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Elizabeth Bowen: A Literary Life (Literary Lives)
by Patricia LaurenceElizabeth Bowen: A Literary Life reinvents Bowen as a public intellectual, propagandist, spy, cultural ambassador, journalist, and essayist as well as a writer of fiction. Patricia Laurence counters the popular image of Bowen as a mannered, reserved Anglo-Irish writer and presents her as a bold, independent woman who took risks and made her own rules in life and writing. This biography distinguishes itself from others in the depth of research into the life experiences that fueled Bowen’s writing: her espionage for the British Ministry of Information in neutral Ireland, 1940-1941, and the devoted circle of friends, lovers, intellectuals and writers whom she valued: Isaiah Berlin, William Plomer, Maurice Bowra, Stuart Hampshire, Charles Ritchie, Sean O’Faolain, Virginia Woolf, Rosamond Lehmann, and Eudora Welty, among others. The biography also demonstrates how her feelings of irresolution about national identity and gender roles were dispelled through her writing. Her vivid fiction, often about girls and women, is laced with irony about smooth social surfaces rent by disruptive emotion, the sadness of beleaguered adolescents, the occurrence of cultural dislocation, historical atmosphere, as well as undercurrents of violence in small events, and betrayal and disappointment in romance. Her strong visual imagination—so much a part of the texture of her writing—traces places, scenes, landscapes, and objects that subliminally reveal hidden aspects of her characters. Though her reputation faltered in the 1960s-1970s given her political and social conservatism, now, readers are discovering her passionate and poetic temperament and writing as well as the historical consciousness behind her worldly exterior and writing.
Elizabeth Bowen: A Literary Life (Literary Lives)
by Patricia LaurenceElizabeth Bowen: A Literary Life reinvents Bowen as a public intellectual, propagandist, spy, cultural ambassador, journalist, and essayist as well as a writer of fiction. Patricia Laurence counters the popular image of Bowen as a mannered, reserved Anglo-Irish writer and presents her as a bold, independent woman who took risks and made her own rules in life and writing. This biography distinguishes itself from others in the depth of research into the life experiences that fueled Bowen’s writing: her espionage for the British Ministry of Information in neutral Ireland, 1940-1941, and the devoted circle of friends, lovers, intellectuals and writers whom she valued: Isaiah Berlin, William Plomer, Maurice Bowra, Stuart Hampshire, Charles Ritchie, Sean O’Faolain, Virginia Woolf, Rosamond Lehmann, and Eudora Welty, among others. The biography also demonstrates how her feelings of irresolution about national identity and gender roles were dispelled through her writing. Her vivid fiction, often about girls and women, is laced with irony about smooth social surfaces rent by disruptive emotion, the sadness of beleaguered adolescents, the occurrence of cultural dislocation, historical atmosphere, as well as undercurrents of violence in small events, and betrayal and disappointment in romance. Her strong visual imagination—so much a part of the texture of her writing—traces places, scenes, landscapes, and objects that subliminally reveal hidden aspects of her characters. Though her reputation faltered in the 1960s-1970s given her political and social conservatism, now, readers are discovering her passionate and poetic temperament and writing as well as the historical consciousness behind her worldly exterior and writing.
Elizabeth Bowen and the Dissolution of the Novel: Still Lives
by A. Bennett N. Royle Katherine WatsonElizabeth Bowen and the Dissolution of the Novel argues that the Anglo- Irish writer Elizabeth Bowen (1899-1973) is one of the most important, though undervalued, practitioner of the twentieth-century novel in English. This is an innovative study with significant implications for contemporary critical and theoretical writing. The authors contend that Bowen's work calls for a radically new conception of criticism and theory - and of the novel itself.
Elizabeth Buchan five-book collection: Daughters of the Storm, Light of the Moon, Consider the Lily, Perfect Love, Against Her Nature
by Elizabeth BuchanDaughters of the StormParis, 1789. As the shadow of the guillotine falls over a nation at war with itself, three very different women find themselves caught up in the storm of revolution... A sweeping tale of freedom and betrayal, love and death, set in revolutionary France.Light of the MoonIn wartime France, an English SOE and a German Abwehr officer fall in love - with consequences neither could have foreseen. When the battle lines shift, and patriotism gives way to deeper truths, they will both face the gravest of challenges.Consider the LilyA haunting, passionate story played out between three people, Consider the Lily is also a poignant and beautiful novel of England between the wars that propels the reader into its own rich and nostalgic world. Winner of the 1994 Romantic Novelists' Association Novel of the Year Award.Perfect LoveAfter twenty years of marriage, a woman is precipitated into a secret life, and finds herself crossing the boundary between innocence and knowledge, exploring the line between the gluttony and surrender of desire and facing the stark realities that result. A compassionate portrait of a modern marriage.Against Her NatureTwo women move through the opportunists, the short-termists, the sharks, the bullies and the very, very rich to face many choices, not least the one presented by biology: children. Life is a risk, however much we try to protect ourselves. A modern-day take on Vanity Fair.
Elizabeth, Captive Princess: Two Sisters, One Throne (Elizabeth I Trilogy #2)
by Margaret IrwinJuly, 1553. Sibling rivalry has never been more turbulent and perilous than between the daughters of King Henry VIII. Queen Mary Tudor has just won possession of the throne, but her younger half-sister – the beautiful and vivacious Princess Elizabeth – holds the hearts of the people. Knowing this, Mary banishes her sibling to a country retreat, determined to keep her as far away from court life as possible.But Mary’s health is fading fast and her power beginning to crumble. The people of England are crying out for a new monarch and it seems, at last, they may have their wish and crown their beloved Bess as Queen. In these treacherous times, when all about her lies secrecy and deception, Elizabeth must rely on her faith and courage if she is to rise to fulfil her destiny.
Elizabeth Cellier: Printed Writings 1641–1700: Series II, Part Three, Volume 5 (The Early Modern Englishwoman: A Facsimile Library of Essential Works & Printed Writings, 1641-1700: Series II, Part Three)
by Mihoko SuzukiElizabeth Cellier, the scandalous celebrity known as the 'Popish midwife', became the focus of a large number of pamphlets in 1680: accounts of her two trials, her self-vindication, Malice Defeated, her opponent Thomas Dangerfield's rejoinder, and various anonymous satiric attacks against her. She was tried twice: the first time for the more serious charge of treason, and the second for libel, for publishing Malice Defeated. She was acquitted the first time, but found guilty the second, though her punishment was to be pilloried, not executed. She reemerges as the author of tracts on midwifery, proposing to James II the establishment of a professional guild of midwives. Her writings exhibit her remarkable determination to publish her accusations of judicial torture and her advocacy of the licensing of midwives as professional women, as well as exemplifying the importance of the printing press for enabling women to participate in the political public sphere.
Elizabeth Cellier: Printed Writings 1641–1700: Series II, Part Three, Volume 5 (The Early Modern Englishwoman: A Facsimile Library of Essential Works & Printed Writings, 1641-1700: Series II, Part Three)
by Mihoko SuzukiElizabeth Cellier, the scandalous celebrity known as the 'Popish midwife', became the focus of a large number of pamphlets in 1680: accounts of her two trials, her self-vindication, Malice Defeated, her opponent Thomas Dangerfield's rejoinder, and various anonymous satiric attacks against her. She was tried twice: the first time for the more serious charge of treason, and the second for libel, for publishing Malice Defeated. She was acquitted the first time, but found guilty the second, though her punishment was to be pilloried, not executed. She reemerges as the author of tracts on midwifery, proposing to James II the establishment of a professional guild of midwives. Her writings exhibit her remarkable determination to publish her accusations of judicial torture and her advocacy of the licensing of midwives as professional women, as well as exemplifying the importance of the printing press for enabling women to participate in the political public sphere.
Elizabeth Costello: Huit Leçons (Narrativa/empúries Ser. #Vol. 232)
by J. M. CoetzeeElizabeth Costello is an Australian writer of international renown. Famous principally for an early novel that established her reputation, she has reached the stage where her remaining function is to be venerated and applauded. Her life has become a series of engagements in sterile conference rooms throughout the world - a private consciousness obliged to reveal itself to a curious public: the presentation of a major award at an American college where she is required to deliver a lecture; a sojourn as the writer in residence on a cruise liner; a visit to her sister, a missionary in Africa, who is receiving an honorary degree, an occasion which both recognise as the final opportunity for effecting some form of reconciliation; and a disquieting appearance at a writers' conference in Amsterdam where she finds the subject of her talk unexpectedly amongst the audience. She has made her life's work the study of other people yet now it is she who is the object of scrutiny. But, for her, what matters is the continuing search for a means of articulating her vision and the verdict of future generations.
Elizabeth Evelinge, III: Printed Writings 1500–1640: Series I, Part Four, Volume 1 (The Early Modern Englishwoman: A Facsimile Library of Essential Works & Printed Writings, 1500-1640: Series I, Part Four)
by Claire WalkerElizabeth Evelinge, now firmly believed to have been the translator of The admirable life of the holy virgin S. Catharine of Bologna, entered the English Poor Clare monastery in Gravelines in 1620. After ongoing dissension at Gravelines, along with Catharine Bentley (originally believed to be the translator) she founded a new cloister at Aire. Evelinge served as abbess here for 25 years. Her 1621 translation of Catharine of Bologna's life and Spiritual weapons, with their exemplary advice about how to survive the temptations and conflicts of cloistered life, aimed at assisting the troubled English Poor Clares in their time of need. Whether designed to further the Franciscan cause within the cloister or simply to offer solace, the translation of this text occurred because of the dissension in the house at Gravelines. Moreover, it is possible that Catharine of Bologna represented so compelling a model of Poor Clare spirituality that Elizabeth Evelinge, whose piety and talents mirrored those of her subject, deemed herself too humble to ascribe her intellectual achievements to herself, which led to the debate about who translated the text.
Elizabeth Evelinge, III: Printed Writings 1500–1640: Series I, Part Four, Volume 1 (The Early Modern Englishwoman: A Facsimile Library of Essential Works & Printed Writings, 1500-1640: Series I, Part Four)
by Claire WalkerElizabeth Evelinge, now firmly believed to have been the translator of The admirable life of the holy virgin S. Catharine of Bologna, entered the English Poor Clare monastery in Gravelines in 1620. After ongoing dissension at Gravelines, along with Catharine Bentley (originally believed to be the translator) she founded a new cloister at Aire. Evelinge served as abbess here for 25 years. Her 1621 translation of Catharine of Bologna's life and Spiritual weapons, with their exemplary advice about how to survive the temptations and conflicts of cloistered life, aimed at assisting the troubled English Poor Clares in their time of need. Whether designed to further the Franciscan cause within the cloister or simply to offer solace, the translation of this text occurred because of the dissension in the house at Gravelines. Moreover, it is possible that Catharine of Bologna represented so compelling a model of Poor Clare spirituality that Elizabeth Evelinge, whose piety and talents mirrored those of her subject, deemed herself too humble to ascribe her intellectual achievements to herself, which led to the debate about who translated the text.
Elizabeth Finch: From the Booker Prize-winning author of THE SENSE OF AN ENDING
by Julian BarnesWe'd like to introduce you to Elizabeth Finch.We invite you to take her course in Culture and Civilisation.She will change the way you see the world.'The task of the present is to correct our understanding of the past. And that task becomes the more urgent when the past cannot be corrected.'Elizabeth Finch was a teacher, a thinker, an inspiration - always rigorous, always thoughtful. With measured empathy, she guided her students to develop meaningful ideas and to discover their centres of seriousness.As Neil, a former student, unpacks Elizabeth's notebooks, and remembers her uniquely inquisitive mind, her passion for reason resonates through the years. Her ideas unlock the philosophies of the past, and explore key events that show us how to make sense of our lives today. And underpinning them all is the story of J - Julian the Apostate, her historical soulmate and fellow challenger to the institutional and monotheistic thinking that has always threatened to divide us. This is more than a novel. It's a loving tribute to philosophy, a careful evaluation of history, an invitation to think for ourselves. It's a moment to reflect and to gently explore our own theories and assumptions. It is truly a balm for our times.-- This book has been printed with two different colour designs, blue and yellow. We are unable to accept requests for a specific cover. The different covers will be assigned to orders at random
Elizabeth Gaskell: A Literary Life (Literary Lives)
by S. FosterThis literary biographical study examines the life and works of the mid-Victorian woman novelist, Elizabeth Gaskell, whose popularity is now well established. It places her writing in the context of her attitudes towards creative production, her relationship with publishers, and her literary friendships, as well as examining those events of her life which fed into her work. It pays particular attention to the ways in which she sought to reconcile the conflicting demands made upon her, as woman and as artist.
Elizabeth Gaskell (Routledge Library Editions: The Nineteenth-Century Novel)
by John McVeaghFirst published in 1970, this study demonstrates both the range and essential unity of the works of Mrs. Gaskell. The author analyses the novels of social criticism, the biography of Charlotte Brontë and the novels of country life as distinct expressions of her genius, commenting on recurrent themes, typical methods of presentation and consistent attitudes as they appear in each of the works. The differences of subject and intention between the three kinds of writing will be seen in the extracts which indicate the range of her ability and interests. The final section summarises her range and success and failure. This book will be of interest to students of literature and sociological history.
Elizabeth Gaskell (Routledge Library Editions: The Nineteenth-Century Novel)
by John McVeaghFirst published in 1970, this study demonstrates both the range and essential unity of the works of Mrs. Gaskell. The author analyses the novels of social criticism, the biography of Charlotte Brontë and the novels of country life as distinct expressions of her genius, commenting on recurrent themes, typical methods of presentation and consistent attitudes as they appear in each of the works. The differences of subject and intention between the three kinds of writing will be seen in the extracts which indicate the range of her ability and interests. The final section summarises her range and success and failure. This book will be of interest to students of literature and sociological history.
Elizabeth Gaskell (Women Writers)
by Jane SpencerElizabeth Gaskell has been presented in many different terms: as a timid, conventional Victorian woman and as a feminist critic of her society; as a Chartist sympathizer and as an apologist for class privilege. This new study of Gaskell's major work argues that, as a Unitarian and as a middle-class woman, she held a number of warring allegiances that show themselves in complexities and contradictions in her writing; but that, towards the end of her career, she found ways of resolving for herself the tensions between social duty and artistic delight.
Elizabeth Gaskell
by Patsy StonemanThis pioneering study, described as ‘a model of feminist criticism’ (The Year’s Work in English Studies) on first publication, revealed Gaskell as an important social analyst who deliberately challenged the Victorian disjunction between public and private ethical values, who maintained a steady resistance to aggressive authority, advocating female friendship, rational motherhood and the power of speech as forces for social change. Since 1987, Gaskell’s work has risen from minor to major status. This new edition presents the original text (except for bibliographical updating) together with a new and extensive critical ‘Afterword’. This addition contains detailed evaluation of all the Gaskell criticism published between 1985 and 2004 which has a bearing on her thesis, and thus provides both a wide-ranging debate on the social implications of motherhood, and an invaluable survey of Gaskell criticism over the last twenty years. This study will bring a well-tried classic to a new audience, while also offering a uniquely comprehensive overview of current Gaskell studies.
Elizabeth Gaskell: Realism, Gender, Values
by T. WrightThis new study deals with the whole range of Gaskell's fiction, approaching her as a deeply poetic novelist and short-story writer. Among topics covered are women and the creation of the self, death and personal integrity, the status of words as utterance and the shape and meaning of individual lives. While seeing her as a product of her age, Wright transcends narrow categorisations of her work to read her 'whole' as a subtle exponent of the values of a humane realism.
An Elizabeth Gaskell Chronology (Author Chronologies Series)
by G. HandleyThis chronology will set Elizabeth Gaskell in her historical, social and literary contexts. It will focus on her career as a writer but will also underline her interactive roles as wife, mother, practical and tolerant Christian, radical sympathizer. Graham Handley discusses her early life, her marriage, the beginnings of her writing, the years of achievement, her social, humanitarian concerns, love of travel and its influence, with the balance of domesticity and creativity which is the key to her character.
Elizabeth Gaskell (PDF)
by Patsy StonemanThis pioneering study, described as ‘a model of feminist criticism’ (The Year’s Work in English Studies) on first publication, revealed Gaskell as an important social analyst who deliberately challenged the Victorian disjunction between public and private ethical values, who maintained a steady resistance to aggressive authority, advocating female friendship, rational motherhood and the power of speech as forces for social change. Since 1987, Gaskell’s work has risen from minor to major status. This new edition presents the original text (except for bibliographical updating) together with a new and extensive critical ‘Afterword’. This addition contains detailed evaluation of all the Gaskell criticism published between 1985 and 2004 which has a bearing on her thesis, and thus provides both a wide-ranging debate on the social implications of motherhood, and an invaluable survey of Gaskell criticism over the last twenty years. This study will bring a well-tried classic to a new audience, while also offering a uniquely comprehensive overview of current Gaskell studies.
Elizabeth Gaskell's Cranford: A Publishing History
by Thomas RecchioTracing the publishing history of Elizabeth Gaskell's Cranford from its initial 1851-53 serialization in Dickens's Household Words through its numerous editions and adaptations, Thomas Recchio focuses especially on how the text has been deployed to support ideas related to nation and national identity. Recchio maps Cranford's nineteenth-century reception in Britain and the United States through illustrated editions in England dating from 1864 and their subsequent re-publication in the United States, US school editions in the first two decades of the twentieth century, dramatic adaptations from 1899 to 2007, and Anglo-American literary criticism in the latter half of the twentieth century. Making extensive use of primary materials, Recchio considers Cranford within the context of the Victorian periodical press, contemporary reviews, theories of text and word relationships in illustrated books, community theater, and digital media. In addition to being a detailed publishing history that emphasizes the material forms of the book and its adaptations, Recchio's book is a narrative of Cranford's evolution from an auto-ethnography of a receding mid-Victorian English way of life to a novel that was deployed as a maternal model to define an American sensibility for early twentieth-century Mediterranean and Eastern European immigrants. While focusing on one novel, Recchio offers a convincing micro-history of the way English literature was positioned in England and the United States to support an Anglo-centric cultural project, to resist the emergence of multicultural societies, and to ensure an unchanging notion of a stable English culture on both sides of the Atlantic.
Elizabeth Gaskell's Cranford: A Publishing History
by Thomas RecchioTracing the publishing history of Elizabeth Gaskell's Cranford from its initial 1851-53 serialization in Dickens's Household Words through its numerous editions and adaptations, Thomas Recchio focuses especially on how the text has been deployed to support ideas related to nation and national identity. Recchio maps Cranford's nineteenth-century reception in Britain and the United States through illustrated editions in England dating from 1864 and their subsequent re-publication in the United States, US school editions in the first two decades of the twentieth century, dramatic adaptations from 1899 to 2007, and Anglo-American literary criticism in the latter half of the twentieth century. Making extensive use of primary materials, Recchio considers Cranford within the context of the Victorian periodical press, contemporary reviews, theories of text and word relationships in illustrated books, community theater, and digital media. In addition to being a detailed publishing history that emphasizes the material forms of the book and its adaptations, Recchio's book is a narrative of Cranford's evolution from an auto-ethnography of a receding mid-Victorian English way of life to a novel that was deployed as a maternal model to define an American sensibility for early twentieth-century Mediterranean and Eastern European immigrants. While focusing on one novel, Recchio offers a convincing micro-history of the way English literature was positioned in England and the United States to support an Anglo-centric cultural project, to resist the emergence of multicultural societies, and to ensure an unchanging notion of a stable English culture on both sides of the Atlantic.
Elizabeth Gaskell’s Smaller Stories
by Carolyn LambertThis book re-locates Elizabeth Gaskell’s ‘smaller stories’ in the literary and cultural context of the nineteenth century. While Gaskell is recognised as one of the major novelists of her time, the short stories that make up a large proportion of her published work have not yet received the critical attention they deserve. This study re-claims them as an indispensable part of her literary output that enables us to better contextualize and assess her achievement holistically as a highly-skilled woman of letters. The periodicals in which Gaskell’s shorter pieces were published offer a microcosm of nineteenth-century society, and Gaskell took full advantage of the medium to apply a consistent and barbed challenge to cultural and gendered constructs of roles and social behaviour. Although her eminently readable prose still flows easily in her short stories, it is less likely to elide the sharp corners of domestic violence, the disabling experiences of women, the pain of death and loss, and the complications of family life.
Elizabeth I: Translations, 1592-1598
by Elizabeth IEngland’s Virgin Queen, Elizabeth Tudor, had a reputation for proficiency in foreign languages, repeatedly demonstrated in multilingual exchanges with foreign emissaries at court and in the extemporized Latin she spoke on formal visits to Cambridge and Oxford. But the supreme proof of her mastery of other tongues is the sizable body of translations she made over the course of her lifetime. This two-volume set is the first complete collection of Elizabeth’s translations from and into Latin, French, and Italian. Presenting original and modernized spellings in a facing-page format, these two volumes will answer the call to make all of Elizabeth’s writings available. They include her renderings of epistles of Cicero and Seneca, religious writings of John Calvin and Marguerite de Navarre, and Horace’s Ars poetica, as well as Elizabeth’s Latin Sententiae drawn from diverse sources, on the responsibilities of sovereign rule and her own perspectives on the monarchy. Editors Janel Mueller and Joshua Scodel offer introduction to each of the translated selections, describing the source text, its cultural significance, and the historical context in which Elizabeth translated it. Their annotations identify obscure meanings, biblical and classical references, and Elizabeth’s actual or apparent deviations from her sources. The translations collected here trace Elizabeth’s steady progression from youthful evangelical piety to more mature reflections on morality, royal responsibility, public and private forms of grief, and the right way to rule. Elizabeth I: Translations is the queen’s personal legacy, an example of the very best that a humanist education can bring to the conduct of sovereign rule.
Elizabeth I: Translations, 1544-1589 (Chicago Lectures In Mathematics Ser.)
by Elizabeth IEngland’s Virgin Queen, Elizabeth Tudor, had a reputation for proficiency in foreign languages, repeatedly demonstrated in multilingual exchanges with foreign emissaries at court and in the extemporized Latin she spoke on formal visits to Cambridge and Oxford. But the supreme proof of her mastery of other tongues is the sizable body of translations she made over the course of her lifetime. This two-volume set is the first complete collection of Elizabeth’s translations from and into Latin, French, and Italian. Presenting original and modernized spellings in a facing-page format, these two volumes will answer the call to make all of Elizabeth’s writings available. They include her renderings of epistles of Cicero and Seneca, religious writings of John Calvin and Marguerite de Navarre, and Horace’s Ars poetica, as well as Elizabeth’s Latin Sententiae drawn from diverse sources, on the responsibilities of sovereign rule and her own perspectives on the monarchy. Editors Janel Mueller and Joshua Scodel offer introduction to each of the translated selections, describing the source text, its cultural significance, and the historical context in which Elizabeth translated it. Their annotations identify obscure meanings, biblical and classical references, and Elizabeth’s actual or apparent deviations from her sources. The translations collected here trace Elizabeth’s steady progression from youthful evangelical piety to more mature reflections on morality, royal responsibility, public and private forms of grief, and the right way to rule. Elizabeth I: Translations is the queen’s personal legacy, an example of the very best that a humanist education can bring to the conduct of sovereign rule.
Elizabeth I: Translations, 1592-1598
by Elizabeth IEngland’s Virgin Queen, Elizabeth Tudor, had a reputation for proficiency in foreign languages, repeatedly demonstrated in multilingual exchanges with foreign emissaries at court and in the extemporized Latin she spoke on formal visits to Cambridge and Oxford. But the supreme proof of her mastery of other tongues is the sizable body of translations she made over the course of her lifetime. This two-volume set is the first complete collection of Elizabeth’s translations from and into Latin, French, and Italian. Presenting original and modernized spellings in a facing-page format, these two volumes will answer the call to make all of Elizabeth’s writings available. They include her renderings of epistles of Cicero and Seneca, religious writings of John Calvin and Marguerite de Navarre, and Horace’s Ars poetica, as well as Elizabeth’s Latin Sententiae drawn from diverse sources, on the responsibilities of sovereign rule and her own perspectives on the monarchy. Editors Janel Mueller and Joshua Scodel offer introduction to each of the translated selections, describing the source text, its cultural significance, and the historical context in which Elizabeth translated it. Their annotations identify obscure meanings, biblical and classical references, and Elizabeth’s actual or apparent deviations from her sources. The translations collected here trace Elizabeth’s steady progression from youthful evangelical piety to more mature reflections on morality, royal responsibility, public and private forms of grief, and the right way to rule. Elizabeth I: Translations is the queen’s personal legacy, an example of the very best that a humanist education can bring to the conduct of sovereign rule.