount to a unique commentary on the state of poetry and of poetry criticism after 1900. Since reviewing provided Thomas's main income, he also reviewed other kinds of book. Hence the sheer mass of his reviews, the stress he suffered as a literary journalist. Yet his criticism maintains an astonishingly high standard. Thomas's response to contemporary poetry intersects with his readings of older poetry. No critic or poet of the time was so deeply acquainted with the traditions of English-language poetry or so alert to new poetic movements in Ireland and America. Edward Thomas's writings on poetry have a double importance. Besides suggesting the hidden evolution of his own aesthetic, they constitute a lost history and critique of poetry before the Great War. They change our assumptions about that period. Thomas's perspectives on poets such as Yeats, Hardy, Frost, Lawrence, and Pound illuminate the making of modern poetry.
Edward Trencom's Nose: A Novel of History, Dark Intrigue and Cheese
by Giles MiltonEdward Trencom has bumbled through life, relying on his trusty nose to turn the family cheese shop into the most celebrated fromagerie in England. But his world is turned upside down when he stumbles across a crate of family papers. To his horror, Edward discovers that nine previous generations of his family have come to sticky ends because of their noses. When he investigates further, Edward finds himself caught up in a Byzantine riddle to which there is no obvious answer . . . Giles Milton’s deliciously comic debut novel is a mouth-watering blend of Louis de Bernieres, Tom Sharpe and P. G. Wodehouse with every page permeated by the pungent odour of cheese. 'The pong of ripe Limburger lingers impressively' - Observer 'Comic novels are difficult to write: any old halfwit can produce 400 pages of stinking high seriousness, but it takes a real wit to manage 400 pages of mild, fragrant good humour' Guardian
Edward Upward and Left-Wing Literary Culture in Britain
by Benjamin KohlmannOffering the first book-length consideration of Edward Upward (1903-2009), one of the major British left-wing writers, this collection positions his life and works in the changing artistic, social and political contexts of the twentieth and early twenty-first centuries. Upward’s fiction and non-fiction, from the 1920s onwards, illustrate the thematic and formal richness of left-wing writing during the twentieth-century age of extremes. At the same time, Upward’s work shows the inherent tensions of a life committed at once to writing and to politics. The full range of Upward’s work and a wealth of unpublished materials are examined, including his early fantastic stories of the 1920s, his Marxist fiction of the 1930s, the extraordinary semi-autobiographical trilogy The Spiral Ascent and his formally and thematically innovative later stories. The essays collected here reevaluate Upward’s central place in twentieth-century British literary culture and assess his legacy for the twenty-first century.
Edward Upward and Left-Wing Literary Culture in Britain
by Benjamin KohlmannOffering the first book-length consideration of Edward Upward (1903-2009), one of the major British left-wing writers, this collection positions his life and works in the changing artistic, social and political contexts of the twentieth and early twenty-first centuries. Upward’s fiction and non-fiction, from the 1920s onwards, illustrate the thematic and formal richness of left-wing writing during the twentieth-century age of extremes. At the same time, Upward’s work shows the inherent tensions of a life committed at once to writing and to politics. The full range of Upward’s work and a wealth of unpublished materials are examined, including his early fantastic stories of the 1920s, his Marxist fiction of the 1930s, the extraordinary semi-autobiographical trilogy The Spiral Ascent and his formally and thematically innovative later stories. The essays collected here reevaluate Upward’s central place in twentieth-century British literary culture and assess his legacy for the twenty-first century.
Edwardian Bloomsbury: The Early Literary History of the Bloomsbury Group Volume 2
by S. Rosenbaum'This is the second volume of a formidable enterprise, and part of a series of publications by the same author that may entitle him to the position as the leading scholar of the Bloomsbury Group...Rosenbaum has managed to write with freshness and insight about Forster's novels, no matter how much they have been analyzed before...The next volume will deal with the effect of that exhibition upon the Group's writing and much more, I am sure, of its early literary history. The work is eagerly awaited.' - Peter Stanksy, English Literature in Transition 1880-1920 Edwardian Bloomsbury is a continuation of the early literary history of the Bloomsbury Group begun with Victorian Bloomsbury, but it can also be read independently as an account of the Group's interrelated writings during the first decade of the twentieth century.
The Edwardian Candlelight Omnibus
by M.C. BeatonPollyShe was a bewitching young girl, that pretty Polly Marsh, and she knew it. She also knew that beauty could be her passport into the castles where she had always known she belonged. So she set her sights for a duke and joined the firm of Westerman's as a stenographer. Surely one of that noble family would notice her and then all of her dreams would come true! The trouble with Pretty Polly Marsh was that she just didn't know her place. But others did, and were only too happy to remind her that dashing Lord Peter was merely playing at love when he appeared to be paying her court. The duchess was beside herself. Peter's brother, the starchy Marquis of Wollerton, was desperate to pry Peter from Polly's side. But Polly was determined to have Peter, and her dream. Peter wouldn't betray her, would he?MollyShe had dared to turn a cold shoulder on London's prize catch. She was a precocious American upstart who thought beauty, brains, and bravery were enough to conquer London society. Well, he'd show her! Nobody publicly (or privately!) spurned Lord David Manley, the most eligible bachelor in town. He was determined that soon she'd be trembling in his arms, desperately in love with the man she had dared to mock. David Manley always got his way, and Miss Molly Maguire presented a challenge he couldn't resist! But Lord David had never met anyone quite like this headstrong heiress who fought like the devil, looked like an angel, and had all of London society dangling on a string.GinnyPoor Ginny Bloggs! She had inherited a fortune, a magnificent country estate, and her benefactor's disgruntled relatives - a quartet of querulous schemers - who were horrified to find themselves suddenly at the mercy of a low, common girl; a total stranger - the coal merchant's daughter! Poor Ginny Bloggs! The handsome Lord Gerald de Fremney himself had pledged to keep the more unruly relatives in line. He thought he understood thoroughly modern women. Her reluctant guardians thought they understood society. Such was Ginny Bloggs; as delicate as a china doll, as bold as brass. She understood them all, and now she was going to teach them all what it meant to be a lady!TillyThe Beast; that was what they called her. With her plump body and rough tomboy ways, she felt more like a clown. It was hopeless. Poor penniless Tilly could only sit among the chaperons as a paid companion to the spiteful Lady Aileen. The best she could do was sit; sit and dream. But suddenly Phillip, Marquess of Heppleford, the most eligible bachelor of all - decided he wanted her for himself, to be his wife, and they were married. His intent was to keep his freedom, fulfill the conditions of his father's will, and shock his aunts. He never imagined he'd return from a scandalous adventure in Paris only to find a seductive beauty - a beauty who had learned that loving well is the best revenge.
Edwardian Culture: Beyond the Garden Party (Among the Victorians and Modernists)
by Samuel Shaw Sarah Shaw Naomi CarleEdwardian Culture: Beyond the Garden Party is the first truly interdisciplinary collection of essays dealing with culture in Britain c.1895-1914. Bringing together essays on literature, art, politics, religion, architecture, marketing, and imperial history, the study highlights the extent to which the culture and politics of Edwardian period were closely intertwined. The book builds upon recent scholarship that seeks to reclaim the term ‘Edwardian’ from prevalent, restrictive usages by venturing beyond the garden party – and the political rally – to uncover some of the terrain that lies between. The essays in the volume – which deal with both famous writers such as J. M. Barrie and Arnold Bennett, as well as many lesser-known figures – draw attention to the nuanced multiplicity of experience and cultural forms that existed during the period, and highlight the ways in which a closer examination of Edwardian culture complicates our definitions of ‘Victorian’ and ‘Modern’. The book argues that the Edwardian era, rather than constituting a coda to the Victorian period or a languid pause before modernism shook things up, possessed a compelling and creative tenor of its own.
Edwardian Culture: Beyond the Garden Party (Among the Victorians and Modernists)
by Samuel Shaw Sarah Shaw Naomi CarleEdwardian Culture: Beyond the Garden Party is the first truly interdisciplinary collection of essays dealing with culture in Britain c.1895-1914. Bringing together essays on literature, art, politics, religion, architecture, marketing, and imperial history, the study highlights the extent to which the culture and politics of Edwardian period were closely intertwined. The book builds upon recent scholarship that seeks to reclaim the term ‘Edwardian’ from prevalent, restrictive usages by venturing beyond the garden party – and the political rally – to uncover some of the terrain that lies between. The essays in the volume – which deal with both famous writers such as J. M. Barrie and Arnold Bennett, as well as many lesser-known figures – draw attention to the nuanced multiplicity of experience and cultural forms that existed during the period, and highlight the ways in which a closer examination of Edwardian culture complicates our definitions of ‘Victorian’ and ‘Modern’. The book argues that the Edwardian era, rather than constituting a coda to the Victorian period or a languid pause before modernism shook things up, possessed a compelling and creative tenor of its own.
Edwardian Shaw: The Writer and his Age
by Leon HugoEdwardian Shaw covers Shaw's campaigns and crusades in the crucial first ten years of the century, when his career hung in the balance. By going to contemporary documents and highlighting aspects of Shaw's career at this time, particularly his emergence as a moral revolutionary and playwright of original and disquieting power, Leon Hugo depicts a man who confronted a highly conservative world and managed by the force of his genius to stamp his personality on the age.
The Edwardians (Virago Modern Classics)
by Vita Sackville-WestWITH AN INTRODUCTION BY KATE WILLIAMSSebastian is young, handsome and romantic, the heir to a vast and beautiful English country estate. He is a fixed feature in the eternal round of lavish parties, intrigues and traditions at the cold, decadent heart of Edwardian high society. Everyone knows the role he must play, but Sebastian isn't sure he wants the part. Position, privilege and wealth are his, if he can resist the lure of a brave new world.
Edwardo the Horriblest Boy in the Whole Wide World: The Horriblest Boy In The Whole Wide World
by John BurninghamEdwardo is an ordinary boy, so sometimes he can be a bit grubby or clumsy, a bit cruel or noisy or rude. The more that he is criticised, the worse he becomes, until one day they call him 'The Horriblest Boy in the Whole Wide World'. Just then, Edwardo's luck begins to change, and a series of chance events reveal that really he is a lovely boy, and has been all along.
Edwin and Willa Muir: A Literary Marriage
by The late Margery Palmer McCullochThis is the story of a literary marriage. It tells of the partnership between Edwin and Willa Muir, two intellectuals from small town Scottish backgrounds and their discovery of Europe in the years after the first and second world wars. It tells us about the cultural, social, and political issues of those dynamic and difficult years and much else, in intimate detail, about their own personal struggles. Edwin Muir was to become a leading poet in the twentieth century Scottish literary renaissance, but to make a living the couple also worked as translators of modern German literature, including key works by Hermann Broch and, most famously, Franz Kafka. They were intimate with many of the leading writers of their time, both at home and abroad, and these contacts, and their travels in Europe gave them a special and sometimes painful insight into the trials of the twentieth century. Dr Margery McCulloch's study draws on personal travel and a wealth of new sources from private correspondence, publishers' archives, the recollections of friends, and the diaries, unpublished journals, and autobiographical memoirs of Edwin and Willa themselves. This is the fullest account of the couple's life and times together during a long and loving marriage, not without its difficulties as Willa struggled to find proper acknowledgement of her translation skills, and space for her own creativity as a novelist in the shadow of her own ill health and Edwin's growing status as a major modern poet.
Edwin and Willa Muir: A Literary Marriage
by The late Margery Palmer McCullochThis is the story of a literary marriage. It tells of the partnership between Edwin and Willa Muir, two intellectuals from small town Scottish backgrounds and their discovery of Europe in the years after the first and second world wars. It tells us about the cultural, social, and political issues of those dynamic and difficult years and much else, in intimate detail, about their own personal struggles. Edwin Muir was to become a leading poet in the twentieth century Scottish literary renaissance, but to make a living the couple also worked as translators of modern German literature, including key works by Hermann Broch and, most famously, Franz Kafka. They were intimate with many of the leading writers of their time, both at home and abroad, and these contacts, and their travels in Europe gave them a special and sometimes painful insight into the trials of the twentieth century. Dr Margery McCulloch's study draws on personal travel and a wealth of new sources from private correspondence, publishers' archives, the recollections of friends, and the diaries, unpublished journals, and autobiographical memoirs of Edwin and Willa themselves. This is the fullest account of the couple's life and times together during a long and loving marriage, not without its difficulties as Willa struggled to find proper acknowledgement of her translation skills, and space for her own creativity as a novelist in the shadow of her own ill health and Edwin's growing status as a major modern poet.
Edwina Currie: Diaries 1987-1992
by Edwina CurrieAfter Margaret Thatcher, Edwina Currie was the second most prominent woman in British politics during the 1980s. Indeed, she was often spoken of as a potential Prime Minister. Her outspokenness and her lively, media-friendly personality won her a much higher profile than her status as a junior minister would otherwise have commanded. When she was forced to resign from the government after warning of the danger signs of salmonella infection in eggs, she was already a national figure. Revealing her four-year affair with former Prime Minister John Major, Edwina's diaries caused a media sensation. A decade on, and now with previously unpublished material, the diaries still provide a remarkable insight into politics at the top by a writer with an observant eye and a sharp sense of humour. Edwina Currie's honesty, her frankness and her courage make these unexpurgated diaries an irresistible read.
Edwina Currie: Diaries 1992-1997
by Edwina CurrieNever far from centre stage, Edwina Currie falls comfortably into that category of celebrity you simply cannot ignore. Her first published diaries explosively revealed an affair with former Prime Minister John Major. This second volume, which begins in 1992 with her refusal to serve in Major's government, is no less revelatory about her colleagues, encounters with others in the public eye and, of course, her extraordinary career. Honest, compulsive and of the moment, this collection covers her life in Parliament up to the election of Blair's Labour government, but more importantly sees Edwina's emergence as a mainstay in the public imagination, first as a bestselling author, then as a commentator, broadcaster, presenter and performer. Shot through with her trademark effervescence and sense of fun, this volume of diaries documents one of the biggest characters in British public life at her saucy, scathing best.
Edwina Sparrow: Girl of Destiny
by Carol ChatawayEdwina begins a journal in order to leave evidence should there be a murder inquiry. With Edwina’s father away in Antarctica, brother Julian hopeless as usual and Gran thinking she is sixteen again with World War II going on, Edwina must cope alone. The school front is not much better. Girls begin toppling off their chairs in the classrooms suffering from a raging dieting epidemic. Edwina suspects the school bully Krystal Shard and her gang, The Gems, are responsible. It is up to Edwina, operating on barely enough sustenance for even a person with an ordinary-sized intellect, to save herself and family, stop Krystal and find out what is really going on with her mother! EDWINA SPARROW by award-winning author Carol Chataway will have teenage girls rolling with laughter.
EEG
by Daša Drndic"A writer and thinker of ever greater relevance, a voice whose wide-ranging screeds we ignore at our peril" CLAIRE MESSUD"Her work is of such power and scope that had she remained alive, she would have been a contender for the Nobel Prize in Literature" JOSIP NOVAKOVICH, Los Angeles Review of BooksAn urgent new novel about death, war and memory, and a bristling follow-on from Belladonna. In this extraordinary final work, Daša Drndic's combative, probing voice reaches new heights. In her relentless search for truth she delves into the darkest corners of our lives. And as she chastises, she also atones. Andreas Ban failed in his suicide attempt. Even as his body falters and his lungs constrict, he taps on the glass of history - an impenetrable case filled with silent figures - and tries to summon those imprisoned within. Mercilessly, fearlessly, he continues to dissect society and his environment, shunning all favours as he goes after the evils and hidden secrets of others. History remembers the names of perpetrators, not of the victims. Ban travels from Rijeka to Rovinj in nearby Istria, from Belgrade to Toronto to Tirana, from Parisian avenues to Italian palazzi. Ghosts follow him wherever he goes: chess grandmasters who disappeared during WWII; the lost inhabitants of Latvia; war criminals who found work in the C.I.A. and died peacefully in their beds. Ban's family is with him too: those he has lost and those with one foot in the grave. As if left with only a few pieces in a chess game, Andreas Ban plays a stunning last match against Death.Translated from the Croatian by Celia Hawkesworth
Eeny Meeny: DI Helen Grace 1 (Detective Inspector Helen Grace #1)
by M. J. Arlidge*** Start a new crime series... now at this special price for a limited time only ***'This is going to be as big as Jo Nesbo' Judy Finnigan 'What a great premise!' Jeffery Deaver, New York Times bestselling author of The Skin Collector and Solitude Creek Eeny Meeny is the rocket-paced serial-killer thriller debut from M. J. Arlidge. Eeny Meeny was a Richard and Judy Book Club Summer 2014 pick. ******** The girl emerged from the woods, barely alive. Her story was beyond belief. But it was true. Every dreadful word of it. Days later, another desperate escapee is found - and a pattern is emerging. Pairs of victims are being abducted, imprisoned then faced with a terrible choice: kill or be killed. Would you rather lose your life or lose your mind? Detective Inspector Helen Grace has faced down her own demons on her rise to the top. As she leads the investigation to hunt down this unseen monster, she learns that it may be the survivors - living calling cards - who hold the key to the case. And unless she succeeds, more innocents will die . . . Introducing M. J. Arlidge's Detective Inspector Helen Grace, Eeny Meeny is an electrifying début, with the nerve-shredding intensity of Saw and Along Came a Spider. Fans of James Patterson and Mo Hayder should pay attention. Praise for M.J. Arlidge and the DI Helen Grace series: 'M. J. Arlidge has created a genuinely fresh heroine in DI Helen Grace' Daily Mail 'Taut, fast-paced, truly excellent' Sun 'Detective Inspector Helen Grace is one of the greatest heroes to come along in years.' Jeffery Deaver, New York Times bestselling author of The Skin Collector and Solitude Creek 'Gruesomely realistic, intriguing and relentless' Sunday Sport 'Eeny Meeny debuts one of the best new series detectives, Helen Grace. Determined, tough and damaged, she must unravel a terrifying riddle of a killer kidnapping victims in pairs. Mesmerizing!' Lisa Gardner'A gripping debut ... D.I. Helen Grace is a flawed but winning heroine ... and, boy, the pages fly by' USA Today'A fast-paced, twisting police procedural and thriller that's sure to become another bestseller' Huffington Post